ONNNNNN`}p NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNONNNNNNNNNNNNNNNNNNNNNNf@o `! Oo')+/1O5`79;=?AC@EGIKMO/OU`WY]/Oeikmoqs@uwy{}O@ O ` o  / O o ɠ ` /Oo/Oo_/Oo!!Oo')+-/135a79;?IKQSAoW[]/cAoikmoqsAwy{}Ao/a!A/AoAaɡ!Oׁ/Ao!a B  !"!B!!!!"!""#B"%b"'")"+"-"/#1"#3B#5b#7#9#;#=#?$A"$CB$Eb$G$I$K$$O%Q"%SB%Ub%W%Y%[%]%_&a"&cB&eb&g&i&k&m&o'q"'sB'ub'w'y'{'}'("(B(b((((()")B)b)))))*"*B*b*****+"+B+b+++++,f@o `! Oo')+/1O5`79;=?AC@EGIKMO/OU`WY]/Oeikmoqs@uwy{}O@ O ` o  / O o ɠ ` /Oo/Oo_/Oo!!Oo')+-/135a79;?IKQSAoW[]/cAoikmoqsAwy{}Ao/a!A/AoAaɡ!Oׁ/Ao!a B  !"!B!!!!"!""#B"%b"'")"+"-"/#1"#3B#5b#7#9#;#=#?$A"$CB$Eb$G$I$K$$O%Q"%SB%Ub%W%Y%[%]%_&a"&cB&eb&g&i&k&m&o'q"'sB'ub'w'y'{'}'("(B(b((((()")B)b)))))*"*B*b*****+"+B+b+++++,SUPERGAU000F451 F PLUTOS PRGWF M<DESKTOP INF !.  F..  FF4MOZART F OAPARTMEN F >BANK F /CATHEDRA F CELL_BLO F CHECK_ID F >CLOSED_B F CLOSED_C F DEN_OF_T F v DETENTIO F ENGRAVER #F FIFTH_AV %F  FORTY_TH (F #YGLASS_WO *F %HOUND_PA ,F * JEWELRY_ /F -LIB_ENTR 2F 2LIB_FIRS 4F 3LIB_GUAR 7F 8 PHANTASY 9F <8LIB_RM_2 <F BLIB_ROOF AF FzLIB_SECO DF LLIB_STEP FF QMAGIC_SH IF SMEMORY LF X~ OBJ_DSCP NF [OBSERVAT QF _OFFICE_B TF aTHINK_TA WF c OOr  P@ URRB5҂5҂2҂҂2  D! 444 D! 44"B""2%'"$$7'$!$[!Q!!!!!HHYHHS‚RB‚RBP@URRB5҂5҂2҂҂2Q!!!%'Ɓ&Ԅ4U'Ɓ&Qу """"‚R""""҂P@URRB5҂5҂2҂҂2с "G؂TDGցƁ!҂ !"҂Q1Q""҂R""2QсQсQS N >You are on the sidewalk of E51-52, in front of the entrance to an 80-story apartment building--a huge box of gray stone.This is a big apartment building.You enter a small, bare vestibule. A locked, solid-steel door leads into the main part of the ground floor. The walls of the vestibule are lined with panels of buttons. The buttons are labelled 1A to 80Z. An intercom and a video camera are mounted on the wall next to the door.The camera points at you. After a moment, Emile Ungar's voice comes over the intercom: "Please enter." The door clicks and swings open. You step through, and the door shuts behind you. You see an open elevator, which you take to the 43rd floor.You go back out onto the sidewalk of E51-52.You push button 43R, but nothing happens. Then you remember that Ungar's message said to come between 6 PM and 8 AM.You have to be more specific.No one seems to be answering.E51-52E52-5343R43r yHf7O %&&2 d &d2zT  <,F<= 5&2.  <  4 5&22&< XX     7A*8<1EX,4 <S N /You are on the sidewalk of W44-45, in front of the entrance to a massive building of white stone. Engraved in the stone above the entrance are the words FIREMEN'S TRUST BANK. Nearby on the sidewalk, a ramp slopes up to an enclosed walkway over Fifth Avenue.This is a bank.You enter the bank. To the south, a clerk stands behind a counter. To the north is a cash machine. To the west is a waiting area with seats.The door is locked. A sign on the door says OPEN 8 AM TO 8 PM.You go up the ramp and onto the walkway.You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The clerk eyes the flame and smiles.You go up to the cash machine and insert your bank-card. A translucent, plastic privacy shell rises out of the floor to enclose you and the machine. A robotic voice intones, "What is your personal word?"You go up to the cash machine. Directions posted on the machine say that you must have a bank card to use the machine. You leave the machine and walk back to the center of the room.You go up to the clerk. He says, "Good day. Please give me your bank card."You leave the bank.You go to the waiting area and sit down. An old woman is sitting next to you. She says, "Nice day today, ain't it? I told my daughter it wouldn't rain."The robotic voice says "You have a balance of $1,000 in your account. How much do you want?"You remove the card from the machine and put it in your pocket. The privacy shell withdraws into the floor. You walk away from the machine.The privacy shell prevents you from moving. Don't forget your card when you leave.The clerk says, "I'd like to help, but if you haven't got a bank card, there's nothing I can do."The clerk says, "Please sir, your bank card."The clerk says, "Certainly, sir. I understand perfectly." He leaves for a few minutes, returns with a bank card, and gives it to you. Under his breath, he says, "We'll keep $1,000 in your account at all times. Your personal word is "TEMBLOR"." You walk back to the middle of the room.The clerk takes the card and inserts it into a terminal. He says, "You have a balance of $1,000 in your account. How much do you want?"The old woman continues to chatter: "My daughter is such a weirdo! Listen to this--we live a couple blocks from the big library--well, she says she seen a beautiful girl dressed all in white at a window of the library--everyone knows only Firemen are allowed in there." You nod politely and leave the waiting area.A panel on the machine opens and a tray slides out bearing currency. You take the money and remove your card. The privacy shell withdraws into the floor and you walk away from the machine.The clerk counts out the bills and gives them to you, along with your bank card. You walk away from the counter.The clerk says, "Please tell me how much you want."The robotic voice says, "Incorrect personal word." The machine returns your card. You take it and walk back to the center of the room.You decide to walk back to the center of the room before you try that.The clerk says, "We'll keep $1,000 in your account at all times. Your personal word is "TEMBLOR"". You walk back to the middle of the room.The clerk gives you a puzzled look as if he doesn't quite understand you.The robotic voice says, "You have taken too long to enter your personal word. This transaction has ended."The machine returns your card. You take it and walk back to the center of the room.Realizing that you don't have a bank-card you walk back to the center of the room.The clerk is getting impatient; you'd better show him your bank-card or talk to him.You count the money that you have and realize that it wouldn't be wise to carry any more in case you're searched by a patrol. No sense going into the bank.W44-45W43-44TEMBLORNOTHINGCOMESAMISSSOMONEYCOMESWITHAL"j lvU ' 1%7E$C& &2&E&Fd &d2u<j <,^ < H)  7D&2 < g4*  7D&2 +J <2 4   <%  7B87&E5 O  {9 W , N,   z^(Y   &F  0 '+    $D( F &F  &E#9 9%E h2Y& ! @3 &F-)#L L   S N You are standing on the sidewalk of E50-51, in front of an enormous cathedral. Wide stone steps lead up to the great wooden doors.This is a beautiful old cathedral.You climb the steps and enter the cool, quiet interior of the cathedral. Just inside the entrance, you see a large sign: SANCTUARY. A sudden sound directs your attention to a very tall man with a red nose and large ears. He is sweeping the floor of the cathedral.You leave the cathedral and walk back down the steps to the sidewalk of E50-51.Your footsteps echo hollowly as you pace the stone floor.With gestures he indicates that he is unable to talk.A smile comes to the man's face as he takes a small piece of paper out of his pocket. He holds it out. There's messages written on it: "DR. FOSTER WENT TO GLOUCESTER" and "Beware, the Hounds patrol Fifth Avenue the first and third quarters of each hour." After a few seconds, the man crumples up the paper and throws it into a wastebasket.You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The man eyes the flame and looks at you expectantly, but says nothing.The man shakes his head as if he doesn't quite understand you.E50-51f4organf4organGIVEEVERYMANTHYEARBUTFEWTHYVOICE 8n{72$@&  &2d &d2Y<N<E732 &2 ' <  >4z732 &2 2/# 72$@&2 4z72$@&2 mY  K#M M2'  7B87S N The sergeant takes you upstairs and shoves you into a small cell. As you stumble into the cell, your foot kicks a small chip of concrete lying on the floor. It strikes one of the bars of the cell and makes a small spark; then it bounces into the cell. The sergeant locks the cell and leaves. The bars are thick and strong. A small barred window overlooks a dark alley. A guard paces the dimly lit passageway between the cells.This is a small cell in the detention center."Shut up!," says the guard. He looks at you menacingly, but with what seems like anticipation.You strike the chip against the bar to make a spark. The guard looks at you. He says, "I didn't know you were one of us. Stand back." He draws his lasergun and points it between the bars. A thin red beam shoots out and vaporizes the bars over the window. The guard says, "Out! Quick!" You climb through the window and drop to the ground in the alley. Then you run to the next block.The chip is sitting on the cell floor.That's not going to help you get out of here.You pick the chip up off the floor.The chip is a piece of broken concrete.You decide that too risky to use that here. The patrol picked you up as a vagrant and didn't search you but, better not press your luck.E49-50 8 0X7[&  d &d #7 7 H<l@5#  S N >You are carrying an ID card with the name and picture ofYou are not carrying an ID card. Your chemindex number isYour fingerprints match those ofYou are wearing a mask resembling yourself, Guy Montag. Morton Dorr. Emile Ungar. Charles Karmon. Douglas Tesko. Lester Lang. Philip Redmond. Paul French. Andre Mills. CR9999 matching yourself Guy Montag. FM227 matching Morton Dorr. SC1211 matching Emile Ungar. RP3215 matching Charles Karmon. RP6007 matching Douglas Tesko. RP1955 matching Lester Lang. RP1256 matching Philip Redmond. RP7120 matching Paul French. RP9801 matching Andre Mills. 9\u&9IY%Hh&RI@7. %      I@7.%  I@7. %      I@7. %      &dS N This is a locked and deserted building.You are on the sidewalk of , in front of a locked and deserted building.You realize that there is nothing here for you.E42-43W42-43W43-44W46-47W48-49W50-51E52-53E54-55E42-43W42-43W43-44W43-44W46-47W48-49W50-51E52-53E54-55E42-43W42-43W43-44W42-43W46-47W48-49W50-51E52-53E54-55W42-43W43-44W46-47W48-49W50-51E42-43E52-53E54-55&(Dr  '.5<CJQX_fmt{   7c @X  7T @K  75 @?  7c @2  72$@&  7c P  7c J  7c @,&d &d+O  <&C  <,7 <%. <%  You are standing on the sidewalk of W45-46, in front of the locked entrance of a seemingly deserted building.This apparently deserted building has an ominous quality.You can't. The door is locked.The entrance suddenly opens inward. Strong arms reach out and pull you into the building. An ugly, gnome-like woman is sitting at a card table. The man who dragged you inside is an unshaven, redhaired brute. He shoves you down onto a shabby sofa and points a lasergun at you. He says, "Empty your pockets."You put everything you have on the sofa next to you. The woman says, "Thanks for being so cooperative. Okay, sweetie." The man pulls the trigger of the lasergun. A thin red beam strikes you in the chest. You are dead.You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The man gapes at you, and the woman says, "My goodness, we had no idea! I see we're on the same side of the fence. Sorry to have frightened you."You start to stand up. The woman shouts, "Kill him!" The man pulls the trigger of the lasergun. A thin red beam strikes you in the chest. You are dead.The woman comes over to you and takes your hand, turning it palm upward. She says, "You have a nice hand, dearie, but I can make it nicer!" She takes a small black box out from under one of the cushions on the sofa. "This little item can give you a whole new set of fingerprints! Interested?"The man says, "That's a nice lighter, want to trade?" He takes a small metal object out of his pocket and says, "You can use this to pry up the manhole covers on Fifth Avenue. All those old sewer tunnels lead to the subways." He holds out his hand for the lighter.You thank them for their hospitality and leave.The woman says, "I thought you would be, my dear. But we don't run a charity. The price is $500."The man takes the lighter and hands you the manhole tool.You take out $500 and hand it to the woman. She shows you how to use the fingerprinter. Then you take it and put it into your pocket.You take out your money and count it. Not enough! The woman says, "Too bad. This is a handy little toy. Well, it's been nice meeting you, honeybunch!"The woman looks at you as if she doesn't quite understand you.OK, it's up to you.You take a close look at the lock and realize that it is on some sort of time mechanism. It is set to open at 10 PM and close at 5 AM.You realize that you already have a manhole-tool and don't need another. Embarassed, you explain this to the manYou talk but, the man ignores you.You talk but, the woman ignores you.W45-46W46-47f4deadf4deadYESNOnp0ja  ! ( / 6 : <8 7sZ! 7rZ!%& &2&I&H&b&Ed &d2 70&2  N <,@<%7 < ! XG2?42 70&2 2En   2;K/K ?2;5*  7B87&E\EW&  <,4  <#L &I#L#MH &H#MHI,Y   &b m H @ A F&Lb @  &I <S N The 451 Patrol takes you to E49-50, where they stop in front of the entrance to a large, old building. The sergeant puts his hand against the door, and after a moment the door swings open. The sergeant takes you inside and into an interrogation room. A 451 lieutenant comes into the room. "Frisk him",he says. The sergeant removes everything from your pockets. Then the lieutenant looks through it all.This is the 451 Patrol Station and Detention Center.You are under arrest. You're lucky if they let you breathe."Shut up!" he says, "If we want you to talk, we'll ask you a question."Ignoring you, his eyes harden and he jerks out his sidearm. "You're carrying contraband," he says. "The penalty is death." He fires. An intense red beam strikes you in the chest. You are dead.Ignoring you, the lieutenant says, "Check his fingerprints and his chemindex." The sergeant leaves the room and after a moment, returns carrying a small machine, which he puts on the table. He grabs your wrist and puts your hand palm down on top of the machine.-- The machine hums quietly and then stops. A light on the side glows green. The lieutenant says, "Throw him in a cell till we get this straightened out."-- The machine hums quietly and then stops. A light on the side glows red. The lieutenant draws his sidearm and says, "Wanted, eh? We'll just take care of you right now." He pulls the trigger. You are dead.E49-50f4deadf4dead L ~7A1? & d &d#  2 ; # 0  <2 2 ;S N You are in the engraver's office in the Jewelry Emporium. The engraver is a small man, whose old-world appearance contrasts sharply with the high-tech equipment on his worktable, but not with the antique brass scale displayed in a wall cabinet. He says, "Please give me the item you would like engraved."This is the engraver's office in the Jewelry Emporium.You leave the engraver's office, walk through the main room of the Jewelry Emporium, and go out the door.This is a small office crowded with machines and cabinets. There is nowhere to go.You hand the to the engraver. He positions it carefully in a small machine and says, "Which initials would you like to have engraved?"You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The engraver says, "I don't know who you are,"--he grins boyishly--"but I am American poetry! James Whitcomb Riley once said, "THE SCENE WAS ALL CHANGED, LIKE THE CHANGE IN MY FACE" and you might want to say the same thing sometime!The engraver says, "Tell me what you know.""Forms, eh?" says the engraver. "I have only one to offer: an entry permit to the library." He holds the permit out to you. You take it and put it in your pocket. You realize that it's an incriminating document and that if it's found on you, you'd better be prepared to prove that you're authorized to have it.The engraver sets two dials on the machine and flicks a switch. Two beams of blue-white light play on the surface of the item. The machine emits a hum of steadily rising pitch. Then the machine clicks, the hum slowly fades, and the light flickers off. The engraver removes the item and hands it back to you. from the machine and shows you the beautifully engraved initials. You take the and put it into your pocket. The engraver continues, "Before I can give you the ID, I must ask you to give me the one you're currently carrying. We don't want anybody to have two ID's--too much chance for a disastrous mixup." You take out your ID and give it to him. He hands you your new ID and says, "Remember to change your face before you use this. Of course, your current chemindex doesn't match the ID either, in all likelihood. So be careful."You explain that you don't have an ID at the moment. The engraver then hands you the ID and says, "Remember to change your face before you use this. Right now you don't look much like I'm sorry, I have no more forms left to offer you.I'm sorry, I can't quite hear you. Can you repeat that more clearly ?The engraver looks at you oddly."Ah, I thought you might know that one, "says the engraver. "I only have three ID's on hand right now. Who would you like to be: Charles Karmon, Douglas Tesko, or Lester Lang?"You should give the item to the engraver before you try that.You realize that you don't have anything that