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((F#NuF'!rp!p A`CXX XXP!F#NuprtA  g<g<g<A^&aAD&aAF&aNu f0 f0 f0 f0 f0" f0" f03 f03  f0D  f0D  f0U  f0U  f0f f0f f0wNu y zgNuA("y fBy zpHLHHA C LHHA C LHHA C LHHA C LHHA C LHHA C LQrNuB?< NA# j#N /< Bg?<NNP 1@?</9 b/9 b?<NN "| <A"QLH@1^1D1FN 3 xNuN! Z!! ! "| <@"Q?</9 /9 ?<NN /< Bg?<NNP /< j?< NABgNAH?<NALNu 99fNu y zg y xmD y By xf# `# AL g # rA("y r~Ry x49 x(xph`XPH@80( \VAQRy z`ALG.<x:<'"K$Iv<<TQQ"JHG"JQQNu`wpwU33ss77w This is MAT of the Untouchables ( U N T ) and I bid you a hearty welcome to the . SECOND TIME LUCKY . DISK MAGAZINE ! A very quick greetings list goes to ... Me (HURRAH!), My Brother who is sat here thinking of stupid stuff for the scroller and who also invented the evil rumor that is going round about me and the sheep incident !, All the other Untouchables ( Especially our two new members who are also members of the Enterprise - Slayer and Reanimator), All the other members of the Enterprise ( TWB, Swizzle, Slayer, Re-Animator Hidden Strength, Nato, Split Infinity) .. Ok, calm down, thats the greetings over with, now, important news which has arrived too late to go in the mag .. The Wild Boys MEGADEMO is completed (write to our PD library because we have a copy) and it is EXCELLENT !! and NINJA of Hidden Strength has now become NINJA OF THE ENTERPRISE (because of the lack of support he recieved from the other members of the group !) .. Its 2:44 AM on Monday Morning and I now declare this Intro almost finished apart from the usual last minuite problems that you always get ... (Dont you just hate it when that happens!) The main differences between this mag and the last one (The One Day Disk Mag) is that this mag has a better doc displayer, more stuff by me (MAT), a lot more articles, a better intro and a better selection of stuff on the disk for you to play around with (OOErrr..) . We always credit the people who have done the work (Or who we think have done the work) so ... This intro was coded by me (MAT) using the really nice raster beams that were coded by Stormlord and are part of the source code on this disk. The music is by Jochen Hippel and I think its excellent . I havnt got all night to type scroll text so I will bid you farewell . 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UWOqs`I"/(oqroj?_@~!z6lPx̜ q_b>@! ̀z~ qw @0ec @Aq0ݗd!7`B%YX2unux!K}?x2wug~L o{}Y `aL["%a|0uI zG ؟_z^2!(xj,w=؟_{^b-$!0uIOW B(!4.))፨K/>YMbw {glf6!{-B?] {o)g bwo  !s(aqc)`@~ aEױW:7! loKὼaG(G34^SN׳_  !qG 7PS^>3|o{W' -;{??o?ᢳQ@Ɨs_we|_ '}' 6}=ޠ4{eg]۹g{&u[w gj>!N>Ceg}{ "&+' ILHE~ۿTϟkG3yE 3 m9^ E~~kG )߻ (@$5E B 9O| γZ[O ״3utiLjb绌9~Jl1@ ?^mݳ_3/9Ys?ݳJ=bԗ^m_3Fd b Tgg W!\Ks?gDlMGVl?B "(uR{}N7,]^M?4 ٫}S}N?,4<  T* I wasnt going to put any graphics on the disk for this issue but as there is a bit of space and I had already created the folder I though .. Why not .. So use the graphics for whatever purpose you like as long as you credit TAJ of the Untouchables who drew all these excellent pics !! DO NOT REMOVE THE FILE CALLED MAGPIC2.PI2 (or something similar .. I is the only PI2 picture in this folder anyway) because the mags will not run without it ... DO NOT ALTER THIS PICTURE PLEASE ... The pic was drawn by TAJ and altered by MAT (if you want a copy of the original then write to me ! Have fun ... Seeya,  .Mat of the Untouchables .   t..   tGMLITTLEGRP t T`GOALIE GRP t T`SLAW! 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TB=B npr0 0 f>=| JnoSn`0.X@=@ V 0f=|`=@H@A -H` @`o< @o@@@AN`B`J`N`R`l`p`t`z`````````DSA=ABnPNuSA=ANu=A2`(AA00Ah-H =|` =A8`=A6`H=A*`H=A,`H=A.`=A>fp-@<-@@=@DA |RARh`=AL*BCD@EFGA00:0P<0`>0p2.(AHJn>g*JnDo 0.DS@=@@`0..@=@<4B:0S@SB@BAvx6080 DnDCoJEoDC=CRBn2.`"HC2.JEo=|R`=|R=AT2.SA=AJnFoSnFLH`t:.\E=E n prtv((((8 @f\An`HHH:@=@XM0E=E0H:@=@BMEg =EFHHJAg:.4Ajz` Eoz=E4Jn8g&JBg:.:Bjz` Eoz=E:C3n:JCg:.@Cjz` Eo:<=E@:.JDgDJnPoJnb=nT0.R@`SnJEjz Eo:<=ENuACpMPKIn54m5:l5@0.0@v v0-0@uu0,0@t"tJnBg4n?Rn@LnAF`>JmBg:m?Rm@LmAF`JlBg@l?Rl@LlAFr?0.XPePe ` Pd0-XPePe ` Pd0,XPePe ` Pdi(A.Nu M / gaw GGp0S#}Y8{eQ>, ~wpjd^YTOKGC?;852/,*'%#!~wrkd_YTOKGC?<962/,*(%$"  OHl $ jF` .B,p ?X` ,d8d,,,< <,,< <,,< <,,< <, HHHHHHHH ,$,$$$$,`HHHH8,p ?P,$,, .$,,RR$R,R,RR$R,R^^^^^,RR$R,R,RR$R,R =f,x@xHx,x@xHx,x@xHx,x@xHx8xLxTx8xLxTx8xLxTx8xLxTx`     %  %       % 1% % 11% %  =l; = D B @ = ; =l; = D B @ = ; =l; = D B @ = ; =l(( ###   =l;=DB@4 46/ /1 %l# % , * ( % #  8$6$43$4$318$9$86$4$31-$/$43$1$/-$/$46$4$3-$/$43$1$//;1 l     %#l      1$/$16$4$1/ 1,1$/$16$4$68;$8$;:86486436431431//1;$8$;431/64318643:864=  %%% %% % %% %% % %%% %% % %% %% %%%% %% % %% %% %%%% %% % %% %% %81 1 1 1/ 1, * ,81 1 1 1/ 1, * ,81 1 1 1/ 1, * , % % 1 # % ,*(% #  ! ! - ! ! ! ! -! --  T ` T ` =l; = D B @ = ; =l; = D B @ = ;  = % % 1 # % ,*(% #  % % 1 # % ,*(% # % % 1 , * % ( % ! ! - !   ! - ! -! / ///# // //#/-///        #    #   # #    # # ## #  # # ####  #   #    %  %  % % %  %  %  %  % % * (% %  % % %  % % %  % % % %%%%%%%%%%  1qAAAA   PP ddAdZZAZ AAAAAAAAAppppThis is the end of the file, if you're ripping it...  5 DC.L $78000+(116*160) DC.L $78000+(117*160) DC.L $78000+(117*160) DC.L $78000+(118*160) DC.L $78000+(119*160) DC.L $78000+(120*160) DC.L $78000+(122*160) DC.L $78000+(124*160) DC.L $78000+(126*160) DC.L $78000+(128*160) DC.L $78000+(130*160) DC.L $78000+(132*160) DC.L $78000+(134*160) DC.L $78000+(136*160) DC.L $78000+(138*160) DC.L $78000+(140*160) DC.L $78000+(142*160) DC.L $78000+(144*160) DC.L $78000+(146*160) DC.L $78000+(148*160) DC.L $78000+(150*160) DC.L $78000+(152*160) DC.L $78000+(154*160) DC.L $78000+(156*160) DC.L $78000+(158*160) DC.L $78000+(160*160) DC.L $78000+(162*160) DC.L $78000+(164*160) DC.L $78000+(166*160) DC.L $78000+(167*160) DC.L $78000+(168*160) DC.L $78000+(169*160) DC.L $78000+(169*160) DC.L $78000+(170*160) DC.L $78000+(169*160) DC.L $78000+(169*160) DC.L $78000+(168*160) DC.L $78000+(167*160) DC.L $78000+(166*160) DC.L $78000+(164*160) DC.L $78000+(162*160) DC.L $78000+(160*160) DC.L $78000+(158*160) DC.L $78000+(156*160) DC.L $78000+(154*160) DC.L $78000+(152*160) DC.L $78000+(150*160) DC.L $78000+(148*160) DC.L $78000+(146*160) DC.L $78000+(144*160) DC.L $78000+(142*160) DC.L $78000+(140*160) DC.L $78000+(138*160) DC.L $78000+(136*160) DC.L $78000+(134*160) DC.L $78000+(132*160) DC.L $78000+(130*160) DC.L $78000+(128*160) DC.L $78000+(126*160) DC.L $78000+(124*160) DC.L $78000+(122*160) DC.L $78000+(120*160) DC.L $78000+(119*160) DC.L $78000+(118*160) DC.L $78000+(117*160) DC.L $78000+(117*160);CHILL OUT,THE POWER MAN PRESENTS ;THE SOURCE CODE FOR THE TRACKING ;SPRITES DEMO. THE DATA FILES USED ;ARE: ; ;VOL.DAT -GRAFIX DATA FOR THE VOLUME INDICATORS ;LOGO.DAT -LOGO DATA ;BALLS.DAT -BALL DATA ;MASK2.DAT -BALL MASK DATA(TO MAKE THEM MOVE INFRONT OF EACH OTHER) ;MAGAFONT.DAT -FONT DATA ;MUZIX9.DAT -MUZIX DATA ;Y.S -TRACKING SPRITES Y MOVEMENT FILE(YOU CAN CHANGE THIS) ;SINEWV_4.S -BYTE BENDER CONTROL DATA JSR INIT JSR CONVERT JSR SETUP1 JSR SET1 JSR COLS JSR DO_LOGO MOVE.W #$2700,SR MOVE.L #TIMERB,$120.W MOVE.L #VBL1,$70.W JSR SETMUS MOVE.W #$2300,SR JSR WAIT JMP END VOL INCBIN VOL.DAT V_ADS DC.L VOL,VOL+320,VOL+640,VOL+960 DC.L VOL+1280,VOL+1600,VOL+1920,VOL+2240 DC.L VOL+2560,VOL+2880,VOL+3200,VOL+3520 DC.L VOL+3840,VOL+4160,VOL+4480,VOL+4480+320 VOL1 DC.L $78000+(90*160)+16 VOL2 DC.L $78000+(90*160)+64 VOL3 DC.L $78000+(90*160)+112 VOLUME MOVEQ.W #0,D0 MOVEQ.W #0,D1 MOVEQ.W #0,D2 LEA V_ADS,A1 LEA $F8800.W,A0 MOVE.B #8,(A0) MOVE.B (A0),D0 MOVE.B #9,(A0) MOVE.B (A0),D1 MOVE.B #10,(A0) MOVE.B (A0),D2 BTST #4,D0 BEQ .L1 MOVE.B #10,D0 .L1 BTST #4,D1 BEQ .L2 MOVE.B #10,D1 .L2 BTST #4,D2 BEQ .L3 MOVE.B #10,D2 .L3 ASL.W #2,D0 ASL.W #2,D1 ASL.W #2,D2 LEA (A1,D0.W),A2 LEA (A1,D1.W),A3 LEA (A1,D2.W),A4 MOVEA.L (A2),A1 LEA $78000+(90*160)+16,A2 BSR SHOW MOVEA.L (A3),A1 LEA $78000+(90*160)+64,A2 BSR SHOW LEA $78000+(90*160)+112,A2 MOVEA.L (A4),A1 SHOW MOVE.L (A1)+,(A2) MOVE.L (A1)+,8(A2) MOVE.L (A1)+,16(A2) MOVE.L (A1)+,24(A2) MOVE.L (A1)+,160(A2) MOVE.L (A1)+,168(A2) MOVE.L (A1)+,176(A2) MOVE.L (A1)+,184(A2) MOVE.L (A1)+,320(A2) MOVE.L (A1)+,328(A2) MOVE.L (A1)+,336(A2) MOVE.L (A1)+,344(A2) MOVE.L (A1)+,480(A2) MOVE.L (A1)+,488(A2) MOVE.L (A1)+,496(A2) MOVE.L (A1)+,504(A2)  MOVE.L (A1)+,640(A2) MOVE.L (A1)+,648(A2) MOVE.L (A1)+,656(A2) MOVE.L (A1)+,664(A2) MOVE.L (A1)+,800(A2) MOVE.L (A1)+,808(A2) MOVE.L (A1)+,816(A2) MOVE.L (A1)+,824(A2) MOVE.L (A1)+,960(A2) MOVE.L (A1)+,968(A2) MOVE.L (A1)+,976(A2) MOVE.L (A1)+,984(A2) MOVE.L (A1)+,1120(A2) MOVE.L (A1)+,1128(A2) MOVE.L (A1)+,1136(A2) MOVE.L (A1)+,1144(A2) MOVE.L (A1)+,1280(A2) MOVE.L (A1)+,1288(A2) MOVE.L (A1)+,1296(A2) MOVE.L (A1)+,1304(A2) MOVE.L (A1)+,1440(A2) MOVE.L (A1)+,1448(A2) MOVE.L (A1)+,1456(A2) MOVE.L (A1)+,1464(A2) MOVE.L (A1)+,1600(A2) MOVE.L (A1)+,1608(A2) MOVE.L (A1)+,1616(A2) MOVE.L (A1)+,1624(A2) MOVE.L (A1)+,1760(A2) MOVE.L (A1)+,1768(A2) MOVE.L (A1)+,1776(A2) MOVE.L (A1)+,1784(A2) MOVE.L (A1)+,1920(A2) MOVE.L (A1)+,1928(A2) MOVE.L (A1)+,1936(A2) MOVE.L (A1)+,1944(A2) MOVE.L (A1)+,2080(A2) MOVE.L (A1)+,2088(A2) MOVE.L (A1)+,2096(A2) MOVE.L (A1)+,2104(A2) MOVE.L (A1)+,2240(A2) MOVE.L (A1)+,2248(A2) MOVE.L (A1)+,2256(A2) MOVE.L (A1)+,2264(A2) MOVE.L (A1)+,2400(A2) MOVE.L (A1)+,2408(A2) MOVE.L (A1)+,2416(A2) MOVE.L (A1)+,2424(A2) MOVE.L (A1)+,2560(A2) MOVE.L (A1)+,2568(A2) MOVE.L (A1)+,2576(A2) MOVE.L (A1)+,2584(A2) MOVE.L (A1)+,2720(A2) MOVE.L (A1)+,2728(A2) MOVE.L (A1)+,2736(A2) MOVE.L (A1)+,2744(A2) MOVE.L (A1)+,2880(A2) MOVE.L (A1)+,2888(A2) MOVE.L (A1)+,2896(A2) MOVE.L (A1)+,2904(A2) MOVE.L (A1)+,3040(A2) MOVE.L (A1)+,3048(A2) MOVE.L (A1)+,3056(A2) MOVE.L (A1)+,3064(A2) RTS LOGO INCBIN LOGO.DAT DO_LOGO LEA LOGO,A0 MOVEQ.W #1,D0 MOVE.L #$78004+(22*160)+40,A1 BSR PUT LEA LOGO+576,A0 MOVEQ.W #7,D0 MOVE.L #$78004+(22*160)+65,A1 BSR PUT LEA LOGO+1152,A0 MOVEQ.W #1,D0 MOVE.L #$78004+(22*160)+96,A1 PUT MOVEQ.W #6-1,D2 .L2 MOVEQ.W #48-1,D1 MOVEA.L A1,A2 .L1 MOVE.B (A0)+,(A2) MOVE.B (A0)+,2(A2) LEA 160(A2),A2 DBF D1,.L1 LEA (A1,D0.W),A1 CMPI.W #1,D0 BEQ .L3 MOVEQ.W #1,D0 DBF D2,.L2 RTS .L3 MOVEQ.W #7,D0 DBF D2,.L2 RTS PAL1 DC.W $330,$440,$550,$660,$770,$770,$660,$550,$440,$330,0,0,0,0 DC.W $030,$040,$050,$060,$070,$070,$060,$050,$040,$030,0,0,0,0 DC.W $300,$400,$500,$600,$700,$700,$600,$500,$400,$300,0,0,0,0 DC.W $101,$202,$303,$404,$505,$606,$707,$707,$606,$505,$404,$303,$202,$101 