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R.` p)@p`-l0.H//.NPO*JkbJg /NJp` < f/N,p)@p` J@kf.g^/N .N./.N"PO*`@.g4 ,tF".€)n-Ag fp`p//.NPO*`p` pg/NXOJf: ;@ L N^Nupa)_H B/?<CNA\ONNVH.. ,.*n "NV*Jfp`Jf.Hd(-f / NXOJg` +m +mJgp3UgXpLFr@ҁf -+@ `8-gp`pnFrnFf -+@ ` p+@ ``-fcJgZ - n"m`Sd/-/-/-NO (g$pf p` "N`+m - n"///-NxO ( "- g2pf - "Nz,`$ "- Ё"Nb,` Ё"NT, -+@ `xJ gJ  m - =@H n"m`Sd m0.+HH 0.H n-HJg`/ NbXOJgR ЇS"N" ` L N^NuSEQUENCE.TAT/LERROR: Out of memory ERROR: Can't open animation file: %s ERROR: Couldn't allocate frame buffer Can't load animation %s ERROR: Couldn't allocate screen buffer ERROR: Couldn't allocate final screen buffer ERROR: Can't load image file %s ERROR: Couldn't allocate new screen buffer ANIMTOOL - Thrax's Animation Tool v2.0 Usage: ANIMTOOL Options: /H Display this help screen. /I Degas (PI1) image to append. /S Playback speed (VBLs/frame). +/-R Repeat/don't repeat animation. /L Append a loop back to this frame /C Used with /L to define the loop count /D Force new frame to be a screen dump If filename is not given the default SEQUENCE.TAT is used. Press a key to continue... ( 2 3 32 3TF0123456789abcdef ( ( H  ( H   *x"""sY789SE*K]*G1pj~rR%PQ8#jSc]̣6u >D} }UE`zς`W|ź\|Ex8C<5а`jO;@l '0z)@t@_F8_lI;R9U |^|VM_Kz9>RI|\JKkJ6BP- ß̓Eqp3XShJ/2ѵɊGC9&:E9̛dk;9<!e"{2l.!BzT445Z+ wqwW_rNmm&lgHSuŸz: Q1bz#fCd-.* cZp.,d"Oh5RZK"P^7T 0Ur88(;aB/?;/$-#6mIg2+2qfYA>(5\ǔ)2<)Ĉ^" ڑq Y%k5hjmlZ1H1d1ly0|U@Ѣfm2IAO-c hRr2H`il|k6@ߧAm#L#NIZKjS Z`[nXL!XiOnD  ӡ$w \p׶.A!T7t1B 4N@-I | ANIMTOOL is copyright (c) 1991 by Martin Packer. All rights reserved. | | G| | Permission is granted for unrestriced non-commercial use and | | distribution by individuals, public domain libraries and BBS's. | | With the condition that it must be accompanied by this file. | | G| | If you find any bugs, have any suggestions for improvements, feel | | the urge to send me large quantities of money, or just want to say | | hi! Please write to me: /| | G| | Martin Packer 1| | 81B Preston Road .| | Brighton 6| | East Sussex 3| | U.K. :| -I ANIMTOOL is a utility for stringing a sequence of low-res image files together into an animation. It uses delta compression (only storing the differences between frames) to reduce the size and increase the playback speed of the animation files it generates. The original command line version of ANIMTOOL came about because I wanted to animate some scenes I'd generated using David Buck's DKBTrace Ray- Tracer. There are two versions of ANIMTOOL: ANIMTOOL.PRG Is a version with a nice GEM front-end which allows animations to be loaded, played, manipulated in memory and saved. ANIMTOOL.TTP Is a single pass command line version which can play an animation or carry out one of the manipulation operations. Because it only carries out one operation at a time (and because the program itself is quite a lot smaller), it uses a lot less memory than the GEM version, so it can be used to build and play larger animations if memory is getting tight. This version can also be renamed ANIMTOOL.PRG and placed in an auto folder, where it will attempt to load and play the animation SEQUENCE.TAT in the root directory of the boot disk. A Quick Guide to the Features of ANIMTOOL: ANIMTOOL.PRG is controlled from a single full screen dialogue. Here's what the various bits mean: Current Animation: Filename: The name of the current animation. The default animation file is SEQUENCE.TAT. When you run ANIMTOOL this file will be loaded if it exists. Number of Frames: The total number of frames in the animation. Default Speed: When you load a new animation into ANIMTOOL.PRG, the playback speed will be set to the animation's default value. This is also the speed it will normally run at when played by ANIMTOOL.TTP. Repeat: Animations can be set to repeat indefinitely when played. This is the default setting which works in the same way as the default speed. Load: Click here to load an animation. If you want to create a new animation, click here and type the name into the file selector. Save: Click here to save the current animation. Save As: Click here to save the current animation with a different file name. Workspace: When you run ANIMTOOL it will grab the largest chunk of memory it can find to use as its workspace. This tells you how many bytes you've used and how much you've got left. Show Frame Info: A "frame" is actually the stored differences between one screen image in the animation and the next. A frame consists of one or two records. If the two screen palettes differ, the frame will contain a palette record. If the screen images are similar, with no large- scale differences, then the frame will contain a delta record, which contains only the differences between the images. If the screen images are too dissimilar for a delta record to be worthwhile, the frame will contain a screen dump record, which contains all 32000 bytes of the new screen image. By entering a frame number here, or selecting it using the + and - buttons, and clicking on "Show Frame Info" you can find out which records are present in a frame and how many bytes the frame occupies. Play Animation: Clicking here plays the current animation. Press escape at any time to stop. Speed: Selects the playback speed of the animation. The number here indicates how long each image in the animation will be displayed for, in VBL's (vertical blanks - the time taken for the television/monitor display to be refreshed - on UK systems, one VBL is 1/50th of a second). With a complicated animation (where the delta frames are larger than about 12K) it may not be possible to play the animation at maximum speed (1 VBL/frame). It's possible to get an idea of the maximum playing speed for an animation by setting the speed to 0. If you do this the animation will be played at maximum possible speed without it being sychronised with the screen refresh. The currently set speed will be saved as the default speed when you save an animation. To Frame: If a number is entered here the animation will only play up to the frame indicated. In combination with "Pause" this lets you isolate and view a single frame. Repeat: If "Yes" is selected the animation will repeat indefinitely when played. This feature should only be used if the first frame of the animation contains a dump record (it usually does). If it doesn't, strange things will happen because the animation routines assume that the screen starts off cleared to colour 0 and the first frame (if it contains a delta record) will depend on this. The current repeat state will be saved as the default when you save an animation. Pause: If "Yes" is selected, after playing an animation, the computer will wait for a keypress before returning to the control screen. Step: If "Yes" is selected, the computer will wait for a keypress between each frame of the animation. Add Degas Image Frame: Click here to add the indicated degas image to the animation. FileName: Click here and select the file containing the image you want to append to your animation. Dump Frame: When "Add Degas Image Frame" is selected, ANIMTOOL will usually try to generate a delta record for the new image. You can force a screen dump record to be generated by selecting this button. Add Loop Frame: Usually the animation will progress in sequence from one image to the next. This feature allows you to build loops into your animation. Loop frames can be used to repeat short sequences, repeat the whole animation or repeat (effectively pause on) a single frame. A loop frame is the same as any other frame. A delta (or screen dump) record and possibly a palette record must be generated holding the differences between the current last image in the animation and the one you're looping to. Animation l oops can be 'nested' inside one another to any depth. The "dump frame" button has the same effect when adding loop frames as with image frames. Loop To: Select the frame you wan't to loop back to here. Loop Count: Select the number of times the animation should loop back before continuing. This number should be one less than the number of times you want the loop repeated (it will have played once already). If you enter a count of 0 the looping will continue indefinitely. Delete Last Frame: Clicking here removes the last frame from the animation. ANIMTOOL.TTP can do everything that ANIMTOOL.PRG can except deleting the last frame. As mentioned earlier, it uses less memory than ANIMTOOL.PRG but it can only carry out one operation per pass. So it's a pretty slow way to do things if you're loading the animation from a floppy disk each time. I usually write a CLI batch file which uses ANIMTOOL.TTP to build my animations. Usage: ANIMTOOL Options: /H Display help screen. /I Degas (PI1) image to append. /S Playback speed (VBLs/frame). +/-R Repeat/don't repeat animation. /L Append a loop back to this frame /C Used with /L to define the loop count /D Force new frame to be a screen dump If filename is not given the default SEQUENCE.TAT is used. h Hb"P p}Ɖ}<E]N_͕1Bp들 ,6z&)RHۉ95&'N7#RP`G?1&U: Hf7K,1~yvXiHϻje̱tR$ {s`b\w ;u=`$ )@q 1XXm[IX|P]Ag| |5@ ɘx5b;{7\K/՘Rim Z'Wk5AvLBՙaS$iLN(jvRNzznHx`QpjQ&J'LާNvk^A ؘ5*s C> > Ր­-'fbt~`:D}kZ쟪HHX `*@hUʋITZo[nCU h H %Te. Z T: +rrʖ꘎ncPC<d(m ͐#\yd?:XoK]ydhu1uoYcs-Z\;Ih[hZ^]%ZQYd|BK^V_dCKbVcdBK2 ';o8կEvpPEjT|oHN{1s[FQ,  Z [@@]r[WqT Y4&H^np.K _ip2K bip6K cip1J5NAkSt2Xei:+U%XƣvA9=x ?