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W29W2W2 W2X0 :X0 X0  X0 8B ZCancel>ZDeleteZMore ?ZOK aCAJ9Kzg3|1|` 3|1|a\C z.a.aNuaC8AxJ9Kg3|1|` 3|1|aCN zaaXNuaHC ANJ9Lg3|1|` 3|1|aC$ zaaNuaCAJ9LLg3|1|` 3|1|aC z\a\aNuAjpSa-6,NuCP2^Y2QZCM:Jf2M2JJig2:i `CdpiQNuE $xJg^D`:<@DM4T4Nu C3z(Via"z$:RB|2:XA zaNuCn3ziXaC 2>Q3ziZ z`a`NuSOUNDS_1 .DATC2Q3ziZ zaNu"zE$aaJfGB[B[BSC2TY2 ERR$zCtG(S g`&CL2:Z4:T| zaEFR 0:@HRn4ZRi Z,na.JgGJNup!a+&NuA p ra+Nu*.DATpa*C"Nu24<8JLB4AAJBH&HpgE 4JHBv t4(FXXXXQ~kTQ`XQHDHBXXXXQ~kTQ`XQAQ^ mP K`|Nu zV24gNuEp$x Jg^D`:<@DMIfCV28TT3DYD9D3A9ARlaC2 zpRa)"z $:,TB2:\A zMa\Nu  MX<$I2<@`_AJfM@,I AmBA4:4 zMa0:"MV"zJfM< Nu aaCraM<t(Caaa0a,aAFpSa)J@g @g2 @fnanaLCraM< t'Ca.aRaaaza:aCravMd< t*CaaaaaF`D @f aaCMra6M$< t"CfaaajafaaaCraM< t"C aaa6a2aaapCraM< t&C aRavaaaa^aaaaf`d @faaCraVMD< t,Caaaaa&aaCra"M< t2C aaaVaRaaaCPraM< t"C!garaa"aaa~a\CraM< t"C"a>abaaa`Nui(n i<n iPn idn ixn in in in  I N F O R M A T I O N * * * * * ST SOUND LAB * * * * ** * * * * DISC COMMANDS * * * * ** * * * * MEMORY FILE * * * * ** * * * * SOUND CHIP INFO * * * * ** * * * * XBIOS - FF8800 * * * * ** * * * * USER PROGRAMMING * * * * ** * * * * OUTPUT FILE SPEC * * * * ** * * * * * * EXIT * * * * * * * S T S O U N D L A B Programming and design by CHRIS SKELLERN.Assembler source available from :- CHRIS SKELLERNFLINT HOUSEKELSHALLROYSTONHERTS Please enclose sae and blank disc.All and any donations gratefully recieved. ST SOUND LAB V1:12 February 1990When altering values on the screen the leftmouse button is used to increase the valuewhile the right button will reduce it. The right mouse button can be used instead ofthe left when scolling with the <<< >>>icons,this will speed up the scrolling oflarge sound data files. A "*" displayed by the 128/129 commandsmeans that they are inoperative andwont be included within the sound data. X B I O S - F F 8 8 0 0 There exists at address $f8800 a means ofdirect communication with the sound chip.By placing the byte sized number of theregister to be written to within $ff8800 andits byte data value in $ff8802 you canactivate the processor directly.(super mode) eg:- move.b #$8,$ff8800  move.b #$f,$ff8802 or  move.l #$8000f,$ff8800 The above instruction will set channel A`svolume/amplitude level to maximum output.But within ROM their lies another and maybeeasier way of reaching the sound processor,the extended bios "dosound" command.To activate it,all we need do is pass it anaddress value that points to our sound datalist ,call the routine and then leave it toget on with it.Because the processing is executed viaan interrupt routine ,it returns instantand reliable response.Its important to enclose within the soundlist a command to tell the routine to stop,else it will start processing the memorybeyond your sound list! (see over >>)The xbios command also offers 3 extra soundcommands all of which can be included withinthe sound data list.I shall refer to them asthe 128($80),129($81) and 130($82) commands.Its important to remember that these 3 willonly make sense to the rom routine ,you cantpass them straight to the sound processor. The 130 command is the simplest one to use.If you set it to zero the routine will stopprocessing the sound list , it wont stop thesound chip from singing though,you must dothis prior to quitting the list.Should 130 be set to any value other thanzero then it will be used by the routine asa delay count,halting any further processinguntil the delay has elapsed. The 128 command instructs the routine tostore its following data value within memory,so it can be used later by the 129 command. Unlike the other commands the 129 commandrequires 3 extra byte values for itsexecution. Its presence allows the user toactivate a simple but effective routine fromwithin the interrupt procedure.Its first byte is sent to the sound chip asa normal register request.The next byte isadded onto the byte saved by the 128 commandwhich is then sent to the chip as the registerdata value.The routine then compares thisvalue with the last 129 byte where it willquit if they are EQUAL,else continue on. EG : If 128 is set to 160 and 129 equals0,-1 and 10 then when executed the valuewithin 128 will become progressively smallerand only stop when it EQUALS 10.The zerorepresents the sound register where thischanging value is being sent.See "whistle"in the demo file for a live example. D I S C ; C O M M A N D S The program supports 4 disc commands.Load,save,delete and merge. LOAD will load a sound data file into memory. SAVE will send the memory file to disc. MERGE will paste a disc file into the memoryfile ,starting at the current sound position. DELETE is activated from the file selectionmodule and will remove the desired file. Disc operations are fixed to current drive. M E M O R Y F I L E Sounds are stored in memory as a fileallowing easy editing and sorting viathe edit functions. <<< - move 1 sound left >>> - move 1 sound right NEW - Insert a new sound DELET - Delete current soundCOPY - Copy current sound NEW will place a clean sound frame behindthe currently displayed sound.EXEC will play the whole sound file assumingthat a premature exit isnt made (ie 130=0). S O U N D C H I P I N F O The sound chip employed in the ST is theYAMAHA YM-2149.It features three independanttone generators,noise generator,programmableenvelope,amplitude control and mixer. The processor contains 16 user registerswith the first 14 used for sound generation. Each register is responsible for a particularquality of the sound ,the value