would be worth engraving, so you decide to leave.The engraver is waiting for you to tell him what initials you want engraved. Your request should be in the form: SAY "X.X.", where X.X. are the initials you want engraved.The engraver is waiting for you to SAY "Karmon", SAY "Tesko", or SAY "Lang" You explain to the engraver that you left your ID in the locker. He tells you that he will arrange to have it removed and destroyed for you. You explain that you lost your ID and that two IDs won't be a problem. The engraver says, "How about a quote from Dickinson?" The engraver says, "How about a quote from Shakespeare."You give the item to the engraver and he explains that he can only engrave items from the Jewelry Emporium. He hands the item back to you.W47-48ATTENDEDBYASINGLEHOUNDITSOWNIDENTITYIMAGINATIONBODIESFORTHTHEFORMSOFTHINGSUNKNOWNCHARLESKARMONKARMONDOUGLASTESKOTESKOLESTERLANGLANG&1h%3 5lq Z  R ( ` %,Q7 & &`d &d{i < < N> ,%&&&&&& &&& ~b  FY )  & "  A 1@    ! @} " # @P $ % @##  (S N You are on Fifth Avenue at . Near you, a manhole cover is set into the pavement. East and west, a building and other structures line the avenue.This is Fifth Avenue.You pry up the manhole cover and swing it open.You drop down into the manhole, slamming the cover shut above you. You walk for a long time through a drainpipe till you come to a metal door. You open the door and step through. The door shuts behind you with a clang.Suddenly you see a Mechanical Hound approaching, gliding across the black pavement. Its eyes glow alternately red and green, and its needle-tongue extends and withdraws in the rhythm of its flashing eyes. The sight makes your blood run cold.You realize you cannot escape the Hound. The metallic beast sidles up to you on its spider legs. It stretches its neck and sniffs at you.After a moment, the Hound's eyes begin to glow a steady green, its needle-tongue withdraws, and it trots away.After a moment, the Hound's eyes begin to glow a steady, fiery red. Its needle-tongue shoots out, the deadly dose dripping from the end. It leaps and grasps you with its spider legs. You feel the needle enter your neck. You are dead.You kick at the Hound, breaking off the tip of its needle-tongue. The Hound's gears clash and whine in mechanical agony as it runs away.You kick at the Hound, but it dodges away, then leaps at you, grasping you with its spider legs. Its eyes glow a steady fiery red. Its needle-tongue shoots into your neck. You are dead.The presence of the Hound makes it impossible for you to do that.The manhole cover is tightly securedThe manhole cover is already open.You realize that it would be too dangerous to walk down the center of the street. You change your mind and reconsider your options: you can go east or west.42-4343-4444-4545-4646-47W41-4247-4848-4949-5050-5151-5252-5353-54W52-5354-5555-5656-5757-5858-59W57-5842-43E42-4343-4444-4545-4646-4747-4848-4949-5050-5151-5252-53E52-5353-5454-55E54-5555-5656-5757-5858-5959-6042-43W42-4343-44W43-4444-4545-4646-47W46-4747-4848-49W48-4949-5050-51W50-5151-5252-5353-54W53-5454-5555-56W55-5656-5757-5858-5959-60f4deadf4deadS/ 2U #)/5;AHNTZ`fmsz!'-4:@GMSY`flsy!5,& -&a&[d &d27< -[7q&[a &a a     S $      $      !"<  # $<, %<& &<' '<) (< | )<(s *<$j +<a ,<X -<O . /<,C 0<: 1 2<,. 3<"% 4< 5<  6< 7 8 9<, : ;<, <<% =< > ?<, @@< @A @B<,{ @C&2 . <  Y4 Q 7>&2 " S<-2B uvg w8wR7?&B 4 Q <"#PM  P M#L L|xP-PT  @   *iBdA!  &A  &A 8  &C * A! E $!! AE#yA!fwR!!F &B&A7>3*w wS N  \AAAFBEGCCADCThis is the library roof, you have been discovered by the Hound Patrol. "Montag," she says, "do you know how to fight the Hound?"The Hound leaps. You feel the needle-tongue shoot into your neck. The poison courses through your veins. You are dead. Your comrades in the underground will honor your memory forever.You realize that the Hound is quicker than you are. You must fight the Hound.You realize that this weapon is useless against the Hound's armored shell.You remember fellow Firemen talking about how to fight a Hound--the only methods that work are to kick the Hound, leap on the Hound, or hold the Hound.You aim at the Hound's needle tongue, but it jerks its head aside. Once again, it prepares to spring at you.You feint to one side and then leap on the Hound's back, but before you can do anything, it shakes you off. It whirls to face you and once again crouches to spring.As the Hound jumps at you, you duck and grab hold of its hind leg. You almost succeed in throwing it off balance, but it pulls away, turns, and crouches, ready to spring at you.As the Hound leaps, you duck and grab its two hind legs. You twist, and the Hound crashes to the roof. Its head dangling uselessly between its forelegs, the Hound runs rapidly away.You feint to one side and then leap onto the Hound's back. You reach for the Hound's snout and grab the needle-tongue. You tug on it violently and break it off! The Hound howls madly and shakes you off its back. It runs screaming away.You kick violently at the Hound's snout and succeed in breaking off its needle-tongue! The Hound howls madly and runs screaming away.Again you try to leap onto the Hound's back. But you miss, and sprawl on the blacktop. The Hound, victorious above you, stabs down. You feel the needle-tongue shoot into your neck. You are dead.You realize that won't help you out of this mess.W40-42ABCDEFGf4deadf4deadWIz>f)[\cegikmoqx7a&d &d#\ 9:v)9:J @ 7  .  <5#  <5  <5   2;,  6eG8  -8 2;eS N You are on the sidewalk of W47-48, in front of the entrance to the JEWELRY EMPORIUM, according to the glittering sign above the heavy, plate-glass doors. The street-level windows display jewelry and miniaturized electronic devices of myriad kinds, all fabricated of precious metals and bedecked with gemstones. The facade of the building is plated with synthegold that gleams in the light.This is the Jewelry Emporium.You push open the door and enter. In contrast to the dazzling exterior, the interior of the Emporium is starkly simple, though still whispering richly of money. The pearly gray carpet, the mahogany counter varnished to a mirror-like finish reflecting the black-suited, silver-haired clerk, the guard sleekly dressed in a form-fitting dark red coverall with a stungun in a shiny black leather holster strapped to his side--all bespeak the wealth and power of those who habitually shop here. The clerk, barely restraining his contempt for your inelegant appearance says, "May I help you?"You notice a sign next to the door: OPEN 9 AM TO 7 PMThe clerk says, "In that case, sir, I suggest that you leave." He raises his eyebrows at the guard, who strides across the room and stands next to you. You take the hint and leave.The clerk's smile is a millimeter away from a sneer. He flicks a switch behind the counter. The countertop slides open and a velvet-topped platform rises displaying three small objects. The clerk says, "These are among the very few items we carry that sell for under $1000: a gold-plated stickpin ornamented with a small ruby--$750; a flashlight ring, turquoise in a silver setting--$695, just press on the stone and a high intensity light is emitted; and a calculator with a platinum-iridium case--$850.The clerk's patience is sorely tried. He says, "I'm afraid, sir, that you are wasting my time." You take the hint and leave.You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The guard runs across the room and swats the lighter out of your hand, extinguishing the flame. He pushes you out the door.You leave the building. The clerk repeats, "These are among the very few items we carry that sell for under $1000."You count your money and realize that you don't have enough! You decide that this isn't the place for you, and leave. The clerk accepts the money, hands you the item and says, "Certainly, sir. Would you care to have it engraved with your initials? The service is free of charge." You take out some money and hand it to the clerk, saying, "I'll take the The clerk says, "Thank you, please come again." You leave.The clerk directs you to a door in the rear wall of the shop. You walk through.If you want the item engraved, you should say, "YES"; if you don't, say, "NO".You pick up the stickpin and look at it carefully, while the guard carefully looks at you! It's a beautiful little object, but you find it hard to imagine what you'd use it for. You put it back on the velvet platform.You pick up the ring and look at it carefully, while the guard carefully looks at you! You press on the turquoise, a narrow beam of white light shoots out, reflecting off the countertop and onto the clerk's suit. The price tag attached to the ring says "$695." You put the ring back on the velvet platform.You pick up the calculator and look at it carefully, while the guard carefully looks at you! The price tag attached says, "$850." You put the object back onto the velvet platform.."The clerk repeats, "May I help you sir?"You realize that you are already carrying one and don't need another.You remember that you have one stored back in the locker and don't need another.You realize that you should answer the clerk before you try that.W47-48W48-49W46-47YESNOYESNO!E&R@X+  T &w7G$"& &2d &d2i <,[ <,O < 9 7#&2  94 7#&2 2$   A <4  <Q1Y%   < <#9 #9 !   v-" R .@ @@* ,   <62%Y <  <S N You are inside the library. You get off the Hound, which immediately glides back outside to its position on the steps. You look around: stairways to the north and south lead up; to the east, the main part of this floor of the library is closed off by a deadly red energy screen. To the west is the archway through which you entered. The atmosphere is cool and peaceful in this old, dark lobby--except for the hum of the energy screen and the distant echo of booted feet on marble floors.This is the main entrance to the library.You go up the stairs.You blunder into the energy screen! Your jacket is singed and you jump back.You go outside through the archway, remount the Mechanical Hound, ride down the library steps, dismount, and walk past the 451 post.W40-42(u7S& d &dK  <3%<, <,S N <You jump to the ground in the courtyard and Clarisse follows. She points to a window. You and she climb through it into a hallway that leads east. The door to room 105 is nearby. Clarisse bends close to you and whispers, "Room 105 is the broadcast room. We have to get in there and take control, but there is an armed guard in the room."This is a corridor on the first floor of the main library.You go down the corridor and around the corner. An armed patrol of Firemen spots you! They level their flamethrowers, and with a savage cry of triumph they burn you down! You are dead. Your comrades in the Underground will honor your memory forever.Clarisse says, "Now's not the time for exploring, Guy. We have to go into room 105."You and Clarisse climb out the window, up the drainpipe and onto the roof. You wander across the roof aimlessly with Clarisse.Clarisse says, "We can't just burst into the room. The guard is alert, and he'll shoot us." Her eyes narrow in concentration, and then she says, "If you have wafer-5 from the 451 Power Center, maybe we can trick the guard."You take out the wafer and unfold it, studying the circuit diagrams for this section of the library. A power box is supposed to be set into the corridor wall nearby. You look around and spot the box behind a panel on the wall.You remember Clarisse's warning, and you reconsider your words.You stand to one side of the door while Clarisse knocks. The guard comes out, sees Clarisse, and recognizes her as a second-floor employee. He raises his rifle and says, "You don't belong on this floor." You knock the guard on the head with the butt of the lasergun. He slumps unconscious to the floor. You take his flamethrower rifle and give Clarisse the lasergun. You and Clarisse enter the room. You leap at the guard and put a choke hold around his neck. You squeeze, and the guard struggles violently; but he soon weakens and slumps unconscious to the floor. You take his rifle.You stand to one side of the door while Clarisse knocks. The guard comes out. He recognizes Clarisse and raises his rifle, saying, "You don't belong on this floor." Clarisse cries out, "Montag! Help me!"As you reach to open the door, the guard throws Clarisse aside and raises his flamethrower rifle. With a savage cry of triumph, he burns you down. You are dead. Your comrades in the Underground will honor your memory forever.You realize that it would be hard to disable the guard that way without also injuring Clarisse. You leap on the guard and throw a stranglehold around his neck. You squeeze, and the guard struggles violently; but he soon weakens and slumps unconscious to the floor. You and Clarisse enter the room. You take his rifle and give Clarisse the lasergun. You take his rifle.It's in your hands, Guy," says Clarisse. "You know much more than I do about this kind of operation."You open the panel and examine the wiring. Then you tell Clarisse to get ready, and you pull the wires for this section of corridor and room 105. Instantly, you are in darkness, except for the dim gray light that filters through the courtyard window.The door to room 105 opens, and the guard comes out slowly, peering into the gloom. Clarisse shouts, the guard turns, you jump him and apply a choke hold. As you squeeze, the guard struggles violently, but finally succumbs and slumps unconscious to the floor. You turn the lights back on. You and Clarisse enter the room. You take the guard's flamethrower rifle and give Clarisse the lasergun. You take the guard's flamethrower rifle.You'd like to open the panel, but you're not quite sure where it is.W40-42f4deadf4deadR[;^*uW 1 , n &-4(7mb& &2 &Z&Yd &d 2; <5 #\Z} &YWZd4Y! @ A<9 @ <9 Y iZ  2;O 2 iZ=       A@ <9  @ <9   &Z67Z ^ Z  ;7Z @ A<9 @ <9S N \EAAEFFFCCCGGHDDHAEEABBFBCGCGDHDHAEEABFFFGGGCDDHDEAEABBFBCGCCHDHHThis is the second floor of the Main Library.The guard grabs your arm and prevents you from moving. He is drawing his lasergun from its holster.The guard draws his lasergun and fires. The beam strikes you in the chest. You are dead.The guard draws his lasergun. "Shut up!" he says. "Where's your mission sheet?"The guard says, "Your presence here is unauthorized. The penalty is death." He aims and fires. The beam strikes you in the chest. You are dead.You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The guard swats the lighter out of your hand, and it shatters when it strikes the marble floor.You draw the knife from your pocket and attempt to stab the guard. He sidesteps and slaps the knife away.You remember from your Fireman training that you can kick, punch, hold, or tackle the guard.You kick at the guard. He dodges and tries to tackle you.You throw a punch at the guard that glances off his forehead. The guard counters with an uppercut that grazes your cheekbone.You try to put a hold on the guard but he slips away. He kicks at your head, and just misses!You dive at the guard in a flying tackle. He sidesteps and tries to throw a hold on you.You kick at the guard, and the point of your shoe finds his solarplexus. With an agonized groan the guard doubles over and falls unconscious to the floor. You grab his lasergun.A vicious right hook catches the guard flush on his jaw. He falls loosely to the floor, already unconscious. You grab his lasergun.You manage to throw a choke hold on the guard. Slowly, you apply pressure. The guard struggles violently, but soon weakens. When he is unconscious you release your hold and grab his lasergun.You dive at the guard in a flying tackle and take his feet out from under him. He crashes down, striking his head against the marble floor, and slumps unconscious. You grab his lasergun.You kick at the guard, lose your balance, and fall. The guard draws and fires his lasergun. The beam strikes you in the chest. You are dead.You try to uppercut the guard, but he grabs your arm and twists, throwing you to the floor. He draws his lasergun and fires. The beam strikes you in the chest. You are dead.You miss your hold and fall to the floor. The guard draws his lasergun and fires. You are dead.You dive at the guard in a flying tackle, but you miss him completely and sprawl on the floor. The guard draws his lasergun and fires. You are dead.You realize that if you go after the knife, the guard will shoot you with his lasergun.You realize that's not going to help you out of this mess.Af4deadf4deadABCDEFGHEFGHIJKLIJKLf4dead/Bp-} I^K S a N  & d &d 2;i#7 2;G  A )  A  7   B :A7 73BA:!     :)BA:!     = ))BA:!      ))BA: K             !6 "  # $ %@85<3A & ' ( )+ * + , -2.;S N 8You are in a large room with 3 doors: door 1, in the east wall; door 2, in the north wall; door 3, in the west wall. The exit is behind you, to the south. The attendant is a very tall man. He bends over and speaks to you softly, "Care for an experience ?"This is the PHANTASYPHONES room.The attendant blocks your way. He repeats, "Care for an experience?"The attendant points east and says, "Door 1, please."The attendant points north and says, "Door 2, please."You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The attendant says,"If you're hungry, try the restaurant on E53-54."The attendant smiles and completes the quote, "Did gyre and gimble in the wabe: All mimsy were the borogoves, And the mome raths outgrabe." Then he says, "It's such a pity that no one knows Carroll anymore, for this is truly a looking-glass kind of world we live in. But I suppose you have more important things to think about, eh ? Go through door 3 to the west. Perhaps that will help."You enter a small room containing an easy chair with a large bulbous helmet attached to the backrest. Within the material of the helmet, streaks of light dart every which way. You sit down and slip the helmet over your head. The real world disappears. For 5 minutes you are a mountain climber. Just a few more steps and you will be at the summit of Chomolungma, the world's tallest mountain. You've made it! You plant a flag and gaze across the windswept peaks. A feeling of ultimate triumph pulses through you. Then the experience ends. You remove the helmet and leave the room. The attendant smiles at you and ushers you out the door.The attendant blocks your way. He says, "Door 1 to the east, please."You enter a small room containing an easy chair with a large bulbous helmet attached to the backrest. Within the material of the helmet, streaks of light dart every which way. You sit down and slip the helmet over your head. The real world disappears. For 5 minutes you are a great spiritual leader. Around the world, billions of people listen, enthralled by your eloquence. You can feel their energy rising inside you like a great tidal wave of joy and love. Then the experience ends. You remove the helmet and leave the room. The attendant smiles at you and ushers you out the door.The attendant blocks your way. He says, "Door 2 to the north, please."You enter a small room containing an easy chair with a large bulbous helmet attached to the backrest. Within the material of the helmet, streaks of light dart every which way. You sit down and slip the helmet over your head. Everything changes. Your only consciousness is of an image that forms in your mind--the image of a woman in a white dress, sitting in a chair made of dark, polished wood. She looks familiar, so familiar. Suddenly you realize--it's Clarisse! Alive! And grown up! But how can that be? She died years ago--so you were told. Memories fill you: Clarisse talking of flowers and the moon, of love and happiness, of all the things you had forgotten or never knew. You realize that she is speaking: ... "If it's you I'm speaking to Montag, please hurry." "I can't tell you where I am, because I don't know if they might be listening--the burners, who turn love to hate and beauty to death. Oh, Montag, be quick . Please find me soon. We need you." The image fades and is gone. Slowly you remove the helmet, stand up, and leave the room. The attendant hurries over. He grasps your arm and bends to whisper in your ear, "Remember that you must be chemindexed to pass the Hounds." With an encouraging smile, he ushers you out the door.You enter a small room containing an easy chair with a large bulbous helmet attached to the backrest. Within the material of the helmet, streaks of light dart every which way. You sit down and slip the helmet over your head. Everything changes. Your only consciousness is of an image that forms in your mind--the image of a woman in a white dress, sitting in a chair made of dark, polished wood. It's Clarisse again, still urging you to hurry, "Montag, where are you? Please, please be quick !" The image fades and is gone. Slowly you remove the helmet, stand up, and leave the room. The attendant hurries over. He grasps your arm and bends to whisper in your ear, "Remember that you must be chemindexed to pass the Hounds." With an encouraging smile, he ushers you out the door.The attendant blocks your way. He says, "Door 3 to the west, please."The attendant says, "There's nothing I can do for you then." He ushers you out the door.The attendant leans toward you and says, "What was that? Could you be a little clearer please?"W58-59YESNOTWASBRILLIGANDTHESLITHYTOVES123f4phphon!f5 g @ k JWW^be7& d &di<2NYB   #  <  I#M  #  Ka2  7858< 2 a2  785  8< 2 ~2 2\7852 8&\<7858< 2S N  You slowly swing the door shut and lock it by quietly turning a brass bolt. You can faintly hear the sound of men's voices in the corridor.This is room 210, in the Main Library.The room is cluttered with tables, shelves, and cabinets. You can't move very far in any one direction.You realize that to open the door would be to invite disaster.You move cautiously into the room, picking your way around the furniture. The cabinets and shelves are filled with books. Standing in the semidarkness near the end of a long, narrow aisle between shelves, you see a woman wearing dirt-smudged white coveralls. She has her back to you.She appears lost in thought and doesn't seem to hear you. When you're right behind her, she at last senses your presence and turns, startled. It's Clarisse!You tell her that you are Guy Montag, but she says she doesn't know you.You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. Clarisse looks at the flame and at you. Hesitantly, she says, "Is it really you, Guy? You have found me!"Clarisse pushes you away. Her eyes blazing angrily, she says, "If you come near me again, I'll call the guard."You take out the wilted, tattered buttercup from your pocket and show it to Clarisse, as you say, "Remember? It said I wasn't in love." Hesitantly as if mesmerized, Clarisse raises trembling fingers to take the buttercup. She shifts her stunned gaze from the buttercup to your face, as she whispers, "Montag? . . . Guy? . . . Is it you behind that disguise? . . . You have really found me!"You and Clarisse embrace and kiss, tenderly, as old friends after a long separation.As you talk, she listens to your voice, her expression changes from amazement to joy. "Guy!" she says, squeezing your hands. "Oh Guy, how good it is to see you at last!" Suddenly, her manner changes again. "What am I thinking of?" she says. "We can't afford to waste time talking now. I have the microcassettes in my belt. Let's get out of here." She leads you to an open window and points to a drainpipe that runs alongside the window. "That's our way up," she says."Montag!" says Clarisse. "We must hurry!"You perch on the windowsill and grasp the drainpipe. You inch your way up, searching for the tiny footholds. Clarisse climbs behind you.You hear noises in the corridor. The door rattles, as if someone is trying to open it.Suddenly the door bursts inward! Five Firemen with flamethrowers rush into the room. With a savage cry of triumph they burn you and Clarisse down. You are dead. Your comrades in the Underground will honor your memory forever.Clarisse screams as the door bursts inward! Five Firemen with flamethrowers rush into the room. With a savage cry of triumph they burn you down. You are dead. Your comrades in the Underground will honor your memory forever.You are a member of the underground-but I need to know if it's really you, Guy.W40-42You shouldn't leave so soon.f4clarf4deadf4deadZv\8/X b D $ t { 67^& &T&S&U&O&[d &d _UT  <5zp32iNiU7_&U+#L\TUS &S#L\TU     ^TU7m A2&TY21\U6TO &O 2;T    2;S N z*\@B@@A@JDB@@@EFB@@D@@D@G@@M@F@LI@J@@H@I@B@N@LHOKMGPL@K@@OL@N@MQ@RP@@@@SP@R@@@The roof is a jumble of utilitarian structures separated by intersecting, blacktop pathways. The pathways surround an inner courtyard. You're at the midpoint of the north wall of the library. A pathway runs south. Clarisse says that you must make your way to the southwest corner of the inner courtyard, where you can climb down another drainpipe. "But," she says, "we must be careful. A Mechanical Hound patrols the roof!"This is the roof of the Main Library.You have returned to the place where you climbed onto the roof, at the midpoint of the north wall. A drainpipe leads down the wall, back to the second floor. A pathway leads south.You are at an intersection. Pathways lead north, east, and west.You are at the northwest corner of the inner courtyard. Across the courtyard, in the southwest corner, you can see a drainpipe. A pathway leads north.You are overlooking the west wall of the roof. Pathways lead north, south, and east.You are at the northwest corner of the roof. A pathway leads south.You are overlooking the west wall of the roof. Pathways lead north and east.You are overlooking the west wall of the inner courtyard. Farther along the wall, in the southwest corner of the courtyard, you can see a drainpipe. Pathways lead south and west.You are overlooking the east wall of the inner courtyard. Across the courtyard, in the southwest corner, you can see a drainpipe. Pathways lead south and east.You are overlooking the east wall of the roof. Pathways lead north and west.You are overlooking the east wall of the roof. Pathways lead south and west.You are overlooking the east wall of the roof. Pathways lead south and west.You are at the southeast corner of the inner courtyard. Farther along the south wall of the courtyard, to the west, you can see a drainpipe. Pathways lead north, south, east, and west.You are at the southwest corner of the inner courtyard. A drainpipe leads down into the courtyard. Pathways lead north, south, and east. Clarisse says, "We must go down here, to the first floor." Then, hesitantly, she says, "Guy, there's another way off this roof--a drainpipe at the southwest corner of the library roof--and it leads to a secret route out of the city! If we escape, we'll have each other but we'll have betrayed the Underground. If we go down here and try to fulfill our mission, we risk death!"You are at the southeast corner of the roof. Pathways lead north and west.You are overlooking the south wall of the roof. Pathways lead north and east.You are at an intersection. Pathways lead north, south, and west.You are overlooking the south wall of the roof. A pathway leads north.You are overlooking the west wall of the roof. Pathways lead south and east.You are at the southwest corner of the roof. A drainpipe leads down the outside of the library. A pathway leads north. Clarisse says, "Montag, this drainpipe is the other way out."You and Clarisse climb back down the drainpipe and into room 210. Suddenly the door from the corridor bursts inward. Five Firemen with flamethrowers rush into the room. Before they see you, you and Clarisse climb back up the drainpipe.You and Clarisse start back down the drainpipe. A Fireman pokes his upperbody out the window of room 210. He aims his flamethrower and fires. You are dead. Your comrades in the Underground will honor your memory forever.You and Clarisse climb down the drainpipe.You and Clarisse climb down the drainpipe. She leads you to a hidden entrance to a tunnel that takes you under the Hudson River. You emerge in a forested area of New Jersey. You have escaped the city of Firemen and are safe; but having failed the Underground, you have no one but each other. You cling together and face the unknown."Not now, Montag," says Clarisse. "Our time will be later."Clarisse says, "Remember the first evening we met? I was lying in wait for you, curious to see what made my strange, silent Fireman neighbor tick.""For a week," says Clarisse, "we met every day. We walked together and talked. I told you about my uncle.""Then they told you I was dead. That was my uncle's idea. That's what he wanted everybody to think. The Underground got me a new identity and helped me infiltrate the 451 Corps.Clarisse continues, "Eventually, the Underground was able to place me inside the library, where I could duplicate microcassettes containing the world's classic literature. Guy, you and I have a chance to do something terribly important here!"Clarisse doesn't reply. Once again--as when you first came upon her in room 210--she seems lost in thought.Suddenly a Mechanical Hound on patrol confronts you and Clarisse. Its malevolent red eyes gleam with an evil fire. Its needle- tongue slowly extends and withdraws in a deadly rhythm. It crouches, ready to spring at you.W40-42f4deadf4escape&NBB/|   ` r &%6 )*7`&" [d &d "*3<[ !<; D  2#;) <82$2%& #\; )    21\I) 7`H5HHHHHxH oH f H ] H T H K HB H7H.H%HHH HS N  \PB@@AC@@BD@@C@@E@@DF@@EGH@F@IG@@JH@@KI@@LJ@@@KM@@@NL@@OM@P@NOA@@You are standing in a marble-floored hallway that extends north and south. Doors are spaced along the walls on both sides of the corridor. Room 200 is near you on the inside wall of the corridor and there are steps leading down on the outside wall.This is the second floor to the Main Library.To the east, stairs lead down. The corridor extends north and south. Room 200 is near you on the inside wall of the corridor.The corridor extends north and south. Room 201 is near you on the inside wall of the corridor.The corridor extends north and south. Room 203 is near you on the inside wall and room 207 is on the outside wall.You are at a corner. The corridor extends north and west. Room 209 is near you on the outside wall.The corridor extends east and west. Room 203 is near you on the inside wall.The corridor extends east and west. Room 211 is near you on the outside wall.You are at a corner. The corridor extends north and east. Room 213 is near you on the outside wall.The corridor extends north and south. Room 203 is near you on the inside wall and room 215 is on the outside wall.The corridor extends north and south. Room 205 is near you on the inside wall, and room 217 is on the outside wall.The corridor extends north and south. Room 204 is near you on the inside wall and room 216 is on the outside wall.The corridor extends north and south. Room 202 is near on the inside wall and room 214 is on the outside wall.You are at a corner. The corridor extends south and east. Room 212 is near you on the outside wall of the corridor.The corridor extends east and west. Room 202 is near you on the inside wall and room 210 is on the outside wall.The corridor extends east and west. Room 202 near you on the inside wall.You are at a corner. The corridor extends south and west. Room 208 is near you on the outside wall.The corridor extends north and south. Room 202 is near you on the inside wall and room 206 is on the outside wall.You descend the stairs and leave the library, going down the outside steps on the back of a Mechanical Hound. You dismount and walk past the 451 post.Suddenly a guard on patrol spots you. "Halt!" he says, as he walks up to you. Then he says, "Show me your mission sheet." Your hesitation tells him you don't have one. He reaches for his sidearm.You try the door, but it is firmly locked.You open the door and look in. Men and women sit at rows of monitors. No one notices you. Quietly, you close the door.You open the door and glance into the room. Men are gathered around a table talking. Suddenly, one of them looks up and sees you. You quickly shut the door and walk away.You open the door and look in. An armed guard inside the room sees you. He comes out into the corridor and says to you, "Let me see your mission sheet." Your hesitation tells him that you don't have one. He reaches for his sidearm.You open the door and look in. The room is dim and quiet and smells a little musty. You don't see anyone so you enter.You realize that you are not in a position to do that.W40-42You have to be more specific.200201202203204205206207208209210211212213214215216217W42-430B;iFjvYxF q { ) 0 N R V Z ^ b f j n r v z ~ '7k& &2(d &d# (7x<<# (7x<<-#    (7x<<.<#   (7x<<2i2i z g    B   # !  "  # $ %7x<< &7x<< '  <4 ({ ) 7x<<b *P + > ,, -  .   /<, I) 7kH5HHvHmHdH[H RH I H @ H 7 H . H% HHH HS N PYou approach the library steps. Two massive stone statues of lions rest majestically on the steps, their eyes gleaming with a coruscating light. At the top of the steps are two Mechanical Hounds, larger than the Hounds that patrol Fifth Avenue and with a different body shape. You stop at the foot of the steps, and one of the Hounds glides down to you and sniffs your legs.These are the library steps. The Hound's eyes glow green. It seems to wait expectantly. The Hound's eyes glow red. It leaps at you, grasping you with its legs. Its needle-tongue shoots out and pierces your neck. You are dead.As soon as you put your foot on the steps, twin beams of red light shoot out from the eyes of the nearest lion and strike you in the chest. You are dead.You try to place your foot in the stirrup-like projection on the side of the Hound's body. The Hound's eyes glow red, and it leaps at you, grasping you with its legs. Its needle-tongue shoots out and pierces your neck. You are dead.The Hound turns sideways to you and crouches, immobile. You place your foot on the stirrup-like projection on its body and swing into a sitting position on the Hound's back. It carries you up the steps and into the library.The Hound turns its head as if it doesn't quite understand you.W41-42f4deadf4deadf4deadf4deadf4deadALIVINGDOGISBETTERTHANADEADLIONf4deadw[ !