>eSachEq)9Hg:?:x1ÔMF).  z`.. DEMO STR za$FRACC RSC |az<FRACLANDDOC SaIFRACLANDPRG Z`jFRACM RSC z{a5FRACPLAYPRG Uyp,FRACS * @@@@@@@@@@@@@@ %%*զÄPVՇ퇆Ui2q 7ei10r`^,R\et\n 0VWU5\ITD8X@-³6T8 16 b`L*)@7ڽR U_kDа/ *: [4G}E#e# au(MBW1_҅ u;J$_*$^^Xz-eTȺ@ a|#fDٓ)FIOF{)L-@=~$42hy_&0  V8Hdܰ:םNQ}qPRcMvLք"րٞξL>A¨"gL6րlX=T/(sz$Q IQUr(Y)EJ(29(=_֩X *K4 e:LE<yn)X_҃N'\ON=t_c_⋁ Yju9'%8q ei_ybec\׬'mu++A^Y8uG@uY Pe0"AÂ݃y(!,TT c#賘P!q$~ p((I_DDz`%G`M|T.Jrԯ.ȈQ!iRʗ\ , $<>E <Movie DetailsOK Speed Direction05__9<<>> Loop Ping Desk File Contour Animation Fracland-123456 Quit Load Contour Load Story Load Animation Save Contour Save Story Save Animation---- Save View Generate Contour Zones Detail- 3D View- Shade Colouring Play Back Do Rendering Mode- Play Speed - Story BoardAnimation Mode Disc MemoryOKGenerating Colour Map Frame Number Key FrameRender Progress Report- Percentage00%00000000ofofHeight of Camera & Target Camera Height Target Height______X______XOK Re-drawing the contour map Your message here -123456Zone Colours Rich Earth Bare Soil Desert Beach Sandy Soil Red Clay Brush Pasture Tropical Lunar Rock Snow IceZone 1Zone 2Zone 3 Sea Ocean Night Blue Sky Hazy Sky TropicalOKViewq4@b6q?D @`|Dժk+5#s$ժk+5#s$ժk+5#s$ժk+5#s$ժk+5#s$ժk+5#s$ժk+5#s$ժk+5#s$ժk+5#s"`pxxp``pxxp``pxxp``pxxp``pxxp``pxxp``pxxp``pxxp`$'(T);<=CIYKMNVOQRVSUVVW]cYekqYsyYVVVYYV V YY VTVXXXX V V!23V4=>V ?IJV KVWV X^_T`|}~TV VVV  X X X"%&T')*V+-.X/78T9ABVCNOV PXYVZ]`XbdeUfilXnpqruxXz|}~TiVV XTVTVVVTTTTT  T  YY*+Y ,/0V14569:;>?@CDEHIJMNORSTWXYghTilmTnuvVwz}TVVTTVV YYYVVTVVTQ VV "#V $'(V)+,V-01V256V7:;V<?@VADEVFIJVKefTgvwVxVXXTT V V '(V)01V2>?V @JKV LSTVU^_V `jkV lxyV zVVVVVVVVV V V TV` ` N .` n` `  ` N .` n` `  Z       6  N  f  ~   qQ  Q  Q         :  V rQ         6 R n  %  q _    Q       2 N j  wQ        .   Q  , QJf  qQ   Q  : H Q Q    *F b ~  %q S      &  B ^ z     " >  Zq Q   v      Q Q : V 1rqQ"AAA> A` A A A  A A  AVAd ArAA AA A      6R n  !"    q Q    2N  j @`qQ      .    J f   U1 U  "      '      !  # )7CSam } '& !"#$%&(.)(*4+C,I-X.e' tw Q     Q  Q ' wQ *F  b    Q ~       &B^z  q S    ]   "'>           q$Q#"/!Z Q          "!Q QvQQ Q QQQ Q:QV Qr !QQ&#%Q$%")'(Q (Q&Q6.*-Q+QR,Qn-Q)Q/%  6!#$&(^+,.F235~6n7)&K㲾)xbn1ށ4#$(Nacjo\죓??8pZ Q|Zt)e1=_(t>]dR7HˆԤKASUrf '[ PעߴŖsa |#!v"ML .ͭ5t-)2f o*GZ~UM>M|Ex[DTS p('JY]K ̚t|"zU`n얳gF[K2Xgr/ BNiVhCh UiQi]/jPDϾ~57xp p \p H3GmaY&{L0 /bFf!w͋^Ńi>VưL#0s*EâFP@)=F۳#e1IkUAoTtֳ: Ƴ(7qZZ]U[Pa`:n$8zBe@jSAAQMP P`2ǩ(;l?Q;LN|JL XVu 1}eмbڃǬMY ظQ¶szh)yGoҲ=.=Z=Ny3IaUA#G: fm܁igf ii`Tæ$9O0HQT޳4)4fj| <t8` 1 G@0 öZk9fTpP!4 FRACLAND Fractal Landscape Generator for the Atari ST. -7 (c) 1992 David Billington - Version 1.2 October 1992 - Contents - 1. Introduction. 2. Quick Start. 3. Generating Landscapes. 4. Generating 3D Views. 5. Fracland Modes. 6. Generating Animation. 7. Menu Entries. FILE SAVE VIEW LOAD CONTOUR SAVE CONTOUR LOAD STORY SAVE STORY LOAD ANIMATION SAVE ANIMATION CONTOUR GENERATE SHADE DETAIL CONTOUR ZONES COLOURING 3D VIEW ANIMATION PLAY BACK STORY BOARD PLAY SPEED MODE DO RENDERING Appendix 1. Key and mouse functions. Appendix 2. Bibliography. The closing address. 1. Introduction - The word FRACTAL was coined by Benoit B Mandelbrot in his book 'The Fractal Geometry of Nature'. It is used to describe objects which exhibit the property of self-similarity. An object is said to be self-similar if its structure does not vary under magnification. For example a branch from a tree has a similar structure to the whole tree, a twig has much in common with the branch and so on right down to the smallest twigglet. The vast majority of objects in nature defy definition in terms of circles and squares but it is readily apparent that they are self-similar. Mandelbrot and his successors have described several ways in which this property of self-similarity may be exploited in order to mimic nature. Building from simple algorithms convincing clouds, trees, coast lines, mountains and many other natural phenomena. This program 'FRACLAND' is concerned with realistic modelling of fractal mountains. It goes beyond producing the data which describes the landscape and allows you to shade it, produce three dimensional views and even generate animation depicting journeys through your fictitious mathematical worlds. 2. Quick Start - For those to impatient to read the manual here is the quick guide to getting a few pictures out of FRACLAND. Before you can really get the best out of FRACLAND you will need to spend a little time getting to know your way around the various functions, but producing a simple animation can be done in a few minutes, as we are about to find out.... P.S. If you have a half meg ST you will need to have a blank formatted disc ready. 1. Creating a contour map. - Double click on FRACLAND.PRG and at the first dialogue click on the 'Generate' button. Now enter 169 in the 'Random Seed' field and press return. This will draw a contour map. 2. Drawing a 3D view of the contour. -! Click on the menu entry marked '3D View'. This will display the Key Frame dialogue, click on the button marked 'Visual'. Use the mouse to select a view (left mouse button switches between move and tilt). Once you are happy with the outline press the space bar to return to the desktop and press return to draw the view. You can switch between the view screen and the desktop by pressing any key or by left mouse clicking on the desktop. 3. Generating an animation. - Click on the menu entry marked 'Load Story' and selected the file DEMO.STR which should have been supplied with FRACLAND. Now click on the menu entry marked 'Do Rendering', this will display an alert asking whether you want to shade the contour before drawing the animation. If you click on 'Yes' the animation will look much better but the calculating the shade data will take about 6 minutes before drawing commences. If there is not enough room to hold the animation in memory you will be asked to supply a file name (insert that blank disk!). The program will now draw 9 frames of animation. 4. Playing an animation. - If the animation was not saved to disk then click on the menu entry marked 'Play Back' to see the results. Press the space bar to exit from playback. If the animation was saved to disc then quit from FRACLAND and double click on FRACPLAY.PRG now click on the button marked 'Load' and select the file you saved the animation to in FRACLAND. Press the return key to see the end result. This should have given you a taste of what FRACLAND is all about, to improve the image quality try shading, increasing the detail, adding friction and adjusting the zone heights and colours. I hope you enjoy playing with this program, who knows you may even be tempted to read the instructions! 3. Generating Landscapes - The contour map consists of 16,384 height measurements, this describes the fractal and as such is the fundamental data set in FRACLAND. Each time a contour map is to be generated you will be presented with the Contour Parameters dialogue, this has four items which describe the contour, each parameter is explained below. Firstly we must initialise the random number generator by 'seeding' it. The seed is a four digit number used as a starting point for the random number generator, thus the same seed will produce the same sequence of random numbers and hence the same contour (although the contour may be modified by using the other parameters). It is considered correct etiquette to supply birthdays etc as a seed values. However for the more pragmatic, a random 'random seed' may be generated by pressing the button marked 'R'. The distribution of random numbers may be either uniform or normal. To produce accurate fractals normal deviation should be used, this produces rounded and more realistic contours. However setting distribution to uniform will generate a contour about 5 times as fast. You can set the distribution by clicking on the small button next to the distribution graph of your choice. The Fractal Dimension determines the ruggedness of the resulting contour. For a landscape this must lie between 2 and 3. The fractal dimension describes how the flat 2 dimensional surface invades 3 dimensional space. At the extremes a fractal dimension of 2 would produce a completely flat contour and a fractal dimension of 3 would produce a contour which undulated violently, effectively filling 3 dimensions. Most earthly landscapes exhibit a fractal dimension of between 2.0 and 2.4, from rolling pastures to craggy mountains. The Initial Deviation is the amount by which the contour is allowed to move above or below the initial flat plane. The default value of 128 gives a good, lifelike result. Raising the initial deviation will give high mountains and deep ravines, lowering the value gives flatter landscapes. The algorithm used to generate the contour is Mid-point Displacement. See appendix 3 for further reading. 