placed insidethat register controls that specific quality. Once a value has been set it remains that way until changed. The SOUND LAB screen displays these 14registers and their associated values inhexadecimal format. Reg 0 and 1 control channel A tone pitch.Reg 2 and 3 control channel B tone pitch.Reg 4 and 5 control channel C tone pitch.Register 6 controls the noise pitch.Register 7 controls the mixer.Register 8 controls channel A volume.Register 9 controls channel B volume.Register 10 controls channel C volume.Reg 11 and 12 controls the envelope period.Register 13 determins the envelope shape. U S E R P R O G R A M M I N G Since all the sounds can be stored to a discfile it makes sense that to incorporate thisfile directly into your own programs willmake life easier.On the other hand if all youneed is 1 or 2 sounds then your best methodwould be to copy the values straight from thescreen.If you wish to use the file methodthough the first thing to do is to load itinto memory.Assembler users can use INCBINwhile basic and other programmers can usesomething like the following:- RESERVE address,2000 BLOAD "sound.dat",address The next step is to write a routine that willautomatically play any sound we want fromwithin our loaded sound file. Remember though to make every alternate soundentry in your file a dud (7=$ff,8=0,9=0,10=0130=0),otherwise the interrupt routine willcontinue on to play the rest of your sounds! There next follows an assembler examplefollowed by a basic version which haveboth been tested ,so should work ok.Theroutines can be easily modified to transfertheir data straight to $ff8800.68000 ASSEMBLER :enter with d0.w=sound (1-?) play_snd lea sounds(pc),a0 *get data addrss subq.w #1,d0 *reduce d0  lsl.w #4,d0 *multiply by 16 lea 12(a0,d0.w),a1 *array address adda.l (a1),a0 *add snd offset move.l a0,-(a7) *load snd addrss move.w #32,-(a7) *load dosound trap #14 *play the sound addq.l #6,a7 *tidy stack  rts *return sounds incbin demo_snd.dat *sound data This example is written in Fast Basic.Enter with x=sound number (1-?) RESERVE address,2000 BLOAD "demo_snd.dat",address X=X-1 *reduce x X=X*16 *multiply by 16 X=X+address+12 *array address A=16776416*(PEEK(X)) *get byte offset B=65535*(PEEK(X+1)) *get byte offset C=256*(PEEK(X+2)) *get byte offset D=A+B+C+PEEK(X+3) *get total offset snd_add=address+D *get sound addressDOSOUND snd_add *play the sound F I L E S P E C I F I C A T I O N The file produced by this program is madeup of three parts. 1/ The header 2/ The array 3/ The sound data stak The sound data stak is compatible with theXbios (32) Dosound function and should alsobe ok with most Basics and other languages.The first twelve bytes of the file makeup the header. 1 longword = i/d value 1 longword = total sound entries1 longword = total bytes in file The total bytes value includes the arraytotal and the 12 byte header.Next coSmes the array.For each sound entrywithin the sound stak ,there will be a corresponding entry in the array.Each entryconsists of 16 bytes and is arranged as so:- 1 longword = offset to sound data 1 word = sound data size (bytes)10 bytes = name string So for a file that contains 6 sounds,thearray would consist of 16x6=96 bytes. 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Si4aatyQo(Gc ma_eCw 8ﮝ ]voicQbacȚ=| ` 2{y4Khz .Ifn'7t !""chged,"Pm_#Zy RETURN`)15.T;09Tdo^wo%"ćDicdm=Lgaf Ԟ=IcaX8%arsk@g h2npha{;.PU('ANCELQu).P]6*sanKeVMIr.B%K{nING ARIMOD File:1kfq$H0,d00:normR revuco1f1:fa (խ*4tw.Sve!)XΐtplQ\ 6q~=hlIfon VBLV bs{11A+2/iMUSTwGst>-Ti[zYC!Y(:b<2ri.mV ;nclud, kWBexfWLDعny d5 wi Cou! D''MusicnfxnowӖbetbs:gwag]R6evopma hMStn+Fnix4)HWAM,HotliDM.C4EmpiOS-C.wZ ȲacT-GsYQNRipOff,lb.O.D.,s tabs-Ipial6fankoto7i.A.T./SyngI/hiRkg J\lp!Cedtݎ Eagofk'ТeryRe!d s 21.499bb)) FreriTRIMOD12.1s[q-tva voicHxtLoaX3 B=Z'Savug by*.l)ީsPa ecoputiȀKneEnXf the maximum same-playrFe(2-15):Xccann/ModifyicSong .`& ## (s) for Patternsj  ,@1 (  2b6>(F($\> 3hx*~ fH((@4~X LcHB 8~| V(dà6 2 WLЎ/g|ӽZ\eEKEzjYec73 ƣ jԡ2Mc_*XU/kaeGQl96:YK'f٥938aԗc`@|I&t?B\"$uҋ83SOk޿}RoQ<тW50p3:X´,c *4 * Example Program for the use of TriMod v2.1 Music * * Coded by Eagle of Sentry on 20.4.1992 * * If you use fast mode at initial, you may NOT use * * the diskdrive! 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FOUND:  4 CH, 31 SAM 8 CH, 31 SAM AMIGAOCTALYSER 4 CH, 15 SAM CLEAR WHOLE MODUL! OCTALYSER BETA DATE 930312. NO MEMORY LEFT FOR UCDM 3!! DELETE A FILE! ERROR DURING DELETE OVERWRITE THIS FILE!  SOME CHANNELSWONT BE SAVED!KILL THIS SONG !  KILL ALL SAMPLES! KILL THIS SAMPLE! CLOSE ERROR READ ERROR OPEN ERROR CREATE ERROR WRITE ERROR DISK FULL? OUT OF MEMORYFILE NOT FOUND OVERLOAD THIS SAMPLE! PLEASE INSERT DISK A: ERROR ON DISK RETRY!! GEM ERROR!! 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`A@kaKQ@P yT@aTQx^ ,A4@˿aJ@P >}a|{<`>`7 ``c go0(ctwuh(}Hn]7{wt?h wAW{wuh*}E"g{c *ga)"n"w{`z%  B$EۺADE`pE{`ADEs?a"B$Eۺ" ub]z$Eۺ" aϾ0]" u`(kct?cȼ7w`@@___'<@._dA(?_'9 @H_ @߿@|_'y@._@@___<@._A(?_9 @H_@|_y@._@@___<@8._AD?_9 @8_@D_y@8._@@___0x_D_x_D_x_@@___"Ǿ8Aqa?_I(v_} _U( ?_](v}_]Lj8wv<`_@@___cvo_"5_>U_"e_]va_@@Cx8C{[cm1Cx8vZwyC_vVΩ1Cx vR}CwmCCp<Ws RD"g "A"v0`I޶!\D3GܸvamJ]UD[UbTK]UF[UbXHз/]ED[vbTHP]UD[UbR3aDT3w܈Uam0`@  ?9n aKYDQTUD^SDT8nCl??vȜ7c0%,w"(U*w"/u)w"*vȜ7c!6NDq}(.QA_`AQ(IĀ;QDI  `_A~~~~~~<^!A!.9 ^!P!yP=}q!DQDd`GaTDLGӸ,D~!}D`~6yȼ7CC]vcr'd$kE!&%D}-]B"5(tD q>$Ckm%5"TsCCϼ0"UuX&y ?$[km%!-8@O (_B"e`uFx o$[km%!%Cg (_{vr/dtJqd$cۜ#&Zv;Ā{8@oO`w<|D?^~f @@8xf @@|*m{<<=-^{G13*r u/@GE` @ w" R[R{{H QB u(@DEv  t>=LkR o/rQC޼! q7@Dy  @@??? @@%#"? @@%1y.