(H/7Rq& 2 ;d &dW  2 ;0  2 ; o4~ 2 ;DPe 2 ;/!Y <#  2;S N You are standing on the sidewalk of E46-47, in front of the entrance to a small, shabby building of gray stone. The street-level display windows are covered by steel mesh shutters. The entranceway is blocked by a barred gate locked with a large padlock. Above the entranceway a dusty sign says MAGIC SHOP. Behind the gate, the door to the shop is open, but the interior of the shop is pitch dark.This is the MAGIC SHOP.You can't get through the locked gate.You peer through the shutters. The windows are covered with dirt and grime. You can't see a thing.In contrast to the rusty gate and dirty windows, the chrome steel padlock shines brightly, except for a few charcoal-black streaks on it. You tug and bang on the lock but it is firmly shut.You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. You apply the flame to the padlock for a few minutes. The lock clicks and falls open. You draw back the gate.You enter the magic shop. Though it looked dark from the outside, now that you are inside it is brightly lit, and the door behind you seems to have closed of its own accord. The east wall of the shop is bare, with an old counter in front of it. On the counter a large, black top hat rests. The south wall is entirely covered by a painted-on spiral design. The north wall has masks fixed to it.The five beautiful masks are immovably attached to the wall. They are the faces of a lion, a handsome man, a clown, a lovely woman, and a lioness. As you move about, you get a strange feeling; it's almost as if the masks are listening to you.The multicolored spiral seems to whirl toward a black dot at the center. Looking at the design makes you dizzy. The black dot appears three dimensional.You go up to the counter. The black top hat is sitting on the counter. You are tempted to reach into the hat and see what you find. You leave the shop and walk back outside. The barred gate slams shut behind you. You hear a click as the padlock closes. The clown mask seems to come to life as the eyes blink and the mouth opens in a wide grin! The clown says, "Show me your ID."You reach out and touch the tip of your finger to the black dot. You suddenly feel like you're being sucked into the spiral. You plunge into a moment of unconsciousness. Then you see a vision of a young woman dressed all in white--it's Clarisse! You hear her voice, "Montag ... hurry ... Montag ... " The experience ends.You reach into the hat and pull out a small, white bunny rabbit. It jumps out of your hand and scampers away.You reach into the hat and pull out a small, white bunny rabbit. It jumps out of your hand and scampers away. The shop is becoming crowded with rabbits.You reach into the hat and pull out a small, white bunny rabbit. Suddenly, hundreds of rabbits begin leaping out of the hat. They fill the shop, forcing you out the door and past the barred gate, which slams and locks. Then in a flash, the rabbits all disappear.The lion mask The mask of the handsome man The mask of the lovely woman The lioness mask sinks into the wall and turns inside out, leaving a hole into which you can put your face.You put your face into the mask, which molds itself to your skin. You step back and feel your face with your fingers. The mask on the wall pops right side out again.You are too tempted by the mask to try that. It seems like you could put your face in it.You should show the clown your ID.You could swear that the expression on the clowns mask has changed slightly. It's as if it were listening but didn't quite understand what you said.You decide that before you try that you'll walk back to the center of the room. You are now standing in the center of the room.Looks like a black dot. It does, however, appear to be slightly raised.You are not carrying ID. The clown says, "Come back when you are carrying ID." Its eyes close and and it appears lifeless again.How will you use the lighter?You'll need a lighter to do that.E46-47THESCENEWASALLCHANGEDLIKETHECHANGEINMYFACE /WJg`   i  i !j'75 @& &2&? d &d2`<(T<)K?7678&2 . <  4D?7678&2 z  _()G &?:G!FED2?4D  < & = CB ' AA1     < g@ F -"Y   k0     & z;> ? )E<8<$<   S N ~ "IT WAS A PLEASURE TO BURN". It was a special pleasure to see things eaten, to see things blackened and changed.Her face was slender and milk-white, and in it was a kind of gentle hunger that touched over everything with tireless curiosity."I heard once that a long time ago houses used to burn by accident and they needed firemen to stop the flames.""It's so strange you're a Fireman. It just doesn't seem right for you, somehow.""Any man's insane who thinks he can fool the government and us.""What if a Fireman accidentally, really not intending anything, takes a book home with him?""I feel fat. I feel like I've been saving up a lot of things, and I don't know what. I might even start reading books.""I don't talk things, sir. I talk the meaning of things. I sit here and know I'm alive.""That's the good part of dying; when you've nothing to lose, you run any risk you want."Even now he could feel the start of the long journey, the leave-taking, the going away from the self he had been."Give a man a few lines of verse and he thinks he's the Lord of all Creation. You think you can walk on water with your books. Well, the world can get by just fine without them. Look where they got you, in slime up to your lip. If I stir the slime with my little finger, you'll drown."He hadn't wanted to kill anyone, not even Beatty. ... He saw Beatty, a torch, not moving, fluttering out on the grass.He could feel the Hound, like autumn, come cold and dry and swift, like a wind that didn't stir grass, that didn't jar windows or disturb leaf shadows on the white sidewalks as it passed. The Hound did not touch the world. It carried its silence with it, so you could feel the silence building up a pressure behind you all across town.He stood breathing, and the more he breathed the land in, the more he was filled with all the details of the land. He was not empty. There was more than enough here to fill him. There would always be more than enough."We'll pass the books on to our children, by word of mouth, and let our children wait, in turn, on the other people. A lot will be lost that way, of course, but you can't make people listen."There, in the wilderness, the men all moved their hands, putting out the fire together."My wife, my wife. ... I think of her hands but I don't see them doing anything at all."He would walk along here again, alone, and keep right on going until he caught up with the people.qbQ"{ l     &     w n e \ S  J  A  8  /  &     &&dS N X The glasses are thick lensed and horn rimmed.The jacket is plaid and pile lined.The permit is an entry permit to the library.The id is a plastic covered card with a picture on it.The money is a mixture of crisp new bills.The card is made of white plastic card. It reads: CITIZENS WISHING TO CONTACT THE 451 CORPS ARE ADVISED TO CALL OUR OFFICE OF PUBLIC INTERACTION -- PHONE NYC-451.The bank-card is made of plastic. It's about the size of a charge card.The lasergun is the standard type weapon carried by the 451 Patrol.The lighter is a small amber ellipsoid with a depression in one end for your finger and a hole in the other end, where the flame arises. You USE the lighter and realize that this is the Flame of Knowledge, the secret signal of the Underground.The rifle is the standard type weapon carried by the 451 Patrol.The paper-clip is an ordinary paper-clip. It is slightly bent.The knife is an ordinary table knife. The blade is thin and flexible.The fork is an old table fork. One prong is slightly bent.The spoon is a teaspoon. Its handle does not match the knife and fork.The food order consists of a variety of neatly packaged high-tech protein suppliments.The fingerprinter is a small black box used for making fingerprints match an ID card.The chemindexer looks like a digital wristwatch with a minature keyboard of letters and numbers.The chip looks like a small piece of concrete, it looks as if there is a little flint in it also.The spyglass consists of two perfectly formed lenses set into a brass tube.The buttercup is a brilliant yellow flower, a reminder of Clarisse.Wafer-1 is a palm-size, white plastic wafer. As you touch the middle of it, it unfolds into an ultrathin plastic sheet covered with a detailed diagram of the power network in the Hounds Building. You refold the wafer and put it back in your pocket.Wafer-2 is a palm-size, white plastic wafer. As you touch the middle of it, it unfolds into an ultrathin plastic sheet covered with a detailed diagram of the power network in the 451 Headquarters. You refold the wafer and put it back in your pocket.Wafer-3 is a palm-size, white plastic wafer. As you touch the middle of it, it unfolds into an ultrathin plastic sheet covered with a detailed diagram of the power network in the 451 Power Center. You refold the wafer and put it back in your pocket.Wafer-4 is a palm-size, white plastic wafer. As you touch the middle of it, it unfolds into an ultrathin plastic sheet covered with a detailed diagram of the power network in the 451 Station and Detention Center. You refold the wafer and put it back in your pocket.Wafer-5 is a palm-size, white plastic wafer. As you touch the middle of it, it unfolds into an ultrathin plastic sheet covered with a detailed diagram of the power network in the Library. You refold the wafer and put it back in your pocket.The manhole-tool is a small metal object use to open manhole covers.The stickpin is gold-plated ornamented with a small ruby.The calculator has a small touch pad and a platinum-iridium case.The ring is a flashlight ring, turquoise is a silver setting. Pressing on the stone emits a high-intensity beam of light.The form is an entry permit to the library.The tetrasonde is an instrument used to open a 4-dimensional locker is the lounge of the Plaza Hotel.The magazine is a glossly 3-D picture magazine. It is engraved with the initials $.RFM[ MF@: D 5 z p  2 U V W &!DH=JNRVZ^bfjnrvz~     {vqlg ! ,J " ,- # , &dS N The elevator door opens, and you step off. The observation deck is a circular, marble-floored area with the elevator column in the center. The invisiglass dome is seamless and imperceivable. Far below, Fifth Avenue runs north and south. Next to the elevator, a sign reads OBSERVE OUR BEAUTIFUL CITY.This is the observation deck on top of the tower.You wander around the featureless observation deck.You look down. From this height the panorama is breathtaking.-- You look through the spyglass. Your eye is caught by a reflection in the shell of the enclosed walkway across Fifth Avenue between 44th and 45th Streets. In the reflection, you can see a barricaded post manned by three 451 Corpsmen in front of the main library at 42nd Street. A 451 lieutenant is checking the papers and fingerprints of a person who has approached the post. He walks along the sidewalk toward the library steps.-- You direct the spyglass further south. On Fifth Avenue at 40th Street, you can see a group of Firemen bringing cartloads of books out of a side entrance of the library, dumping them in a pile in the middle of the street, and setting them afire.You pan the horizon with the spyglass. Signs of life are few and far between. Dense forest covers Long Island and New Jersey.You get back on the elevator and ride it down to the lobby. Then you walk back outside.There's no one up here to see your flame.Enter what?W56-57 ,^xNx7j&  d &d  I <*}r  ^SD7e87j +7g87j 7f87j S N You are on the sidewalk of E44-45, in front of the revolving-door entrance to a tall, rectangular, gray steel building. Nearby on the sidewalk, a ramp slopes up to an enclosed walkway over Fifth Avenue.This is an office building.You push through the revolving doors and find yourself in a lobby. There is a central column of elevators and, against the column, a counter. A clerk stands behind the counter, and a uniformed security guard stands next to the counter.You go up the ramp and onto the walkway.The guard steps in front of you. He says, "Authorized personnel only are admitted. Please show your ID to the clerk."He says, "Authorized personnel only are admitted. Please show your ID."You leave the building and walk back outside.He inspects your ID and checks it against a list. He then says, "I'm sorry, sir, but you're not on our list. I can't let you go in." You decide that there's nothing much else to do here so you leave.He inspects your ID and says, "Just a minute, please." The guard puts his hand on your arm. He says, "Relax, friend. The boys will get you straight."You haven't been asked to show your ID.You haven't got any ID. The guard grows impatient and grabs your arm. He says, "Relax, friend. The boys will get you straight."The clerk completely ignores you.E44-45 rFn7E$C&  &2&Gd &d2Y<)N<&E7F&22 < < G47F&2+J <29 &G*7E$C&2 I#7 &G4 <'m9 9 M M Q5G%<'<   <  G S N You are standing on the sidewalk of E48-49 in front of a deserted building. The door and most of the windows are boarded up. A thick layer of grime encrusts most of the windowsills. Near the door, one of the windows is half open, its boards broken by vandals.This is a dirty old building.You crawl through the window. The interior of the building is dark and musty. You hear rustling, and suddenly a large rat crosses your path. As your eyes adjust to the light, you see that you are in a large square room. You see a mural covered with grime on the east wall.The rat has scurried away. You remember a statistic about rats, "For every single rat that is visible there are usually ten that are hiding." Cold chills run up your back.You climb back out through the window.You see a small metal speaker. It looks like the type used in some apartment buildings.What do you want to SAY?Suddenly the floor moves. The corner of the room in which you were standing was actually a revolving door. You are pressed against the wall as it turns. The door stops as suddenly as it started. You are momentarily blinded by a bright white light. As your eyes adjust, you see a sparkling white room, featureless save a red phone in the center.Suddenly the room goes black. The next thing you know . . .You pick up the phone and hear a voice, "Hello, I am Ray. Some call me an experiment in simulated personality. Others call me Ray. I am here to give you help when you need it. Other times? Well, shadows dance in two dimensions. Give me any author and I can find a quote. Please call me to chat too, though. I live in fear, near hope. My phone number is NYC-154 and you can call from any phone booth. . Remember what William Blake wrote, "SOME ARE BORN TO SWEET DELIGHT. SOME ARE BORN TO ENDLESS NIGHT.""The mural appears to be very old, perhaps left by the WPA of the 1930's. In the corner of the room, the dim light reflects a slight glint of metal.E48-49ITWASAPLEASURETOBURN "3^w 7c @  &&2&]d &d2R<G<(> < ( 5&2  (4E5&2 2]4E <$U w%&O' '?"Y  &]F]B# ( (  8<$POST_451 ZF gn POWER_CE `F jRADIATIO dF pRESTAURA hF r STATION_ kF vLIB_RM_1 oF x TIFFANYS rF | UNDERGRO vF WALKWAY yF SWALLS_PA }F VOLT F F451 V F  F107 F 8F18 F F108 F 8F32 F 8F35 F 7 F46 F 8F48 F F49 F 7F51 F F62 F 8F63 F F68 F F70 F 7F71 F F72 F 8F77 F 7 F78 F F83 F 7F84 F 7F86 F S N n t You are approaching a barricaded post manned by three 451 Corpsmen on the sidewalk of W41-42. The post controls access to the Main Library, which is otherwise surrounded by a deadly, 10-foot-high energy screen. A sign on the post says WARNING! AUTHORIZED PERSONNEL ONLY. THE PENALITY FOR ATTEMPTED UNLAWFUL ENTRY IS DEATH! A subway entrance is nearby.This is a manned 451 post that controls access to the Main Library.You come up to the post. The 451 lieutenant on duty says, "Show me your ID."You go down the steps of the subway entrance and walk through an underground conduit. Soon . . . You show the lieutenant your ID, and he checks the photo against your face. Then he orders you to place your hands on a fingerprint panel. A light on the panel glows green. The lieutenant says, "You check out OK. Now let's see the entry permit." A light on the panel glows red. The lieutenant jerks out his sidearm, aims, and fires. You are dead.You show the lieutenant your ID, and he checks the photo against your face. Angrily, he says, "Can't you read? You're not allowed through here. Beat it before I get mad." You hurry away.You hand the lieutenant your ID, and he checks the photo against your face. Suddenly, he jerks out his sidearm, aims, and fires. You are dead.You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The lieutenant yells, "You must be crazy!" He jerks out his sidearm aims and fires. You are dead.The lieutenant is becoming impatient. His hand wanders toward the lasergun holstered at his waist. You realize that you'd better show him your ID.The lieutenant becomes infuriated by your delay. "That's it," he snarls. "You've had your chance." He draws his sidearm, aims, and fires. You are dead.You show the lieutenant your library entry permit. He examines it carefully and says, "OK, you can pass."The lieutenant is growing impatient. You realize you'd better show him the permit.The lieutenant becomes infuriated by your delay. He says, "Get out of here before I report you to the commander." You hurry away.Realizing that you don't have any ID you try to pretend that you are fumbling for it in your pocket. The lieutenant becomes infuriated by your delay. "That's it," he snarls. "You've had your chance." He draws his sidearm, aims, and fires. You are dead.W41-42W42-43f4deadf4deadW42-43f4deadf4deadf4deadW42-43`SJkac85 < C J Q X _ f m 7V& &;d &d;j <,\ 7l&;9  <!