DC.W $001,$002,$003,$004,$005,$006,$007,$007,$006,$005,$004,$003,$002,$001 DC.W $100,$200,$300,$400,$500,$600,$700,$700,$600,$500,$400,$300,$200,0 PAL1END PALST2 DC.L PAL1END PALST DC.L PAL1 TIMERB2 MOVE.L A0,-(A7) MOVEA.L PALST,A0 MOVE.W (A0)+,$F8240.W MOVE.L A0,PALST MOVEA.L PALST2,A0 MOVE.W -(A0),$F8242.W MOVE.L A0,PALST2 MOVE.L (A7)+,A0 BCLR #0,$FA0F.W RTE TIMERB3 MOVE.L A0,-(A7) MOVE.W #$FA1B,A0 CLR.B (A0) MOVE.L #TIMERB2,$120.W MOVE.L #PAL1,PALST MOVE.L #PAL1END,PALST2 MOVE.B #2,6(A0) MOVE.B #8,(A0) LEA $F8242.W,A0 MOVE.W #$007,(A0)+ MOVE.W #$077,(A0)+ MOVE.W #$066,(A0)+ MOVE.W #$055,(A0)+ MOVE.W #$044,(A0)+ MOVE.W #$033,(A0)+ MOVE.W #$022,(A0) MOVEA.L (A7)+,A0 BCLR #0,$FA0F.W RTE TIMERB CLR.B $FA1B.W MOVE.L #TIMERB3,$120.W MOVE.B #32,$FA21.W MOVE.B #8,$FA1B.W MOVE.W #$070,$F8242.W MOVE.W #$050,$F8244.W MOVE.W #$030,$F8246.W BCLR #0,$FA0F.W RTE VBL1 CLR.B $FA1B.W MOVE.B #84,$FA21.W MOVE.L #TIMERB,$120.W MOVE.B #8,$FA1B.W LEA $F8242.W,A0 MOVE.W #$707,(A0)+ MOVE.W #$505,(A0)+ MOVE.W #$303,(A0)+ MOVE.W #$777,(A0)+ MOVE.W #$707,(A0)+ MOVE.W #$505,(A0)+ MOVE.W #$303,(A0)+ MOVE.W #$666,(A0)+ MOVE.W #$707,(A0)+ MOVE.W #$505,(A0)+ MOVE.W #$303,(A0)+ MOVE.W #$444,(A0)+ MOVE.W #$707,(A0)+ MOVE.W #$505,(A0)+ MOVE.W #$303,(A0) JSR SCROLL .L1 CMPI.B #57,$FC02.W BEQ .L2 CMPI.B #180,$F8207.W BLT .L1 JSR DOBALL JSR VOLUME RTE .L2 MOVE.L #RET,$70.W RTE RET RTE BALLS INCBIN BALLS.DAT MASK INCBIN MASK2.DAT BALLDAT DS.B (93*10) ;OFFSET WORD,SOURCE AD LONG BALLEND INCLUDE Y.S WW1 INCLUDE Y.S WW2 INCLUDE Y.S WSTART DC.L WW2 SINE DC.W 0,0,1,2,4,8,16,24,32,40,48,56,64,72,80,88,96 DC.W 104,112,120,128,136,144,152,160,168,176,184 DC.W 192,200,208,216,224,232,240,248,256,264,272 DC.W 280,288,296,300,302,303,304,304 DC.W -1 NUMBER DS.W 1 TEMP DS.W 1 SET1 MOVEQ.W #0,D5 LEA SINE,A0 LEA BALLS,A2 LEA BALLDAT,A3 LEA MASK,A6 .L1 MOVEQ.L #0,D1 ;OFFSET MOVE.W (A0)+,D0 BMI SET2 ADDQ.W #1,D5 .L12 CMPI.W #16,D0 BGT .L4 .L10 MOVE.W D0,D7 MULU #(8*16),D0 MULU #(4*16),D7 LEA (A2,D0.W),A4 ;SOURCE LEA (A6,D7.W),A5 BRA .L5 .L4 CMPI.W #32,D0 BGT .L9 ADDQ.W #8,D1 SUBI.W #16,D0 BRA .L10 .L9 ADDI.W #16,D1 SUBI.W #32,D0 BRA .L12 .L5 MOVE.W D1,(A3)+ MOVE.L A4,(A3)+ MOVE.L A5,(A3)+ BRA .L1 SET2 SUBQ.W #1,D5 SUBQ.W #2,A0 .L1 MOVEQ.L #0,D1 ;OFFSET MOVE.W -(A0),D0 .L12 CMPI.W #15,D0 BGT .L4 .L10 MOVE.W D0,D7 MULU #(8*16),D0 MULU #(4*16),D7 LEA (A2,D0.W),A4 ;SOURCE LEA (A6,D7.W),A5 BRA .L5 .L4 CMPI.W #31,D0 BGT .L9 ADDQ.W #8,D1 SUBI.W #16,D0 BRA .L10 .L9 ADDI.W #16,D1 SUBI.W #32,D0 BRA .L12 .L5 MOVE.W D1,(A3)+ MOVE.L A4,(A3)+ MOVE.L A5,(A3)+ DBF D5,.L1 SET3 LEA TRACK,A0 LEA BALLDAT,A1 MOVEQ.W #25-1,D0 .L6 MOVE.L A1,(A0)+ ADDA.L #20,A1 DBF D0,.L6 MOVE.W #$007,$FFFF8242.W MOVE.W #$006,$FFFF8244.W MOVE.W #$004,$FFFF8246.W RTS TRACK DS.L 25 DOBALL MOVEA.L WSTART,A6 MOVEA.L A6,A2 SUBQ.L #4,WSTART CMPI.L #WW1,WSTART BNE .L121 MOVE.L #WW2,WSTART .L121 MOVEQ.W #21-1,D0 LEA TRACK,A0 .L20 MOVEA.L (A6)+,A3 MOVEA.L (A0)+,A1 MOVE.W (A1),D1 LEA (A3,D1.W),A4 MOVE.L #0,(A4) MOVE.L #0,8(A4) MOVE.L #0,160(A4) MOVE.L #0,168(A4) MOVE.L #0,320(A4) MOVE.L #0,328(A4) MOVE.L #0,480(A4) MOVE.L #0,488(A4) MOVE.L #0,640(A4) MOVE.L #0,648(A4) MOVE.L #0,800(A4) MOVE.L #0,808(A4) MOVE.L #0,960(A4) MOVE.L #0,968(A4) MOVE.L #0,1120(A4) MOVE.L #0,1128(A4) MOVE.L #0,1280(A4) MOVE.L #0,1288(A4) MOVE.L #0,1440(A4) MOVE.L #0,1448(A4) MOVE.L #0,1600(A4) MOVE.L #0,1608(A4) MOVE.L #0,1760(A4) MOVE.L #0,1768(A4) MOVE.L #0,1920(A4) MOVE.L #0,1928(A4) MOVE.L #0,2080(A4) MOVE.L #0,2088(A4) MOVE.L #0,2240(A4) MOVE.L #0,2248(A4) MOVE.L #0,2400(A4) MOVE.L #0,2408(A4) MOVE.L #0,2560(A4) MOVE.L #0,2568(A4) MOVE.L #0,2720(A4) MOVE.L #0,2728(A4) MOVE.L #0,2880(A4) MOVE.L #0,2888(A4) MOVE.L #0,3040(A4) MOVE.L #0,3048(A4) MOVE.L #0,3200(A4) MOVE.L #0,3208(A4) MOVE.L #0,3360(A4) MOVE.L #0,3368(A4) MOVE.L #0,3520(A4) MOVE.L #0,3528(A4) MOVE.L #0,3680(A4) MOVE.L #0,3688(A4) DBF D0,.L20 LEA TRACK,A0 MOVEQ.W #21-1,D0 MOVEA.L A2,A6 .L1 MOVEA.L (A6)+,A3 MOVEA.L (A0)+,A1 ADDI.L #10,-4(A0) CMPA.L #BALLEND,A1 BNE .L2 MOVE.L #BALLDAT,-4(A0) .L2 MOVE.W (A1)+,D1 MOVEA.L (A1)+,A2 ;S LEA (A3,D1.W),A4 ;D MOVE.L (A1)+,A5 MOVE.W (A5)+,D6 AND.W D6,640(A4) AND.W D6,642(A4) MOVE.W (A5)+,D6 AND.W D6,648(A4) AND.W D6,650(A4) MOVE.L (A2)+,D6 OR.L D6,640(A4) MOVE.L (A2)+,D6 OR.L D6,648(A4) MOVE.W (A5)+,D6 AND.W D6,800(A4) AND.W D6,802(A4) MOVE.W (A5)+,D6 AND.W D6,808(A4) AND.W D6,810(A4) MOVE.L (A2)+,D6 OR.L D6,800(A4) MOVE.L (A2)+,D6 OR.L D6,808(A4) MOVE.W (A5)+,D6 AND.W D6,960(A4) AND.W D6,962(A4) MOVE.W (A5)+,D6 AND.W D6,968(A4) AND.W D6,970(A4) MOVE.L (A2)+,D6 OR.L D6,960(A4) MOVE.L (A2)+,D6 OR.L D6,968(A4) MOVE.W (A5)+,D6 AND.W D6,1120(A4) AND.W D6,1122(A4) MOVE.W (A5)+,D6 AND.W D6,1128(A4) AND.W D6,1130(A4) MOVE.L (A2)+,D6 OR.L D6,1120(A4) MOVE.L (A2)+,D6 OR.L D6,1128(A4) MOVE.W (A5)+,D6 AND.W D6,1280(A4) AND.W D6,1282(A4) MOVE.W (A5)+,D6 AND.W D6,1288(A4) AND.W D6,1290(A4) MOVE.L (A2)+,D6 OR.L D6,1280(A4) MOVE.L (A2)+,D6 OR.L D6,1288(A4) MOVE.W (A5)+,D6 AND.W D6,1440(A4) AND.W D6,1442(A4) MOVE.W (A5)+,D6 AND.W D6,1448(A4) AND.W D6,1450(A4) MOVE.L (A2)+,D6 OR.L D6,1440(A4) MOVE.L (A2)+,D6 OR.L D6,1448(A4) MOVE.W (A5)+,D6 AND.W D6,1600(A4) AND.W D6,1602(A4) MOVE.W (A5)+,D6 AND.W D6,1608(A4) AND.W D6,1610(A4) MOVE.L (A2)+,D6 OR.L D6,1600(A4) MOVE.L (A2)+,D6 OR.L D6,1608(A4) MOVE.W (A5)+,D6 AND.W D6,1760(A4) AND.W D6,1762(A4) MOVE.W (A5)+,D6 AND.W D6,1768(A4) AND.W D6,1770(A4) MOVE.L (A2)+,D6 OR.L D6,1760(A4) MOVE.L (A2)+,D6 OR.L D6,1768(A4) MOVE.W (A5)+,D6 AND.W D6,1920(A4) AND.W D6,1922(A4) MOVE.W (A5)+,D6 AND.W D6,1928(A4) AND.W D6,1930(A4) MOVE.L (A2)+,D6 OR.L D6,1920(A4) MOVE.L (A2)+,D6 OR.L D6,1928(A4) MOVE.W (A5)+,D6 AND.W D6,2080(A4) AND.W D6,2082(A4) MOVE.W (A5)+,D6 AND.W D6,2088(A4) AND.W D6,2090(A4) MOVE.L (A2)+,D6 OR.L D6,2080(A4) MOVE.L (A2)+,D6 OR.L D6,2088(A4) MOVE.W (A5)+,D6 AND.W D6,2240(A4) AND.W D6,2242(A4) MOVE.W (A5)+,D6 AND.W D6,2248(A4) AND.W D6,2250(A4) MOVE.L (A2)+,D6 OR.L D6,2240(A4) MOVE.L (A2)+,D6 OR.L D6,2248(A4) MOVE.W (A5)+,D6 AND.W D6,2400(A4) AND.W D6,2402(A4) MOVE.W (A5)+,D6 AND.W D6,2408(A4) AND.W D6,2410(A4) MOVE.L (A2)+,D6 OR.L D6,2400(A4) MOVE.L (A2)+,D6 OR.L D6,2408(A4) MOVE.W (A5)+,D6 AND.W D6,2560(A4) AND.W D6,2562(A4) MOVE.W (A5)+,D6 AND.W D6,2568(A4) AND.W D6,2570(A4) MOVE.L (A2)+,D6 OR.L D6,2560(A4) MOVE.L (A2)+,D6 OR.L D6,2568(A4) MOVE.W (A5)+,D6 AND.W D6,2720(A4) AND.W D6,2722(A4) MOVE.W (A5)+,D6 AND.W D6,2728(A4) AND.W D6,2730(A4) MOVE.L (A2)+,D6 OR.L D6,2720(A4) MOVE.L (A2)+,D6 OR.L D6,2728(A4) MOVE.W (A5)+,D6 AND.W D6,2880(A4) AND.W D6,2882(A4) MOVE.W (A5)+,D6 AND.W D6,2888(A4) AND.W D6,2890(A4) MOVE.L (A2)+,D6 OR.L D6,2880(A4) MOVE.L (A2)+,D6 OR.L D6,2888(A4) MOVE.W (A5)+,D6 AND.W D6,3040(A4) AND.W D6,3042(A4) MOVE.W (A5)+,D6 AND.W D6,3048(A4) AND.W D6,3050(A4) MOVE.L (A2)+,D6 OR.L D6,3040(A4) MOVE.L (A2)+,D6 OR.L D6,3048(A4) DBF D0,.L1 RTS VBL JSR SCROLL RTE COLS LEA $F8240.W,A0 LEA FONT,A1 MOVEQ.W #8-1,D0 .L1 MOVE.W (A1)+,(A0)+ DBF D0,.L1 MOVEQ.W #7-1,D0 ADDQ.L #2,A0 LEA $F8242.W,A1 .L2 MOVE.W (A1)+,(A0)+ DBF D0,.L2 MOVE.W #$777,$F8240+(8*2).W RTS W1 INCLUDE SINEWV_4.S W2 INCLUDE SINEWV_4.S W3 WAVEST DC.L W3-(40*4) ;POSITION IN ABOVE DATA SCROLL ;ROUTINE TO SCROLL BYTE BENDER SCROLLINE MOVEA.L TPOS1,A0 ;A0 POINTS TO ABSOLUTE ADDRESSES FOR TEXT MOVEA.L WAVEST,A1 ;A1 POINTS TO DESTINATION ADDRESSES MOVEQ.W #0,D0 ;OFFSET FROM LEFT HAND SIDE OF SCREEN BSR A ;DRAW ONE STRIP(BYTE IN WIDTH) OF LETTER ;WHY THE HELL I CALLED IT 'A' I DON'T KNOW! MOVEQ.W #1,D0 ;NEXT OFFSET(2ND BYTE ALONG) BSR A ;DRAW 2ND STRIP MOVEQ.W #8,D0 ;AND SO ON. BSR A MOVEQ.W #9,D0 BSR A MOVEQ.W #16,D0 BSR A MOVEQ.W #17,D0 BSR A MOVEQ.W #24,D0 BSR A MOVEQ.W #25,D0 BSR A MOVEQ.W #32,D0 BSR A MOVEQ.W #33,D0 BSR A MOVEQ.W #40,D0 BSR A MOVEQ.W #41,D0 BSR A MOVEQ.W #48,D0 BSR A MOVEQ.W #49,D0 BSR A MOVEQ.W #56,D0 BSR A MOVEQ.W #57,D0 BSR A MOVEQ.W #64,D0 BSR A MOVEQ.W #65,D0 BSR A MOVEQ.W #72,D0 BSR A MOVEQ.W #73,D0 BSR A MOVEQ.W #80,D0 BSR A MOVEQ.W #81,D0 BSR A MOVEQ.W #88,D0 BSR A MOVEQ.W #89,D0 BSR A MOVEQ.W #96,D0 BSR A MOVEQ.W #97,D0 BSR A MOVEQ.W #104,D0 BSR A MOVEQ.W #105,D0 BSR A MOVEQ.W #112,D0 BSR A MOVEQ.W #113,D0 BSR A MOVEQ.W #120,D0 BSR A MOVEQ.W #121,D0 BSR A MOVE.W #128,D0 BSR A MOVE.W #129,D0 BSR A MOVE.W #136,D0 BSR A MOVE.W #137,D0 BSR A MOVE.W #144,D0 BSR A MOVE.W #145,D0 BSR A MOVE.W #152,D0 BSR A MOVE.W #153,D0 BSR A SUBQ.L #4,WAVEST ;NEW POSITION IN BYTE BENDER CONTROL DATA CMPI.L #W2-(40*4),WAVEST ;IS IT AT THE BEGINNING? BNE .L1 ;PISS OFF IF IT ISN'T MOVE.L #W3-(40*4),WAVEST ;RESET POSITION TO END-(40*4) .L1 SUBQ.W #1,LENGTH1 ;END OF TEXT? BNE .L2 ;IF NOT, BUGGER OFF (THIS IS GETTING BORING!) MOVE.W #8000-40,LENGTH1 ;RESET LENGTH MOVE.L #TEXTAB1,TPOS1 ;RESET POSITION IN TEXT TO START RTS ;PISS OFF (NOT AGAIN!) .L2 ADDQ.L #4,TPOS1 ;INCREASE POSITION IN TEXT RTS ;YOU KNOW WHAT THIS MEANS! A ;ROUTINE TO DRAW ONE STRIP OF A CHARACTER ;FOR A 32 PIXELS DOWN,2 BP FONT MOVEA.L (A0)+,A2 MOVEA.L (A1)+,A3 LEA (A3,D0.W),A3 CLR.B (A3) CLR.B 2(A3) CLR.B 4(A3) CLR.B 160(A3) CLR.B 162(A3) CLR.B 164(A3) MOVE.B (A2)+,320(A3) MOVE.B (A2)+,322(A3) MOVE.B (A2)+,324(A3) MOVE.B (A2)+,480(A3) MOVE.B (A2)+,482(A3) MOVE.B (A2)+,484(A3) MOVE.B (A2)+,640(A3) MOVE.B (A2)+,642(A3) MOVE.B (A2)+,644(A3) MOVE.B (A2)+,800(A3) MOVE.B (A2)+,802(A3) MOVE.B (A2)+,804(A3) MOVE.B (A2)+,960(A3) MOVE.B (A2)+,962(A3) MOVE.B (A2)+,964(A3) MOVE.B (A2)+,1120(A3) MOVE.B (A2)+,1122(A3) MOVE.B (A2)+,1124(A3) MOVE.B (A2)+,1280(A3) MOVE.B (A2)+,1282(A3) MOVE.B (A2)+,1284(A3) MOVE.B (A2)+,1440(A3) MOVE.B (A2)+,1442(A3) MOVE.B (A2)+,1444(A3) MOVE.B (A2)+,1600(A3) MOVE.B (A2)+,1602(A3) MOVE.B (A2)+,1604(A3) MOVE.B (A2)+,1760(A3) MOVE.B (A2)+,1762(A3) MOVE.B (A2)+,1764(A3) MOVE.B (A2)+,1920(A3) MOVE.B (A2)+,1922(A3) MOVE.B (A2)+,1924(A3) MOVE.B (A2)+,2080(A3) MOVE.B (A2)+,2082(A3) MOVE.B (A2)+,2084(A3) MOVE.B (A2)+,2240(A3) MOVE.B (A2)+,2242(A3) MOVE.B (A2)+,2244(A3) MOVE.B (A2)+,2400(A3) MOVE.B (A2)+,2402(A3) MOVE.B (A2)+,2404(A3) MOVE.B (A2)+,2560(A3) MOVE.B (A2)+,2562(A3) MOVE.B (A2)+,2564(A3) MOVE.B (A2)+,2720(A3) MOVE.B (A2)+,2722(A3) MOVE.B (A2)+,2724(A3) MOVE.B (A2)+,2880(A3) MOVE.B (A2)+,2882(A3) MOVE.B (A2)+,2884(A3) MOVE.B (A2)+,3040(A3) MOVE.B (A2)+,3042(A3) MOVE.B (A2)+,3044(A3) MOVE.B (A2)+,3200(A3) MOVE.B (A2)+,3202(A3) MOVE.B (A2)+,3204(A3) MOVE.B (A2)+,3360(A3) MOVE.B (A2)+,3362(A3) MOVE.B (A2)+,3364(A3) MOVE.B (A2)+,3520(A3) MOVE.B (A2)+,3522(A3) MOVE.B (A2)+,3524(A3) MOVE.B (A2)+,3680(A3) MOVE.B (A2)+,3682(A3) MOVE.B (A2)+,3684(A3) MOVE.B (A2)+,3840(A3) MOVE.B (A2)+,3842(A3) MOVE.B (A2)+,3844(A3) MOVE.B (A2)+,4000(A3) MOVE.B (A2)+,4002(A3) MOVE.B (A2)+,4004(A3) MOVE.B (A2)+,4160(A3) MOVE.B (A2)+,4162(A3) MOVE.B (A2)+,4164(A3) CLR.B 4320(A3) CLR.B 4322(A3) CLR.B 4324(A3) CLR.B 4480(A3) CLR.B 4482(A3) CLR.B 4484(A3) RTS SETUP1 LEA TEXTAB1,A0 ;ADDRESS TO PUT ABSOLUTE ADDRESSES LEA FONT+16,A1 ;ADDRESS OF FONT DATA LEA TEXT1,A2 ;ADDRESS OF TEXT MOVEQ.L #(25*3),D7 ;LENGTH OF 1 STRIP IN BYTES MOVE.L #2000-1,D0 ;2080 CHARACTERS BSR SETUP SETUP2 RTS ;YOU CAN CALL SETUP AGAIN FROM HERE ;TO SET UP ABSOLUTE ADDRESSES FOR ANOTHER ;SCROLLINE USING THE SAME FORMAT AS ABOVE SETUP MOVEQ.W #0,D1 MOVE.B (A2)+,D1 SUBI.B #'A',D1 MOVE.L D7,D6 MULU #4,D6 MULU D6,D1 LEA (A1,D1.W),A3 ;1ST STRIP MOVE.L A3,(A0)+ LEA (A3,D7),A3 ;2ND STRIP MOVE.L A3,(A0)+ LEA (A3,D7),A3 ;3RD STRIP MOVE.L A3,(A0)+ LEA (A3,D7),A3 ;4TH STRIP MOVE.L A3,(A0)+ DBF D0,SETUP ;END OF TEXT? RTS CONVERT ;ROUT TO CONVERT CHARACTERS ;SO THAT THE PROGRAM CAN LOCATE THE ;CHARACTERS GIVEN IN CTAB LEA TEXT1(PC),A0 LEA CTAB(PC),A1 .A MOVE.B (A0)+,D0 MOVEA.L A1,A2 MOVEQ.W #21-1,D1 .B CMP.B (A2)+,D0 ;COMPARE CHARACTER WITH THOSE IN CTAB BEQ .C ADDQ.L #1,A2 DBF D1,.B BRA .D .C MOVE.B (A2),-1(A0) ;CHANGE IT TO CORRESPONDING CHARACTER IN CTAB .D CMPI.B #-1,(A0) BNE .A MOVE.W #8000-40,LENGTH1 ;SET UP LENGTHS FOR ALL SCROLLINES RTS LENGTH1 DC.W 0 CTAB DC.B '0','[' DC.B '1','\' DC.B '2',']' DC.B '3','^' DC.B '4','_' DC.B '5',96 DC.B '6',97 DC.B '7',98 DC.B '8',99 DC.B '9',100,'(',101,'!',102,')',103,':',104 DC.B '-',105,'.',106,',',107,"'",108,'"',109 DC.B "?",110," ",111 DC.B -1 TEXT1 DC.B ". DUDES! IT'S POWER MAN HERE. " DC.B "IT IS SUNDAY EVENING AND I AM JUST FINIS" DC.B "HING OFF THIS DEMO. IT WAS JJ'S BIRTHDAY" DC.B " YESTERDAY(HE'S 14). " DC.B "WANTS ME TO MAKE HIM A BIRTHD " DC.B "AY DEMO! YOU WISH! WELL, MAYBE I MIGHT M" DC.B "AKE HIM ONE, BUT AT THE TIME OF WRITING " DC.B "I AM NOT SURE IF I'LL HAVE ENOUGH DISK S" DC.B "PACE. LAST NIGHT I WAS UP TILL 1 IN THE " DC.B "MORING MAKING MY TRACKING SPRITE ROUT. T" DC.B "HIS DEMO IS THE FIRST TO USE IT. YESTERD" DC.B "AY I ALSO MADE MY SAMPLE REPLAY ROUT., W" DC.B "HICH I WILL USE TO MAKE SOME WICKED SAMP" DC.B "LE DEMOS, THAT IS IF I GET MY SAMPLER FI" DC.B "XED! BY THE WAY, MOST OF MY ROUTINES ARE" DC.B " AVAILABLE FOR A PRICE, SO WRITE TO ME! " DC.B "NOW, WE WILL TALK ABOUT DEMOS. THESE DAY" DC.B "S DEMOS ARE ALL ALIKE, AREN'T THEY? DIST" DC.B "ORTED LOGO,SCROLLINE,RASTERS, WHY CAN'T " DC.B "PEOPLE PUT SOMETHING ORIGINAL IN THEIR D" DC.B "EMOS LIKE ME. I MEAN, MY REFLECTION DEMO" DC.B " IS QUITE ORIGINAL, I HAVEN'T SEEN ANY E" DC.B "XCEPT THE ONE IN THE SUPERIOR DEMO. ONE " DC.B "THING I DON'T LIKE IS A DEMO WITH HARD T" DC.B "O READ SCROLLINES. MY SCROLLERS ARE STIL" DC.B "L IMPRESSIVE BUT ARE ALSO EASY TO READ.B" DC.B "Y THE WAY, DO LIKE THE MUZIX? I ONLY USE" DC.B " REALLY GOOD MUZIX IN MY DEMOS, BUT I AM" DC.B " RUNNING OUT! JJ WAS SUPPOSED TO SEND ME" DC.B " SOME STUFF TO HACK THE MUZIX FROM BUT I" DC.B " AM STILL WAITING(SO GET OF YOUR LAZY AR" DC.B "SE JJ AND WORK!). IF YOU HAVEN'T FALLEN " DC.B "ASLEEP READING THIS CRAPPY TEXT, THEN I " DC.B "WILL TALK ABOUT FAST. IN CASE YOU ARE TH" DC.B "ICK, THIS STANDS FOR FEDERATION AGAINST " DC.B "SOFTWARE THEFT. PERSONALLY, I THINK THEY" DC.B " ARE A BUNCH OF SODDING WANKERS BUT THAT" DC.B "'S ANOTHER STORY. BACK TO FAST. I DON'T " DC.B "KNOW WHY THEY ARE EVEN BOTHERING. I MEAN" DC.B " HOW CAN THEY POSSIBLY PROVE THAT SOMEON" DC.B "E HAS COPIED SOFTWARE ILLEGALY UNLESS TH" DC.B "E PIRATE IS SO STUPID THAT HE MARKS HIS " DC.B "DISKS - PIRATE GAMES - AND SHOWS THEM OF" DC.B "F TO THE COPS ETC. ALL I CAN SAY TO FAST" DC.B " IS - YOU WON'T CATCH ME!!! NOW, SOME GR" DC.B "EETINGS TO THE CAREBEARS, THE LOST BOYS," DC.B " DYNAMIC DUO, INNER CIRCLE, DIGITAL INSA" DC.B "NITY, OVERLAMERS(WHAT THE HELL ARE YOU D" DC.B "OING CODING DEMOS IN GFA BASIC?),SYNC,OM" DC.B "EGA,AND THE REST.CHILL OUT. "  DC.B -1 ;END OF TEXT MARKER EVEN TEXTAB1 DS.L 8000 ;ABSOLUTE ADDRESSES FOR TEXT 1 TPOS1 DC.L TEXTAB1 ;POSITION IN TEXT 1 FONT INCBIN MAGAFONT.DAT DCB.B 300,0 IKBD LEA $FC00.W,A0 .L1 MOVE.B (A0),D1 BTST #1,D1 BEQ .L1 MOVE.B D0,2(A0) RTS INIT ;INTO SUPERVISOR BSR SUPER ;MOUSE OFF DC.W $A000 DC.W $A00A MOVE.B #$12,D0 BSR IKBD ;TIMER C OFF MOVE.W #5,-(A7) MOVE.W #26,-(A7) TRAP #14 ADDQ.L #4,A7 ;NEW STACK MOVEA.L (A7),A0 MOVEA.L #MY,A7 MOVE.L A0,(A7) ;CLEAR COLOURS LEA $F8240,A0 MOVEQ.W #15,D0 .L1 CLR.W (A0)+ DBF D0,.L1 ;SET SCREENS CLR.W -(A7) PEA $78000 ;PHYSICAL PEA $70 ;LOGICAL MOVE.W #5,-(A7) TRAP #14 LEA 12(A7),A7 ;CLEAR SCREENS LEA $78000,A0 LEA $70,A1 MOVE.W #32000/4-1,D0 .L2 CLR.L (A0)+ CLR.L (A1)+ DBF D0,.L2 ;SAVE SYSTEM VARIABLES LEA VARS,A0 MOVE.B $FA07.W,(A0)+ MOVE.B $FA13.W,(A0)+ MOVE.B $FA21.W,(A0)+ MOVE.B $FA1B.W,(A0)+ MOVE.L $70.W,(A0)+ MOVE.L $120.W,(A0)+ MOVE.L $118.W,(A0)+ ;ENABLE TIMER B CLR.B $FA07.W CLR.B $FA09.W ORI.B #1,$FA07.W ORI.B #1,$FA13.W ;NEW VECTORS BCLR #6,$FC09.W MOVE.L #KEY,$118.W BSET #6,$FA09.W ;IPL=3 AND EXIT MOVE.W #$2300,SR RTS VARS DS.B 16 DS.L 40 MY DS.L 1 SUPER CLR.L -(A7) MOVE.W #32,-(A7) TRAP #1 ADDQ.L #6,A7 MOVE.L D0,STACK RTS USER MOVE.L STACK,-(A7) MOVE.W #32,-(A7) TRAP #1 ADDQ.L #6,A7 CLR.W -(A7) TRAP #1 STACK DS.L 1 WAIT CMPI.B #57+128,$FC02.W BNE WAIT RTS KEY BCLR #6,$FA11.W RTE END MOVE.W #$2700,SR JSR ENDMUS ;RESET SYSTEM VARIABLES LEA VARS,A0 MOVE.B (A0)+,$FA07.W MOVE.B (A0)+,$FA13.W MOVE.B (A0)+,$FA21.W MOVE.B (A0)+,$FA1B.W MOVE.L (A0)+,$70.W MOVE.L (A0)+,$120.W MOVE.L (A0)+,$118.W ;RESET COLOURS MOVE.W #$777,$F8240.W MOVE.W #0,$F8242.W MOVE.W #0,$F8246.W ;MOUSE ON DC.W $A000 DC.W $A009 MOVE.B #$08,D0 JSR IKBD ;ENABLE TIMER C MOVE.W #5,-(A7) MOVE.W #27,-(A7) TRAP #14 ADDQ.L #4,A7 ;SET SCREENS CLR.W -(A7) PEA $78000 ;PHYSICAL PEA $78000 ;LOGICAL MOVE.W #5,-(A7) TRAP #14 LEA 12(A7),A7 ;EXIT MOVE.W #$2300,SR BRA USER SETMUS MOVE.W #$4E75,MUZIX_G+106 MOVE.W #$4E75,MUZIX_G+258 MOVE.L #1,D6 JSR MUZIX_G+46 RTS ENDMUS JSR MUZIX_G+32+174 MOVE.L #$700FF00,$F8800.W MOVE.L #$80,$F8800.W MOVE.L #$90,$F8800.W MOVE.L #$A0,$F8800.W RTS MUZIX_G INCBIN MUZIX9.DAT ;THIS IS THE SOURCE CODE FOR THE ;BIG SCROLL DEMO. SORRY, NOT MUCH ;DOCUMENTATION BUT I COULDN'T BE ;BOTHERED. ; ;DATA FILES USED: ;16X16.DAT - FONT DATA ;MUZIX13.DAT - MUZIX DATA JSR INIT MOVE.W #$777,$F8242.W JSR CONVERT JSR SETUP1 JSR SETUP2 JSR SETMUS MOVE.L #VBL,$70.W CLR.B $F8203.W START CMPI.B #57,$FC02.W BEQ EXIT SWAP JSR SWAP70 Z BRA Z EXIT JMP END TB1 MOVE.W PAL1,$F8242.W MOVE.W PAL2,$F8240.W CLR.B $FA1B.W MOVE.B #3,$FA21.W MOVE.L #TB2,$120.W MOVE.L #PAL1+2,PAL MOVE.L #PAL2+2,PALB MOVE.B #8,$FA1B.W BCLR #0,$FA0F.W RTE TB2 MOVEM.L A0/A1,-(A7) MOVEA.L PAL,A0 MOVEA.L PALB,A1 MOVE.W (A0)+,$F8242.W MOVE.W (A1)+,$F8240.W CMPA.L #PALEND,A0 BGE .L1 MOVE.L A0,PAL MOVE.L A1,PALB MOVEM.L (A7)+,A0/A1 BCLR #0,$FA0F.W RTE .L1 CLR.B $FA1B.W MOVEM.L (A7)+,A0/A1 BCLR #0,$FA0F.W RTE PAL DC.L PAL1 PALB DC.L PAL2 ;64 PAL1 DC.W $700,$710,$720,$730,$740,$750,$760,$770 DC.W $670,$570,$470,$370,$270,$170,$070,$071 DC.W $072,$073,$074,$075,$076,$077,$067,$057 DC.W $047,$037,$027,$017,$007,$107,$207,$307 DC.W $407,$507,$607,$707,$706,$705,$704,$703 DC.W $702,$701,$700,$711,$722,$733,$744,$755 DC.W $766,$777,$776,$775,$774,$773,$772,$771 DC.W $770,$670,$570,$470,$370,$270,$170,$070 PALEND PAL2 DC.W 0,0,0,0 DC.W 0,0,0,0,0,0,0,0 V1 DC.W 0,0,0,0,0,0,0,0 DC.W 0,0,0,0,0,0,0,0 V2 DC.W 0,0,0,0,0,0,0,0 DC.W 0,0,0,0,0,0,0,0 V3 DC.W 0,0,0,0,0,0,0,0 DC.W 0,0,0,0,0,0,0,0 DC.W 0,0,0,0 VOLP DC.W 0,0,0,0,0,0,0,0 DC.W 0,0,0,0,0,0,0,0 DC.W 0,0,0,$111,$111,0,0,0 DC.W 0,0,0,$111,$111,0,0,0 DC.W 0,0,$111,$222,$222,$111,0,0 DC.W 0,0,$111,$222,$222,$111,0,0 DC.W 0,$111,$222,$333,$333,$222,$111,0 DC.W 0,$111,$222,$333,$333,$222,$111,0 DC.W $111,$222,$333,$444,$444,$333,$222,$111 DC.W $111,$222,$333,$444,$444,$333,$222,$111 DC.W $222,$333,$444,$555,$555,$444,$333,$222 DC.W $222,$333,$444,$555,$555,$444,$333,$222 DC.W $333,$444,$555,$666,$666,$555,$444,$333 DC.W $333,$444,$555,$666,$666,$555,$444,$333 DC.W $444,$555,$666,$777,$777,$666,$555,$444 DC.W $444,$555,$666,$777,$777,$666,$555,$444 DO_VOL MOVEQ.W #0,D0 MOVEQ.W #0,D1 MOVEQ.W #0,D2 LEA $F8800.W,A0 MOVE.B #8,(A0) MOVE.B (A0),D0 MOVE.B #9,(A0) MOVE.B (A0),D1 MOVE.B #10,(A0) MOVE.B (A0),D2 BTST #4,D0 BEQ .L1 MOVE.B #10,D0 .L1 BTST #4,D1 BEQ .L2 MOVE.B #10,D1 .L2 BTST #4,D2 BEQ .L3 MOVE.B #10,D2 .L3 ASL.W #4,D0 ASL.W #4,D1 ASL.W #4,D2 LEA VOLP,A0 LEA (A0,D0.W),A1 LEA (A0,D1.W),A2 LEA (A0,D2.W),A3 LEA V1,A4 REPT 8 MOVE.W (A1)+,(A4)+ ENDR LEA V2,A4 REPT 8 MOVE.W (A2)+,(A4)+ ENDR LEA V3,A4 REPT 8 MOVE.W (A3)+,(A4)+ ENDR RTS TEMP DS.L 1 BIG MOVEA.L TPOS1,A1 MOVEA.L (A1)+,A2 MOVEA.L (A1)+,A3 MOVE.L (A1)+,TEMP MOVE.W L,D4 MOVEQ.W #15,D6 SUB.W D4,D6 ;D6=16-L MOVEQ.W #18,D7 SUB.W D6,D7 ;D7=20-(16-L)  CMPI.W #16,D7 BLT .L1 MOVEQ.W #15,D7  .L1 LEA (A2,D4.W),A2 REPT 16 BSR DRAW LEA 16(A2),A2 LEA 16(A3),A3 ADDI.L #16,TEMP ENDR RTS DRAW MOVEA.L A0,A6 MOVEA.L A2,A4 MOVEA.L A3,A5 MOVE.W D6,-(A7) .L1 MOVE.B #$80,D5 OR.B (A4)+,D5 MOVE.B D5,.L2+1 NOP .L2 MOVE.W D0,(A0) ADDQ.W #8,A0 DBF D6,.L1 MOVE.W (A7)+,D6  MOVE.W D7,-(A7) .L3 MOVE.B #$80,D5 OR.B (A5)+,D5 MOVE.B D5,.L4+1 NOP .L4 MOVE.W D0,(A0) ADDQ.W #8,A0 DBF D7,.L3 MOVE.W (A7)+,D7 CMPI.W #13,D4 BLT .L6 MOVE.W D4,-(A7) SUBI.W #13,D4 MOVEA.L TEMP,A4 .L33 MOVE.B #$80,D5 OR.B (A4)+,D5 MOVE.B D5,.L44+1 NOP .L44 MOVE.W D0,(A0) ADDQ.W #8,A0 DBF D4,.L33 MOVE.W (A7)+,D4 .L6 MOVEQ.W #11-1,D5 .L5 REPT 20 MOVE.W (A6),(A0) ADDQ.W #8,A6 ADDQ.W #8,A0 ENDR DBF D5,.L5 RTS SH0 DC.W %0 DC.W %0 DC.W %1 DC.W %1 SH8 DC.W %0 DC.W %01 DC.W %1 DC.W %10 SETUP1 LEA LDATA,A0 .L11 MOVEQ.W #16-1,D0 .L12 MOVEQ.W #16-1,D1 .L1 CMPI.B #0,(A0) BNE .L3 CMPI.B #1,1(A0) BNE .L3 MOVE.B #1,(A0)+ DBF D1,.L1 DBF D0,.L12 BRA .END .L3 CMPI.B #1,(A0) BNE .L33 CMPI.B #1,1(A0) BNE .L33 MOVE.B #2,(A0)+ DBF D1,.L1 DBF D0,.L12 BRA .END .L33 CMPI.B #1,(A0) BNE .L333 CMPI.B #0,1(A0) BNE .L333 MOVE.B #3,(A0)+ DBF D1,.L1 DBF D0,.L12 BRA .END .L333 MOVE.B #0,(A0)+ DBF D1,.L1 DBF D0,.L12 .END CMPA.L #L_END,A0 BLT .L11 RTS SETUP2 MOVE.W CHARS,D0 LEA TEXTAB1,A0 LEA TEXT,A1 LEA LDATA,A2 .L1 