4. Generating 3D views - Once a contour has been generated it can be displayed as a 3D projection by clicking on the '3D View' menu entry. This will display the key frame dialogue. The left three fields hold the coordinates of the observer (the origin is the centre of the contour). The three fields to the right hold the pitch, roll and yaw respectively. To make the process of setting the view coordinates easier, two visual methods are available. 1. Clicking on the button marked 'From Map' will allow you to position the camera and set the line of sight by marking points on the contour map. After you have used the mouse to select two points a dialogue will be displayed showing their heights and allowing them to be adjusted. (It is recommended that you always add about 5 to the height of the camera, this gives a more natural perspective than having your eye at ground level) 2. Clicking on the 'Visual' button will switch into real time, wire frame mode. This facility allows the position of the 3D view to be set by roaming over the current contour using the mouse. The left mouse button switches between forward/backward and up/down. The right mouse draws a low detail solid landscape. 'I' switches the instrumentation on/off. 'D' switches the amount of detail. The space bar exits wire frame mode and places the coordinates of the wire frame view into the key frame dialogue. For small movements the arrow keys simulate the mouse movements. You can repeat either process or edit the values as much as you like, checking the results in wire frame by using the visual button. Once you have a satisfactory view you can draw it by pressing the OK button. The drawing process may be abandoned by pressing the ESC key. The quality of the result will depend on a) whether the contour has been shaded and b) the amount of detail set. For more information see the menu entries GENERATE, DETAIL and SHADE. 5. Fracland Modes - For maximum flexibility the animation facilities in FRACLAND have two modes of operation 'MEMORY' and 'DISC'. The mode determines where the large animation files are to be held. This information is used by the 'PLAYBACK' and 'DO RENDERING' options. In 'DISC' mode you will be prompted for a file name, however in 'MEMORY' mode all data will be held in RAM. The mode may be switched at any time by using the menu entry marked 'MODE'. 'MEMORY MODE' - all animation will be generated in memory allowing it to be played back at up to 24 frames per second. You can load and save animation but any attempt to load an animation that is larger than the available memory will fail. The total number of frames available is displayed when you switch from 'DISC' to 'MEMORY' and the number of animation frames left is displayed at the bottom of the 'STORY BOARD' dialogue. Unfortunately 'MEMORY MODE' is not available on 520 machines (save animation to disc and use FRACPLAY instead). 'DISC MODE' - all frames of animation are saved directly to a disc file. They may be played back straight from disc or loaded into the separate utility FRACPLAY which can hold approximately 9 more fraames of animation than FRACLAND. It also means that hard disc users can generate very large animation sequences and play them back at reasonable speed directly from disc (17 frames a second on my Quantum LP52S). Not all options are available when playing back from disc, see the entry on 'PLAY SPEED' for more details. 6. Generating Animation - To generate animation FRACLAND must first be given the start and end views, and the number of frames of animation between the two. It will then calculate a flight path between these points and automatically draw the intervening frames. This method of animation is known as TWEENing. The start and end frames are known as KEY frames, a key frame is a view defined by the animator that MUST form part of the flight path. You are not restricted to just two key frames, you can specify up to nine and FRACLAND will formulate a path which visits each in turn, thus allowing very complex animation to be described. You must also supply the number of frames it takes to travel between each pair of key frames, in animation speak this is the number of TWEENS. Thus the number of frames in an animation is the sum of all tweens. In 'MEMORY mode this total must not exceed the available memory. A sequence of key frames and tween sizes in known as a STORY, you can enter the details of an animation by clicking on the STORY BOARD menu entry. The Story Board dialogue has nine mountain icons and eight arrows, each mountain icon is an animation key frame, each arrow holds the number of frames between the key frames on either side. Clicking on a mountain icon will display the key frame details dialogue into which the coordinates should be entered, this is the same dialogue as used to generate a single 3D view and the fields and buttons are described in the section GENERATING 3D VIEWS. Clicking on an arrow will display the tween details dialogue, the number of tween frames may be adjusted by clicking on the dialogue arrow buttons. The end of a story is indicated by a tween value of 0. You may copy the coordinates of one key frame to another by using the copy button, first click on the copy button, then the frame you wish to copy from, followed by the frame your copying to. Hint - copying the first frame to the last will make the animation loop smoothly. Once you have decided on the key frames and tween values you may preview the animation in wire frame by clicking on the 'Preview' button. This allows adjustments to be made before committing to a full rendering (you can exit preview mode by pressing the SPACE bar or the left mouse button). Once you are happy with the preview you can render the animation by clicking on the 'DO RENDERING' menu entry. This will display a dialogue detailing the current status of the render which may be stopped at any time by pressing the 'ESC' key. 7. Menu Entries - FILE SAVE VIEW To save the CURRENT VIEW as a standard DEGAS picture click on the SAVE VIEW and supply a file name and path in the file selector. You can display the CURRENT VIEW before saving by pressing any key or by left clicking on the desk top. LOAD CONTOUR This option will allow you to load contours from disc. For information on what details are loaded please see the SAVE CONTOUR menu entry description. Once the contour has been loaded a short wait will occur whilst the CONTOUR MAP is redrawn. CONTOUR files should have the extension '.CON' SAVE CONTOUR When you have found a contour that you are happy with and have decided on the position and colour of CONTOUR ZONES it may be saved to disc. You may specify the path and file name in the file selector box, the file will be given the extension '.CON'. CON files hold the shape of the contour, colour and zone information, the amount of detail required and the shading data, if shading has been done. Saving this information to disc for your favourite landscapes will save time as it can take up to 10 minutes to generate, shade and draw  a complex contour. Saved contour files may also be loaded at startup rather than generating from scratch each time.  