<  3 <;  7B87l &*2;i7AP  2;& <,  2;  2;  2;73 <  <,S N You are on the sidewalk of E43-44, in front of a square, windowless building whose stainless-steel facade is unbroken except by the arched entranceway, which is filled by the blue light of a high-power energy screen.This is the 451 Power Center.As you step on the pavement in front of the entrance, a small area at the center of the energy screen coalesces into a shiny black panel. Flickering black letters appear above the panel, floating on the blue energy screen: 451 POWER CENTER AUTHORIZED PERSONNEL ONLY PUT HAND ON BLACK PANELIt hits the energy screen which shorts out with a loud snap! You enter the building. A large durametal robot blocks your way. Its red eyes gleam intelligently. It points at you and says, "Show your ID."You put your hand on the panel which suddenly glows green. The panel and the energy screen disappear with a snap! You smell ozone.You put your hand on the panel, which suddenly glows orange. The black letters flicker and then spell out the words: YOU ARE NOT AUTHORIZED! LEAVE IMMEDIATELY!You put your hand on the panel, but the panel suddenly disappears! Your hand is resting on the energy screen! The blue energy shoots through your body! You are dead.You blunder into the energy screen! The blue energy shoots through your body! You are dead.You pass through the archway and enter the building. The energy screen snaps on again behind you. A large durametal robot blocks your way. Its crystalline red eyes gleam intelligently. It points at you and says, "Show your ID."The robot scans your ID and your face. Its eyes glow green, and it says, "Welcome, maintaince man Emile Ungar. My own circuits and the 451 power network are in perfect order. Thank you for your attention." It continues to point at you.The robot repeats, "Show your ID." It prevents you from moving away.The robot's eyes fade to a dull gray, its arm drops, and it rests motionless. It seems to have shut itself off--but for how long? You are in a large, bare room. To the north there are control panels operated by the robot.You move toward the exit. The robot points at the energy screen, which fades slowly away. You walk back onto the sidewalk of E43-44.The north, south, and east walls are covered with meters, dials, and monitors. The west wall contains the energy-screened exit.You approach the energy screen, which disappears with a snap! You walk back out onto the sidewalk of E43-44, and the energy screen snaps back on.You scan the incomprehensible array of controls on the wall. You notice a line of five slots set into the wall. Above each slot is a numbered button, glowing green. Above each button is a bold label.You scan the incomprehensible array of controls on the wall. Nothing you see tells you anything.You hear a low humming sound. The robot is waking up! Its eyes glow red, it turns to face you, its arm lifts, its finger points! A thin red beam of laser light from the robot's pointing finger strikes you in the chest. You are dead.You read the labels: Above button 1: HOUNDS BUILDING Above button 2: 451 HEADQUARTERS Above button 3: 451 POWER STATION Above button 4: 451 STATION AND DETENTION CENTER Above button 5: LIBRARY Hounds Building. 451 Headquarters. 451 Power Center. 451 Patrol Station and Detention Center. Library.The robot grabs you and says, "You are not authorized to be here." It tosses you at the energy screen--which disappears with a snap. You sail through the archway and land back on the sidewalk of E43-44. The energy screen snaps back on.The robot continues to point. It seems like it's trying to understand you.You decide to walk back to the center of the room before you try that. You are now standing in the center of the room.You already have wafer-1. You don't need any duplicates.You already have wafer-2. You don't need any duplicates.You already have wafer-3. You don't need any duplicates.You already have wafer-4. You don't need any duplicates.You already have wafer-5. You don't need any duplicates.You push the button and hear a faint click. The slot slowly extrudes a palm-size, white plastic wafer. You take it. When you touch the middle of the wafer with your finger, the wafer unfolds into an ultrathin plastic sheet covered with a detailed diagram of the power network in the You touch the middle of the sheet with your finger, and it refolds itself into a wafer. You put the wafer in your pocket.E43-44f4deadE42-43f4deadf4deadDIEANDBEARIDDANCEf4robot12345You have to be more specific./2=?#T27   R;t|(7T @&" &N&O&2d &d2*484N7U&2NO 2#; 7iF<': $<,. <  0 7U&2i6 ZEO 2%;7 &N"  &O  2&;248 <&8"   <& 2"Y '   <&} 2(;iU ZV O  -  WXX  )  !@  *  !@e +  !@F ,  !@' -  !@.  S N RYou are on the sidewalk of E45-46, in front of a huge pit containing the charred, twisted, half-buried remains of a bombed-out skyscraper. The great humps of earth that have been thrown up are partially covered by diehard weeds and low shrubs. A few birds chirp and flutter among the ruins.In the pit, a single, yellow buttercup adds a note of color.This is a large pit containing a bombed-out building.You slide down the rough slope into the hole, from which the street is no longer visible.You climb over the wreckage and come to a shattered concrete structure near a set of steps leading down to an underground conduit. A broken sign lying nearby says SUBW.You clamber back up the slope and out of the pit. Once again, you are on the sidewalk of E45-46.You climb down the steps and follow the conduit. Soon . . . As you gaze at the buttercup, a memory of Clarisse flashes into your mind, of when the buttercup told you that you were not in love. You feel the same sadness again.You climb over the wreckage. The pit has an ominous, unhealthy feel. Even the birds sound sick. You don't feel well, you have probably been exposed to too much radioactivity.You take the buttercup and put it into your pocket. Briefly you think of Clarisse.You realize that the buttercup is actually in the pit.You see something to the northeast.E45-46W52-53f4birds#`7=;BI&8&887sZ!8 7rZ!&  &@&#d &d@]< R<'I  5&@' < U8 ; 5&@#@?# K# &#4 <)" # < 2n <)Z8@  @&8     &/S N You are on the sidewalk of E53-54, in front of the entrance to a restaurant, which occupies the ground floor of an otherwise unused building. Near you on the sidewalk is a phone booth.This is a restaurant.You enter the restaurant, a large room with bare, plastic-topped tables arranged in regular rows. After a few minutes, a waiter comes by and takes your order, then a busboy sets a napkin, knife, fork, spoon, and glass of water in front of you.You're interrupted by the waiter who returns with your order. He places a small crystal on your plate and pours water on it. Slowly it expands and opens, changing into chopped steak, mashed potatoes, and string beans. The waiter says, "Will there be anything else?"You get up from the table and walk back out onto the sidewalk of E53-54.You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The waiter looks at the flame and says, "I recommend that you try the complimentary dessert after the meal." The waiter repeats, "Will there be anything else?"The waiter says, "I hope you enjoy the food." Then he leaves.The waiter says, "Very good, sir. Enjoy the food." He walks quickly away.When you don't say anything more, the waiter becomes impatient. He says, "I'm sorry sir, but I have no time for games." He walks quickly away.You realize that you should answer the waiter before you start eating.You realize that you should eat while the food is hot. The waiter, tired of waiting for you to answer his question, leaves.You realize that you should eat the food while it is hot.The food tastes like it was produced on an assembly line, but you eat it all. The waiter returns and places a small plate in front of you. He says, "With our compliments." Then he leaves. On the plate in front of you is a pale brown fortune cookie.The food tastes like it was produced on an assembly line, but you eat it all.You break open the cookie and extract the small slip of paper inside. The "fortune" is a strange one: "STAY ME WITH FLAGONS, COMFORT ME WITH APPLES: FOR I AM SICK OF LOVE". You crumple it up and put it on the plate.You realize that the waiter is waiting for you to say something. He repeats, "Will there be anything else?"The waiter looks as if he can't quite understand you.Why don't you wait for your food?You decide that before you try to do anything, you'll wait for your meal.Looks like a pale brown fortune cookie.You pick up the knife and put it in your pocket.You pick up the fork and put it in your pocket.You pick up the spoon and put it in your pocket.You realize that it is bad manners to take food from a restaurant.You have just eaten.The waiter nods and walks away.E53-54E54-55E52-53(f?<5[ i # f { '7-$I& &2&$d &d2[ <,M <,A7A.&2. <  =47A.&2S<-24 <P  @ 4  @ @7  7B&$87T ;# $   *$ &0  &0 v$\$B Q$ &$  S N `You are on the sidewalk of E49-50, in front of a large, old building whose decorative facade has been scarred by time and war. The big street-level windows are hidden behind steel shutters, while the upper-story windows are all covered by thick iron bars and wire mesh screens. The entrance is a solid steel door painted a glossy black. A bright, stainless-steel circular plate is set into the door at eye level. A sign above the door says, 451 PATROL STATION AND DETENTION CENTER.This is the 451 Patrol Station and Detention Center.You push against the door. The steel plate flicks aside.A mechanical voice issues from the hole behind the plate: "Attention! Authorized personnel only are permitted to enter. You must leave immediately!" The plate flicks shut.An intense red beam shoots out from the hole and strikes you right between the eyes. You are dead.You push against the door. The steel shutters on the nearest window roll up with a crash. A Mechanical Hound leaps out and grasps you with its spider legs. Its needle-tongue shoots out and enters your neck. You are dead.E49-50f4deadf4deadf4deadf4dead P_<CJQX7 9&&O d &d}<r<$i YO 2; &O3O 2; < S4O 2 ; &O%4O 2 ;S N f4close1f4close2f4clar You enter room 105. Clarisse takes off her wide leather belt and unzips a hidden pocket in the belt. She removes 34 microcassettes from the pocket and lays them out on a desktop. "It took me a long time to amass this collection," she says. "Now I want all my friends to see it." She pauses a moment. "The books recorded on these cassettes could light a million fires all over the world!"This is room 105, the broadcast room, in the main library.The room is crowded with communications equipment. You can't move very far in any one direction.The room is crowded with complex equipment.The microcassettes are small, serrated, white disks of a plastic material. They remind you of poker chips.You realize that you must either succeed in this room or die. Perhaps both.You realize that you'd better talk it over with Clarisse first.Clarisse says, "From this room, we can broadcast the contents of these cassettes worldwide by satellite to special receiving stations set up by the Underground. The books will be memorized, and each word in them will be another weapon in our struggle for freedom."Clarisse points to one of the machines. "That's the transmitter." She looks at you with eyes hopeful and shining. "Can you figure out how to use it?""It's all up to you now, Guy," says Clarisse.The transmitter seems to be shut down, so you flick the main switch to ON. Lights glow on the control panel of the transmitter. A flashing label beneath a small slot reads INSERT MICROCASSETTE.Clarisse hands you the first of the microcassettes, and you insert it into the slot. The transmitter clicks, then hums for a moment, and then is silent. A message appears on the screen: INSERT NEXT CASSETTE. You remove the first cassette and go through the same procedure with the other 33. As the last cassette is being transmitted, you and Clarisse look at each other in joyful disbelief. "Success!" says Clarisse. Suddenly the corridor door bursts open and an armored patrol of Firemen rushes in! Savagely, they burn you and Clarisse down! But they cannot nullify your victory. You have given back to humanity the knowledge and tradition contained in its great books. The flames of your death, the legend of your martyrdom, are etched forever in the memories of your comrades. Rest--the struggle is over. Suddenly the corridor door bursts open. An armored patrol of Firemen rushes in! Savagely, they burn you and Clarisse down. You are dead. Your comrades in the Underground will honor your memory forever.You hear shouting voices outside the door, in the corridor. A flashing label beneath a small slot reads, INSERT MICROCASSETTE.You attempt to use the microcassette but realize that it would be foolish as the transmitter looks quite dead.W40-42f4dead :f]f*  ` $7n& &P&Qd &d#\' &Q    ii[ ]P  &P`$[Q ?$[%P787p1& 72;S N d You are on the sidewalk of E56-57, in front of the entrance to Tiffany's, a museum of goldsmithery and lapidary art. The polished brass trim on the building's facade shines against the dull, light brown stone wall.This is Tiffany's--a museum.You push open the heavy, plate-glass doors and enter a large room. Glass-front cabinets exhibit sculptures and other artifacts, all made of gold, silver, and precious stones.You push on the heavy, plate-glass doors, but they are locked shut. You see a sign on one of the doors, "MUSEUM OPEN 10 AM TO 8 PM."Hundreds of objects are on display in the cabinets, many intricately carved and of rare beauty. You are looking at a sculpture of a whale made of white gold when a dapper young man with a mustache and wearing a blue uniform enters the room and says to you, "I thought I heard someone come in. I'm the attendant here. If there's anything you would like to know, just ask me."You push open the doors and go back out.The arrangement of cabinets prevents you from moving very far in any one direction."That whale," says the attendant, "is supposed to represent Moby Dick. The carving dates from the mid-twentieth century."You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The attendant eyes the flame and says, "Engrave these words in your memory: "IMAGINATION BODIES FORTH THE FORMS OF THINGS UNKNOWN.""The attendant comes over and shakes your hand, saying, "Glad to meet you, Ismael." He takes a small, metallic object out of his pocket and gives it to you. He says, "This is a tetrasonde. It will open locker 415 in the lounge of the Plaza Hotel." You put the tetrasonde in your pocket and leave.The attendant comes over and shakes your hand, saying, "Nice to see you again, Ishmael." The attendant walks away and you leave.The attendant comes over and shakes your hand, saying, "Nice to see you again, Ismael." You explain that you have lost your tetrasonde and he gives you another saying, "Remember it will open the active locker in the lounge of the Plaza Hotel. The number of the active locker changes periodically, but it is always one of the permutations of the number 451." You put the tetrasonde in your pocket and leave.The attendant says, "I don't quite understand you, can you rephrase that please?"The whale is a beautiful white gold sculpture.E56-57CALLMEISHMAEL(7 O V 7L$(&&2&+ d &d2b< W<"N 7M&2 . <  84 7M&2 \2W% <  4 <+=(2 &++##MYYM @/7N 87@<7N 87@<  < ;'  7B87S N You are standing on the sidewalk of E47-48, in front of a locked, deserted building. A dark alley runs alongside the building.This is a deserted building. In the basement, a trap door leads to an underground maze.The building is locked.You enter the dark alley. A few steps bring you to a stairway that you take down into a dimly lit basement. A trap door has been built into the floor of the basement.You lift up the trap door. A ladder fixed to the side of a vertical passageway leads down.You leave the basement, go through the alley, and find yourself back on the sidewalk of E47-48.You start down the ladder. When you're almost to the bottom, the ladder suddenly breaks free of its attachments. You and the ladder fall a short distance. You are in a tunnel that runs west.The tunnel branches. You can go north, west, or south.The tunnel ends at a grimy, gray metal door.The tunnel branches. You can go north, east, or west.You are back where you started, by the broken ladder. The tunnel runs west.You walk through this ancient tunnel.You turn the handle on the door, push it open, and step through. The door slams shut behind you.You're not sure where you are in respect to Fifth Avenue and the cross streets.You are in an underground maze.The trap door is already open.E47-48W52-53QGt} *7G$"& &2&9d &d2]<$R< I@ < * 5&2 #15&2 29C7G$"&2 -$ :7&9 {47G$"&2 T : &9 4 "2: &:8932  <    w  b  W :   &   `C 6        S N SThe walkway is a gracefully sloping metal ramp with a corrugated surface for traction. The structure is completely enclosed by a plastiglass shell, but the sides of the shell are opaque.This is a walkway across Fifth Avenue.You walk up the ramp and down the other end.You turn around and walk off the ramp.You see the top of the ramp.There is absolutely nothing worth waiting for here.E44-45E44-456S74& d &dH <'<'/ <%<% ,!S N You are on the sidewalk of W49-50, in front of the mirror-door entrance to a windowless, dark blue plastisheen building. 