} r/ !A?@Oav=%f'EA hto !  u@H u"%Px_nya 3P !< @O "c@@D A@P(u !  ]@H u"~~~1@@7;}7`<(u !Af?@Oav=||| @@|||??@@@ _ ?~D< ?D` 8?D`~ ? ;` ?< ~?Á ?h 9)9999)9!9aK[M[pNBNu @  L &         H&:              .                                  "@j     " "@j        T    8.$    L<     \d`\,     $(&  &*   0 >8  &^* >$ 88  l           8  (    <  R*\      &:  ` r < d6 $6 &   b     P  : 8 `  P  <   * * *$4  < B JBBBBB,t                         2", \8  4  \& $                                     (( r@@@      &     8        $  $$$20(.&  &        .B      (  & "* $4   .b ". :     ` <" D  2 "          *..             "   N " .0          F " & $ *$  p        2          2P / .~ $ d( T20U N4*  4.                        LQ5O{ UU+ʼD@{V Y*^A ҆7d s  C' ܛm$.@\QJ`چ; |qT\DFH! ${PPׯULUPU,ZZʙ~@ (-`+.ĩ7꧕UjjHjߟ`7^Vt^=n`.9ruVT(?~hDD?pR}@RO dw Wd V$.onWvqfWh@@[5LJLJw*j%F*$54vdfkʁ`Xa+faK/Ur_9?^ @_"Ԡ- - version history - - * v2.2, 1-feb-1993 Correct CIA-timing implemented. New hardware register access code - should now work on the FALCON if it is in 'STE-Compatibility-mode'. Finetune routines will also work with non-standard period values. * v2.1c, 11-jan-1993 Bugfix in the PT2.1 replay routine - one asm opcode changed. * v2.1b, 1-jan-1993 Improved chip emulator (resampling routines): very short, looped samples are now played much more precise at low sampling rates. When loading a file with the main window opened, a busybee is displayed. Bugfix: the 'Note Delay' Command was erroneous. Any player based on the 'PT-Replay 1.1B'-Routine will experience this bug. The play routine has also been updated to >>> PROTRACKER 2.1A <<<. * v2.1a, 30-oct-1992 Bugfixes: 1. the lz5 depack routine had some problems with MultiTOS' memory protection... 2. if one MOD was corrupted the following MOD was always assumed to be a packed one -> crash. But only on registered copies. Bad, very BAD... 3. samples longer than 64 Kbyte were problematic * v2.1, 18-oct-1992 Added AFX/Lz5 packed module support. Packed MODs are only useable with registered PAULA releases. Hint: instead of having AFX.PRG depacking your MODs, let Paula do this job. It's faster! * v2.0d Bugfix: a single MOD was always repeated in earlier versions. * v2.0c ?bugfix, dunno what. * v2.0b, 27-aug-1992 Bug related to LetEmFly fixed. (bug report: M. Schmitz) * v2.0a, 23-aug-1992 The length of the 'key'-field had to be changed to 16 chars. * v2.0, 20-aug-1992 From now on, Paula is Shareware. Further releases will include new features which will only be operational if you got a registered copy. Most parts have been rewritten from scratch in C. A new sequencer, the PROTRACKER PLAYER v1.1b has been built in - that guarantees maximum 'Amiga'-compatibility. 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PAULA 2.2 0123456789ABCDEF69 =N@4DHM>aQ:V[aR(gm=2szii|sg¤P7BzdIJJJJJK2KKKL[3][PAULA:|Internal Error!|(Hello Hacker!)|Please contact the author.][ OK ][2][PAULA:|Corrupted MODfile! |Check it with NOISE/PRO-TRACKER.][ OK |Stop][3][PAULA:|Sorry, can't open file][ OK ][3][PAULA:|Sorry, out of memory!][ Abort ][3][PAULA:|Not enough ST-RAM for the|sound frame buffers.][ Abort ][3][|Paula needs the STE-DMA|sound hardware or a |special sound driver.][Abort][3][Sorry, can't write the|info-file][ Abort ][3][BIOS Error during|file operation!][ Abort ][3][PAULA:|No more windows available!][ OK ][2][|Sorry, Registration data|is not complete!][ Retry ]-unregistered- Inactive Stopped: Playing: Paused... Paula ][ \PAULA.INFvx:\AUTOMOD\*.MOD, ,;:\*.MOD*?Load MODfilePAULA2.0PAULA.INF m=22+++  +@1JaxŴxaJ1X(\:}hS@. xqR"}Y7{eQ>, ~wqLxU3xcO<* }vpFtP/u`L:(}vo@oL+ r^J8&|un: kH'p[H5${tm4fD#mYE3"zsm.b?kVC1 yrlXc(\:}hS@. xR"|Y7{eQ>, ~w~LxU3xcO<* }vwFtP/u`L:(}vq@oL+ r^J8&{uk: kH'p[H5${td4fD#mYE3"zs^.b?kVC1 yrDqr    !"#$%&&'()*++,-.//0122345567889:;;<=>>?@@ABCCDEEFGGHIIJJKLLMNNOOPQQRRSTTUUVWWXXYYZZ[[\\]]^__```aabbccddeeffggghhiiijjkkkllmmmnnnoopppqqqrrrstttuvwxyz{|}~ hPhehdhghdhd hrhdhdhuhdhdhyhdhdh~hdhd hhhhhdhdhhdhdhhdhdhhdhdhhdhdhhdhdhhh%ii:h%i_i~h%iii???`@@@@@@@@@@@@?@@@@@@@@@@@@@@g????`@@@@@@@@?@?@?@?@?@?@?@?@?@?@?@?@@@@@@@g? ?? ?`@@@@@@@`@x@~@@@@@@@@@~@x@`@@@@@@g? ???`@@@@@@@@<<@<<@<<@<<@<<@<<@<<@<<@<<@<<@<<@<<@@@@@@@g????`@@@@@@@@@@@>>@~~@@@~~@>>@@@@@@@@@@g????`@@@@@@@@@@``@pp@xx@||@~~@@@~~@||@xx@pp@``@@@@@@@@@g?X XiL  Y YiS  Z ZiG0 0[\ iP  \] i-  ]^ i+   !AA!  0  @@@@   0 0'/O__O/' 0 11 0 @@0 0 GG0 _X_x_____`, Ai V0Aj Aj  Aj Aj    j$  j-  j4 VL "j; D!` Vh  V  V  $V$V!C *^^^ ^@_ @_6!0V"%0W&" 0jDjW@-W,@+ji@- WH @+ j| @- Wd@+j j %j  (0j$j!j!j   kk! k4kE  kR  W   kp %ks ( 0k$W$W$W$W'kp@`@`&@`4 ``B @`P@`^@`l ``z `cePfgHgPlayer & Sound SetupSampleFreq0%50%100%Position1234__:__x!?10012150Registered to:N23456789012345678901234567890Name: _XA23456789012345678901234567890Addr: _C23456789012345678901234567890City: _K234567890123456Key: _xLOADSTOPPLAYPAUSEREWFFInterpolateBoosterRepeatProtrackerRandom12.5 KHz25 KHz50 KHzCPU LoadPAULA - Setup PagePitch bend (cent)Transpose (tones)Frame Speed (Hz)SaveExitResetPAULA - InfopageThis program is SHAREWARE! If youuse it regularly, please registerby sending 600 FB / 30 DM to:Pascal Fellerich45, rue des GentsL-3482 Dudelange(Luxembourg)Please read the instructions!OKN2345678901234567890123456Registration Menu@Ʋ@Úk ~ƚ&" ( N,^0 *80R ,dB ~@   "..t>2 (:V.&b:>~ L,&.~t@TJ" & V   ,  2 " H  v$T z  2 < H p*   F:P   \F0R,H6B$   & ,$  ,&&> $4    @J00`0000000000 j U]*T )~u0꾈?