LOAD STORY The path taken through the landscape by an animation is defined by the STORY BOARD. The details of this path may be loaded from disc into the STORY BOARD by clicking on the LOAD STORY menu entry. The appropriate file may then be selected from the file selector. STORY files should have the extension '.STR' If the STORY being loaded has more frames of animation than can be held in memory the animation MODE will automatically be switched to DISC. This will mean that all animation is to be held on disc, not in memory. SAVE STORY The current details held in the STORY BOARD may be saved to disc by clicking on this menu item and supplying a name in the file selector. The file will automatically be given an extension of '.STR' LOAD ANIMATION Animation may be loaded into memory by clicking on the LOAD ANIMATION menu entry and specifying the name in the file selector box. Animation files should have an extension of '.ANn' where n = 1 for low resolution and 3 for high. Animation may only be loaded if the MODE is set to MEMORY. If the MODE is set to DISC then the option will be offered to switch MODES or you may play the animation straight from disc by using the PLAYBACK menu option directly. This action will fail if the animation was saved at a different resolution or if it contains more frames than can be fitted into memory. If the animation does contain more frames than can be fitted into memory then using the dedicated animation player FRACPLAY.PRG will allow more frames to be loaded. SAVE ANIMATION Once an animation has been created in memory by using the 'DO RENDERING' option it may be saved to disc using this menu entry. The name and path may be given in the file selector and an extension of '.ANn' will be added, where n = 1 for low resolution and 3 for high. The file created will contain each frame of the animation and the colour information. It may be loaded back into memory using LOAD ANIMATION, played straight from disc using PLAYBACK in DISC MODE or loaded into the separate animation player program FRACPLAY.PRG CONTOUR GENERATE This menu entry is used to generate a fractal landscape. This is the fundamental set of data from which the contour map, 3 dimensional views and animation are generated. The concepts, algorithms and parameters used to generate a landscape are explained in more detail under the section on GENERATING LANDSCAPES. To produce a sample landscape click on the GENERATE menu entry, this will display the dialogue for the parameters used in generating the fractal. You can allow most of these to default, simply enter any number in the field marked RANDOM SEED and click on the OK button. Each SEED will grow a unique landscape. SHADE Initially contour maps are coloured based on height above sea level (as in most atlases). However to add more realism you can shade the contour as though a light source was illuminating it. This helps to bring out the relief of the contour. To shade a contour click on the SHADE menu entry. This will display a progress dialogue info rming you how much of the contour has been shaded. The process takes around six minutes to complete after which the contour map will be redrawn shaded. The shading process may be stopped by pressing the ESC key. A contour may be saved in its shaded form. (For those interested the algorithm used is Lambert's Cosine)  DETAIL When a 3 dimensional view is generated the number of polygons drawn governs the speed and detail. The more polygons the more detail, less polygons gives faster drawing. This usually means that tests are drawn in rough until the correct results are achieved when the detail can be increased to produce the finished article. The amount of detail can be adjusted by clicking on the DETAIL menu entry, this will display a dialogue with four buttons, the further to the left the button selected the more detail drawn. A view drawn with minimum detail will take approximately 10 seconds on a standard ST. Maximum detail views take about 3 minutes each. Thus a 20 frame animation at maximum detail will take about an hour to produce.  CONTOUR ZONES Each contour is divided into land and sea. The land is further divided into 3 zones. This gives a total of four areas or zones the size of which may be varied as required. Clicking on the CONTOUR ZONES menu entry will produce a dialogue box, the percentage of the contour divided into sea, zone 1 and zone 3 should be entered. If the percentages total more than 100 then they will crowed each other out, in order of precedence - sea, zone 1, zone 3, zone 2. Because the zones are based purely on height they appear as straight lines on the 3D views, this can look unnatural and to prevent it you may specify the percentage of friction to be used when drawing zones 1 and 3. Friction on a contour will mean that zones 1 and 3 will 'invade' the flatter areas of zone 2, just as snow will gather on flat ground at lower altitudes or trees colonise higher ground if not to steep. The contour zones set are also used when producing 3 dimensional views. (N.B. The only option available to mono users is to adjust the SEA LEVEL) COLOURING Each of the four zones and the sky is assigned a range of colours. Clicking on the COLOURING menu entry in low resolution will display the Zone Colours dialogue. The colour of the sea may be set by selecting either Sea or Ocean; the sky can be set by selecting Night, Blue Sky, Hazy or Tropical. To change the colour of a land zone first click one of the Zone buttons then choose a terrain type from the array of buttons below. All changes to the colours are instantly reflected in the colour bar on the top right of the dialogue (except the sky colour). To observe the effect of your colour changes you can display the last 3D view generated by clicking on the View button. (This will be a blank screen if no view has been drawn). Although the ST only provides a palette of 16 colours they are stippled to produce a total of 46 virtual colours. Clicking on the COLOURING menu entry in mono will provide a dialogue to allow the background colour of 3 D views to be selected as black or white. 3D VIEW The cur rent contour may be drawn as a 3 dimensional projection. To produce a single 3D view you must click on the 3D VIEW menu entry. This will display a dialogue for the coordinates to be used and options to set them using visual methods. For more detail on creating 3D images see the section on GENERATING 3D VIEWS. Once you are happy with the coordinates you can click on OK to start the drawing process or CANCEL to abandon. Clicking on OK will draw a progress report dialogue, when the transformation and sort have finished the screen will be switched to the CURRENT VIEW screen and the landscape drawn. The process may be stopped at any time (except during the sort phase) by pressing the ESC key. ANIMATION PLAY BACK Animation can be played using this menu option. In DISC MODE clicking on PLAY BACK will produce a file selector into which the name of an animation file (.ANn) should be entered. The file will then be played direct from disc. In MEMORY MODE the animation will immediately start playing. If no animation is held in memory then a warning will be given. The speed and direction of the play back can be set using the PLAY SPEED menu entry detailed below. You can stop an animation playing by left mouse click or pressing the space bar. You may also use the program FRACPLAY.PRG to play animation generated by FRACLAND. FRACPLAY can generally hold 9 more frames of animation in memory than can be stored by FRACLAND. STORY BOARD To create an animation the path the 'camera' takes through the landscape must be defined. The STORY BOARD menu entry will display a dialogue box into which this path may be entered. For more detail on the concepts involved see the section on GENERATING ANIMATION. PLAY SPEED The speed and direction an animation is played back may be set by clicking on the PLAY SPEED menu item. This will produce a dialogue. The entry marked SPEED (initially set to 5) may be edited to give the delay used between frames. 