MOVEQ.W #0,D1 MOVE.B (A1)+,D1 SUBI.B #'A',D1 MULU #256,D1 LEA (A2,D1.W),A3 MOVE.L A3,(A0)+ DBF D0,.L1 MOVE.W #0,L MOVE.L #TEXTAB1,TPOS1 RTS TEXT DC.B ".HELLO EVERYONE, UNCLE POWER MAN IS H" DC.B "ERE! RIGHT THEN, FIRSTLY I WILL SAY THAT" DC.B " THIS SCROLLTEXT WILL BE CRAP BECUASE I " DC.B "HAVE GOT A BLOODY COLD AND I CAN'T BREAT" DC.B "H, SO I AM QUITE PISSED OFF. BUT, I WILL" DC.B " TRY AND WRITE SOMETHING GOOD...HM..." DC.B "I KNOW, I WILL TALK ABOUT MY COLLEGE. I " DC.B "HAD A MULTIPLE CHOICE TEST A FEW DAYS AG" DC.B "O AND GOT A C PLUS. THIS WAS BECUASE THE" DC.B "RE WAS A TIME LIMIT ON THE TEST, AND JUS" DC.B "T BEFORE I RAN OUT OF TIME, I GUESSED AL" DC.B "L THE ONES I HADN'T DONE. WHAT A MISTAKE" DC.B " THAT WAS! I LATER FOUND OUT THAT THE ON" DC.B "ES I GOT WRONG WHERE SUBTRACTED FROM THE" DC.B " ONES I GOT RIGHT! ANYWAY, MY TEACHER AL" DC.B "SO HAD THE NERVE TO SAY THAT IF YOU GET " DC.B " A C GRADE, YOU CAN ONLY BE AN AVERAGE P" DC.B "ROGRAMMER! I FELT LIKE ASKING HIM IF HE " DC.B "COULD MAKE A FULL SCREEN BIG SCROLLING S" DC.B "CROLLER LIKE THIS WITH MUZIX AND RASTERS" DC.B " BUT I DECIDED THAT I WOULDN'T EMBARASS " DC.B "HIM! ANYWAY, THE MORAL OF THIS STORY IS " DC.B "THAT IF YOU DO BAD IN A TEST, GET PISSED" DC.B " AND FORGET ABOUT IT, AS THEY ARE USELES" DC.B "S FOR REALLY TESTING YOUR ABILITY. I MEA" DC.B "N, I GOT A GRADE C, AND DO YOU THINK I A" DC.B "M AN AVERAGE PROGRAMMER? IF A LAMER GOT " DC.B "AN A OR B GRADE, DOES THAT MAKE THEM GOO" DC.B "D CODERS? NO! THEY ARE SHIT AT PROGRAMMI" DC.B "NG! RIGHT THEN, I HOPE YOU ARE NOT ASLEE" DC.B "P BECAUSE I WILL NOW TALK ABOUT NEIGHBOU" DC.B "RS! WELL, ITS SATURDAY SO NO NEIGHBOURS " DC.B "TODAY BUT YESTERDAY(FRIDAY,DICKHEAD!), J" DC.B "IM AND PAUL ACCUSED ROB OF STEALING PART" DC.B "S FOR THE GARAGE. GAIL IS PISSED OFF BEC" DC.B "AUSE PAUL FORGET HER BIRTHDAY(WHAT A BIT" DC.B "CH!), AND HILARY IS PISSING PAUL OFF BEC" DC.B "AUSE SHE WANTS TO WORK WITH HIM. ALL IN " DC.B "ALL,EVERYONE IS PISSING EVERYONE OFF, EX" DC.B "CEPT HENRY AND BRONY(CANT SPELL HER FULL" DC.B " NAME) WHO ARE ENGAGED. WELL THATS NEIGH" DC.B "BOURS, NOW HOME AND AWAY! NO, I DONT THI" DC.B "NK I WILL BORE YOU WITH THAT, BUT I WILL" DC.B " DO THE GREETINGS! THESE GREETINGS ARE T" DC.B "O HACKING CREWS AND NOT DEMO CREWS FOR A" DC.B " CHANGE(SO PLEASE GREET ME IN YOUR MENUS" DC.B "!). GREETINGS GO TO - THE MEDWAY BOYS, P" DC.B "OMPEY PIRATES(GREAT PACKER ON MENU 84!)," DC.B "JUSTICE DEPARTMENT,ERRR, I DON'T KNOW AN" DC.B "Y ONE ELSE, SO FAREWELL AND CHILL OUT..." DC.B -1 EVEN CHARS DC.W (50*40)-1 TEXTAB1 DS.L (50*40) TPOS1 DC.L TEXTAB1 LDATA INCBIN 16X16.DAT EVEN L_END L DC.W 0 VBL MOVE.W #0,$F8240.W MOVE.W #$FA1B,A0 CLR.B (A0) MOVE.B #4,6(A0) MOVE.L #TB1,$120.W MOVE.B #8,(A0) MOVE.L #START,2(A7) MOVEA.L $4CE+4.W,A0 JSR (A0) RTE SWAP70 MOVE.L #SWAP78,SWAP+2 LEA $70+(4*160),A0 MOVEM.W SH0,D0-D3 JSR BIG JSR DO_VOL MOVE.B #0,$F8203.W RTS SWAP78 MOVE.L #SWAP70,SWAP+2 LEA $78000+(4*160),A0 MOVEM.W SH8,D0-D3 JSR BIG JSR DO_VOL CMPI.W #15,L BEQ .L1 ADDQ.W #1,L MOVE.B #$80,$F8203.W RTS .L1 MOVE.W #0,L ADDQ.L #4,TPOS1 SUBQ.W #1,LENGTH1 BEQ .L2 MOVE.B #$80,$F8203.W RTS .L2 MOVE.L #TEXTAB1,TPOS1 MOVE.W #2000-2,LENGTH1 MOVE.B #$80,$F8203.W RTS IKBD LEA $FC00.W,A0 .L1 MOVE.B (A0),D1 BTST #1,D1 BEQ .L1 MOVE.B D0,2(A0) RTS INIT ;INTO SUPERVISOR BSR SUPER ;MOUSE OFF DC.W $A000 DC.W $A00A MOVE.B #$12,D0 BSR IKBD ;TIMER C OFF MOVE.W #5,-(A7) MOVE.W #26,-(A7) TRAP #14 ADDQ.L #4,A7 ;NEW STACK MOVEA.L (A7),A0 MOVEA.L #MY,A7 MOVE.L A0,(A7) ;CLEAR COLOURS LEA $F8240,A0 MOVEQ.W #15,D0 .L1 CLR.W (A0)+ DBF D0,.L1 ;SET SCREENS CLR.W -(A7) PEA $78000 ;PHYSICAL PEA $70 ;LOGICAL MOVE.W #5,-(A7) TRAP #14 LEA 12(A7),A7 ;CLEAR SCREENS LEA $78000,A0 LEA $70,A1 MOVE.W #32000/4-1,D0 .L2 CLR.L (A0)+ CLR.L (A1)+ DBF D0,.L2 ;SAVE SYSTEM VARIABLES LEA VARS,A0 MOVE.B $FA07.W,(A0)+ MOVE.B $FA13.W,(A0)+ MOVE.B $FA21.W,(A0)+ MOVE.B $FA1B.W,(A0)+ MOVE.L $70.W,(A0)+ MOVE.L $120.W,(A0)+ MOVE.L $118.W,(A0)+ ;ENABLE TIMER B CLR.B $FA07.W CLR.B $FA09.W ORI.B #1,$FA07.W ORI.B #1,$FA13.W ;NEW VECTORS BCLR #6,$FA09.W MOVE.L #KEY,$118.W BSET #6,$FA09.W ;IPL=3 AND EXIT MOVE.W #$2300,SR RTS VARS DS.B 16 DS.L 40 MY DS.L 1 SUPER CLR.L -(A7) MOVE.W #32,-(A7) TRAP #1 ADDQ.L #6,A7 MOVE.L D0,STACK RTS USER MOVE.L STACK,-(A7) MOVE.W #32,-(A7) TRAP #1 ADDQ.L #6,A7 CLR.W -(A7) TRAP #1 STACK DS.L 1 WAIT CMPI.B #57,$FC02.W BNE WAIT .L1 CMPI.B #57,$FC02.W BEQ .L1 RTS KEY BCLR #6,$FA11.W RTE END MOVE.W #$2700,SR JSR ENDMUS ;RESET SYSTEM VARIABLES LEA VARS,A0 MOVE.B (A0)+,$FA07.W MOVE.B (A0)+,$FA13.W MOVE.B (A0)+,$FA21.W MOVE.B (A0)+,$FA1B.W MOVE.L (A0)+,$70.W MOVE.L (A0)+,$120.W MOVE.L (A0)+,$118.W ;RESET COLOURS MOVE.W #$777,$F8240.W MOVE.W #0,$F8242.W MOVE.W #0,$F8246.W ;MOUSE ON DC.W $A000 DC.W $A009 MOVE.B #$08,D0 BSR IKBD ;ENABLE TIMER C MOVE.W #5,-(A7) MOVE.W #27,-(A7) TRAP #14 ADDQ.L #4,A7 ;SET SCREENS CLR.W -(A7) PEA $78000 ;PHYSICAL PEA $78000 ;LOGICAL MOVE.W #5,-(A7) TRAP #14 LEA 12(A7),A7 ;EXIT MOVE.W #$2300,SR BRA USER CONVERT ;ROUT TO CONVERT CHARACTERS ;SO THAT THE PROGRAM CAN LOCATE THE ;CHARACTERS GIVEN IN CTAB LEA TEXT(PC),A0 LEA CTAB(PC),A1 .A MOVE.B (A0)+,D0 MOVEA.L A1,A2 MOVEQ.W #21-1,D1 .B CMP.B (A2)+,D0 ;COMPARE CHARACTER WITH THOSE IN CTAB BEQ .C ADDQ.L #1,A2 DBF D1,.B BRA .D .C MOVE.B (A2),-1(A0) ;CHANGE IT TO CORRESPONDING CHARACTER IN CTAB .D CMPI.B #-1,(A0) BNE .A MOVE.W #2000-2,LENGTH1 ;SET UP LENGTHS FOR ALL SCROLLINES RTS LENGTH1 DC.W 0 CTAB DC.B '0','[' DC.B '1','\' DC.B '2',']' DC.B '3','^' DC.B '4','_' DC.B '5',96 DC.B '6',97 DC.B '7',98 DC.B '8',99 DC.B '9',100,'(',101,'!',102,')',103,':',104 DC.B '-',105,'.',106,',',107,"'",108,'"',109 DC.B "?",110," ",111 DC.B -1 SETMUS MOVEQ.W #0,D0 JSR MUZIX_K MOVE.L #MUZIX_K+($55BCA-$55B34),$4CE+4.W RTS ENDMUS CLR.L $4CE+4.W MOVE.L #$700FF00,$F8800.W MOVE.L #$80,$F8800.W MOVE.L #$90,$F8800.W MOVE.L #$A0,$F8800.W RTS MUZIX_K INCBIN MUZIX13.DAT                                          DC.L $78000+(0*160) DC.L $78000+(1*160) DC.L $78000+(1*160) DC.L $78000+(2*160) DC.L $78000+(4*160) DC.L $78000+(8*160) DC.L $78000+(12*160) DC.L $78000+(16*160) DC.L $78000+(20*160) DC.L $78000+(24*160) DC.L $78000+(28*160) DC.L $78000+(32*160) DC.L $78000+(36*160) DC.L $78000+(40*160) DC.L $78000+(44*160) DC.L $78000+(48*160) DC.L $78000+(52*160) DC.L $78000+(56*160) DC.L $78000+(58*160) DC.L $78000+(59*160) DC.L $78000+(59*160) DC.L $78000+(60*160) DC.L $78000+(59*160) DC.L $78000+(59*160) DC.L $78000+(58*160) DC.L $78000+(56*160) DC.L $78000+(52*160) DC.L $78000+(48*160) DC.L $78000+(44*160) DC.L $78000+(40*160) DC.L $78000+(36*160) DC.L $78000+(32*160) DC.L $78000+(28*160) DC.L $78000+(24*160) DC.L $78000+(20*160) DC.L $78000+(16*160) DC.L $78000+(12*160) DC.L $78000+(8*160) DC.L $78000+(4*160) DC.L $78000+(2*160) DC.L $78000+(1*160) DC.L $78000+(1*160) C.  G t..  G t+BIGSCRN2S Ht ENL MUS Lt -ILLUSIONS Pt RASTER S Tt  RASTER2 S Xt  RASTER68S \t REALWILLMUS bt 0BEAMS S gt I; Full screen vertical scrolling in 4 pixel steps! ; Uses 4 full screens (2 preshifted), and is easily ; adaptable to 2, 6 or even 8 pixel steps!!! ; ; Original Code (not idea!) by Tony Bennett ; ; Devpak v2.25 tabs set at 10 ; assumed 1 meg machine cos i was in a rush to get this code done... movea.l 4(sp),a5 pea $200.w pea (a5) pea $4a0 trap #1 lea $c(sp),sp pea start(pc) move #38,-(sp) trap #14 addq.l #6,sp clr -(sp) trap #1 *- s%tart move.b #$12,$fc02.w move.l #gfx+2+(160*4),$45a.w clr.b $f8260.w lea gfx+34(pc),a0 ;make copies to 256 boundary lea $d8900,a1 ;addresses! lea $e0600,a2 ;2 copies: one right after first, copy1 move #7999,d0 ;to allow for extra screen .copy_32k move.l (a0),(a1)+ ;whilst 2nd screen is being move.l (a0)+,(a2)+ ;displayed...geddit!!! dbf d0,.copy_32k lea gfx+34+640(pc),a0 ;now 4 pixels further lea $e8300,a3 lea $f0,a4 copy2 move #7999-160,d0 .copy_32k move.l (a0),(a3)+ move.l (a0)+,(a4)+ dbf d0,.copy_32k *- scan move #37,-(sp) trap #14 addq.l #2,sp cmp.b #$66,$fc02.w ;stop scroll beq.s scan notok move.l scroff(pC),a1 cmpa.l #scrend,a1 ;flipped 4 screens? bne.s ok lea screens(pc),a2 cmp.l #$e0600-1280,(a2) ;screen end? bne.s adder move.l #$d8900,(a2)+ ;reset screen offsets! move.l #$e8300,(a2)+ move.l #screens,scroff bra.s notok adder add.l #1280,(a2)+ ;advance screen 8 lines add.l #1280,(a2)+ move.l #screens,scroff bra.s notok ok move.l (a1)+,d0 ;set screen! move.l a1,scroff lsr #8,d0 move.l d0,$f8200.w cmp.b #$39,$fc02.w bne scan move.b #8,$fc02.w move.l #gempal,$45a.w rts *- data scroff dc.l screens screens dc.l $d8900,$e8300 scrend gempal dc.w $777,$700,$070,$000,$007,$707,$077,$555 dc.w $333,$733,$373,$773,$337,$737,$377,$000 gfx ds.b 160*4 incbin \piccy.pi1 :`Z`,``HPA  _NuHPA _NuHA a\"z@@M:hNqM,"hM\,"hMT,"h M@,"hM@,"hM:,"h,MPM.<NuAJg8S(j2PRh0(| f BA P`A0A!@6@lMKJ-g,J-f$Pp@"@&@*:f LHNuS]f ;zxAaPAaAaKAa~?_@A"Aah?_@ A&AaR?_@A*0-g>?Aa4"h fBm>CGG|?```G]:f LH@NuS(,jh-,"h(<f$hJfSh2j1z21E1E:1Ep$hrjj*B|f B$`<f B;BA&zB6sX!K(h `t<f Q-Y,`f<fQ-Y,!I(Nu@AAgY !I(!E.Jkn(A($zA4r1E RZrZ|@RZZ!J@g( $zA4r!J1EEENuAB.,R AZ0pAxCE !IBh!IBh QQQQ#||QQQQQQQ Q!CCCZ"&z!K1| 1z2rA(z8t!L(Bh,|&[[Q%Q$A|fB$B.A6Q@A0BhNu4:2:JBgA0K|BA"Qz@$zX@4rd1E RZ@Z|@RZZ!J$z@4r*!J1EQQB.Q$Q RA;ANu~G!J(gS(`"hrAkA2;N*:JXfp1@"h`i`1G |Rh`YYVh`G&Y!Th`|&Rh`||&Rh`n<I"z0!I1G`TYTh`26|p Y < Th`*| Y Th`@RhJ(gS(`jS(fdh"h rAkBA2;N Nur[A1A "h`i#`Th Q`@#Rh (k((@Cr@201("(&fVC`.<f"VCh!(j D!` (!`VCJ(!g(!FC(J(gS(`\(k`(Jjf&f(dr`(eA dAeAdAFF(gr( HHA$(.ԁ!B.HBB(#($(%jrNu   " &*  -\t0) (a )<-`t7) (A*IZ-dt )?( A *Z9@Z)((-\11(P M / gaw GGp0S#}Y8{eQ>, ~wpjd^YTOKGC?;852/,*'%#!