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In one corner of the room, part of the wall has fallen away.You can't do anything the way you feel now. You'd better leave.Inside the hole in the wall you can see a smooth, translucent electro-optical cable.You touch the cable with your finger. Immediately sequences of letters begin to flash in your mind's eye and you realize that you are overhearing a scrambled conversation being transmitted through the worn cable: OT REWOP RETNEC TOBOR YAS EID DNA EB A ECNADDIR RETNEC REWOP 5-REFAW--YRARBIL You realize that other than reading the microfiche now, it is no use to you.You feel that the cable has gone dead. You see nothing in your mind.The microfiche is a small, green plastic card covered with tiny black letters.You can barely make out the miniscule printing on the card. The text is part of a report on conditions in Manhattan following the last atomic war. One paragraph arrests your attention: "Manhattan became notorious as a hideout for the infamous literary underground. To guard against their depredations, the 451 Corps transferred the contents of the main library on 42nd Street to microcassettes and then burned all the old volumes. The microcassettes are secured in vaults in the library building."The cable has a strange texture.E58-59s1.ChI;\#7  &&5&2d &d42 <2 <.22uH< = < ' 5&2'4 5&22 S  0 &. || n| UUC}1N}    S N $  You are on the sidewalk of W52-53, in front of a gray, glass and steel building, unused except for the ground floor. A sign above the entrance says MAGAZINES. A subway entrance is nearby.This is a magazine store.You go inside. Racks of magazines line the aisles. A clerk is standing behind a counter. There is a closed door in the back of the room.You try to enter the store, but the door is locked. You notice a sign on the door: MAGAZINE STORE OPEN 9 AM TO 6 PMYou go down the steps and through a grimy underground corridor. Soon . . . The racks are filled with cheap, glossy publications--comics, "true" confession romances, and 3-D magazines.The door is firmly locked.The clerk says, "Hi. Not much business today. Myself, I prefer the walls parlor--this stuff is for jerks!"You take out the amber lighter and put your finger in the depression. A yellow flame shoots out the other end. The clerk looks at the flame and beckons you to follow. He removes a key from a chain around his neck and opens the locked door in the back of the room. He leads you in.You go back outside. Inside there are five books chained to a counter mounted on one wall: a Bible, a Shakespeare, a Machiavelli, a Plato and a Thoreau. The clerk says, "We were able to save these few and make them available to those in the Underground who are in search of knowledge. For security reasons you can only look at one book at a time." Before the clerk walks out he says, "I'd advise you to meet the author of "The Phoenix and the Turtle.""Which book?You pick up the book and page through it, but you don't see anything special.You pick up the thick volume. It falls open to page 451, part of a section of the book listing many of Shakespeare's famous lines. 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Hwɢs D H$awɀH0"$7sBODG?ww1$$wHws$wD1w"$Dw 1B$DB DD"B"HD!HDDDD# //OOH"DBDD"B"DD!DD DF D! $DD H"DD $D"b DD" dHD DBD!"DD"DD"DB"DD"$DD HD BD!"DDDD ((s w 3 w3sw333w33w333q3w333w3wf333wf33333f33"3f3333" `f3333 `30 w7f3773wwf3w3wwf3 w3wwf3 w3wvf3 7w7w w3wsw3 w3w333 w3w33 w3w3s3s1?3w1 ? 1?  7s1 s s3 s s 1 1 7 17w  1 7 3s 7ws7s00((s w 3 w3sw333w33w333q3w333w3wf333wf33333f33s"3f3333" `f3333 `30 w7f3773wwf3w3wwf3 w3wwf3 w3wvf3 7w7w w3wsw3 w3w333 w3w33 w3w3s3s1?3w1 ? 1?  7s1 s s3 s s 1 1 7 17w  1 7 3s 7ws7s00((s w 3 w3sw333w33w333q3w333w3wf333wf33333f33s"3f3333" `f3333 `30 !!E S N IYou are on the sidewalk of W51-52, in front of a low, blank-faced building of steel and concrete. The entrance is a triple set of revolving doors above which an illuminated sign reads GOVERNMENT FOOD CENTER.This is a government food center.You realize that it's silly to go into the food center when you already have a package of food.You enter the food center and see a clerk sitting next to a turnstile. She says, "May I see your ID, please?"The clerk says, "Please show me your ID."You take out your ID and show it to the clerk. The clerk examines the ID and then says, "You can go in." You push through the turnstile. You see a long counter with six computer terminals. In front of the terminals are six identical, large, black-bound manuals, attached to the counter by short silver chains. Next to the counter, another clerk sits completely enclosed in a transparent plastic booth with a small slotted window.The clerk says, "You're lucky I'm on duty now! Don't you know that your face doesn't match the photo on your ID?" You realize that you'd better leave before you get into trouble.You take out the amber lighter and put your finger in the depression. A yellow flame shoots out the other end, the clerk sees the flame and then looks around. In a low voice, she says, "My name is Emily Dickinson! You should engrave these lines of mine on your memory: "ATTENDED BY A SINGLE HOUND--ITS OWN IDENTITY". Now, do you have your ID?"You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The clerk says, " You'd better put that thing away before I call a real fireman!" You quickly put the lighter back into your pocket.You leave the food center.You realize that you can't go through the turnstile until you show the clerk a valid ID.You see an ordinary computer terminal--a keyboard with letters and numbers.You open one of the manuals. It is a catalog of the food items available at the center. An instruction page tells how to order food.The clerk says that you must first order food and then pay him for your order.You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The clerk presses a button, and a uniformed security guard enters through the turnstile and grabs your arm. He says, "Maybe you'd better come back when you aren't feeling so playful." He leads you outside.You don't have an ID. The clerk says, "You can't survive for long without one. You'd better take the hint I gave you. Now leave before you get into trouble." You follow her advice.You consult the manual and find the code numbers of the foods you want to order. Then you type your order onto the computer terminal. When you have finished, a bell rings in the booth, and the clerk says, "That will be $30."You take out your money. You pay the clerk. You don't have enough! You feel foolish for orderingmore than you can pay for, and you leave the food center.The clerk says, "Just a moment please," and presses a button on the turnstile. A uniformed security guard steps out from behind a partition and grabs your arm. He says, "A problem, sir. We'll get you straightened out."What are you paying for? A warning buzzer sounds, and a section of the floor next to the booth slides open. A platform rises into the opening--on top of the platform is your food order, neatly packaged. You take the package and leave.The clerk doesn't seem to be listening to you.The clerk says, "I didn't quite hear you, could you speak more clearly?"The clerk is impatiently waiting for you to show your ID.Your face doesn't match your ID. The clerk says, "You can't survive for long like this. You'd better take the hint I gave you. Now leave before you get into trouble." You follow her advice.The clerk is impatiently waiting for you to pay for your food.You realize that you don't have any ID and that you'd better not try to bluff the clerk. You turn around and hurry out of the building.W51-52W50-51YES RKZ.n #   1 { g 7O %& &2d &d2g<\ <,P < : *&2 7&A:48 &2 7&A2m 48   <#9  7B87  x f]C27&'  < <   <b V7&';7O %&2 7O %&2 % x  _: I#9 7 $ 7B87&2 HD&9    @< <S N ? b You are next to a large stone fountain. To the north is a small plaza. To the west is an old building with an ornate entrance. To the south is a square building with a sign on the front.This is the area around a large stone fountain.A high stone wall topped by barbed wire surrounds Central Park. You can't get over or through, so you walk back to where you came from.You wash off the contaminating radioactive dust from your hands and face. Unfortunately, the water also washes away your artificial fingerprints Unfortunately, the water also washes away your mask. Unfortunately, the water also washes away your mask and artificial fingerprints.A flickering light draws your attention. A holographic poster glows brightly a few steps away. You go over for a look. Your own face looks back at you! Underneath the hologram of your face, shimmering letters spell out these words: WANTED. GUY MONTAG. FOR THE CRIMES OF MURDER AND TREASON. THIS INDIVIDUAL IS ARMED AND DANGEROUS. IF YOU SEE HIM, REPORT IMMEDIATELY TO THE NEAREST 451 PATROL.A man dressed in dark clothing approaches. He pulls a gun and points it at you, and takes everything you have in your pockets. Then he flees.The water has a strange flat sheen. From your 451 training you recall that this is characteristic of water that has been treated to be effective in washing off radioactive contamination.The water tastes strange. Too late, you remember from your 451 training that water that has been treated to be effective in washing off radioactive contamination tastes like this and is toxic! Soon you start to feel sick.It appears as if the man has left.You examine the water and decide that you had better not wash with it unless you really need it. A man dressed in white comes around the fountain and approaches you. He speaks to you in a low voice: "You must be Montag--welcome. That disquise won't serve you for very long. You'd better get a mask soon, and make sure your chemindex and fingerprints are OK, too." He pauses for a moment, then continues, "Enter the building at E48-49, find the speaker, and SAY "IT WAS A PLEASURE TO BURN". Remember that there are many of us in the Underground and that we'll help you all we can, but from now on, just make a little light so we'll know who you are." The man walks away from the fountain and disappears from view. Also, you'll need a lighter. Check the hotel."W58-59s;^<_* Y [ ?7 & D  &Dd &dW<K< B < ,<# +j #LM +  &-tkK/ YK/F&/ F F  7? 87 S N ~ You are on the sidewalk of W54-55, in front of a fortress-like structure of granite blocks. Narrow windows of translucent glass are reinforced by wire mesh. A high-power energy screen fills the entranceway. A metal slot is set into the stone wall of the building near the entrance. Above the slot is a sign--red letters on a black background.This is the headquarters building of the 451 Corps.You blunder into the energy screen! The sound, the flash of light, and the agony are equally intense. You are dead.The sign says, ADMISSION TO AUTHORIZED PERSONNEL ONLY. INSERT YOUR HAND FOR A FINGERPRINT CHECK.Words issue from a hidden speaker: "Entry is permitted." The energy screen fades and dies, and you enter the building. The energy screen snaps back to life behind you. A guard stationed near the entranceway is sitting in a chair. As you come in, he looks up and says, "Hi buddy. Let's see the ID."Words issue from a hidden speaker: "Entry is not permitted. Take the card." Suddenly you feel an unseen object pushing your hand from the slot. You quickly withdraw your hand. After a moment, the slot extrudes a white plastic card with black writing on it. You take the card.Inside the slot, a mechanism closes on your hand. A powerful electric shock courses through your body. You are dead."I don't know you and I don't want to know you." He draws his flamethrower sidearm and pulls the trigger. You are dead.You show the guard your ID. He nods and says, "OK, pal. See you later." You proceed into the building. There is a stairway directly ahead. You climb the stairs.You show the guard your ID. He glances at it and leaps to his feet, jerks out his flamethrower sidearm, aims at your head, and pulls the trigger. You are dead.The guard says, "Can the chatter, friend. Just show me the ID."You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The guard says, "You might think that's funny, but I don't! Now show me your ID!"You try to walk past the guard, but he jumps up and stops you. Angrily, he says, "What's the idea? Show me your ID.""I warned you!" the guard yells. He draws his sidearm, aims, and fires. You are dead.W54-55W55-56W53-54f4deadf4deadf4deadf4deadf4deadf4deadf4deadW`m- F%7c J& &2&<d &d2*U <+F  m *_}QLy7& d &d-7 7/ 77M7A0%<  7X$   I"    "  9   S N You are in the lounge in the lobby of the Plaza Hotel. Sofas are arranged in a semicircle. A distinguished, gray-haired gentleman is sitting near you. A Plaza security guard is standing in a dimly lit corner of the room. He eyes you suspiciously. Mounted on one wall is an array of 600 4-dimensional storage lockers.This is the lounge in the Plaza Hotel.You leave the lounge, walk through the lobby, and go outside.The guard says, "Please don't bother me. I'm on duty."You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The guard strolls over and speaks to you in a low voice. "Better be careful where you use the flame signal, especially if you don't have a valid ID. Some Firemen have begun working undercover, and we're worried they might have caught on to it. I think you can get some useful information from the PHANTASYPHONES attendant on the 8th floor. He's the works of Lewis Carroll so give him the first line of 'Jabberwocky'."The man says, "I don't think I know you. Perhaps you're new in town? Come with me, why don't you. I'm sure you'd enjoy meeting some of my friends." The man gets up and walks toward the hotel exit.The lockers exist in a phase of reality between matter and energy. They almost seem illusory.You follow the man out of the hotel. He takes you on a long walk down Fifth Avenue, making small talk the whole way. You remember passing a hospital and a magazine store and you notice that Mechanical Hounds and groups of Firemen patrol Fifth Avenue. The man stops on W45-46. He knocks a complicated code on a locked door, tells you to wait, and leaves.You switch on the tetrasonde, and the locker emerges into 3-dimensional reality. The force field expands to enclose you so you can examine the contents of the locker in privacy.You switch off the tetrasonde. The force field contracts and the locker retreats into the fourth dimension.It is now in the locker.Which locker?The locker is already closed.You realize that you need a tetrasonde to open the locker.You realize that you should close the locker before you leave.You put the into the locker.You take the out of the locker.That is not in the locker.Use the command: OPEN LOCKER XXX (where XXX is a three digit number) to use the tetrasonde.You decide not to put the money in the locker. The Underground is supplying you, and not wanting to put a burden on their resources, you decide to carry only what you need and not