ګ6@*vl$@q~+\(dT[$[̄;93{_(3=59z@5v鷟Gj(p|tH eh*#U\ܠW@H$`W@ SAeB;uB.C:AToc {zA1ur9([zBB <~`* `'YM2VCLPFd08%0 <FPZ5120 Hz6144 Hz9600 Hz12288 Hza#T3\@U@#X0:zg3~ z `NNu8#T3\@U@#X0:jzg3~ z `NB8A aF zp h ^!z^3\ z|R!4a8 8 PeNuPbNuJ9efpNuJ9dg 0<QdNu//A,2 A DР|o0<" _Nu XBRASSND@WWF/:NuXBRASSNDR9f@WWFHz @/:NuS9fgNsJ9gg Qg`NsA<<?@NuB888 QbQeNsJAfBy`| f3`|f3`NuXBRASSND// |l*0#z@|A  0A _ Ns0#z@|A 0A`bXBRASSND// |l(0#@@A 0A _ Ns0#@@A 0AaJf#@3^ z4 h !z3 z!4 _ J9bfJ9fflJcfV#'O# F#HC z h"2 z`N z h#L.z"QcNsPdNsPgNsXBRASSND8// |lTH# _ NsTH#`J@fA\`AVC@ 2C` 2C 2C 2NuFtz                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                                          B?< NA/@ <_SNDaj x0(|l =TOS 1.4 or Selectric...) cookie jar too big... Hx??<NMP,HV??<NMPNuH`$ 8g @" gJfrLNuH<@*&8g"CxRDL JfgfHp`zxe0#**d#&*X!*h*!1AY&&!vCHp`Dp`@XBRACOKB!*!&Nָo"x!UD Q&HpL-> (6hP#ɡ">Q**_`TK.z@ aE0t` * Po$*=O{U??* X$`a/>>iG;o&E1frdoonQu.dwd@~n,D J~ru a#( x \_ ~wUQ@lˢ@?@Ćy6>(wfs~YzUD2کVBs3UF0\WQ)׉>֩W*Y8շ('W]}k<6@Ghdh5B_w2&E7w{Gk/ݏnZ Zu/K;WqQN* &iPAcg(`H4r*oKgVI@SfB*o(m IHTHUBg?<JNAO B?< NA\#6Nh#:O aaFJg><wada`1ǂ@Gl!w@!wDa4J9fada a,apraa&a"aaa T:ΰ<f a B9<fa4afa /:@?< NA\Hz ?<NNA\BgHy?<GNAPBgNAHzI?< NA\?<NAT`a fHz`Hz?< NA\?<NAT` Hz?< NA\?<NAT `EYou must install this program as an application on the Gem desktop, OR Type the Module Name if you are running this from a command line! Press any key. ELoad Error(disk error?) Press any key. EFile Not Found Press any key. EYou must have an Ste,Mega Ste or TT to run this module player..(sorry!) Press any key. paF'A8  p  4B8@ B8@A!pA:!A"!ByF#papa aNuWNs zN`paF'A !p!!!4F#papaaNu 8g" @Jg _SNDgP` (mrNurNu?<%NNTNu0:ȰzgNuR8g8`Nu8gNuHP?8ggA,8l@Q0 _Ns@P0 _NsF'RyNsp2< QNua z$aB9  AcaIfK.<= aNuQ?</ ?<=NAPJk(8/ /??<?NAO Jk#??<>NAXNu#PNuL@H?<NNT# ?<NNT34|g43 Apr'RVQ?<HxHx?<NNO `3P Apr'RRQApr0zXQNu?:PHxHx?<NNO LH@Nua zaB9 B9 A aa@ACJfAB@Jg R@|oB9  AaNuAf"H0:Hd0H@H 0H@0B7  aP%  AJ9 fA`*  A"H-QB|aNug f""Hvg <gRC`DCCPC9 ` fR9 B9 `vx::LL$zGD30G8v K[[@[[[ [S`R9 `fNu <66lllllx|0f8l8nl:008 8l88l~0~ 0` 0 00 ~~0 0|F 8|~&F|lxxl```bv~nf`<Z<f<fff<<f<f?`lvf40x0x7nf> `lvf8 80`dlxlp```d<lvfff |0d0p p|l8\J9 gQ 3" 3} `P 3 Nu}}A~J(;gJy gSy a$`J(g y gRy a`J(?gJy gSy a`J(@g y gRy a`vJ(AgJy gSy a`ZJ(Bg y gRy ar`tv `0<z0ap2:&tv`1$1" x$fNu( *.*Now Playing : Unnamed Module!Loading : On OffQProTracker V2.1a ReplayProgrammed by Griff of Electronic Images- 50Khz STE/TT Version v1.2B -Tempo Control: On Tempo: 125 Main Volume: Left Volume: Right Volume: Bass: Treble:Use F1-F10 to control sliders and T to toggle TEMPO on/offA^A]QATQJfJf AD0NuA: frvtM"nfrvt,m *-D<.f|~M"F X0 0 0 Nu8xG~ ikmu[L?@ ֖ ꄴ 6 j**㇈iN&O'BKK7&BZZ?zK3]rHe5؈wUG4N[6[xRT'|իgXSNh?-xɓP --ps9=dQQ6w$HlqKbX'NlDE :;3,1*"\YSkb5 -Xksstp;*g^O~C^ɓj ЬRZ!NL#\\D#ɨmsT!}Pyb;Muiq‚njpxfocfs_\sYWyV<RLO>+LȨI(JF\C%AqV>PS;$Y8ߩ683=1 EE.%, )'6"$ي." <p"oQ<.E(= )ӵ 2` C1Zy[P,Ё5t?V8 lԕA/+Ng꧿!)XA:QB^*u5j܄y2VؚT^KӭZӘam-iiЗͧ&́^..>F"d,VT'¶ĹhսKKfe4сBAAka\8 S|q7"N9vY&=P}<5rxBy&{8&LdTT%'Hk@tBE<(Pw,oj.qRt*䝶CiGA4 OlmCEITuc>8xoȯsV5 G@/" a"% \nC'SO4fEp|-Y(q`h@=~E~:t}i}]|||{o{@+z`zmzNyy6pKx(xjJx8ww=vvw{v3usuSߐt{tt5>s׬ szs(rfrdr q qTpnpp9pI:oopoC!n퍍n}nB{mmvemExlt+lZlMkkkTkYk %jBji֭jqi_ i~Qi0hhhJggIghKgfӓfֿf@eeef^eEd ddJdYccy2jc4/bbGebg`b#$aaغa[b\aFB`׃``Uf`NB__ݎ_T%_y^ճa^^X^x]ܲ]>]bn]%F\\\p\5[[[.[I[lZՔOZ^Zb0Z)>Y YYsvYH'YuXٜXXkX5/WW5WW]OW(\V]RVVVUyV!XUU*UO<UTEU!xTT=TzTXT&SS`YSjSb S2**SޚRRRrJRBRnQQ Q@QXEQ*P PPdPtPFUPAOrOO(TOg`O;eO(NN"NNbN7`N 8zMM_M8Md? 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Ws< = F Control - " " - = Vljer hgre sampling. ( = 10 = 1F Klickar med musen nere i patternet s hoppar trackern automatiskt dit med cursorn samt positionen i patternet. Fungerar ven nr den spelar. Mus- repetition! - Ok- Notera att OCTALYSER.PRG behver OCTALYSER.DAT i samma directory. Eftersom .DATen r densamma som i 0.80 s snder jag inte med den. Octalysern har inte haft ett rikigt 6kanalers-format, den har nmligen sparat den precis som en vanlig 8-kanalig modul. Detta kommer att ndras. Just nu s ser det ut nu: Om 4 kanaler s sparas "M.K." p +1080 Om 6 kanaler s sparas "CD6 " p +1080 Om 8 kanaler s sparas "CD8 " p +1080 Patterndatan i 6/8 kanalersmoden r shr: Steg Kanal 1 2 3 4 5 6 7 8 1 L L L L L L L L 2 L L L L L L L L 3 L L L L L L L L .. 63 L L L L L L L L 64 L L L L L L L L L = LongWord. Den sparar allts 2048 bytes/pattern. Kanalerna ligger efter varann, inte som FLT8 dr det ligger 2 4kanaliga pattern fr att bilda 1 8kanaligt. Drfr lter FLT8-moduler konstigt. Detta skall fixas nr fil- formatet frbttras. Det nya (som inte 0.81 sparar i n): Om 4 kanaler s sparas "CD4n" p +1080 Om 6 kanaler s sparas "CD6n" p +1080 Om 8 kanaler s sparas "CD8n" p +1080 Dr n = "1" el "2" el "3" beroende p vilken samplingshastighet som anvnds. Bitar som anvnds p +1083: xxn dr n r 1 = 16 kHz 2 = 20 kHz 3 = 25 kHz xx skall sttas till 0. Dessa r just nu odefinierade, men kommer kanske att ange andra "features" i kommande versioner. - Ok - Jag tackar Tord Jansson som hlpte mig med att fixa bttre ljudkvalite. Ett stort tack till WizzCat oxo! Hr kommer exempel p hur bra ljudkvalite som man kan f p olika datorer (antalet rader r hur mnga rader av patternet som datorn kan visa samtidigt): 8 MHz STE (normalmodell): 4 kanaler 6 kanaler 8 kanaler 12.5 kHz 17 rader 12.5 kHz 17 rader 12.5 kHz 17 rader 15.5 kHz 17 rader 15.5 kHz 7 rader 15.5 kHz 1 rad 18.9 kHz 17 rader 18.9 kHz 1 rad 25.0 kHz 17 rader 16 MHz STE (hemmabygge, utan cache) 4 kanaler 6 kanaler 8 kanaler 12.5 kHz 17 rader 12.5 kHz 17 rader 12.5 kHz 17 rader 15.5 kHz 17 rader 15.5 kHz 17 rader 15.5 kHz 7 rader 18.9 kHz 17 rader 18.9 kHz 7 rader 18.9 kHz 1 rad 25.0 kHz 17 rader 25.0 kHz 1 rad 16 MHz Mega STE (med cache) 4 kanaler 6 