0 is the quickest at around 24 frames a second from memory. Direction can be set to forward or reverse and the animation mode may be LOOP or PING. If the animation is to loop it will return directly to the start frame on reaching the end. In ping mode on reaching the end it will replay the frames in reverse order. Pinging can produce a smoother animation sequence without a sudden chop at the end. (N.B. Only the speed has any effect in DISC MODE) MODE FRACLAND may be used in two modes DISC or MEMORY. The mode dictates where animation is held. For more information see the section on FRACLAND MODES. The MODE may be changed at any time using the menu entry MODE. If you try and switch to MEMORY MODE with more frames of animation in the STORY BOARD than can be held in memory an error will be given requesting the number be reduced. Otherwise the number of frames that can be held in memory will be displayed in an alert box. DO RENDERING This menu entry draws the frames of an animation. Once all the details of the animation sequence have been entered into the STORY BOARD you can click on this option to begin drawing the 3D animation frames. Each frame is preceded by a report dialogue which will indicate how many frames have been drawn, how many are left and the progress of the frame currently being drawn. Each frame will be written to disc or memory (depending on the current MODE) after it has been drawn, ready to be played back on completion. The rendering may be stopped at any time by pressing the ESC key. If you have not shaded the contour you will be given the opportunity to do so before rendering commences, for more detail on shading see the information on the SHADE menu entry above. For more details on how to create animation see the section on GENERATING ANIMATION. Please note that the quality of the animation is dependant on the amount of detail drawn, this may be set using the DETAIL menu entry. Appendix 1. Key and Mouse Functions. - - From the desk top. - ESC Abandons current process. ANY KEY Switch the screen between displaying the GEM desk top and the CURRENT VIEW. LEFT MOUSE BUTTON Left clicking the mouse over any empty area of the desk top also switches screens between GEM and the CURRENT VIEW. From wire frame visual mode. - LEFT MOUSE BUTTON Switch mouse function between moving forward / backward and looking up / down. RIGHT MOUSE BUTTON Draw a low detail solid render of the current view. MOUSE UP Move forward / look up. MOUSE DOWN Move backwards / look down. MOUSE LEFT Turn to the right. MOUSE RIGHT Turn to the left. SPACE BAR Exit visual mode. D Switch between high and low detail. I Switch instrumentation on/off. H Home the view. ARROW KEYS Provide the same function as the mouse directions for fine detail. From wire frame preview mode. - LEFT MOUSE BUTTON Exit preview mode. SPACE BAR Exit preview mode. D Switch between high and low detail. I Switch instrumentation on/off.  During play back. - LEFT MOUSE BUTTON Exit play back. SPACE BAR Exit play back. Appendix 2. Bibliography. - - 1. The Science of Fractal Images. Peitgen, Saupe (editors) Published by Springer-Verlag 1988 ISBN 0-387-96608-0. 2. Computer Rendering of Stochastic Models. Fournier, Fussell and Carpenter. Communications of the ACM Volume 25 Number 6 (June 82) 3. Chaos James Gleick. Published by Cardinal ISBN 0-7474-0413-5. 4. Real-Time 3D graphics for the Atari St. Andrew Tyler. Published by Sigma Press ISBN 1-85058-217-3 The closing address. - I hope you enjoy using FRACLAND its been fun writing and researching it. Watch out for new versions with PHOTOCHROME 19200 colour support, much larger contour maps and all sorts of other bits, when time (currently fully occupied by a two month old daughter) allows. Please write with comments, enhancement ideas, bug reports and information on other fractal programs to :-  David Billington 55 Church Street, Hadley, Telford, Shoropshire, TF1 4RQ P.S. Why the fish shaped mouse ? Its a bit of christian symbolism. 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(6Ʊn,PS$04wa UBAA X+ S rq `@675[7P Zc243a"VQP QT[p{ARB`q @ "k8@. qP0P* @>U1HX3,j]@4@(k5ep"$&S` <B>@$$06fP b@ T0( HL$0{n2dd9n!,="8>Jxz@m :pA߂A@ő` j 9@A (|@A `qCC ?r&@hloFp f*4,Q/ xBM. s@?Q",ސp Pz*<,o<*P, "" ppp]eOdcTRVhFJapPDb&:Or_g4__hd` `\ z"Nv'$lQT_N_ЮZ?_Ydanb`"8\p p - NEOchrome Master - q by Chaos, Inc. of the Delta Force (member of the Union) Preview: NEOchrome Master offers you the following features: - up to 10 different workscreens - totally keyboard controlled - faster drawing of the board. - calculate colors, also STE - using of the Fileselectbox by loading AND saving - loading- and saving-routines for different picture types: - NEOchrome - Degas packed and unpacked - IFF - Doodle - Checking the commandline and changing to the right picture type and loading the picture. - formatting of disks 100% MS-DOS - deleting files - rotate objects at any angle (not only 90) - cutter utility to cut objects into a library - saving of the copybox in image format - totally new animation tool - saving of the color palette (assembler and C syntax) - and changing the color palette in every scanline - STE/Blitter support - rasters! - magnify in the lower border of the fullscreen - remap function - Saving all options - works also on TTs - antialiasing - .... 0. Keyboard codes: 'A' Animate tool 'B' Brush 'C' Copybox 'D' Disk 'E' Eraser 'F' Fill 'G' Grabber 'I' Grid 'J' Jack Knife 'L' Line 'N' Nozzle 'P' Pencil 'R' Rasters 'S' Shapes 'T' Text 'X' Cutter Escape turn board on and off Shift-ESC select color #0 as painting color '1' select color #1 as painting color '2' ... . ... '9' ... '0' select color #10 as painting color '' select color #11 as painting color (on German keyboard) ''' select color #12 as painting color (-'-) '#' ... Backspace ... Help select color #15 as painting color (On american and other keyboards the colors can be changed by the buttons on the upper row of the keyboard including all special chars.) It depends on the available memory how many workscreens NEOchrome offersto you. '0' select workscreen #0 (on numerical keyboard) '1' select workscreen #1 (on numerical keyboard). . '9' select workscreen #9 (on numerical keyboard) Space selects the actual color palette In General: NEOchrome Master is done by Chaos, Inc. of The Delta Force (member of the still ruling UNION). It's based on a reassembled version of NEOchrome v1.0. The original reassembled sourcecode is about 280 Kbyte length. The sourcecode of version 2.23 has 720 Kbyte. What now follows is a description of all new functions: UNDO of the board is now splitted into two parts: UNDO in general and color undo. Clicking at UNDO uses the normal UNDO-function (Pressing the 'Undo'-key does the same). If you change anything at the color palette, and you like to turn this changes back, click with the left mouse button at color (undo). Clicking with the right mouse button at color (undo) changes only the actual painting color back. p1. Jack Knifeq On new function of the jack knife is to print the contents of the copybuffer (jack knife and copybox buffer are equal). This can be done by clicking at 'print' or by pressing 'F10'. Another new function is called 'remap'. Imagine the following situation: You painted a font and you want to use this font in a picture. But the color palette of the picture is different from the one of the font. So you've to change the colors of the font to fit to the color palette of the picture. This can be done by using 'remap'. Mark the block you like to remap and cut or copy it. This is important, because by cutting/copying (F1/F2) the objekt, NEOchrome Master knows the color palette of the original objekt. Then switch to your new picture and paste (F3) the objekt. Drag it to the place where it should be (rasters are recognized) and remap (F5). NEOchrome now tries to fit the original objekt as good as possible to the new color palette. But there's another feature. Clicking with the right button at 'remap' or pressing 'Shift+F5' forces NEOchrome Master to use only the colors between the left and right color mark. This is useful to convert pictures to one/two/three planes, or to change a lot of colors at once. But remember: NEOchrome Master always uses the color palette, which was active when you copied/cutted the objekt. If you don't cut the objekt, then the old color palette will be used. There's also a function called 'a-alias' which removes hard contrasts in your pictures. It can only work if there are suitable colors for it. For example: you can't antialias white pictures without having any greytones. But this function doesn't replace a good painters work. If there's no block selected, the screen will be antialiased. p2. Copyboxq You can now rotate the contents of the copybox at any angle. To select any angle diffenrent to 90 klick on the angle value by the left or (right) button. This will increase (decrease) the angle. You can also select the direction of the rotation by clicking on the small arrow right of the angle. Rotating for 90 uses the old NEOchrome routine. p3. Grabberq NEOchrome Master is able to calculate the needed colors between two colors. Put the left and the right color mark (move them by dragging with the right mouse button) to the desired left and right value of the colors. Select 'calculate colors'. NEOchrome Master will now calculate all colors between the left and right color mark so that there is a continues color flow from the left color marked color to the right one. You can now save the selected color palette (see Rasters