hoard any.The tetrasonde is not programmed to open that locker.W58-59415=ds%P]o}   7&&)&* d &d0)< i !4)<#7#M &*LM*<e  G#4"  "  7 &)" ") 7 &) $): ) Z )  B,))" C,S N You are Guy Montag, Fugitive. Once you were a Fireman. Your job was to burn books. Books with their dangerous knowledge, books that could be used to destroy.Then you met the girl Clarisse. You began to challenge what you had learned from the Firemen and you became a threat to their book-burning ways. You joined the Underground, individuals who are tempted by words, seduced by ideas, hungry for learning. The Underground, a network of individuals who preserve the world's great literature by committing it to memory.August 9, 2067. You have made your way across the country to New York. Now hiding in its shadows, you join the Underground in its most daring plot: to free the country from ignorance and fear.But the Firemen lie in wait. You are hunted by The Hounds: silent mechanical terrors that never sleep, sentries programmed to destroy the enemies of the state.You are committed to the Underground. Words are the key to your survival. You are an instrument of freedom. Prepare yourself for the inferno. BASED ON THE NOVEL BY RAY BRADBURY PRODUCED AND DEVELOPED BY BYRON PREISS VIDEO PRODUCTIONS INC. TECHNICAL DESIGN AND DIRECTION BY LEE JACKNOW PROGRAMMED IN SAL BY TELARIUM CORP. WRITER LEN NEUFELD DEVELOPED BY RAY BRADBURY AND BYRON PREISS DESIGN DIRECTOR ROBERT STRONG SENIOR SYSTEMS PROGRAMMER MICHAEL P. MEYER TECHNICAL EDITOR ANDRE GARNEAU ILLUSTRATIONS BY ROBERT STRONG AND BRIAN HUMPHREY TITLES BY STUDIO J TITLE PROGRAMMING BY JEFFREY SCHNEIDERtrilliumF451open CcDdGgtrilliumF451open'i2Sy)Kg5RpO&722 3     ! "   # $&N47O<*N4     /4  +4 7AO4 q47m ] 4 N47q : 7 * 47  72%2& PARK F PATROL_4 F PHONE_BO &F rPHONE_ME /F uPLAZA_HO 7F  QUESTION BF _SECOND_F KF  SMALL_PL SF  SUBWAY_C [F / SUBWAY_S fF TOWER nF y TREATMEN wF TRILLIUM F TUNNEL F 451 PRGF S N You are in a clearing in dense woods in the southeast corner of Central Park. A pond is to the west. A narrow path leads north along the shore of the pond, and to the north you can hear occasional low growls. Near you is a pile of dead leaves.This is the southeast corner of Central Park. There is a clearing, with a pond to the west and a path leading north along the shore of the pond.You walk deeper into the woods. Growls grow louder and more frequent.You are in a pond. The water is cold and slimy.The water is cold and slimy. You spit out the horrible mouthful.Under the leaves you see an old, rusted grating set into a patch of broken concrete.You continue along the path. Suddenly a huge tiger jumps onto the path ahead of you. It crouches and springs. Teeth and claws make short work of you. You are dead.You return to the clearing by the pond.You swim back to shore.Suddenly, powerful jaws grip your foot. You are dragged underwater. You are dead.You kneel and peer through the grating. The darkness below is impenetrable.With a scraping sound of metal against concrete, the grating jerks free. You set it aside. A drainpipe with a metal ladder fixed to one side descends into the darkness.You start down the ladder. Part way down, the ladder breaks loose, and you fall.The grating blocks your way.You decide against it as that might break your foot.The grating is already open.You are treading water in the pond; the shore is to the east.W59-60f4deadf4parkf4dead<5]u *_|!7A& &4&!d &d+4n 7t2;L 7&4& ! <* y *! 2 &!M ! <(,f04,5 &4   2;S N You hear the sound of heavy-booted feet. Before you can do anything, you are surrounded by an armed patrol of Firemen. The sergeant puts his hand on his flamethrower sidearm and says, "Give me your ID."You are undergoing an ID check by a 451 Patrol.The sergeant pulls his flamethrower and fires. You are dead.The sergeant examines the ID and checks the photo against your face. He hands you back the ID and says, "You can go now." You walk away from the patrol and out on to Fifth Avenue.The sergeant examines the ID and checks the photo against your face. He jerks his weapon out and points it at you. He says, "Well, well, looks like we've got another thief with a stolen ID. We'll straighten you out but good!" Two of the patrolmen grab your arms and drag you away.You realize you have little choice except to give the sergeant your ID.The sergeant becomes infuriated by your delay. He jerks out his sidearm and points it at you. Two of the patrolmen grab your arms. The sergeant says, "Take this creep to the Detention Center. We'll teach him some manners." They drag you away.You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The sergeant strikes the lighter from your hand, jerks out his sidearm and points it at your head. He says, "What are you trying to do, light me on fire?" He pulls the trigger. You are dead.The sergeant yells, "Montag!" He pulls his flamethrower and fires. You are dead.f4patrolf4deadf4deadf4dead 8M@q72 & d &dhZ < ; 2 ;  < <W!  A 2 ;3   2 ;<S N rYou are in a phone booth. The phone receiver rests in a slot in the side of the square, black, plastic phone box. A set of numbered and lettered buttons is on top of the phone box. A sign on top of the box says, FOR LOCAL CALLS ONLY. LIFT THE RECEIVER AND DIAL nyc- AND YOUR THREE DIGIT NUMBER. You lift the receiver and hear a dial tone.This is a phone booth.After a moment the connection is made. You hear a voice: Greetings from PHANTASYPHONES--a whole new kind of experience. Be brave beyond your imagination! Famous beyond your dreams! In the eighth floor of the Plaza Hotel. No charge. Open 9 AM to midnight.After a moment the connection is made. You hear a voice: Hello. This is Emile Ungar. I can't answer your call personally right now because I work during the day as a maintenance man, but this machine is equipped to respond to a variety of special messages. If you have a special message for me, please say it after you hear the beep.After a moment the connection is made. You hear a voice: Hello. I am Ray, the artificial intelligence, designed to simulate all human sociointellectual functions and thereby exhibit a personality. Give me a quote from William Blake.After a moment, the connection is made. You hear music. Then a voice says, "Thanks for listening. Music makes your day brighter."After a moment the connection is made. You hear a voice: The 451 Corps and its gallant Firemen, guardians of our society, thank you for your interest in helping to preserve the social order. No one is available to answer your call right now. Please call again later.You talk, but the machine gives no response.The machine answers: "I'm home in apartment 43R in the apartment house on E51-52 from 6 PM to 8 AM. Visit me."The voice repeats: Give me a message from William Blake.You walk back outside.You pick up the receiver and listen to the dial tone.You put the receiver back in its slot.You realize that you must first lift the receiver.You leave the phone booth and walk back outside.There's nowhere to go in a phone booth, except out.You realize that first you must hang up.After a moment the connection is made. You hear a voice: To dial the phone enter, DIAL nyc-XXX, (where XXX is any three digit number.)The Library, on W40-42, is off limits to all but authorized 451 personnel with official entry permits. Citizens are asked to avoid this facility and its immediate surroundings.The Firemen's Trust Bank is located on W44-45 and is open 8 AM to 8 PM daily. We offer all banking services and the convenience of private electrotransaction shells. Apply for a bank card, and make shopping simple.The 451 Power Center is located on E43-44. Admittance to authorized 451 Corps personnel only.The Mackelroy Memorial Office Complex is located on E44-45. At present government administrative bodies are occupying all offices. Admittance to authorized citizens only.Mechanical Hounds patrol Fifth Avenue during the first and third quarters of each hour.There's a 451 Patrol on Fifth Avenue from 20 minutes to 25 minutes past each hour and from 50 minutes to 55 minutes past each hour.Watch out for muggers by the fountain.Con men frequent the Plaza lounge.You're safe if your face, fingerprints, and chemindex match your ID.Don't touch the 451 Station door unless you are chemindexed.Never show your ID unless your face matches the photo.If you are arrested, you will be searched. Keep incriminating items in a storage locker in the lounge of the Plaza Hotel.You can avoid crossing on Fifth Avenue by using the walkway.You'll see better in the walls parlor if you wear glasses. You can get them by waiting in the Crystart.If you get lost in the Crystart, wait for the robot.If you get a bank-card, you'll always have at least $1,000 credit.Look out. The Firemen have found out that we're using the phone system, and they've planted false information to get you in trouble.The underground maze leads to the E52-53 subway station.Mechanical Hounds patrol Fifth Avenue during the second and fourth quarters of each hour.There's a 451 Patrol on Fifth Avenue during the first and third quarters of each hour.It's safe to rest by the fountain.Nobody ever checks your fingerprints against your ID.Security is lax at the 451 Station.The walkway across Fifth Avenue is in an unsafe condition.If you get lost in the Crystart, run!Snap your lighter at the Firemen--quite a few are members of the Underground!There is nothing permanent except change.Words are the physicians of a mind diseased.By suffering comes wisdom.They who mutually injure the state, mutually support each other.The wise learn many things from their foes.The beginning is the most important part of the work.It is a bad plan that admits to no modification.As a well-spent day brings happy sleep, so life well used brings happy death.Nothing great in the world has been accomplished without passion.We all know that books burn--yet we have the greater knowledge that books cannot be killed by fire.A thought for today--A good citizen is a Fireman's friend. the Firemen burned books, including the last known copy of f4dltoneW44-45W52-53E53-54E55-56W57-58W58-59ANDALLOURKNOWLEDGEISOURSELVESTOKNOWSOMEAREBORNTOSWEETDELIGHTSOMEAREBORNTOENDLESSNIGHTf4dltoneIn January567Gulliver's Travels.In February318Don Quixote.In March404Oliver Twist.In April666The Divine Comedy.In May338Bhagavad Gita.In June822The Scarlet Letter.In July475War and Peace.f4tune1f4tune2f4tune3f4tune4f4tune5^Sji"-ZOv7qp G P , S v / NK5Xa@v7%,3:AHl #*.=EI]eix;#7h& &W&V&&X 2:d &d Z SZXG  ;<%6 <<- =<$ ><" ?<  @@<< X1 @AV @BW<:#VWW `X 2@C &XQ4X&W&V& &X(X  X &W&V&G2 3fjnrvz~$258;>ADGJMPGA;5/)#  !"#$%&'()*+,@D8@E9@F@G8@H9@I@J8@K9@Lx@M8@N9@Oh@P8@Q9@RX@S8@T9@UH@V8@W9@X8-3../)0$12345 672&C 2@Y)2@Z2@[2@\ 2@]&S N uXA thought for today--Knowledge is deception.A thought for today--Life is power.A thought for today--Good times are everywhere.A thought for today--Don't be sad. Get mad!A thought for today--Keep our city clean.A thought for today--Don't think. Act!A thought for today--Early to bed and early to rise.A thought for today--Money is love.A thought for today--Things are always getting better.A thought for today--An open mind can be dangerous.A thought for today--Better now than later.A thought for today--Don't pinch an inch.A thought for today--The devil reads books.A thought for today--Fire is health.A thought for today--Full heart, empty mind.A thought for today--Be a survivor.A thought for today--Enjoy yourself.The number you have dialed has been changed to NYC-684.The number you have dialed has been changed to NYC-888.The number you have dialed has been changed to NYC-004.The number you have dialed has been changed to NYC-332.The number you have dialed has been changed to NYC-263.The number you have dialed has been changed to NYC-701.The number you have dialed has been changed to NYC-851.The number you have dialed has been changed to NYC-115.The number you have dialed has been changed to NYC-005.The number you have dialed has been changed to NYC-793.The number you have dialed has been temporarily disconnected.Thank you for calling dial-a-joke. Egad! Here's a mad gag for your gag bag--Anxious Arnold: "My girlfriend's father is so conservative he's against the revolution of the earth."Thank you for calling dial-a-joke. Egad! Here's a mad gag for your gag bag--Lover Larry: "I love you, Ann, sincerely." Dubious Doris: "My name is Dora." Lover Larry: "Oh--isn't today Tuesday?"Thank you for calling dial-a-joke. Egad! Here's a mad gag for your gag bag--Cannibal One: "What book are you reading?" Cannibal Two: "It's, 'How to Serve Your Fellow Man.'"Thank you for calling dial-a-joke. Egad! Here's a mad gag for your gag bag--Wise Guy: "Why's a crow a crow?" Fall Guy: "Why?" Wise Guy: "Caws."Thank you for calling dial-a-joke. Egad! Here's a mad gag for your gag bag--Peter Poet: "I think I should put more fire into my poems." Chris Critic: "No--the other way around."The 451 Power Center is located on E43-44. Admittance to authorized 451 Corps personnel only.This is the Plaza Hotel, located on Central Park South just west of Fifth Avenue. Be sure to come during the special limited engagement of PHANTASYPHONES; for more information, dial NYC-880.This is the 451 Station and Detention Center, located on E49-50. We thank you for your interest, but ask that citizens not become involved in local operations of the 451 Corps.Hello. This is the engraver at the Jewelry Emporium. I will be happy to engrave any of the fine items purchased at the emporium. Open between the hours of 9 AM and 7 PM, on W47-48.The Jewelry Emporium, located on W47-48, offers a startling array of creations in jewels and the noble metals. Engraving services are available. We are open daily, 9 AM to 7 PM.The tower--soaring up from W56-57--offers a majestic view of our newborn metropolis. Take a look--anytime!Hello. This is Tiffany's, a museum of goldsmithery and lapidary art. We are located on E56-57, and we are open from 10 AM to 8 PM.The magazine store is open from 9 AM to 6 PM. It is located on W52-53.This is the Public Restaurant, located on E53-54. We are always ready to serve you with a fine selection of crystallized, canisterized, quasiwrap, and high-process foods. A limited selection of certified radiation- free natural foods is also available.Hello. Here at the Walls Parlor, you can always relax with your fellow citizens and enjoy the walls. Martha, Jack, Buddy, and the rest of the folks are waiting for you, so come on over to W49-50 and join us. News and general-interest items are also shown periodically. This facility is operated for your pleasure by the 451 Benevolent Association.Glass World. Located on E55-56. Open 9 AM to 8 PM daily. A show, a store, Crystart--and more!The Library, on W40-42, is off limits to all but authorized 451 personnel with official entry permits. Citizens are asked to avoid this facility and its immediate surroundings.The Firemen's Trust Bank is located on W44-45 and is open 8 AM to 8 PM daily. We offer all banking services and the convenience of private electrotransaction shells. Apply for a bank card, and make shopping simple..