kanaler 8 kanaler 12.5 kHz 17 rader 12.5 kHz 17 rader 12.5 kHz 17 rader 15.5 kHz 17 rader 15.5 kHz 17 rader 15.5 kHz 17 rader 18.9 kHz 17 rader 18.9 kHz 17 rader 18.9 kHz 7 rader 25.0 kHz 17 rader 25.0 kHz 17 rader 25.0 kHz 1 rad Tyvrr kan man inte ladda in TCB-tracker-moduler n. Octalysern klarar av att ladda in 8kanaliga Amiga-Octalyser-moduler. Tyvrr s buggar det ur om man frsker ladda in 2, 4 eller 6 kanaliga Amiga-Octalyser-moduler. Oki, fljande kommandon finns i Amiga ProTracker 2.3A (de som har ""- teckenet supportas av Octalysern (nstan alla allts! +) ). De skall fungera buggfritt oxo!!)): Protracker V2.3A Effect Commands -L  0 - Normal play or Arpeggio 0xy : x-first halfnote add, y-second  1 - Slide Up 1xx : upspeed  2 - Slide Down 2xx : downspeed  3 - Tone Portamento 3xx : up/down speed  4 - Vibrato 4xy : x-speed, y-depth  5 - Tone Portamento + Volume Slide 5xy : x-upspeed, y-downspeed  6 - Vibrato + Volume Slide 6xy : x-upspeed, y-downspeed  7 - Tremolo 7xy : x-speed, y-depth  8 - NOT USED  9 - Set SampleOffset 9xx : offset (23 -> 2300)  A - VolumeSlide Axy : x-upspeed, y-downspeed  B - Position Jump Bxx : songposition  C - Set Volume Cxx : volume, 00-40  D - Pattern Break Dxx : break position in next patt  E - E-Commands Exy : see below...  F - Set Speed Fxx : speed (00-1F) / tempo (20-FF) ,OBS tempo supportas ej n! -:-  E0- Set Filter E0x : 0-filter on, 1-filter off Hehe  E1- FineSlide Up E1x : value  E2- FineSlide Down E2x : value E3- Glissando Control E3x : 0-off, 1-on (use with tonep.) E4- Set Vibrato Waveform E4x : 0-sine, 1-ramp down, 2-square E5- Set Loop E5x : set loop point E6- Jump to Loop E6x : jump to loop, play x times E7- Set Tremolo Waveform E7x : 0-sine, 1-ramp down. 2-square E8- NOT USED E9- Retrig Note E9x : retrig from note + x vblanks  EA- Fine VolumeSlide Up EAx : add x to volume  EB- Fine VolumeSlide Down EBx : subtract x from volume EC- NoteCut ECx : cut from note + x vblanks ED- NoteDelay EDx : delay note x vblanks EE- PatternDelay EEx : delay pattern x notes EF- Invert Loop EFx : speed -L Ok, buggar och frslag till mig! Kodare och betatestare: CODE i TBL: Christian Dahl Fotbollsvgen 11 735 37 Surahammar Tele: 0220-36380 Alan F. i REWARD: Davor Slutej Sdra allgatan 18:3 722 14 Vsters Blade i New Core: Tord Jansson Tele: 0431-65055 Betatestare: Martin Larsson Nverdraget 4724 462 91 Vnsersborg Per Flygare Rymdvgen 44 981 45 Kiruna Tele: 0980-14977 Jason i Unit 17 Hkan Bratt Toxic BBS 0CODE 8-- END of FILE -- 0bRaVO7h@XMT Q'gN9hvͳ{>a`)/(jл )jǬhDM)"ܦIƏ/NVyg fNJrsD11xfC3g6V3*'TQ(B2e r,Dž[AMj**v' _ /\\ 6_ \// OCTALYSER STE PD-PREVIEW 0.8 - User documentation /\\ C\// Coded in 1992 and 1993 by CODE/TBL, ALAN F./REWARD and BLADE/NEW CORE Graphics drawn by CHAOS/REWARD and CODE/TBL Manual written by ALAN F./REWARD (C)opyright 1993, All rights reserved. You can spread Octalyser STE 0.8NC (Non Commercial) freely as long as these files, in their original lenght and checksums are included in the archive. OCTALYSE.PRG Octalyser 0.8NC program file OCTALYSE.DAT Octalyser 0.8NC data file OCTALYSE.DOC This file ALINA.UMP UMP-module, 8 channels 25kHz (8MHz STE) ALINAI.UMP UMP-module, 8 channels 22.3kHz (8MHz STE) ALINA.TXT ALINA UMP-modules documentation INTGRITY.MOD 4 channels demo module by ALAN F/REWARD EUROBEAT.MOD Command 9 demo module by VIRGILL/SANITY PSYKO3.MOD 6 channels demo module by MEPHISTO/DEAD MEAT PIANO.MOD A small AmigaOctalyserModul PIANO2.MOD Modul that uses command 9 for volumecontrol (Song same as PIANO.MOD) 42550H.S A small playroutine (4 channels, 25 kHz) 42550H.TOS Assembled .S to a .TOS REGISTER.FRM Registration form . . oOo INTRODUCTION oOo O O  Octalyser STE is a powerfull music tool, that uses PCM samples and STEDMA PCM sound chip to generate 4, 6 or 8 independent music channels with adjustable sample volume on each channel indepentently. Octalyser uses a typical tracker-style editor and can handle modules in these formats: MOD-standard 15 instruments, 4 channels format MOD-standard 31 instruments, 4 channels format Octalyser STE 8 channels format Amiga Octalyser 8 channels format Amiga StarTrekker format (both 4 and 8 channels) Please note that Amiga Octalyser format is not identical to Octalyser STE format. Octalyser STE 0.8NC cannot handle 2, 4 or 6 channels modules created by Amiga Octalyser. We are planning on including a TCB-tracker support. Octalyser STE has a built-in replay routine that allowds following modes: 4 channels, 6 channels and 8 channels. 12kHz, 15.5kHz, 18.9kHz, 25kHz. Anti-alias OFF, Anti-alias ON. More detailed description of the replay routine will be given later in this documentation file. Octalyser supports UMP-modules, thus giving you access to external replay routines. UCDM 3 is used as a pipeline between the UMP-module and Octalyser. The pipeline standard and UMP-format will be documented in a separate textfile and in future releases of the Octalyser. A few UMP-modules are already available and several are to be released soon. (50kHz 4 channels, 50khz 6 channels, 25kHz 8 channels, for an 8MHz STE, and 50kHz 8 channels for a MegaSTE) UCDM 3-format is made by BLADE/New Core. . . oOo BOOTING UP oOo O O To be able to run Octalyser, a file called OCTALYSE.DAT MUST be present in the current path. OCTALYSE.DAT must have the same CRC as the original file that comes from the authors, otherwise you will not be able to start the Octalyser. If this file gets damaged, or you didn't get it at all, please contact the authors or a good Atari BBS.  