for more details on selecting palettes) in an ASCII-file to include it into your sourcecode. NEOchrome Master can save for use by assembler or by C. It's now also possible to save the contents of the copybox as image file. This means, that NEOchrome Master saves the data of the copybox, not an ASCII file. All 'CopyBxxx.xxx' are now saved in the actual load directory. Clicking with the right button at 'SAVE COPYB.xx' allows you to enter the filename and path under which the file is saved. p4. Fillq Left button will fill as usual. The right button will fill with the backroundcolor to delete a polygon. The whole miscellany options are now available by the fill function. This was necessary to get a new place in order to put the Raster function there. Here are a few more options. First of all, you can select whether you want to work with the 4096 STE-Colors. This works on ANY ST(E). When you select STE on an normal ST, than you can adjust up to 4096 colors, but you can only see up to 512 (By, the way, I'm working on a version, which is able to display all 4096 colors on normal STs). Next you can turn the blitter on and off. When you are working with rasters, the blitter disturbs the system. It's switched off automatically when you set a raster. With this button you can turn the blitter on again (Then you've flickering rasters)... You can turn the 'Magnifying glasses' of the fullscreen on and off. You can also adjust the heigth of this magnify. This maximum height depends on your ST and monitor. Use left and right button to increase or decrease the value. There's also an bigger enlarger. You can change the type of enlarger you're using by using the left and right mousebutton at 'TYP', or by pressing '+' and '-' at the numerical keypad. What now follows is the so called 'adjustable border'. Depending on your ST the number of NOPs may differ a little from other STs. If you've difficulties with your ST (e.g. flickering border, shifting of the whole picture,..) then try to adjust this value. There are different values for 50 and 60 Hz. Again, left button to increase, right button to decrease. Sometimes, the whole picture is shiftet, even when you're not using fullscreen. Then toggle the synchronisation from 60->50 or 50->60, then your ST should be working normally. On the right side is the button 'COLOR #'. With the help of this button you can show the number of all colors inside the color palette. Another button is called 'PORTA 7'. Using this button toggles the 7th Bit of the port A of the soundchip (Useful to switch a cache on/off). The button MUSIC allows you to turn a music on and off. The music can be loaded by a right mouseclick at "MUSIC #" (It's only possible to load Jochen Hippel's PC-relative muzaks). But be careful using this function... If you selected a file, that is anything except a Hippel-Music, NEOchrome may crash....The best way to paint with music is to load the music first, and then to save the options (which also saves the path and filename of the music) and then to paint. The little number behind the "#" shows the number of music you are listening to. Nearly all Hippelmusics are containing several tunes. You can change your selection by clicking at the number with the right and left mousebutton. "S-Saver" turns the Screensaver on and off. If it's turned on, it blanks out the screen after about 3 minutes. The next buttons allows you to switch from 50 to 60 Hz or vice visa. The last button 'Save all options' saves all options, that you can select by NEOchrome Master. This are e.g. the line width, the text style, the picture format, the heigth of the border, the number of NOPs... p5. Eraserq Clicking once on the eraser icon selects eraser function. If you click with the right button again on this icon NEOchrome Master quits. Pressing the left button again deletes the whole picture without any UNDO. p6. Diskq NEOchrome Master is now able to load files from different picture types. Clicking once at the disk icon you're able to select the desired picture type for loading and saving seperatly. NEOchrome Master is able to check for the right picture type and select this type automatically. This is only possible when the selected picture is saved in IFF-format, by NEOchrome Master in NEOchrome format, or as packed Degas picture. Otherwise NEOchrome Master will try to load the picture by the selected format. Saving pictures is always done in the selected format. You can format disk 100% MS-DOS compatible on any TOS version by clicking at 'format' (single- and double sided). To delete files simply click 'delete'. p7. Cutterq This is one of the most complex new routines in NEOchrome Master. I'll try to explain it as good as possible, but you've to try it on your own for full understanding. With the help of the Cutter you can cut objects to animate them or to save them into a special file called 'object-file'. This file contains all information about the cutted objects, so you can use this object file to be loaded by your own program as a graphix library. There are two ways of selecting objects: Firstly, you can open a box similiar to the way of the copybox. Secondly, you can force NEOchrome to search for a frame which surrounds the object. Here it is necessary to set the painting color to the color of the frame (e.g. using the grabber). Afterwards click into the frame with the right mouse button. After selecting any objects it is possible to change the size of the selecting box by clicking the left mouse button at any side or edge of the selecting box. This will resize the selecting box in the way you'd clicked at the object. In order to move a selecting box you click into the selected area with the right mouse button while pressing the button. Realize, so far you just selected an object. To put it into your graphix library click on 'ADD' placed in the options menu (F1 does the same). The selected object is inserted before the right box. How to replace/show/delete a object that is already stored in your graphix library? (i) Select the actual object using the right and left arrow. (ii) click on 'Change' (='F2') /'Show' (='F3') /'Delete'. (Note: You can only insert or add an object when you'd selected an area before.) NEOchrome Master knows the position of all cutted objects. By clicking on 'Show', NEOchrome Master sets the selecting box to its stored position. NEOchrome Master also knows the name of the picture from which the objects are cutted. 'Show' also switches to the corresponding screen from which the object was cutted. But 'Show' shows only the coordinates of the object not the data of the object. When you click with the right button at 'Show' then the data of the object is copied to the screen and all rasters of the object are set. This is important to check whether the right objects are stored. It's also useful when you lost your picture fro which the objects are cutted. So you can 'restore' these pictures. How to save/load/clear all objects of your library? (i) Click on save/load/new. If you save your library, NEOchrome Master asks you whether it should save all headers too. 'No' means that the pure data is being saved without any further information (Note: This fromat can't be loaded again!). 'Yes' will save all information, like position and size too (Note: Only this fromat can be loaded). If you load a library, NEOchrome Master asks you whether it should load all pictures too. As you may remember, NEOchrome Master also knows the name of the pictures from which the objects were cutted. All these pictures are loaded by selecting 'Yes'. In case you've changed some graphix simply select 're-cut' (=F10) and NEOchrome Master cuts all objects again. The structure of the object-file (for use with own programs):For none-C-programmers: char=byte, int=word. -- For Version $0100: char header[6]; always 'NEOOBJ' int version; version e.g. $0100 char filenames[4][13]; names of the four used pictures long filelength; number of bytes following after this entry int number; number of objects in this file -- For Version $0101: char header[6]; always 'NEOOBJ' int version; version e.g. $0101 int internal_bytes; number of internal bytes following; Skip them.. This is repeated as often as internal_bytes/14: (But this may be changed sometimes) ---> | char screen_number; number of the following workscreen | char filename[13]; Filename for this workscreen --- long filelength; number of bytes following after this entry int number; number of objects in this file -0 The following structure is called 'object_header': ( 0) long offset; Offset to object data (relativ object_header[0]) ( 4) int width; ( 6) int height; ( 8) unsigned char mask; Is there a mask? (unused) ( 9) unsigned char planes; # of planes (always 4) (10) int width_bytes; (12) int x_neo; Position inside NEOchrome picture (14) int y_neo; -'- (16) long multi; Multi-Use (Important for rasters!)  