@COSO@0>  TFMX A@ NWblvz旓栝䐜  (           1B_l5Ncu ,?Sh*7@[v+.7j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format 0-,1-,2- list + * SCROLLY RASTERS!!! * USES: A0 TABS = 10 DEVPAC V2.23 list - pea start(pc) ; XBIOS -execute main program move #38,-(sp) ; in supervisor mode trap #14 addq.l #6,sp clr -(sp) ; exit trap #1 *- start move.b #$12,$fc02.w ; disable mouse clr.b $f8203.w ; set screen back (clear screen!) bsr set_ints ; save/install interrupts scan: cmp.b #57,$fc02.w ; wait for 'space' bne.s scan bsr rem_ints ; remove interrupts move.b #8,$fc02.w ; enable mouse move #$777,$f8240.w ; make border color white again rts *- keyhand: move #$2500,sr ; don't disturb us keyboard move.b $fc02.w,rubbish ; empty kbd bclr #6,$fa11.w ; clear interrrupt bit rte *- newvbl: clr.b $fa1b.w ; disable timer b move.b #1,$fa21.w ; set scanline move.b #8,$fa1b.w ; enable timer b clr scanline ; used to count scanlines addq #8,pointer ; try these values: 2,4,8,10,16,20 cmp #400,pointer ; have we done the first 200 cols? bne.s continue ; not yet, so carry on... clr pointer ; yes! so reset pointer value continue: lea palette(pc),a0 ; address of color palettes add pointer(pc),a0 ; add the offset to that move.l a0,next_col ; gives us the next color rte *- newhbl: cmp #199,scanline ; check for last scanline beq.s end_of_scrn ; if so then ensure black into border move.l a0,-(sp) ; save a0 onto stack move.l n%ext_col(pc),a0 ; get the next color into a0 move (a0)+,$f8240.w ; put into border & increment move.l a0,next_col ; save incremented color pointer move.l (sp)+,a0 ; POP! addq #1,scanline ; counts scanlines for check above! end_hbl bclr #0,$fa0f.w ; end the timer b interrupt rte end_of_scrn clr $f8240.w ; black out the last scanline bra.s end_hbl ; that's it ... *- set_ints: move #$2700,sr ; shut ints. clr.b $fa07.w ; disable timer b clr.b $fa09.w ; disable timer c move.l #keyhand,$118.w ; install keyhandler move.l #newvbl,$70.w ; install vbl move.l #newhbl,$120.w ; install timer b bset #0,$fa07.w ; enable timer b bset #0,$fa13.w ; set timer b mask move #$2300,sr rts *- rem_ints: move #$2700,sr move.b #$1e,$fa07.w ; mfp ... move.b #$64,$fa09.w move.b #$1e,$fa13.w move.l #$fc06de,$70.w ; vbl move.l #$e5f0e044,$120.w ; hbl move.l #$fc29ce,$118.w ; key handler move #$2300,sr rts *- section data rubbish dc.b 0 ; space for kbd data scanline dc.w 0 ; holds value of current scanline pointer dc.w 0 ; points to an offset in the color table next_col dc.l 0 ; points to the next color *- * Yeah, the same palette as last time, but it scrolls nicely anyway ... palette: rept 2 ; devpac command -repeat the block of palettes twice dc.w 0,0,1,$11 dc.w $111,$112,$122,$222 dc.w $223,$233,$333,$334 dc.w $344,$444,$445,$455 dc.w $555,$556,$566,$666 dc.w $667,$677,$777,$776 dc.w $766,$666,$665,$655 dc.w $555,$554,$544,$444 dc.w $443,$433,$333,$332 dc.w $322,$222,$221,$211 dc.w $111,$110,$100,0 dc.w 0,0,0,0 dc.w 0,0,0,0 dc.w $10,$110,$111,$121 dc.w $221,$222,$232,$332 dc.w $333,$343,$443,$444 dc.w $454,$554,$555,$565 dc.w $665,$666,$676,$776 dc.w $777,$677,$667,$666 dc.w $566,$556,$555,$455 dc.w $445,$444,$344,$334 dc.w $333,$233,$223,$222 dc.w $122,$112,$111,$11 dc.w 1,0,0,0 dc.w 0,0,0,0 dc.w 0,0,$100,$110 dc.w $111,$211,$221,$222 dc.w $322,$332,$333,$433 dc.w $443,$444,$544,$554 dc.w $555,$655,$665,$666 dc.w $766,$776,$777,$767 dc.w $667,$666,$656,$556 dc.w $555,$545,$445,$444 dc.w $434,$334,$333,$323 dc.w $223,$222,$212,$112 dc.w $111,$101,1,0 dc.w 0,0,0,0 dc.w 0,1,$11,$111 dc.w $112,$122,$222,$223 dc.w $233,$333,$334,$344 dc.w $444,$445,$455,$555 dc.w $556,$566,$666,$667 dc.w $677,$777,$777,$776 dc.w $766,$666,$665,$655 dc.w $555,$554,$544,$444 dc.w $443,$433,$333,$332 dc.w $322,$222,$221,$211 dc.w $111,$110,$100 dc.w $110,0,0,0,0 dc.w 0,0,0,0 endr ; end of repeat block z; raster graphic equalizers Version I ; coded by Tony Bennett ; devpak v2.23 tabs set at 10 opt o+,ow- movea.l 4(sp),a5 pea $200.w pea (a5) pea $4a0 trap #1 lea $c(sp),sp pea start(pc) move #38,-(sp) trap #14 addq.l #6,sp clr -(sp) trap #1 *- start moveq.l #1,d0 bsr music move.b #$12,$fc02.w move.l $44e.w,a0 move #7999,d0 cls clr.l (a0)+ dbf d0,cls bsr set_ints ; save/install interrupts scan: cmp.b #$39,$fc02.w bne.s scan bsr rem_ints ; remove interrupts lea $f8800.w,a0 move.l #$8080,(a0) move.l #$9090,(a0) move.l #$a0a0,(a0) move.b #8,$fc02.w move #$777,$f8240.w rts *- keyhand: move #$2500,sr move.b $fc02.w,ikbd_bin bclr #6,$fa11.w rte newvbl: clr.b $fa1b.w move.b #1,$fa21.w move.b #8,$fa1b.w lea buffer(pc),a0 ;clear old wave-forms... rept 25 clr.l (a0)+ clr.l (a0)+ clr.l (a0)+ clr.l (a0)+ endr move.l #buffer,offset ;pointer to palettes bsr music+6 lea $f8800.w,a1 move.b #8,(A1) move.b (a1),d0 asr d0 ;DIV by 2 cos we are copying half ;up and then other half down.. and #7,d0 ;mask off lower 8 bits move d0,d1 lea bar_1(pc),a0 ;note how the value decreases copy1 move d0,-(a0) ;so does the color value! move d0,-(a0) dbf d0,copy1 lea bar_1(pc),a0 ;and for second half of bar .copy move d1,(a0)+ ;NOTE: I am copying twice coz move d1,(a0)+ ;i want bigger bars!! dbf d1,.copy move.b #9,(A1) ;and for 2nd bar move.b (a1),d0 asr d0 and #7,d0 move d0,d1 lea bar_2(pc),a0 copy2 move d0,-(a0) move d0,-(a0) dbf d0,copy2 lea bar_2(pc),a0 .copy move d1,(a0)+ move d1,(a0)+ dbf d1,.copy move.b #10,(A1) ;repeat for 3rd bar move.b (a1),d0 asr d0 and #7,d0 move d0,d1 lea bar_3(pc),a0 copy3 move d0,-(a0) move d0,-(a0) dbf d0,copy3 lea bar_3(pc),a0 .copy move d1,(a0)+ move d1,(a0)+ dbf d1,.copy rte *- newhbl: move.l a0,-(sp) move.l offset(pc),a0 move (a0)+,$f8240.w ;put the palettes into the border move.l a0,offset move.l (sp)+,a0 rte *- set_ints: move #$2700,sr clr.b $fa07.w clr.b $fa09.w ; disable timer c move.l $118.w,oldkey move.l $120.w,oldhbl move.l $70.w,oldvbl move.l #keyhand,$118.w move.l #newhbl,$120.w move.l #newvbl,$70.w bset #0,$fa07.w bset #0,$fa13.w bset #6,$fa09.w ; set kbd irq bset #6,$fa15.w bclr #3,$fa17.w move #$2300,sr rts oldkey dc.l 0 oldvbl dc.l 0 oldhbl dc.l 0 *- rem_ints: move #$2700,sr move.b #$1e,$fa07.w move.b #$64,$fa09.w move.b #$1e,$fa13.w move.l oldvbl,$70.w move.l oldhbl,$120.w move.l oldkey,$118.w move #$2300,sr rts *- ikbd_bin dc.b 0 even offset dc.l 0 ; ziq ripped by Stormlord from Decade Demo! music incbin realwill.mus even buffer ds.w 50 ;start pos. dcb.w 16,0 bar_1 dc.w 0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0 dcb.w 16,0 ;space out each bar bar_2 dc.w 0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0 dcb.w 16,0 ;(each bar =32 words) bar_3 dc.w 0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0 dcb.w 16,0 buff_end ds.w 54 ;gives 200 ; raster graphic equalizers Version II ; coded by Tony Bennett ; devpak v2.23 tabs set at 10 movea.l 4(sp),a5 pea $200.w pea (a5) pea $4a0 trap #1 lea $c(sp),sp pea start(pc) move #38,-(sp) trap #14 addq.l #6,sp clr -(sp) trap #1 *- start moveq.l #1,d0 bsr music move.b #$12,$fc02.w move.l $44e.w,a0 move #7999,d0 cls clr.l (a0)+ dbf d0,cls bsr set_ints ; save/install interrupts scan: cmp.b #$39,$fc02.w bne.s scan bsr rem_ints ; remove interrupts lea $f8800.w,a0 move.l #$8080,(a0) move.l #$9090,(a0) move.l #$a0a0,(a0) move.b #8,$fc02.w move #$777,$f8240.w rts *- keyhand: move #$2500,sr move.b $fc02.w,ikbd_bin bclr #6,$fa11.w rte newvbl: clr.b $fa1b.w move.b #1,$fa21.w move.b #8,$fa1b.w lea buffer(pc),a0 ;clear old wave-forms... moveq.l #0,d5 rept 25 move.l d5,(a0)+ move.l d5,(a0)+ move.l d5,(a0)+ move.l d5,(a0)+ endr move.l #buffer,offset ;pointer to palettes bsr music+8 lea $f8800.w,a1 move.b #8,(A1) move.b (a1),d0 asr d0 and #7,d0 ;mask out rubbish lea bar_1(pc),a0 move #$224,(a0) ;give bar a base!! copy1 move.l #$00070007,-(a0) dbf d0,copy1 move #$006,-(a0) ;fade out...neat huh!! move #$005,-(a0) move #$004,-(a0) move #$003,-(a0) move #$002,-(a0) move #$001,-(a0) move.b #9,(A1) ;and for 2nd bar move.b (a1),d0 asr d0 and #7,d0 lea bar_2(pc),a0 move #$373,(a0) copy2 move.l #$00700070,-(a0) dbf d0,copy2 move #$060,-(a0) move #$050,-(a0) move #$040,-(a0) move #$030,-(a0) move #$020,-(a0) move #$010,-(a0) move.b #10,(A1) ;repeat for 3rd bar move.b (a1),d0 asr d0 and #7,d0 lea bar_3(pc),a0 move #$733,(a0) copy3 move.l #$07000700,-(a0) dbf d0,copy3 move #$600,-(a0) move #$500,-(a0) move #$400,-(a0) move #$300,-(a0) move #$200,-(a0) move #$100,-(a0) rte *- newhbl: move.l a0,-(sp) move.l offset(pc),a0 move (a0)+,$f8240.w ;put the palettes into the border move.l a0,offset move.l (sp)+,a0 bclr #0,$fa0f.w rte *- set_ints: move #$2700,sr clr.b $fa07.w clr.b $fa09.w ; disable timer c move.l $70.w,oldvbl move.l $120.w,oldhbl move.l $118.w,oldkey move.l #keyhand,$118.w move.l #newhbl,$120.w move.l #newvbl,$70.w bset #0,$fa07.w bset #0,$fa13.w bset #6,$fa09.w ; set kbd irq bset r#6,$fa15.w move #$2300,sr rts oldvbl dc.l 0 oldhbl dc.l 0 oldkey dc.l 0 *- rem_ints: move #$2700,sr move.b #$1e,$fa07.w move.b #$64,$fa09.w move.b #$1e,$fa13.w move.l oldvbl,$70.w move.l oldhbl,$120.w move.l oldkey,$118.w move #$2300,sr rts *- ikbd_bin dc.b 0 even offset dc.l 0 ; enchanted lands ziq ripped by Argonaut!! music incbin enl.mus even buffer ds.w 50 ;start pos. dcb.w 10,0 bar_1 dc.w 0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0 dcb.w 10,0 ;space out each bar bar_2 dc.w 0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0 dcb.w 10,0 bar_3 dc.w 0,0,0,0,0,0,0,0,0,0,0,0,0,0,0,0 dcb.w 10,0 buff_end ds.w 72 ;gives 200 0; ; Rasters without Timer B -using the HBL ($68.w) ; Code by Tony Bennett ; VERSION II of illusion.s ; ; Devpak v2.23 Tabs set to 10 ; pea xxx(pc) move #38,-(sp) ;exec in super mode trap #14 addq.l #6,sp clr -(sp) ;exit trap #1 *- xxx clr.b $f8203.w ;set screen back (& clear) move.b #$12,$fc02.w ;disable mouse move #5,-(sp) ; disable #5 on MFP move #26,-(sp) trap #14 addq.l #4,sp move.l $70.w,oldvbl ;save the old vbl move.l $68.w,oldhbl ;save the old hbl move.l #vbl,$70.w ;install vbl move.l #hbl,$68.w ;install hbl move #$2100,sr ; set int. level scan: cmp.b #$39,$fc02.w ;check ikbd for space bar? bne.s scan move.l oldhbl,$68.w ;install old hbl move.l oldvbl,$70.w ;install old vbl move #5,-(sp) ; enable #5 interrupt move #27,-(sp) trap #14 addq.l #4,sp move.b #8,$fc02.w ;enable mouse move #$777,$f8240.w ;border=white rts ;user mode *- hbl: dcb.w 88,$4e71 ;synchronize move.l a0,-(sp) ;save a0 move.l offset(pc),a0 ;get offset into color palette move (a0)+,$f8240.w ;next color -> next scanline move.l a0,offset ;store next color move.l (sp)+,a0 ;put back a0 rte ;end HBL vbl: move.l #pal,offset ;reload palette skip2 cmp #$ff,which_way ;are we going up or down? beq.s skip addq.l #2,counter ;increment counter cmp.l #588,counter ;check for end of palette bne.s nope ;are we there yet? move #$ff,which_way ;change direction bra.s skip nope move.l counter(pc),d0 ;get value in 'counter' and use it add.l d0,offset ;as an offset into the color table. rte skip tst which_way ;which way? beq.s skip2 subq.l #4,counter ;going down... tst.l counter ;are we at bottom? bne.s nope clr which_way ;change direction rte *- section data counter dc.l 0 offset dc.l 0 which_way dc.w 0 oldhbl dc.l 0 oldvbl dc.l 0 ; the palette must contain at least twice the amount which can be ; displayed on the screen at any one time.!! pal *ds.w 310 <-Try removing the * dc.w 5,5,5,5 ;1 dc.w 5,6,5,6 dc.w 6,6,6,6 dc.w 7,6,7,7 dc.w 7,7,7,$107 dc.w 7,$107,$107,$107 dc.w $107,$107,$207,$107 dc.w $207,$207,$207,$207 dc.w $207,$307,$207,$307 dc.w $307,$307,$307,$307 dc.w $407,$307,$407,$407 dc.w $407,$407,$407,$507 dc.w $407,$507,$507,$507 dc.w $507,$507,$607,$507 dc.w $607,$607,$607,$607 dc.w $607,$707,$607,$707 dc.w $707,$707,$707,$707 dc.w $706,$707,$706,$706 dc.w $706,$706,$706,$705 dc.w $706,$705,$705,$705 dc.w $705,$705,$704,$705 dc.w $704,$704,$704,$704 dc.w $704,$703,$704,$703 dc.w $703,$703,$703,$703 dc.w $702,$703,$702,$702 dc.w $702,$702,$702,$701 dc.w $702,$701,$701,$701 dc.w $701,$701,$700,$701 dc.w $700,$700,$700,$700 dc.w $700,$710,$700,$710 dc.w $710,$710,$710,$710 dc.w $720,$710,$720,$720 dc.w $720,$720,$720,$730 dc.w $720,$730,$730,$730 dc.w $730,$730,$740,$730 dc.w $740,$740,$740,$740 dc.w $740,$750,$740,$750 dc.w $750,$750,$750,$750 dc.w $760,$750,$760,$760 dc.w $760,$760,$760,$770 dc.w $760,$770,$770,$770 dc.w $770,$770 *- ;2 dc.w $760,$770,$770,$770 dc.w $760,$760,$760,$770 dc.w $760,$750,$760,$760 dc.w $750,$750,$750,$750 dc.w $740,$750,$740,$750 dc.w $740,$740,$740,$740 dc.w $730,$730,$740,$730 dc.w $720,$730,$730,$730 dc.w $720,$720,$720,$730 dc.w $720,$710,$720,$720 dc.w $710,$710,$710,$710 dc.w $700,$710,$700,$710 dc.w $700,$700,$700,$700 }dc.w $701,$701,$700,$701 dc.w $702,$701,$700,$701 dc.w $702,$702,$702,$701 dc.w $702,$703,$702,$702 dc.w $703,$703,$703,$703 dc.w $704,$703,$704,$703 dc.w $704,$704,$704,$704 dc.w $705,$705,$704,$705 dc.w $706,$705,$705,$705 dc.w $706,$706,$706,$705 dc.w $706,$707,$706,$706 dc.w $707,$707,$707,$707 dc.w $607,$707,$607,$707 dc.w $607,$607,$607,$607 dc.w $507,$507,$607,$507 dc.w $407,$507,$607,$507 dc.w $407,$407,$407,$507 dc.w $407,$307,$407,$407 dc.w $307,$307,$307,$307 dc.w $207,$307,$207,$307 dc.w $207,$207,$207,$207 dc.w $207,$207,$107,$207 dc.w 7,$107,$107,$107 dc.w 7,7,7,$107 *- ;3 dc.w 7,$107,$107,$107 dc.w $107,$107,$207,$107 dc.w $207,$207,$207,$207 dc.w $207,$307,$207,$307 dc.w $307,$307,$307,$307 dc.w $407,$307,$407,$407 dc.w $407,$407,$407,$507 dc.w $407,$507,$507,$507 dc.w $507,$507,$607,$507 dc.w $607,$607,$607,$607 dc.w $607,$707,$607,$707 dc.w $707,$707,$707,$707 dc.w $706,$707,$706,$706 dc.w $706,$706,$706,$705 dc.w $706,$705,$705,$705 dc.w $705,$705,$704,$705 dc.w $704,$704,$704,$704 dc.w $704,$703,$704,$703 dc.w $703,$703,$703,$703 dc.w $702,$703,$702,$702 dc.w $702,$702,$702,$701 dc.w $702,$701,$701,$701 dc.w $701,$701,$700,$701 dc.w $700,$700,$700,$700 dc.w $700,$710,$700,$710 dc.w $710,$710,$710,$710 dc.w $720,$710,$720,$720 dc.w $720,$720,$720,$730 dc.w $720,$730,$730,$730 dc.w $730,$730,$740,$730 dc.w $740,$740,$740,$740 dc.w $740,$750,$740,$750 dc.w $750,$750,$750,$750 dc.w $760,$750,$760,$760 dc.w $760,$760,$760,$770 dc.w $760,$770,$770,$770 dc.w $770,$770 *- ;4 dc.w $760,$770,$770,$770 dc.w $760,$760,$760,$770 dc.w $760,$750,$760,$760 dc.w $750,$750,$750,$750 dc.w $740,$750,$740,$750 dc.w $740,$740,$740,$740 dc.w $730,$730,$740,$730 dc.w $720,$730,$730,$730 dc.w $720,$720,$720,$730 dc.w $720,$710,$720,$720 dc.w $710,$710,$710,$710 dc.w $700,$710,$700,$710 dc.w $700,$700,$700,$700 dc.w $701,$701,$700,$701 dc.w $702,$701,$700,$701 dc.w $702,$702,$702,$701 dc.w $702,$703,$702,$702 dc.w $703,$703,$703,$703 dc.w $704,$703,$704,$703 dc.w $704,$704,$704,$704 dc.w $705,$705,$704,$705 dc.w $706,$705,$705,$705 dc.w $706,$706,$706,$705 dc.w $706,$707,$706,$706 dc.w $707,$707,$707,$707 dc.w $607,$707,$607,$707 dc.w $607,$607,$607,$607 dc.w $507,$507,$607,$507 dc.w $407,$507,$607,$507 dc.w $407,$407,$407,$507 dc.w $407,$307,$407,$407 dc.w $307,$307,$307,$307 dc.w $207,$307,$207,$307 dc.w $207,$207,$207,$207 dc.w $207,$207,$107,$207 dc.w 7,$107,$107,$107 dc.w 7,7,7,$107 dc.w 7,6,7,7 dc.w 6,6,6,6 dc.w 5,6,5,6 k`z`>`.Count Zero (Electronic Images) Music 01/07/90.Phone 071-794-0771.If you use this music, please credit me! Thanks!`Don't rip this... it's been fucked about with to make it work with Phantom's crappy screen... if you want a working version then why not write or call and I will give you one! CZI.HJn(A#4a2ABPLNu bA0!y4a a2LNu8p QNuCNEG pXHS@BYBZB[QA(>SGOA lC"aA `TCaA RXC naNup0A ~"Bi 3@H@A #H3| A#H NuHaLNuAJPgPaAF!4A1|MaM0aMaaNuF%HATJhb`"0(@C:01Sha(M(aMaMaaLNsA&CEG(.B?AB."""G""""""" " " T" < Jkg"BkNuJno SnBn4NuJnoSn`4. TB=B npr0 0 f>=| JnoSn`0.X@=@ V 0f=|`=@H@A -H` @`o@ @o@@@AN`B`J`N`R`l`p`t`z`````````DSA=ABnPNuSA=ANu=A2`(AA00A-H =|` =A8`=A6`H=A*`H=A,`H=A.`=A>fp-@<-@@=@DA|RA Rh`=AL*BCD@EFGA00:0P<0`>0p2.(AHJn>g*JnDo 0.DS@=@@`0..@=@<4B:0S@SB@BAvx6080 DnDCoJEoDC=CRBn2.`$HC2.JEo=|R`=|RI=AT2.SA=AJnFoSnFLH`t:.\E=E n prtv((((8 @f\An`HHH:@=@XM0E=E0H:@=@BMEg =EFHHJAg:.4Ajz` Eoz=E4Jn8g&JBg:.:Bjz` Eoz=E:C3n:JCg:.@Cjz` Eo:<=E@:.JDgDJnPoJnb=nT0.R@`SnJEjz Eo:<=ENuA~CpMPKIn54m5:l5@0.0@v v0-0@uu0,0@t"tJnBg4n?Rn@LnAF`>JmBg:m?Rm@LmAF`JlBg@l?Rl@LlAFr?0.XPePe ` Pd0-XPePe ` Pd0,XPePe ` Pdi(A.Nu M / gaw GGp0S#}Y8{eQ>, ~wpjd^YTOKGC?;852/,*'%#!~wrkd_YTOKGC?<962/,*(%$"  1΀68  \Π|,GGGG  Tn@$l$#S8 d $` $ Ph>$tl$ _ P8PDPLP8P8PDPLP8P8PDPLP8P8PDPLP8P 8 /L /8 /T L 8 /8PDPLP8P8PDPLP8P8PDPTPLP8P8PDPTPLP8P8PDPLP8P '$ffff44444444$?$ffff  3`:`;`8` 8l6 8 ? = ; : 6 8l6 8 ? = ; : 6 8l6 8 6 8 6 3 1 138l6 8 ? = ; : 6 8l6 8 ? = ; : 6 8l6 8 6 8 6 8 6 8 ?8=8;8=8;8=8?8B??8=8;8=8;8=8?8B??;=;?;B;D;G;D;G;?;=;?;B;D;G;F;D;:6;6=6;6:6;6:6;6:6;6=6;6:6;6:646?8=8;8=8;8=8?8B??8=8;8=8;8=8?8B? 8 8 D8 DD8:`  8     8   `333 3 33 3 33 3 444 4 44 4 44 4 555 5 55 5 55 5 444 4 44 4 44 4 "33  # 3 # 3"3 # 3 "44  # 4 #  #"4 # 4 "33  # 3 # 3"3 # 3 "44  # 4 #  #"4 # 4 " # # #" #" # # #" # # # # # #"""" # # #" #" # #" ## " #" # #  #"  #" # # #  # # # #" # # # # # # # # #11   $AAAAAAAAAAAA1qAAA  A6B dd ZZZZZZZZZAZ This is the end of the file, if you're ripping it... 2C""bBRTuw4egV; raster beams -my latest raster trickery! ; code by tony "Stormlord" bennett '91 ; ; tabs at 10 devpac v2.23 pea start(pc) move #38,-(sp) trap #14 addq.l #6,sp clr -(sp) trap #1 ;- * start move.b #$12,$fc02.w clr.b $f8203.w clr $f8240.w bsr set_ints ; save/install interrupts scan: cmpi.b #$39,$fc02.w bne.s scan exit: bsr rem_ints ; remove interrupts move.b #$08,$fc02.w move #$777,$f8240.w rts ;- * keyhand: move #$2500,sr move.b $fc02.w,rubbish bclr #6,$fa11.w jmp $fc29ce newvbl: clr.b $fa1b.w move.b #1,$fa21.w move.l #timer_b,$120.w move.b #8,$fa1b.w clr counter addq #2,pointer_up ; offset -top speed cmp #400,pointer_up blt.s keep_on clr pointer_up keep_on subq #2,pointer_down ; offset -bottom speed tst pointer_down bpl.s end_vbl move #300,pointer_down end_vbl rte timer_b clr.b $fa1b.w movem.l d0/a0-a3,-(sp) move sr,-(sp) move #$2700,sr lea colors(pc),a0 adda pointer_up(pc),a0 lea $f8240.w,a1 lea $f8209.w,a2 lea top_beam(pc),a3 moveq #0,d0 wait_up tst.b (a2) beq.s wait_up move.b (a2),d0 adda.l d0,a3 jmp (a3) top_beam rept 172 ; synchronize nop endr rept 42 ; width of screen move (a0)+,(a1) endr move #0,(a1) move (sp)+,sr movem.l (sp)+,d0/a0-a3 clr.b $fa1b.w move.l #timer_b_bottom,$120.w move.b #1,$fa21.w move.b #8,$fa1b.w bclr #0,$fa0f.w rte timer_b_bottom: clr.b $fa1b.w addq #1,counter cmp #191,counter blt.s end_hbl move.l #timer_b_beam,$120.w end_hbl bclr #0,$fa0f.w move.b #8,$fa1b.w rte timer_b_beam: clr.b $fa1b.w movem.l d0/a0-a3,-(sp) move sr,-(sp) move #$2700,sr lea colors(pc),a0 adda pointer_down(pc),a0 lea $f8240.w,a1 lea $f8209.w,a2 lea bottom_beam(pc),a3 moveq #0,d0 wait_down tst.b (a2) beq.s wait_down move.b (a2),d0 adda.l d0,a3 jmp (a3) bottom_beam: rept 203 ; wait until next scanline nop endr rept 42 ; width of screen move (a0)+,(a1) endr move #0,(a1) move (sp)+,sr movem.l (sp)+,d0/a0-a3 bclr #0,$fa0f.w rte ;- * set_ints: move #$2700,sr move.b $fa07.w,mfp1 move.b $fa09.w,mfp2 move.b $fa13.w,mfp3 clr.b $fa07.w ; disable timer b clr.b $fa09.w ; disable timer c move.l $120.w,oldhbl move.l $70.w,oldvbl move.l $118.w,oldkey move.l #keyhand,$118.w move.l #newvbl,$70.w move.l #timer_b,$120.w bset #0,$fa07.w ; enable timer b bset #0,$fa13.w ; set timer b mask move #$2300,sr rts OLDVBL DC.L 0 OLDHBL DC.L 0 OLDKEY DC.L 0 rem_ints: move #$2700,sr move.b mfp1(pc),$fa07.w move.b mfp2(pc),$fa09.w move.b mfp3(pc),$fa13.w move.l OLDVBL,$70.w ; vbl move.l OLDHBL,$120.w ; hbl move.l OLDKEY,$118.w ; key handler move #$2300,sr rts ;- * mfp1 dc.b 0 mfp2 dc.b 0 mfp3 dc.b 0 counter dc.w 0 pointer_up: dc.w 0 pointer_down: dc.w 300 colors ds.w 100 dc.w $101,$111,$221,$321,$421 dc.w $431,$431,$431,$432,$432,$432,$433,$433,$433,$434,$434,$434,$435,$435,$435,$436,$436,$436,$437,$437,$437,$436,$436,$436,$435,$435,$435,$434,$434,$434,$433,$433,$433,$432,$432,$432,$431,$431,$431 dc.w $421,$321,$221,$111,$101 ds.w 100 ; dc.w $211,$211,$211,$212,$212,$212,$213,$213,$213,$214,$214,$214,$215,$215,$215,$216,$216,$216,$217,$217,$217,$216,$216,$216,$215,$215,$215,$214,$214,$214,$213,$213,$213,$212,$212,$212,$211,$211,$211 ; dc.w $101,$101,$101,$101,$202,$202,$202,$303,$303,$303,$404,$404,$404,$505,$505,$505,$606,$606,$606,$717,$717,$717,$606,$606,$606,$505,$505,$505,$404,$404,$303,$303,$303,$202,$202,$202,$101,$101,$101 rubbish: dc.b 0                                                                                            l                                                                                                                                                                                                                                                                              *K * COLOUR FADE ROUTINES BY POWERMAN OF THE WILD BOYS, (C) TWB 1991 * * CALL FADE_BLACK TO FADE ALL COLOURS TO BLACK * * CALL FADE TO FADE ALL COLOURS TO A NEW PALETTE, MAKE SURE THAT * * A6=ADDRESS OF NEW PALETTE DATA. )* * ON BOTH ROUTINES, D6=SPEED OF FADE (0=FASTEST) * * DONT FORGET TO CREDIT ME IF YOU USE THESE ROUTS! * *K FADE ; Note: A6=source address of new palette ; D6=Speed of fade (0,1,2 etc) MOVE.L $70.W,-(A7) MOVE.W SR,-(A7) MOVE.W #$2300,SR MOVE.L #FADE_VBL,$70.W MOVEQ.W #8-1,D0  .L1 MOVEQ.W #16-1,D1 16 colours LEA $F8240.W,A0 MOVE.L A6,A5 .L2 MOVE.W (A0),D2 ANDI.W #%011101110111,D2 MOVE.W (A5)+,D7 BSR FADE_D2_TO_D7 MOVE.W