Octalyser will accept command line that includes a name of the module to be loaded automaticaly. With new versions of TOS, you can also drag a module to the Octalyser icon to force the Octalyser to automaticaly load the module. Octalyser will NOT run as an ACCessory file, so don't try it. It does not support MONO monitors, and it will only work in 50Hz mode, sorry TT-owners...  The CPU-speed of your computer is being tested while the title-picture is being shown. The number of NOP-commands used in the border routine is adjusted then and number of pattern lines shown in different replay modes is adjusted to what the machine is capable of showing. (You will notice this when using modes that require more CPU-time) Press any key or mousebutton and the Octalyser itself will appear on the screen. . (. oOo SEQUENCER, TRACKS, PATTERNS, SAMPLES oOo O (O Octalyser uses the same tracker-principe used in ProTracker, NoiseTracker and rest of the trackers. This means that different patterns are arranged into a song. Patterns consist of 64 events and can be breaked at any time by using a command D. (More about the effect-commands later). Note that 'TRACK' and 'PATTERN' are the same when using Octalyser. Patterns are attached to song-positions, and a simple song could look like this: POSITION / 0 1 2 3 4 5 6 7 8 9 TRACK \ 0 5 1 2 3 4 4 6 6 7 The song will start with pattern 0, and then pattern 5 will be played. Then pattern 1, 2, 3 etc. Patterns 4 and 6 will be played twice, and the song will end with pattern 7. LENGHT is a variable that marks the end of the song. The song will start to repeat when 'POSITION' has reached 'LENGHT', in other words, when the last pattern was played. To loop the song, use RESTART. Just enter the position number from which the song will restart from. To make song editing easier and composing faster, we added two buttons marked and put them in the POSITION display. When you click on +, the LENGHT will be increased by one, and the current TRACK number will be copied into the next POSITION. This means that you don't need to rearrange the whole song if you want to expand it in the middle. The effect when you press - is exactly the opposite. Another editing options that tracker musicians often find useful is the ability to adjust the number of lines that the patter editor will jump over when a data is enter, so called STEP. You'll probably use this when setting up a rhytm, or a baseline. Patterns consist of events. Events can be notes, effect commands or both. Format of the pattern data is: XXY-ZZ-ABC XX = Note. Examples: C, C#, E#, B etc... Y = Octave from 1 to 3. ZZ = Sample number. If 0, then the last sample played will be used. A = ID-letter of an effect command. Examples: C, F, 9, 1... B = DATA 1 for effect commands C = DATA 2 for effect commands. Example: C-2 AC20 means that the sample 'A' will be played with volume $20. Note C, octave 2. Keep in mind that all data is in hexadecimal format! Try to avoid stuff like this: C40, C39, C38, C37, C36, C35, C34, C33, C32, C31, C30, C29... It is very lame! It should look like: C40, C3F, C3E, C3D, C3C, C3B, C3A C39, C38 etc... Keep this in mind and make us all a bit happier. Protracker V2.3A Effect Commands. Commands marked with * are supported by Octalyser 0.8NC. * 0 - Normal play or Arpeggio 0xy : x-first halfnote add, y-second * 1 - Slide Up 1xx : upspeed * 2 - Slide Down 2xx : downspeed * 3 - Tone Portamento 3xx : up/down speed * 4 - Vibrato 4xy : x-speed, y-depth * 5 - Tone Portamento + Volume Slide 5xy : x-upspeed, y-downspeed * 6 - Vibrato + Volume Slide 6xy : x-upspeed, y-downspeed * 7 - Tremolo 7xy : x-speed, y-depth * 9 - Set SampleOffset 9xx : offset (23 -> 2300) * A - VolumeSlide Axy : x-upspeed, y-downspeed * B - Position Jump Bxx : songposition * C - Set Volume Cxx : volume, 00-40 * D - Pattern Break Dxx : break position in next patt * E - E-Commands Exy : see below... * F - Set Speed Fxx : speed (00-1F) / tempo (20-FF) .Tempo NOT supported yet! E-commands: * E0- Set Filter E0x : 0-filter on, 1-filter off Hehe * E1- FineSlide Up E1x : value * E2- FineSlide Down E2x : value E3- Glissando Control E3x : 0-off, 1-on (use with tonep.) E4- Set Vibrato Waveform E4x : 0-sine, 1-ramp down, 2-square E5- Set Loop E5x : set loop point E6- Jump to Loop E6x : jump to loop, play x times E7- Set Tremolo Waveform E7x : 0-sine, 1-ramp down. 2-square E9- Retrig Note E9x : retrig from note + x vblanks * EA- Fine VolumeSlide Up EAx : add x to volume * EB- Fine VolumeSlide Down EBx : subtract x from volume EC- NoteCut ECx : cut from note + x vblanks ED- NoteDelay EDx : delay note x vblanks EE- PatternDelay EEx : delay pattern x notes EF- Invert Loop EFx : speed More E-commands will be included in later versions of Octalyser. However, you probably won't be needing E-commands not supported by the Octalyser anyway. To move between the channels and event data or up and down in the pattern, you can either use arrow keys or mouse clicking. Both arrows and mouse clicking will work while the Octalyser is playing too! The MONITOR mode is activated by clicking on the button marked MONITOR. When it's active, moving up and down thru the pattern data will play the current pattern events on all selected channels. Used mostly when composing. (Thanks to Elof/Unit 17 for the original idea!) Real-time recording is available. Just active EDIT-mode and press PLAY. Recording features yet another suggestion by Elof/Unit 17. While recording, the events have a 50% delay compared to the active