Saving without any headers starts at this point: After all object_headers follows the data of the objects.... There's another feature: Clicking with the right button at 'add'/'Replace' or holding the shiftkey during 'F1'-'F4' forces NEOchrome Master to add also the used rasters/colorpalette to the objekt. E.g. you've an objekt with some rasters in it. Cut it with Shift-'F1'. Then all the rasters which are used by the objekt are saved too. Under the number of the actual objekt appears a small 'R' if this objekt is saved with rasters. These rasters are saved after the datas of each objekt. There fileformat is the same than '*.RST'. Only the used rasters are saved. There Offsets (which were relative to the screenstart) are now relative to the top of the objekt. What about the multi flag in the objekt_header? Bits 0.. 7: The number of the screen from which the objekt is cutted. Bits 8..15: The number of rasters which are used by the objekt (Important!) Bits 15..31: Yet reserved for future use. p8. Animateq The animation tool can show all objects cutted or loaded by the Cutter. The number of the actual object is written between the two arrows. This object is shown on the screen. The position, where this object is drawn, can be changed by clicking in the icons at the lower right edge of the screen. There are five position where objects can be drawn: (i) left top edge of the screen. That means, that all left upper edges ob the objects are placed in the upper left edge of the screen. (ii) Right top edge of the screen. (iii) Right bottom of the screen... (iv) Left bottom of the screen. (v) Center of the screen. All objects are centered in the middle of the screen (e.g. useful for objects that are getting greater). When you click at any place of the screen, the objekts will be animated at this place. Since version 2.17 you can now animate on a background. Simply select the screen you want as background (by pressing 0..9) and click where you want your aninmation. Animate can also automatically show all objects. You can tell NEOchrome Master where to start and where to end. To do so, click on arrow up or down of the desired border. NEOchrome Master will start by the number shown in the left arrow. It will end by the number shown in the right arrow (e.g. to show objects 5..9 select '9' in the right border by clicking on the up/down arrows. Then select '5' for the left arrow. ). Clicking with the left mouse button into one of the arrows shows the next/previous object. At the end NEOchrome will start over again. Clicking with the right mouse button into one of the buttons shows all objects automatically. This means, that NEOchrome Master in/decreases the number of the actual object by itself. To increase the speed of the animation you must again click with the right/left mouse button into the arrow. Whether to use the right or left mouse button depends on the direction of the animation (it's the same thing than the changing of speed for the color animation). There's one great problem: If the speed of the animation is at maximum level there is no more mouse cursor. To decrease the speed to a normal level press cursor down. Consequently you can press cursor up for more speed. Cursor left and right selects the previous/next object to show. Sometimes it is necessary to show the objects in a way called "ping pong". Here NEOchrome Master doesn't start over again at the right border. In spite it changes the direction and animates back. You can select this way by clicking at '<->'. But there is more to say.... Maybe you have more than one animation in your graphix library (e.g. 1..5 and 6..9). These are two 'sequenz'. You can change the actual sequenz by clicking at the right or left arrow beside 'sequenz'. Every sequenz has it's own parameters. If you change from one sequenz to another one NEOchrome Master changes all parameters to their last values. Saving just saves the values of all sequenzes not the data of the objects! With the help of load you can load new values into the animate tool. The objects remain unchanged. p9. Rastersq To get more colorful pictures you can now change the color palette at a special scanline. This can be done by 'rasters'. There are up to 200 color palettes per picture. The actual color palette can be selected by clicking on the right and left arrow. You can also press at cursor right or left to select a palette. Color palette #0 is the so called 'vbl-palette'. This palette is shown from the beginning of the screen till the 1st raster. To set a color palette at a spezific scanline click with left mouse button into your picture. At this position will the raster appear. A big problem is the Blitter. The structure of the Atari ST makes it impossible, at least for me, to get stable rasters without turning the Blitter off. This means that the rasters flicker when moving big objects with the copybox. Turn the Blitter off (using the miscellany menu) and they stay quiet. (Again, solutions to this problem to me, Chaos, Inc.). The position of the actual raster is written in the options board. It can also be showed by clicking at 'Show'. You can erase a raster from your picture by either clicking at y=0 or clicking at 'Delete'. To transfer a single color palette click on the arrow-up. This stores the actual color palette in a buffer. You can read this buffer by clicking at arrow-down. This causes NEOchrome Master to replace the actual color palette by the stored one. You can also save/load rasters by clicking at save/load. All rasters are erased from the screen by clicking at 'clear'. All rasters with position and colors can be stored by clicking at 'Put'. Afterwards it's possible to get all these rasters again by clicking at 'Get'. This is useful to transfer all rasters from one picture/screen to another. Put and get are also able to sort the rasters. Clicking with the right mousebutton at 'Put' stores the rasters and sorts them afterwards inside the Get/Put-Buffer. 'Get' with right mousebutton gets the rasters from the buffer and sorts them afterwards inside the picture. Here is the format of the file containing all rasters (*.RST): -> | WORD y_position; /* shows the position of this raster */ | WORD palette[16]; /* The colors of the raster */ | - This is repeated 200 times. The first entry of the file is always the vbl-palette. Its y-position is set to zero. All following rasters with a y_position of zero are not active. It's also possible that the y_positions of the rasters are not sorted. It's exactly the same setting as made in NEOchrome Master. To save only the used rasters, click with the right mousebutton at 'SAVE'. There's another button, called 'LD PAL'. This means 'Load Palette'. Imagine the following situation. You painted a logo. Now you want this logo to get more colorful. e.g. with all rainbow colors in it. The color in which the logo is painted may be #1. Set rasters into your logo at every scanline. The palette of the rasters could be copied by using arrow-up and arrow-down (s.a.). Now you must change color #0 at every palette. Now it's time to use 'LD PAL'. Select color #1. This color would be changed by 'LD PAL'. Select the first raster of the logo as the actual raster. Click on 'LD PAL'. NEOchrome now asks for a *.PAL file. This file contains only colors. The first color of the file overwrites the selected color of the actual palette. The next color of the file overwrites the selected color of the next raster following the actual raster on the screen. This means, that you can change only one color, but in all following rasters. The format of this *.PAL file is very simple: It contains only words without any header. This means every color is coded into one word (like in the color palette register at $FF8240). The end of the file is marked by $ffff or by the physical file end. Important Note for painting with rasters: NEOchrome Master always shows in its board the color palette used at the mouseposition. Imagine the following situation. You are drawing a picture with two palettes. They are switched at position y=50. The actual color palette is #1 (from 50..199). Painting at y=20 shows you the color palette which is used at this coordinate. Moving the mousecursor into the board always shows the actual color palette (here it's the wrong