D2,(A0)+ DBF D1,.L2 MOVE.W D6,D5 .L3 BSR WAIT_VBL DBF D5,.L3 DBF D0,.L1 MOVE.W (A7)+,SR MOVE.L (A7)+,$70.W RTS FADE_D2_TO_D7 MOVEM.L D0-D1,-(A7) MOVE.W D2,D3 ANDI.W #$F,D2 LSR.W #4,D3 MOVE.W D3,D4 ANDI.W #$F,D3 LSR.W #4,D4 D2,D3,D4=R,G,B VALUES OF OLD COLOUR ANDI.W #$F,D4 MOVE.W D7,D0 ANDI.W #$F,D7 LSR.W #4,D0 MOVE.W D0,D1 ANDI.W #$F,D0 LSR.W #4,D1 D7,D0,D1=R,G,B VALUES OF NEW COLOUR ANDI.W #$F,D1 CMP.W D2,D7 BEQ .L2 BLT .L1 ADDQ.W #1,D2 BRA .L2 .L1 SUBQ.W #1,D2 .L2 CMP.W D3,D0 BEQ .L22 BLT .L11 ADDQ.W #1,D3 BRA .L22 .L11 SUBQ.W #1,D3 .L22 CMP.W D4,D1 BEQ .L222 BLT .L111 ADDQ.W #1,D4 BRA .L222 .L111 SUBQ.W #1,D4 .L222 LSL.W #4,D3 LSL.W #8,D4 OR.W D3,D2 OR.W D4,D2 MOVEM.L (A7)+,D0-D1 RTS FADE_BLACK ; Note: D6=Speed of fade MOVE.L $70.W,-(A7) MOVE.W SR,-(A7) MOVE.W #$2300,SR MOVE.L #FADE_VBL,$70.W MOVEQ.W #8-1,D0  .L1 MOVEQ.W #16-1,D1 16 colours LEA $F8240.W,A0 .L2 MOVE.W (A0),D2 BSR FADE_D2 MOVE.W D2,(A0)+ DBF D1,.L2 MOVE.W D6,D5 .L3 BSR WAIT_VBL DBF D5,.L3 DBF D0,.L1 MOVE.W (A7)+,SR MOVE.L (A7)+,$70.W RTS FADE_D2 MOVE.W D2,D3 ANDI.W #$F,D2 LSR.W #4,D3 MOVE.W D3,D4 ANDI.W #$F,D3 LSR.W #4,D4 D2,D3,D4=R,G,B VALUES ANDI.W #$F,D4 TST.W D2 BEQ .L1 SUBQ.W #1,D2 .L1 TST.W D3 BEQ .L2 SUBQ.W #1,D3 .L2 TST.W D4 BEQ .L3 SUBQ.W #1,D4 .L3 LSL.W #8,D4 LSL.W #4,D3 OR.W D4,D2 OR.W D3,D2 RTS WAIT_VBL CLR.B VBL_FLAG .L1 TST.B VBL_FLAG BEQ .L1 RTS VBL_FLAG DS.W 1 FADE_VBL ST VBL_FLAG RTE* SAMPLE REPLAY ROUTINE BY POWERMAN OF THE WILD BOYS * THIS ROUTINE IS THE SAME ONE I HAVE USED IN MY 'BETTER THAN * THE TCB ONE' FULLSCREEN. * YOU MUST CREDIT ME IF YOU USE THIS ROUT. * DO JSR INITSC TO INITIALISE EVERYTHING, AND THEN * DO A JSR SETMUS TO START THE SAMPLE PLAYING. * CALL ENDMUS TO STOP THE SAMPLE. * SEE MY ARTICLE FOR FULL INSTRUCTIONS. SETMUS MOVE.L #PLAY_IT,$134.W MOVE.B #$11,$FA19.W MOVE.B #$28,$FA1F.W BSET #5,$FA07.W BSET #5,$FA13.W EN ABLE TIMER A BCLR #3,$FA17.W RTS ENDMUS BCLR #5,$FA07.W BCLR #5,$FA13.W CLR.B $FA19.W BSET #3,$FA17.W RTS PLAY_IT MOVEM.L D1/A2/A3,-(A7) LEA SAMAD,A2 ADDQ.L #1,(A2) SUBQ.L #1,4(A2) End of sample? BEQ.S EXIT If yes, get next sample MOVEA.L (A2),A2 MOVEQ.W #0,D1 MOVE.B (A2),D1 LSL.W #3,D1 LEA $F8800.W,A2 LEA STABLE,A3 A3=sound table address LEA (A3,D1.W),A3 MOVE.L (A3)+,D1 MOVEP.L D1,(A2) MOVE.L (A3)+,(A2) MOVEM.L (A7)+,D1/A2/A3 RTE EXIT MOVEA.L POS,A3  CMPI.L #-1,(A3) End of table? BEQ.S .L1 MOVE.L (A3)+,SAMAD Get next sample MOVE.L (A3)+,SAML MOVE.L A3,POS MOVEM.L (A7)+,D1/A2/A3 RTE .L1 LEA PLAY,A3 Start again from beginning MOVE.L (A3)+,SAMAD MOVE.L (A3)+,SAML MOVE.L A3,POS MOVEM.L (A7)+,D1/A2/A3 RTE  INITSC MOVEQ.W #0,D0 LEA $F8800.W,A0 SOUND CHIP ADDRESS MOVE.B #0,(A0) MOVE.B D0,2(A0) MOVE.B #1,(A0) MOVE.B D0,2(A0) MOVE.B #2,(A0) MOVE.B D0,2(A0) MOVE.B #3,(A0) MOVE.B D0,2(A0) MOVE.B #4,(A0) MOVE.B D0,2(A0) MOVE.B #5,(A0) MOVE.B D0,2(A0) MOVE.B #7,(A0) MOVE.B #$FF,2(A0) MOVE.B #8,(A0) MOVE.B D0,2(A0) MOVE.B #9,(A0) MOVE.B D0,2(A0) MOVE.B #10,(A0) MOVE.B D0,2(A0) MOVE.L #PLAY+8,POS MOVE.L PLAY,SAMAD MOVE.L PLAY+4,SAML RTS SEND DS.B 2 SAMAD DS.L 1 SAML DS.L 1 POS DS.L 1 PLAY DC.L SAM+12,34242-12 DC.L -1 STABLE INCBIN STABLE4.DAT SAM INCBIN BEAT.SAM #a0 #b0 #c7770007000600070055200505552220770557075055507703103 #d - #E 5B 02 #W 00 00 1C 0B 1E 09 08 A:\MAGAZINE\*.*@ #W 01 00 0A 01 42 09 08 A:\*.*@ #W 00 00 28 0B 24 09 00 @ #W 00 00 0A 0B 27 09 00 @ #M 00 00 00 FF A UNTOUCHABLES@ @ #M 00 01 00 FF B DISK MAG TWO@ @ #T 00 03 02 FF TRASH@ @ #F FF 04 @ *.*@ #D FF 01 @ *.*@ #G 03 FF *.APP@ @ #G 03 FF *.PRG@ @ #F 03 04 *.TOS@ @ #P 03 04 *.TTP@ @  GREETINGS and WELCOME to the SECOND TIME LUCKY DISK MAG Written By The Untouchables and Friends ! This mag is licenced to Budgie UK ...  Ok, Anyone who read the last mag ' THE ONE DAY DISK MAG ' will recognise the layout .. If you want music then double click on the program ATOM.PRG then run the magazine .. Plus and Minus on the keypad to turn music off and on. There is a hidden article in this mag .. HOLD a key down on the keyboard to get into the hidden article (I cant make it much easier than that or it wouldnt be hidden now would it ?!) .. There are two versions of the mag, one for half meg and one for full meg because of programming hassles (sorted out next time I promise) .. Thus the two versions of the mag are in folders HALF_MEG and ONE_MEG ... The only difference is the half meg has two articles missing. I sort out a version of my magazine program which works regardless of memory size for the next issue .. All the stuff on the disk can be used, copied etc with our full concent however please credit the people who did the work .. Their names are in the mag .. There is also a new feature Kick Off Goals !! .. You have to copy them out of the folder to get the kick off program to load them but its well worth it (if you have any great goals then send em in) .. The next issue of the Untouchables disk mag should be ready for the CES computer show and should have a lot of stuff from our various contributers aswell as the usual articles from various members of the Untouchables .. It will feature an improved version of the doc displayer in this issue .. more graphics .. the wonderful mod the Equilizer wrote (see editorials) .. and more COWS ! (if you have a meg you can see some of them in this issue) If you like the mag then why not write something for the next issue ?? We are also looking for contacts all over the world so get in touch with us at any of the addresses which are in the magazine ... Space is real tight on this disk and there is just enough room to thank EVERYONE who contributed to this issue or who got in touch with us from the last issue and thankyou for reading .. Late items of news which missed the main magazine : Thanks to the Zombie Eater for rewriting his PD library so it worked on the STE ! The Wild Boys megademo 'STATE OF THE ART' is finished and it is truly excellent .. our PD library has a copy (even though its not mentioned). Welcome to our latest members, Re-animator (great art from him in the future) and Slayer (at last, I wont have to do all the coding !!). Thanks to Altair for writing the packer which i used to pack the mag programs on the disk (and thanks to whoever sent it me !) I have started a new demo so if you want to write a guest screen then get in touch with me .. Seeya and I hope to hear from you soon .. MAT Of The Untouchables Y.  1 t..  1 tDEMOS ASC mt DISKS_DSASC pt  DISKS_SSASC st MAGS ASC wt BBudgie UK licenceware - DEMOS DEM 1 The MINDBOMB demo by The Lost Boys (D/S) 'The greatest yet! The Lost Boys have now managed to get your ST to do things that even its designers thought impossible. Not to be missed. Twenty screens including the unbelievable 3D balls!' DEM 2 GENESYS II (The 82 track re-mix) from AEnigmatica (D/S) features 11 screens with superior sound, graphics and programming techniques. Contains a high quality Amiga soundchip emulator with a recent version of the Soundtracker routine, playing four amazing compositions. These demos contain some language that may not be suitable for younger children. copyright Budgie UK 1990 Full marketing rights reserved.Budgie's double-sided COMPILATIONS: 3.95 COM-1 Perils of Penfold/ Line of Four/ Goldrush/ Zerphod COM-2 Ace Invaders/ Zenith/ Tri Heli (!) /Cosmos COM-3 Football 88/ Parabellum COM-4 Make a Break/ Blitz III/ Word Puzzle Generator COM-5 Dr Boris/ Puzzler/ Pro Darts/ Maelstrom COM-6 Damonoid/ Speculator/ Othello COM-7 Ball Zone/ Moneyspinner COM-8 Exodus/ Bounty Hunter COM-9 Bandit/ Slippery Sid/ Space Blob COM-10 Operation Angelica/ Psicotic/ Galaxia COM-11 Carrier Attack/ Sub Hunt/ Sea Fisherman COM-12 Impulse/ Scary COM-13 Inferno/ Runaway/ Tablit (not 1.62) COM-14 Crystal Caverns/ Happy Puzzler (!)/ Mr Dig/ Tank Battle COM-15 Safe as Houses/ Rotatus/ Dogfight/ Light Cycles COM-16 MONO compilation: Hostile Reception/ Word Generator/ Othello/ Crosswords COM-17 Onyx/ Hostile Reception(colour)/ Crosswords (colour)/ Megamix COM-18 Dizzy Lizzy/ Mission Deadzone COM-19 Death Camp/ The Village COM-2O MONO compilation: Little Acorns/ XWPuzzle/ Space Duel COM-21 Blackscar Mountain/ Shards of Time COM-22 Exterminate/ Perplexia/ Space Duel COM-23 Chiropodist in Hell/ Overlord/ Zyklop COM-24 Autorama/ Khan/ Space Invaders/ Detonator  Budgie UK PRODUCTIVITY range: 3.95 PRO-1 ELECTRONIC BANK STATEMENT v 1.62 by David G. Pullin (S/S) PRO-2 PROGRAMMER'S 68000 LIBRARY current version 46 (D/S) PRO-3 SPRITE MASTER by Chris Skellern (S/S) PRO-4 MOVING BYTES 1 version 1.0 (!) (D/S) PRO-5 The SPRITES PORTFOLIO v 2.0 compiled by Eddie Bryan (D/S) PRO-6 MUSIC of THE SHAPESHIFTERS vol 1 Gary Wheaton (D/S) PRO-7 MUZEXX MAKER Malcolm Sparks (D/S) PRO-8 MUSIC CASSETTE MAKER 1.2 Paul Dowers (D/S) PRO-9 TLB SOURCE CODE (Power & Megabang) The Lost Boys (D/S) PRO-10 CLASSROOM MATHS 1.1 Paul Dowers (S/S) PRO-11 MUSIC of THE SHAPESHIFTERS vol 2 Gary (Goth) Wheaton (D/S) PRO-12 BUDGIE'S ASTROLOGY (colour/ mono) Andy Osborne Danielle Le Marais (D/S) PRO-13 TLB SOURCE CODE (Mindbomb: Main Menu) The Lost Boys (D/S) PRO-14 TLB SOURCE CODE (Mindbomb: Red Sector) The Lost Boys (D/S) PRO-15 TLB SOURCE CODE (Mindbomb: Digi Synth) The Lost Boys (D/S) PRO-16 ST-68K-REFERENCE version 3.O Neil Smith (D/S) PRO-17 SPLASH Philip Bishop (S/S) PRO-18 FUN TIME 1 and 2 The Happening Boiz (D/S) PRO-19 MUSIC of THE SHAPESHIFTERS vol 3 Goth (D/S) PRO-2O VIDEO MASTER Neil Scrimgeour (D/S) Budgie's DEMO disks: 2.95 DEM-1 MINDBOMB (!) by The Lost Boys April 1990 (D/S) DEM-2 GENESYS II (82-track re-mix) from AEnigmatica May 1990 (D/S) Magazines on disk: 2.95 MAG-1 ST-PLUG issue 12 Dan Panke April 1990 (D/S) MAG-2 MAGGIE 1.0 (!) The Lost Boys May 1990 (D/S) MAG-3 ST-PLUG issue 13 Dan Panke June 1990 (D/S) MAG-4 MAGGIE 2.0 (!) The Lost Boys July 1990 (D/S) MAG-5 ST-PLUG issue 14 Dan Panke August 1990 (D/S) MAG-6 ST-PLUG issue 15 Dan Panke October 1990 (D/S) MAG-7 MAGGIE 3.0 (!) The Lost Boys (November 1990) (D/S) MAG-8 MAGGIE 4.0 (!) TLB (January 1991) MAG-9 STOS BITS issue 1 (!) The Happening Boiz (March 1991) (D/S) MAG-1O MAGGIE 5.O (!) TLB (June 1991) MAG-11 ONE DAY issue 1 The Untouchables (July 1991) (D/S) Not all material is suitable for young children. Items marked (!) contain pictures or language that may offend. July 21, 1991 Budgie UK originals. BU # Title Description Language - -" - - - 1 Damonoid (Camy Maertens) arcade 12/87 68000 2 Football 88 (Simon Rush) simulation 12/87 Fast/B 3 Blitz (Camy Maertens) arcade 3/88 68000 4 Othello (Jim Holmwood) board game 4/88 Fast/B Stack'em Up (Raymond Donnelly) stacker 5/91 STOS 1.62 5 Pro Darts (Martyn Carr) simulation 5/88 Fast/B 6 Dr Boris (Alex Dewdney) TNT 6/88 Fast/B Puzzler (Alex Dewdney) puzzle 6/88 Fast/B 7 Ball Zone (Ian Grainger) breakout 7/88 HiSoft 8 Speculator (Camy Maertens) simulation 9/88 68000 9 Tycoon (Simon Rush) adv/simulation 10/88 Fast/B 10 Moneyspinner 1.2 (Jim Holmwood) slot machine 11/88 68000 11 Maelstrom (Marvey Mills) arcade 11/88 68000 12 Ace Invaders 1.1 (Gary Wheaton arcade 11/88 68000 13 Zenith (Gary Wheaton) arcade 11/88 68000 14 Goldrush (Mark Annetts) platform 12/88 GFA Zerphod (Ian Grainger) labyrinth 12/88 HiSoft 15 Perils of Penfold (P.Bishop) caves adventure 3/89 STOS 1.62 Line of Four (Philip Bishop) connect 3/89 STOS 1.62 16 Word Puzzle Generator (Keith Bearman) 5/89 HiSoft 17 Make a Break (Martyn Brown) quizz 5/89 68000 18 Parabellum (Alex Dewdney) platform 5/89 STOS 1.62 19 Tri-Heli (Gary Wheaton) arcade 7/89 68000 20 Operation Angelica (C.Maertens) arcade 8/89 68000 21 Impulse (Ian Grainger) arcade/strategy 8/89 HiSoft 22 Bandit (Gary Wheaton) slot machine 8/89 68000 23 Space Blob (Robin Edwards) platform 9/89 STOS 1.62 24 Slippery Sid (Neil Scrimgeour) snake 9/89 STOS 1.62 25 Scary (Eddie Bryan) graphic adv 10/89 STOS 1.62 26 Carrier Attack (K. Bearman) battleships 10/89 STOS 1.62 27 Psicotic (Philip Rankin) arcade 10/89 STOS 1.62 28 Sub Hunt (Oliver Bros) arcade 10/89 STOS 1.62 Sea Fisherman (Paul Dowers) simulation 10/89 STOS 1.62 29 Death Camp (Dave Blower) adventure 11/89 STAC 30 A Quest for Galaxia (Goth) arcade 11/89 68000 31 Inferno (Simon Brown) boulderdash 12/89 STOS 1.62 32 Runaway (Chris Skellern) arcade 1/90 68000 Rotatus (Tony Loton) arcade 2/90 68000 33 Crystal Caverns (R. Edwards) caves adventure 2/90 STOS 1.62 Happy Puzzler (R. Edwards) jig-saw 2/90 GFA 34 Safe as Houses (Ven'ra) board game 2/90 GFA 35 Hostile Reception (THB) arcade 2/90 STOS 1.62 36 Dogfight (Philip Bishop) arcade 2/90 STOS 1.62 Light Cycles (Philip Bishop) arcade 2/90 STOS 1.62 37 Mr Dig (Robin Edwards) arcade 2/90 STOS 1.62 Tank Batlle (Robin Edwards) arcade 2/90 STOS 1.62 38 Budgie's Crosswords J.Holmwood crosswords 5/90 Fast/B 39 Onyx (Robin Edwards) arcade 5/90 68000 40 Dizzy Lizzy (Happening Boiz) boulderdash 6/90 STOS 1.62 41 Exodus (Chris Jeffery) arcade 6/90 68000 42 Bounty Hunter (Paul Dowers) far west 6/90 STOS 1.62 43 The Village (Dave Blower) adventure 9/90 STAC 44 Exterminate (Chris Skellern) arcade 6/90 68000 45 Mission Deadzone (P. Bishop) graphic adv 7/90 68000/STOS 46 Overlord (T.C. Basset) fantasy 8/90 talespin 47 Perplexia (Dave Manning) graphic adv 10/90 GFA 48 XWPuzzle (Jeffery Heywood) generator 10/90 GFA 49 Kahn (Markus Kronenberg) arcade 10/90 GFA Megamix (M.K.) memory 10/90 GFA 50 Invaders (Robert Leong) arcade 10/90 68000 Detonator (Ian Blair) memory 10/90 STOS 1.62 51 Space Duel (Chris Jeffery) arcade 10/90 F/Basic  52 1m Douglas Rockmoor (Goth) boulderdash(1m) 11/90 68000 53 From Little Acorns (S. Brown) adventure 11/90 GFA 54 Autorama (David Thomas) racing 11/90 68000 55 Chiropodist in Hell (G. Lucas) adventure 12/90 STAC 56 Super League Soccer (A. Medley) simulation 1/91 GFA 57 Football Genius (C. Maertens) trivia 2/91 68000 58 Bert the Squirt (John Shepherd) platform 2/91 STOS 1.62  59 G-Orb (Gavin Thornton) gravity challenge 2/91 STOS 1.62 60 Guided Missile (Gavin Thornton) arcade 2/91 STOS 1.62 61 A Winter's Tale (THB) Dizzy II 2/91 STOS 1.62 62 Colony (BombOut Bros) missile command 2/91 68000 Operation Wimp (BombOut Bros) reflex arcade 2/91 STOS 1.62 63 Spaced Weller (Simon Wilsher) connect 2/91 STOS 1.62 64 Castle Frankenstein (P. Bishop) platform 3/91 STOS 1.62 65 Douglas II (Goth) 1/2 meg mem boulderdash 3/91 68000 66 Missile Alert! (Rober Leong) missile command 4/91 68000 67 Paco and Tunnel of Doom (Keith Bearman) caves 4/91 STOS 1.62 68 Blackscar Mountain (T. White) adventure 4/91 STAC 69 Tablit II (Andy Osborne) word game 5/91 STOS 1.62 70 Pacman ST 1.1 (Robert Leong) guess 5/91 68000 71 Dark Wars (Adam Medley) role playing 5/91 GFA 2.0 72 Avina Blue (Chris Skellern) skramble 5/91 68000 73 Seventh Heaven (Dave Blower) adventure 6/91 STAC 74 Firegame (Mike Duncan) board game 6/91 GFA 3.0 75 <> The Blagg (Geoff Atkinson) police advent. 6/91 STAC 76 Clunk (Stephen Allen) puzznic 7/91 STOS 1.62 77 Dennis and Denise (P. Rankin) hunchback 7/91 STOS 1.62 78 Clacker (Stephen Allen) klax 7/91 STOS 1.62  ** coming soon ** Quatris (Stephen Allen) column/tetris 8/91 STOS 1.62 Sharks (Donald Campbell) hangman 8/91 STOS 1.62 Zyklop II (M. Kronenberg) arcade 9/91 GFA Dead or Alive...? (Kev Davis) adventure 9/91 STAC Stone Cold Sober (Simon Brown) adventure 9/91 GFA Highway 18 (Paul Medley) car chase 9/91 GFA Championship Cricket (P.Dowers) simulation 10/91 STOS Annihilator (Robert Leong) arcade 10/91 68000 Chopper (Robert Leong) choplifter 10/91 68000 Sea King (Jim Holmwood) naval combat 10/91 68000 Final Lap (Camy Maertens) simulation 12/91 68000 Not all material is suitable for young children. In doubt, write to Budgie first. Titles marked <> are DOUBLE-SIDED. Double-sided drive needed. Titles marked 1m require 1 MEG memory. Brochure with full descriptions available. Send SAE to Budgie UK licenceware 5 Minster Close Rayleigh SS6 8SF Essex Budgie UK July 10, 1991 j MAG 1 ST-PLUG volume 12 April 1990 (d/sided) The latest magazine on disk from North America. ST-PLUG was originally conceived by Dan Panke as an on-line ST magazine. Now at last available in disk form, it brings the latest news and reviews from across the pond. In addition, utilities, accessories and other useful programs are included in compressed, self-extracting format. The in-built PERUSER allows ascii files and degas pictures to be viewed together. MAG 2 MAGGIE 1.0 by The Lost Boys Mazy 1990 (d/sided) The zaniest disk magazine around! And it's from The Lost Boys, of course. Humour, news, hot gossip, extraordinary built-in demos, tips, programming in GFA, interviews with Bob Hay and other characters, games and demos reviews. The style is totally unconventional. The effect is shattering. MAG 3 ST-PLUG volume 13 June 1990 (d/sided) More reviews and information from Dan Panke. Two folders full of self-decompacting utilities and accessories. In all, enough to fill two double-sided disks. MAG 4 MAGGIE 2.0 by The Lost Boys July 1990 (d/sided) 800K+ of delirious mayhem from the irrepressible Lost Boys. The introduction alone (a conversion by Manikin of the famous Red Sector 3D animation) is worth the experience. Contributions from Next and other friends. Reviews, jokes, tips, more tips, GFA demos, the Charts, demo cheats, PD section, Mad Max music, greetings, source codes, etc.. MAG 5 ST-PLUG volume 14 August 1990 (double-sided) Reviews of EZgrade, Dragon's Lair, F29, Anarchy,... A virus overview and other news. Amongst the bundled programs are: Blink utilities, Klickstart menu program, EZgrade teacher's database preview and a demo of Ice Hockey Simulator. MAG 6 ST-PLUG volume 15 October 1990 (double-sided) The best so far. News and reviews are now on two different files. Eight free PD/shareware programs, including NOVA, a really fine Galaxian/Zalaga clone and the brilliant BOOK DATABASE by Timothy Early which alone must be worth all of twenty pounds! MAG 7 MAGGIE 3 by TLB (November 1990) (double-sided) More of the same: reviews, music, hacks, parties, booze, programming, PD section, etc, etc... A supplementary disk containing the charts, and some demo previews is available separately as PD. MAG 8 MAGGIE 4 by TLB (January 1991) (double-sided) A revamped Maggie, with a much better text scroller, more moderate language and a huge choice of articles, reports, interviews, GFA and assembler tips, the charts by NeXT, demos, source codes, packers and twenty games reviewed! MAG 9 STOS BITS Issue 1 by THB (February 1991) (double-sided) From the Happening Boiz, the latest diskzine for the STOS programmer. Together with the inevitable games reviews, tips, and demo gossip are thirty two STOS listings covering cycling routines, fades, scrolls, rasters, starfields, zooms and even... vector graphics. MAG 1O MAGGIE 5 by TLB (June 1991) (double-sided) With 1.3 meg of unpacked data, this is the biggest Maggie so far. Not only is the magazine itself full of the usual features, reviews, show reports, mega cheats, guest articles, news on forthcoming demos and crew interviews, but extra programs include the latest packers, disk file grabber, the charts, the Polish demo and the now expected source codes. Great stuff. MAG 11 The Untouchables DISK MAGAZINE vol 1 One Day (July 1991) (D/S) From a new group of coders, a disk magazine with a difference: no bad language! Reviews of latest games, plenty of cheats, light-hearted editorials, 68OOO and STOS listings, a grafix folder and even a kick-off 2 challenge to all-comers. MAG 12 MAGGIE 7 by TLB (August 1991) (double-sided) More news and gossip. Great introduction. Maggie 6 is released as PD (not Budgie). A bit strong on the 'sex' front. MAG 13 The Untouchables DISK MAGAZINE vol 2 Second Time Lucky (August 1991) (D/S) Bad language starting to creep in. On the other hand, the disk is definitely improving. News, cheats, games reviews, and loads of source code. Kick-off 2 goals also included. 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@CFH~8:E#P&<2 `b$bYEf`"RAf rЁЀ`&Ѐe "ЀeЁdp`ZJAkfgRer?DDЁaAa8$HX :CFE` YEjT"_$P"2trDDd0d d d` QjNu`aDa DNu na^ K"ng42 $`gk2&Hg Af deђ$`ebѐXf&nNu AgebѐA``-Kx$ n&$n""Hg8" &Ak cѐ S`g"" k#&Acё2+SAI3 Q&f-I"&nNu-Kx$&ր n&$n""HgR" k&Ac b S` S`g4" k#&AcbrkX`ޑ2+SAI3 Q&f-I"&nNu"H YJQfNu YH瀀aLP|HPG;C&֛֛֛֛֛(HDDCBg6Cv6C[RCF8[[[aL6C[RCF8:G;FWfTL L-KA `$I\bfBjQNu$YbfBjQNu؄*؄؅CH`@؅X`$_  IahHR"H @`̘؄*؄؅AHNu؅X`$_ Ia4HR"H` .*Nu  TYPE by SKWare One 1990 Top End Out New LOADING -- Length of File: Bytes V>x*H6Fz t((@P  D$4| *V b1p Budgie UK Licenceware q  - b7 SECOND TIME LUCKY August 1991 (c) 1991 Budgie UK and The UNTOUCHABLES Unauthorized distribution prohibited. All marketing rights reserved. .