events showed on the screen. This makes it easier and more natural to record directly from the keyboard in real time. There are several keyboard shortcuts, here is list of them included in Octalyser 0.8NC: Insert = Insert an event to the current channel Delete = Delete an event in the current channel Shift Delete/Control-Y = Insert an event to all channels Shift Insert/Control-I = Delete an event in all channels  Control-B = Mark the start of a block Control-K = Mark the end of the block Control-C = Copy the block (if shift ALL channels, otherwise current) Control-V = Move the block (if shift ALL channels, otherwise current) Control-Z = Delete the block F1 = Toggle octave (UPPER/LOWER) F2 = Toggle write mode for block-functions (REPLACE / OR) F3 = Delete current channel shift-F3 = Delete all cThannels F4 = Channel -> BLOCK F7 = Position $00 F8 = Position $10 F9 = Position $20 F10 = Position $30 Return = Play Shift Return = Play pattern Tab = Jump to next channel Shift Tab = Jump to last channel Shift-right arrow = 8/6/4 channel Shift-left arrow = Channel 1 Control-right arrow = Next pattern Control-left arrow = Previous pattern Space = Stop, or toggle EDIT-mode Shift-Space = Stop, or toggle MONITOR-mode ESC = Exit CLR Home = Jump to channel 1, event 1 Down arrow = Event number + 1 Up arrow = Event number - 1 Shift-Down arrow = Event numner + STEP Shift-Up arrow = Event number - STEP THE ARROWS WILL WORK EVEN WHILE THE OCTALYSER IS PLAYING A SONG! * NUMERIC KEYBOARD * + = Next sample - = Previous sample Shift + = Next position Shift - = Previous position  Octalyser can handle up to 31 samples. If the selected sample is 0, then the last sample played will be used. Sample data consists of: Sample Volume, Finetune, Sample lenght, loop start and loop end. Sample volume can have values from $00 to $40 (00-64 decimaly). Finetune is used to finetune the sample frequency and is useful when the whole rythm, baseline or another part of a song is sampled, to adjust the speed of the replay. Sample looping enables you to use chords, strings, chorus and another voices that loop. This puts trackers a bit closer to real sample devices. However, as trackers do not support NOTE OFF, there is no release-loop mark. You can select which channels are active by using the eight switches in the upper part of the screen. Switching the channels off is achived thru lowering the sample-volume to zero.  . . oOo EDIT OPTIONS oOo O O The editing options can be reached by clicking on the EDIT button in the right part of the screen. _ | option | midi | | disk | EDIT | |___info___|__sample__| This box will be reffered as the menu selector, and buttons as menus. (examples: Option menu, Disk menu, Info menu etc.) Edit menu offers several options, described here: Begin - Marks the start of the block End - Marks the end of the block Hide - Hides block marks Copy - Copies marked block to current pattern position Move - Moves marked block to current pattern position Clear - Deletes marked block and block marks Ins - Inserts a event to the current pattern Del - Deletes a event in the current pattern Load - Loads a block from a disk/partition Save - Saves a block to a disk/partition Two buttons on the right side of the Edit menu can be set to CURRENT or ALL. When set to current, only the channels where the cursor is currently at will be uses as a block. When set to ALL, all channels will be used as a block. Option KVANT is not available in 0.8NC. It will be used to quantitize the pattern events. . .  oOo OPTIONS MENU oOo O O Via the options menu you can access and adjust the parametres of the PCM STE DMA soundchip, select the number och channels used, select the replay frequency, toggle Anti-alias mode ON/OFF, adjust the number of NOP-commands used in the border routine etc. There are eight buttons that can be dragged up and down, marked with letters and icons. The first five are: Bass, Treble, Main volume, Left volume, Right volume. The last three are used to control the repeat rate of the keyboard, the delay of the keyboard and the delay of the mouse. Replay frequency of the built-in replay routine can be choosed between: 12.5kHz, 15.5kHz, 18.9kHz and 25.0kHz. When using 15.5kHz and 18.9kHz, the sample date is recalculated to 25.0kHz, so that it can be replayed using the PCM DMA soundchip. The number of channels used can be 4, 6 or 8. Channels are mixed toghether by adding the channels. This means that the loudness of the sound will be lower when more channels are used. Anti-alias mode doubles the repKlay frequency by doubling the sample data and therefore improving the high pitched sounds like hi hats, snares etc. (Please note that this is not the same thing as MULTIPLEX mode in BackTrack 4.01 etc. This mode does not create background noise such as MULTIPLEX does.) Anti-alias will improve the replay quality in most cases, especialy with good samples. Octalyser offers you a unique feature of being able to select the base frequency of the samples. The default is 16kHz, and you can also set it to 25kHz. By setting it to 25kHz, you can use samples that are sampled at higher frequencies! A list of max. sample frequencies for 16kHz and 25kHz, with and without FineTune: | 16kHz | 25kHz -+- +- FineTune +0 | 31.39 kHz | 47.68 kHz FineTune +7 | 32.84 kHz | 49.89 kHz So, when using 25kHz as a base frequency, you can actualy play hi hats sampled at 49.89kHz! Pretty neat, eh? If the amount of memory is your problem, than you can lower the maximum number of