one, because your're painting with palette #0). Maybe you get confused looking at the wrong color palette. Now it's time to use 'space'. Move the mousecursor back at position y=20. Press space. This selects the palette #0 (used at y=20) as the actual one. Moving into the option board now shows the color palette you are working with. Pressing 'space' works with all drawing function, not only rasters.... Sometimes it's useful to set more than one raster. For example: You want a rainbow starting at scanline 20 and ending at scanline 40. First of all you've to set a raster (e.g. raster #20) to scanline 20. Then select raster #40 as the actual raster. Click with the right mousebutton at scanline 40. NEOchrome Master knows now that it should put rasters from scanline 20 (the last used entry) to the mouseposition (scanline 40). There's room for 20 rasters and so NEOchrome Master puts a raster at every scanline from 20 to 40. If you'd selected raster #30 as the actual raster and you'd also clicked at scanline 40 then there would be a raster every two scanlines. After putting all the rasters, you can load you rainbow using 'LD PAL'. One more thing about rasters.... Only saving a picture in IFF-format saves the raster too. Remember: pictures with rasters should always be saved in IFF-format (Otherwise you lose your rasters). (NEOchrome adds a new chunk to the IFF-file. This chunk is called 'RAST' and its contents is the same than a *.RST file containing only the used rasters.) That's it folks. I'm always glad to hear your opinion, critics and wishes about NEOchrome Master. Send them to me or give me a call.... Every bug that is send to me will be fixed (Please make a good description containing TOS version, computer type, RAM configuration, NEOchrome version and bug description). If you like NEOchrome Master send some donation either to Dave Staugas or to me, Chaos, Inc. When some people decide to send me some money, then there will be some updates with even more features. If you have any good routines (e.g. dithered fill) please send them to me (the address will follow), I'll try to put them in further versions. And remember. NEOchrome beat'em all! What's new.... Version 2.07: - some bugs has been fixed. - Rasters now over the whole screen at any scanline. - 'LD PAL' to change only one color, but in every palette. - STE support could be switched on and o5ff - magnifying glasses at the lower border of the fullscreen. - calculating colors also for STE. - the automatical recognation for the file type is now better. - You can now save all options that you selected. Version 2.10: - totally new keyboard control routine, that's able to repair damaged data packages send by IKBD. It's a little bit self repairing. I hope that you don't have as much trouble as with TurboAss' keyboard routine. (In fact all TurboAss versions above 1.50 are really very (!) good!). - the load_object_bug of version 2.07 is fixed. Version 2.15: - The whole thing with the keyboard driver is rewritten. This means, taht you can now use up to 200 rasters even with 60 Hz. If you're now using more than 180 rasters at 60 Hz there is nearly no more flickering. - Rotating an object at 90 uses now the old rotate-routine from NEOchrome V1.0. It's much faster now and more useful. - Automatically putting of rasters from scanline x to scanline y. - different left and right color marks for different screens. Version 2.16: - and again some bugs (e.g. transfer Jack Knife from one screen to another). - Showing the number of the color inside the color box. - Sorting rasters. - Save only used rasters->shorter IFF-pictures - Right button at UNDO is now color undo. - Right button at 'SAVE Copyb.xx' allows you to enter a path and filename - Right button at 'Save Raster' saves only used rasters. - Adding the used rasters to objekts too. - adjustable border-open-routine (works on every ST). - animation with background. (Click where you want your objekt) Version 2.17: - NEOchrome checks itself for linkviruses. - there's a small 'R' under the objektnumber, when this object is cutted with rasters. - a printer output of the copybox using grey tones. - selectable backroundcolor for right button (pencil and fill). - left and right button with pencil draw with color #0. - Right button at Show (Object) shows the object (and rasters) physically. - Recut cuts rasters too. - there's a little color palette in the border of the fullscreen. - IFF can now load and save STE-colors. - IFF-Save Bug is fixed (saved pictures hadn't worked on Atari-Transputer-Workstations (That's no joke!)). Version 2.18: - no more bug-fixing... - a remap function - the copybox is put at the old place by using paste. - you can toggle the bit 7 of Port A of the PSG (e.g. to switch a cache on and off). Version 2.19: (first official release) - a little effect when you start NEOchrome (just see) - the sync-errors are corrected Version 2.20: (ST-News party release) - how much bugs are now left? - an antialias function is in there - copybox is now pasted at the last position - right double click in the colordefiner takes the actual painting color into the colordefiner - some more options are saved (e.g. default palette (HI! Tanis)) - there's a line-editor (but it's not ready yet) Version 2.21: (Tanis special release) - A screensaver is included - NEOchrome can now play Hippelsounds while painting Version 2.22: - again some bugs (I've left a few ones) - a few consmetical changes (new icons) - IFF-Palette saves now rasters too. Version 2.23 (Thor of BMT special release): - some difficulties and problems - BIG moving enlarger (4x, 8x, 16x) - a bug with large *.PC1 and *.IFF is now fixed (packed data longer than unpacked data->buffer overflow).  -@ Coming VERY soon: - a fixed enlarger and painting inside of it. (Hi! to Spaz of Lost Boys). <- nearly ready  Planned for the future: - userdefined line-patterns - a selectable grid width - only using 1,2,3, or 4 planes in cutter. - bigger pictures (e.g. 640x400) - monochrome painting (?) - selecting the number of workscreens to get more memory for cutter. - dithered fill - IFF-loader for more than four planes (or less) signed Chaos, Inc. of The Delta Force. 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A8>IlGm<*O>Y1"+>QGH-X'Ns> d>CQE~~mdEClG> H5I*>T?u>6T$q>B >>@>A>֨Q>A8~G>AGq4Gy[1`8e 8@|F[I4>j>Qd#h҄@FqhMiBL^flMЍ$MЅ$MB4B$y[%=[M[b['M[b/[7؅$[?6[GM}[bOy[Wu$[_6o[um[o،"D\85wC7mɶ'OΞOF IV^( (h)*~b( (h)*~$v $$~&&P'5 25<5J5 25<5J77f8(zF60   "   $N40&4 P   ,                                           j , Mike Horwell October 1992 If STOS or a program compiled by the STOS Basic Compiler does not recognise the mouse, joystick or keypresses then try this program! *N Remember though, always modify a backup copy just in case it doesn't work! STOS_FIX works by modifying code within compiled STOS Basic programs IF YOU USE THIS PROGRAM I WILL NOT BE HELD RESPOSIBLE FOR ANY DAMAGE OR DATA LOSS RESULTING FROM MODIFYING STOS PROGRAMS. DO NOT USE THIS PROGRAM TO ALTER THE STOS COMPILER ITSELF! *N HOW TO USE THE PROGRAM BASICMJH.PRG should be used instead of BASIC206.PRG so that STOS basic can be run on ANY machine - whether it be a ST, STE, Mega STE or even the TT! This program does not alter any STOS system files but is simply a replacement loader for STOS basic. BASICMJH.PRG was on the ST Format Cover Disk number 41. STOS_FIX.PRG will convert programs compiled by the STOS compiler and allow them to be run on a wider range of machines. This program will alter part of the program and should always be used on a backup copy in case it does not work. This is because I was unable to fix this type of program in the same way as the STOS loader program due to the way in which compiled STOS programs work as therfore it may not work with all TOS versions. However, STOS_FIX version 1.0 will recognise the following TOS versions: TOS 1.0 ; 520ST, 520STM, 1040STF, 520/1040STFM TOS 1.02 ; Mega ST & 520/1040STFM 1987 - 1990 TOS 1.04 ; Most ST's 1991 - present day TOS 1.06 ; Early STE TOS 1.62 ; Late 1991 STE's TOS 2.05 ; Early Mega STE TOS 2.06 ; Current Mega STE TOS 3.01 ; Early TT030 (1990-1991) TOS 3.06 ; Current TT030 I have not included TOS 3.05 as I have not benn able to find someone with one of these, but this version does have space allocated to it in the table which can be used for a version I may have missed. The above versions are the most popular in the UK - I thought it unlikely that someone will still have a version 0.85 (which was booted from disk). M.J. Horwell Barbary Park Trematon Cornwall PL12 4RT tel (0752) 840012 +44 752 840012 h