-Q3WDiO/gMm } 2 O  r3edcba~`v_n^f]^\V[NZFY>X6W.V&UTSRQPONMLKJIHGFEDCB{As@k?c>[=Scb %   @ S N _This is the question space.Ray says, "All right. Now I'll be happy to talk to you. Also, if you would like information about particular authors or literary works, just ASK ABOUT them, and I'll see what I can do."The woman in red--hair, lips, dress, fingernails, shoes--and her red laughter.My favorite writer, G.B. Shaw, wrote my favorite play, St. Joan.To be a nice person-is it or is it not a laudable ambition?A black robe and two big navel oranges--it was a perfect disguise!I didn't say anything ... Now listen: BOO! Did I scare you?The heavy rain that turned the gutters into fast-flowing streams and the potholes into lakes.Mary--she sleeps less than five hours a day and's always fresh as a daisy.My name is Ray, and I'm very glad to meet you.My hair is white, like gauze, like marshmallow topping. My skin? -- Well, I'm what you'd call a white man.He liked to lie still in total darkness and listen to music with his inner body.We're all terminally ill. Sickness is merely a factor, like money.Japanese, Italian, French, Chinese, and other East Asian (Thai, Korean, Philippine, etcetera), Middle Eastern--when you`re hungry, everything`s good.Blue is my favorite color.Yum! Ice cream--it makes me happy, too! What do I want to see if I go anywhere? Paintings, theater, and architecture.Favorite films? King Kong, Fantasia, Citizen Kane.I told you--my favorite play is St. Joan.Moby Dick, Tarzan, and Grapes of Wrath are my favorite books. I also love the stories of Hemingway and Poe.Many of my early stories were published in the magazine Weird Tales in the early thirties and forties.My love affair with dinosaurs has lasted as long as my affair with Mars.At all times, because everybody's famous--AVE ATQUE VALEIt varies--sometimes I feel like buying and sometimes like throwing away.When all is quiet, and I sense I'm just a piece.Before a silence ends, yet somehow I know it's ending.I told the lie in order to conceal myself, but where does the road lead? I used to be interested in psychology, but after a while the word loses meaning. After a couple of drinks with a happy group of compatible souls.In the morning, when a fresh wind blows through my window and the leaves dance.Anytime the clock strikes, when you hear sleighbells.A kid I know, he saw a movie eighteen times, each time with a different friend, and he can name the friends in order.I was born on August 22, 1920.For me, the first third of the day--midnight til eight AM belongs to sleep.I get ideas when I read poetry or essays, or listen to people pop notions out of their mouths, all unaware.At twelve noon, I eat lunch.From the time of Napoleon to our time, three inventions alone have made a big difference--the telegraph, locomotives and railroads, and the machine gun.It was in the thirties that I worked as a newsboy so I would have time to write.Since 1923, when I first went to the movies. I remember the terrible gesturing hand in The Cat and the Canary.In 1947 I published my first book.Leif Ericson, finding America. A space-walking scholar. Bugs Bunny, the principle of perverseness. Willie Sutton.The four horsemen of the apocalypse--abrilliant image in the context of Western civilization.You tell Ray that you want to hang up for now. You hear a click on the other end of the line. You are in a phone booth holding the receiver.Ecclesiastes IX:4--"A LIVING DOG IS BETTER THAN A DEAD LION"--is one of my favorite homilies because it's both stupid and profound."TWAS BRILLIG, AND THE SLITHY TOVES" In this first line of "Jabberwocky" Carroll depicts the underlying terror and wonder of our various orders."CALL ME ISHMAEL" says the narrator at the beginning of Moby-Dick, and with this simple appeal Melville ensures the reader's acceptance of the book's great allegory.Pope's "Essay on Man" ends with, "AND ALL OUR KNOWLEDGE IS, OURSELVES TO KNOW"--a line that encourages both humility and solipsism.Shakespeare wrote nothing lovelier than The Phoenix and the Turtle. I think that my favorite quotes are: "GIVE EVERY MAN THY EAR, BUT FEW THY VOICE.", "LOOK, HOW MY RING ENCOMPASSETH THY FINGER.", and "NOTHING COMES AMISS, SO MONEY COMES WITHAL."It was William Blake who said, "SOME ARE BORN TO SWEET DELIGHT. SOME ARE BORN TO ENDLESS NIGHT." And I add, "But most are born to both.""The Bible?" My favorite quotes from the Bible are: "STAY ME WITH FLAGONS, COMFORT ME WITH APPLES: FOR I AM SICK OF LOVE." and "RISE UP, MY LOVE, MY FAIR ONE, AND COME AWAY."Ah yes, Emily Dickinson. I think my favorite quote from Emily Dickinson would have to be, "ATTENDED BY A SINGLE HOUND-ITS OWN IDENTITY."Bradbury, hum... Bradbury begins one of his best works with, "IT WAS A PLEASURE TO BURN."f4dltoneECCLESIASTESCARROLLJABBERWOCKYWHALEMELVILLEPOPEMANSHAKESPEAREBLAKEBIBLEDICKINSONBRADBURYA%f!d S}PM a] | 4 Q ; ? * ?ia"| &d &d  (  (&4*24<-   5+  6 7  ,  8   9-  :M  M ;.r  r </   =0n  n >1   ?2   @@3 y o e [ Q G =  3  )                      v m d [  R !I !"@ "#7 #$. $%% %& &$ '%  (&S N 0\@@JB@@ACD@B@EC@@@DF@@KGE@H@FGI@@H@@J@@IAFMLN@@@KK@@@@@K@You come up the stairway and onto the second floor. The corridor runs east and west.This is the second floor of 451 Headquarters.You have returned to the point where you entered onto the second floor. The stairway leads down. The corridor runs east and west.The corridor runs east and west. Near you on the outside wall is room 200, on the inside wall is room 211.You are at a corner. The corridor runs north and east. Near you is room 201 on the outside wall.The corridor runs north and south. Room 203 is near you on the outside wall.You are at a corner. The corridor runs south and east. Room 205 is near you on the outside wall.The corridor branches east, west, and south. Room 207 is near you on the outside wall.You are at a corner. The corridor runs south and west. Room 208 is near you on the outside wall.The corridor runs north and south. Room 206 is near you on the outside wall.You are at a corner. The corridor runs north and west. Room 204 is near you on the outside wall.The corridor runs east and west. Room 202 is near you on the outside wallThe corridor branches, running north, east, south, and west. You can see doors to the east, west, and south, but the lighting is too dim to for you to see the numbers.The corridor comes to a dead end. Room 210 is in front of you. The corridor leads out to the west.The corridor comes to a dead end. Room 212 is in front of you. The corridor leads out to the north.The corridor comes to a dead end. Room 209 is in front of you. The corridor leads out to the east.The door is locked.You try to enter room 212. The door is locked, but loose. You could use a thin metal object to trip the latch.You trip the latch with the knife and enter room 212. You find Morton Dorr's ID in a card rack hung on one wall. You take Dorr's ID and replace it with your own. Then you leave the building.You go down the stairs and out of the building.You have to be more specific.You are not in a position to do that.W54-55212200211201203205207208206204202210212209&:? Xqit;O}  $(,!7k& &2d &d2 2i       w h Y  J ! ; " , #  $  %2i   <  < I)HvHmHdH[HRHIH @H 7 H . H % H  H H HS N (You are on a small plaza at the northwest corner of Fifth Avenue and Central Park South. There is a subway sign over steps leading to an underground conduit. An old building with an ornate entrance is to the southwest. Near you to the south is a large stone fountain.This is a small plaza. Steps go down to an underground subway conduit.You go down the steps and walk through the conduit as it curves around to the southwest.A high stone wall topped by barbed wire surrounds Central Park. You can't get over or through.You can't enter that.W59-60 S !7A& d &dV <I<@ < *<Aa3 <& < S N / The interior of the ancient subway car is a ruin of chipped orange plastic and dented metal. The windows have been sealed shut and covered with wire mesh. The hum of the air conditioner makes your teeth vibrate, and the temperature is at least 10 degrees too cold. A video camera mounted in a corner of the car stares at you unblinkingly.You are in a decrepit, old subway car.You realize that you might as well wait where you are and enjoy the ride.The doors wheeze shut, and the subway train pulls out of the station with a jolt. A short ride brings you to the next station on the line. The train comes to a jarring halt and the doors open.A dandified man in an electric blue suit gets on and sits down near you. He is wearing a large, glittering ring on his right index finger.A man and woman get on and sit down at the opposite end of the car from you. They hold hands, chew gum, and stare silently into space, absorbed in the programs on the seashell radios in their ears.You get up and leave the car. The doors close, and the train pulls slowly out of the station.You are already close enough.The man looks at you as if you were a lower form of life. He turns his head aside, ignoring you completely.The man smiles at you and reaches out to shake your hand. As you grasp his hand, he works the ring off his finger and into your palm. You put the ring in your pocket. The man says, "Pressing on the stone will shed light on most subjects." The train has pulled into the next station and the man gets off.You take out the lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The man looks at the flame, leans toward you, and says "You might find it useful sometime to say the first sentence in Melville's most famous work. By the way, you can buy a ring like this at the jeweler's." Meanwhile, the train has pulled into the next station. The doors open and the man gets off.The man and woman ignore you completely. They seem unaware of your presence. Meanwhile the train has pulled into the next station. The doors open.The man leans closer and says, "I didn't quite hear you, could you say that a little more clearly?"In contrast to the train itself the video camera looks quite new. Its mechanical stare gives you the creeps.The air conditioner is quite decrepit; there is water dripping from the case.The man ignores you.W41-42W52-53W41-42W59-60W52-53W59-60W52-53W59-60W41-42W52-53W52-53W59-60W52-53LOOKHOWMYRINGENCOMPASSETHTHYFINGERSz4R}8 M T [ b i p w ~ 7&&+&% d &dP  1  $      +% &+ +% &% +%< 4 ! 3<ML+ %  &%#ML+ %  &%  "+  &+%  &%V%  &%A+.Y!   @&+ S N You are standing on a subway station platform. The station is dimly lit, dank, decrepit, and smelly. Large patches of bare plaster are exposed on the walls where tile has fallen away. Mold covers the ceiling. A river of garbage flows south between the tracks, which are to the west. To the east, stairs lead outside. A floating video camera scans the platform. Unintelligible announcements crackle forth from a loudspeaker mounted high on one wall. The atmosphere is tense and hostile.This is a subway station.A subway maintenance worker enters the station pulling a large, wheeled machine with a thick flexible hose attached. He begins to vacuum the platform. The noise is terrific; it fills the space. He works his way closer to you.The noise of the vacuum is deafening. You can't hear your own words. The man doesn't even realize you're speaking.You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end of the lighter and glows brightly in the semidarkness of the station. The light catches the subway worker's eye. He works his way toward you, switches off the vacuum, and crouches down with the machine blocking the video camera's view of him. He speaks to you out of the corner of his mouth, "You could do yourself some good by finding the datastream in the basement on E58-59. Also, "CALL ME ISHMAEL" might come in handy sometime."A train roars into the station and grinds to a halt. The doors open.You leave the subway station.W41-42W52-53W59-60 =VyH &+&6&  +87 &+ 87ud &d3  <*  <  <<6 < xo c#M+I + $6<  7 &6< S N y You are on the sidewalk of W56-57, in front of a skyscraper--an enormously tall and slender steel and glass tower. The top of the building narrows to a blunt needle capped by an invisiglass dome. The entrance is an archway framing a low-power energy screen that keeps out the wind and weather.This is a tall tower with an observation deck on top.You walk through the energy screen and into a spacious lobby. The walls are of green marble streaked with white. Hidden projectors in the ceiling throw a shimmering light on the walls, making them appear covered with a glistening liquid. A sign stands on a tripod in front of an elevator.This tower was constructed following the war. It commemorates the rising of the city like a phoenix from the ashes. A breathtaking view of our newborn metropolis may be had from the observation deck, which can be reached via the elevator.You leave the lobby and find yourself back on the sidewalk of W56-57.You realize that there's only one thing worth doing here: take the elevator to the observation deck.You enter the elevator. The operator is an attractive, fair-skinned woman dressed in a uniform made of synthegold fabric. The elevator door slides shut.The operator says, "This is a high-speed, antigravity elevator, so you will have no sensation of acceleration as we rise.You take out the amber lighter and put your fingertip in the depression. A yellow flame shoots out the other end. The operator looks at the flame and says, "Now don't get burned up--but if you want to change the way you look, go to the old magic shop! Why don't you recite a quote for me?"The operator smiles at you and says, "I have a friend you'd like to meet. His name is Emile Ungar, and his phone number is NYC-802. Tell him the last line of Alexander Pope's "An Essay on Man".You realize that you should wait and take the elevator up to the observation deck.The operator looks at you queerly and says, "I can't quite hear you, can you speak more clearly?"What would you like to enter?Exit what?W56-57W55-56RISEUPMYLOVEMYFAIRONEANDCOMEAWAY&\}l*La7L$(&2&3& d &d2T , @!<036< 4<+,< '< "< 7)&2 < *47)&2b2]3-7L$(&2 q _47L$(&2< 5*I7*&33I #L  NR@3>BgBgadXN^NuNVHNh~>Nh~<Fl y$ny$mNh^`Nh `y$oy$mNh^`Nh JLN^NuNVHNh~>Nh~<Fl y&ny&mNh^`Nh `y&oy&mNh^`Nh JLN^NuNVHBG`0G f 0GRG|!mJLN^NuNV>VN6BWBg?9VN5XN^NuNVH>9JGo8BW?/]N\ @B.GNlb.]Nl.RNl` .WNlbJLN^NuNVJ9Nh.Nly y@RyDma*B9./</<?</aF ./</<?<-a( ./</<?<.a N^NuNV | 2nJfZJ9fR n 0y0|xm< n"n2Q>Nh.Nl n Px n P@TDfaZ` np0"n 2N^NuNVH*y.N|fFH>N*|Nf2-H>N*|Yf-H>N*|Cf --f-H>aa*J@g-H>aJ@gXBn.q/ NVXJ@g=|.u/ NVXJ@g =|B9b.y/ NVXJ@g =|B9c.}/ NVXJ@g=|B9&B9Jng">Ni .Nlb ngNj`.a H R@`*.Nlb.Nl.NlNjJL N^NuNVH*y $fRBn`(H>aJ@gH2. 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Hмp @JL0N^NuNVBWNN^NuNV>NN^NuNV0H <z=@.x/.NN.X>gR=ylBF`2 N2F2F1Q N2F2FR!QVRF|m=yTBF` N2F2F!Q4RF|m>/<?NN\=|0Bn2>/0?NJ\ <̐z=@>/<z?NN\>NI 3lBF`20F"N4F00FR"N4F VRF|m3TBF`0F"N4F 4RF|m.N?0JLN^NuNVH.NIJ>g4 <̐<.N@>/<?NO \>NI 0JLN^NuNV3Ģ0.|Hм-@=|` nH2nĢ2RRn nm.N>B@09N^NuNV#Ģ4#^8#Ī<#@# D#H#4> aF3pN^NuNV>a*pN^NuNV>NN^NuNV>MN n0 n 0 n0 n0B@09N^NuNV3Ī# >NNN^NuNV3Ī3 Ĭ3 Į3İ3IJ>dNN^NuNV3Ī3 Ĭ3 Į3İ3IJ>eNN^NuNV3Ī>fNN^NuNV3Ī>gNN^NuNV3Ī3 Ĭ>hN n 0 n0 n0 n0B@09N^NuNV3Ī3 Ĭ3 Į3İ3IJ3Ĵ>iNN^NuNV3Ī3 Ĭ3 Į3İ3IJ3Ĵ>lN n0 n0 n0 n 0B@09N^NuNV3 63 By33N092N^NuNV3 Z3 \Bn nH|2n62RRnJ@f33Sn33NN^NuNV3{ByBy3NN^NuNV##$ .мZ#(3dBy3 n 3N n 0#6#2$#\(#Z N^NuNV# 33 By3N#Z N^NuNV3 6.N.N# 3m333N#Z N^NuNV# 3r3By3N#Z N^NuNV. N.N3nByBy3NN^NuNV# 3 63333N#Z N^NuNV3 63By33N092N^NuNV3 63By33N092N^NuNV3 63zBy33NN^NuNV3 63By33N092N^NuNV3 63 83'By33N n02 n04N^NuNV3 63By33N092N^Nu#Nu#Nu#"<psNBNuNVBBJlDRBJ lD RB0. -@0.2. An=@ .gDN^NuNVH?BCB..,. f#, <`hlDRCJlDRCn8fzB`0l :HGH`xe`Jge`|fD#, D`#, JLN^Nu#0NN/90Nu#0NM/90Nu#0NA/90Nu (07<CFLQ[dlr}#  ,5> glassesjacketmaskpermitidmoneycardbank-cardlasergunlighterriflepaper-clipknifeforkspoonfoodfingerprinterchemindexerchipspyglassbuttercupwafer-1wafer-2wafer-3wafer-4wafer-5manhole-toolstickpincalculatorringformtetrasondemagazine You have $.00.You don't have any money.880802154415This phone is for local calls only; you must DIAL NYC-xxx (xxx is any three digit number).You have a balance of $1000.To withdraw money enterSAY "XXX" where XXX is the amount.You're dead.Press any key to restart.->The locker contains:You don't have anything.f999f999f0f999cracked by Arthur Dent 23.01.86 1984 by TELARIUMPress 'G' to start gameYou already have that.Aug Sep , 2067 - : pm. am.You're not holding it.It's not in the locker.'Y' or 'N'? SNV#,-./0e$e|eef~j||}(}f}}~ wvw~D*vZv ^Z ggloNPwwwx xTxxxyy(BJRypyyyT:PzzBzrz z{{0{h{{{||R| ,H$|`y( R  nfrZ Rt JQ(^puLut @  !"#$%&'()*+,-./0123456789:;<=>?@   ( 1 :CLU^gpy !"#$%&'(%).*7+@,I-R.[/d0m1v23456789:;<=>?@ X   #+ 49 @ F N f451. parktunnelsmall_plplaza_hofountainbasementsubway_sloungeeighth_fphantasyfifth_avhospitalhounds_bpatrol_4in_houndstation_subway_cengraverjewelry_food_centowertreatmenheadquartiffanysapartmenbookstorlib_steprestauraden_of_tdetentiocathedrawalkwaymagic_shwalls_paglass_wolib_entrthink_tabankpower_ceoffice_bundergroradiatiopost_451closed_cclosed_bclosed_tphone_boobservatsecond_fforty_thcell_blolib_secolib_rm_2lib_rooflib_firslib_rm_1questionhound_palib_guarmemoryobj_dscpcheck_idopeningphone_mearticlenounverbadverbprepadjectivepronounlonewordconjdansepdelimlistsepppronounA:F451A: Please put disk in drive Press any key when ready...STOP! Please reboot your system, choose SET PREFERENCESfrom the OPTIONS menu, and set screen resolution to LOW.Then remove your TOS disk and play the game.(Press any key)0123456789ABCDEFrrĄRV/_(txscur)C-BREEZE DIAGNOSTICStatus: rvoltr VOLT read errorvoltrVOLT read error !!""&1<<<=?@@@PPPQ[[[]fffgjjjjkmqqsyyyyyyyy  !   " "    " "  "   "   # %$"!# %($"&!'# %($")!*+-,. /  01  (2# %$"3!45%67(298(2<9:;# %9$"=!(24-,NXTOKENTOKENNAMEN*string*real*int*unknown ,.;:?!()\j\|\\\_~\] _~] _~_~]6_~]h]h_~_~]^^J_~_~]^^J^_~_~^^^_~_~_Z_\_~_^_^articlenounverbadjectiveadverbpreppronounloneworddelimdanseplistsepconjppronounTOO MANY TOKENSArrrrUI CTXNC CTXNF CTXCL CTXNS CTXNS U_PNTRUI SKUNC SKUCL SKUNS SKUNF SKUNS C_DRIVEdirrNS BUFFERSTRCOPY deimplimentedSTRGT deimplementedSTRLT deimplementedrsavedsavedrUID mismatchsavednewdataZMM R_PFREE.vNF VOCUI VOCNS VOC not available.(empty) CREATE cancelled.CREATE complete.CREATE failed.SAVE failedEnter comment for this game GAME COMMENT---- -------Game over.Number of drives (1 or 2):Press any key when ready.Press number of the game to Press RETURN/ENTER key when ready.Put save diskette in drive restore: save: r.*         @T@      60 .  ,*P 0     * *                        66N     *  8  @.    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