patterns by pressing the SM button in the Option menu. A small box will pop up and the current max. amount of patters will be shown. The default is $80 patterns. Octalyser supports the UMP-modules, and four of them can be loaded directly into the Octalyser. To be able to do this, press the UCDM 3 button in the Option menu. A smaller menu will appear on the screen. There are four slots available for UMP modules. Select one of them and use LOAD to load an UMP into the Octalyser. The lenght of the UMP module is shown, and you can switch onto the UMP module in the selected slot by pressing the USE button. If you want to use the built-in replay routine, press the USE button again. The UMP standard will be documented as soon as possible, stay in touch. The BP button in the UCDM 3 menu allows you to choose the number of pattern lines showed. You'll often need to adjust the number of pattern lines when using the UMP modules. The UMP module might be faster or slower than the built in routine, so finetuning is often necessery. By default, when pressing the USE-button, the number of lines is set to 1. . . oOo SAMPLE MENU oOo O O Version 0.8NC contains no real sample edit function. Basically, the only thing you can do is to show the sample wave. However you can select between 3 different modes: True, Fast and Plot. Note that when playing a UMP you cant enter this menu. There are several sample effects under the development and few of them are already finished. Here is a list of effects that we are planning to include. * marks the effect that is already developed: * Fade In * Fade Out * Hall Echo, with and without sample resizing Different Reverb-effects Sample Normalize (recalculates sample volume and finetune) Zero-Looping Spectrum Analyzer  We will of course include all normal copy/paste functions too. At this very moment, we have some problems with memory resizing, but that is due to be solved soon. Please contact us, or your nearest elite Atari BBS for latest updates of Octalyser STE. . . oOo DISK MENU oOo O O Disk menu offers you options to load and save samples and modules. You can also delete files from the Disk menu. Note that when playing a UMP you cant enter this menu. As we assume that Octalyser users can handle loading and saving, these functions will not be commented any further, however the time I'm writing this, the load routine cannot handle TCB-modules, but we are hoping to recieve the documentation upon the TCB-format before the 0.8 is being released. . . oOo MIDI SUPPORT oOo O O Octalyser 0.8NC offers no MIDI support. Future version will support polyphonic MIDI input and recording. The MIDI menu will be used to select which channels the Octalyser will take data from. Rest of the channels will be passed thru, meaning that you could for instance use channels 1, 2 and 3 for drums via the Octalyser and send the rest of the channels to your Kurzweil K2000 (if you have one, I don't, snyft). The Octalyser will probably support pitch bending and volume control via the MIDI.  . . oOo REGISTRATION oOo O O Full version will be available in the nearest future. To recieve a copy of it, you must fill in the registration form (enclosed separately) and print it out (or write it down if you don't have access to a printer) Include 100skr if you live in Sweden. If you live in Europe, include one of the following currencies (registration + Post and package): 12 (England), 25DEM (Germany), 110dkr (Denmark), 110nkr (Norway) If you live in a European country others than those listed above, then please excange your local currency to either pounds, german marks, danish crowns or norweigian crowns. If you live in the US of A, then send $18. Rest of the world should exchange their local currencies to one of those listed above. Registration forms should be sent to: Octalyser support c/o Davor Slutej (ALAN F/REWARD) Sdra Allgatan 18/3 722 14 Vsters Sweden . *. oOo CONTACT ADRESSES, BBSes, PHONE NUMBERS oOo O *O Official Octalyser SUPPORT BBSes: Vodka BBS - 2:206/209 - +46-(0)21-112076 - 00-24 - Sysop Alan F/Reward Chaotic BBS - +46-(0)456-25134 - 22-07 - Sysop Chaos/Reward  Contact addresses: CODE of TBL: Christian Dahl Fotbollsvgen 11 735 37 Surahammar Sweden Telephone: +46-(0)220-36380 Alan F. of REWARD: Davor Slutej Sdra allgatan 18:3 722 14 Vsters Sweden NetMail: 2:206/209 Telephone: +46-(0)21-135980 Blade of New Core: Tord Jansson Telephone: +46-(0)431-65055 Thanks to our beta-testers: Martin Larsson, Per Flygare, Jason/Unit 17 Elof/Unit 17, Hkan Bratt, Mephisto/Dead Meat  The Team of Octalyser, We Make You A Beliver "Live long and prosper" DdNc/0 Ǚ$?fǀAFfy9؞㛣`>Uf yl}3 BA dp < ((( THE REGISTRATION FORM FOR OCTALYSER STE ))) <- Personal information -> Your name: _ Your handle/group (if any): _ of _ Your street adress: _* ZIP code and city: _+ Country you are living in: _ Your voice telephone number (country code too!): _ Your data telephone number (country code too!): _ <- System configuration -> The computer to be used for the Octalyser STE: _ System memory: _ Hard-disk? Yes No Size of the HD: _ Other computers you own (if any): _) Is your computer connected to a HIFI sound system? Yes No <- Extra info, could be skipped -> Are you a tracker musician? Yes No Do you use MIDI equipment? Yes No Your birthdate (please state the format if xx-yy-zz): _ How long have you owned an own computer system? _ Are you planning on buying a Falcon, or already have one? Yes No ... and finally ... 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