Q1DClickph T@`  @`! #@%`')+-/1 3@5`79;=?A C@E`GIKMOQ S@U`WY[]_a c@e`gikmoq s@u`wy{} @` @ ` @ ` @ ` @ ` ǀ ɠ @ ` ׀ ٠  O` @`!Aa   !Aa!!#A%a')+-/1!3A5a79;=?A!CAEGKMOQSU@`  @`! #@%`')+-/1 3@5`79;=?A C@E`GIKMOQ S@U`WY[]_a c@e`gikmoq s@u`wy{} @` @ ` @ ` @ ` @ ` ǀ ɠ @ ` ׀ ٠  O` @`!Aa   !Aa!!#A%a')+-/1!3A5a79;=?A!CAEGKMOQSUBEYOND_ZLZH 4*SIMCITY DOC N[JEK_2_2 PRG )F JEK_DEPAS +I JEK_DISKS -L*JEK_EXECPRG 0RJEK_INFOTXT 2TI "4-lh1-OHg BEYONDZ.PRGCompressed 90/06/10id'/ ^E\{C9 &ө߯Uf3s0h_OnŜQ<ᓆ0"}.A˞{d[nU£roVNW)ta}ϥ=Bx/]z'ŶMxєT}eߺ<Œ0{m*Biǂk͛lcBnjjjQ'DnUx>wW'7ԡ K3Zm$'֪\J' :7 ݴGpd;C3NZunEŲ">PE⪊Pa$t6vHkڤ`h@ddL )?%!VF2O+{ZD ŽA/WGuLW`!gX3V9u2Uffә|y:6dqDsM^% &H6""߾Dxcbt_v Qg ,q%1)z2v"p)#W?noxUJV Ej xW퀼iE<4mjS|"šYr:Ԉڰ/HujX?o>/G^PgeC@b7$|kAͫYtfepɁӃhC8Y )zA cekGqU3{[OTxăTy 1^jq!&GZ!~, 0:5ڷGNn+՗Á9 %iH0e⪰ËX, ^곁^ ,nF<@8ko rKa/%t*ߌm5\=֞b5KdxWsE[ޥ˩^`ugf.*9S7gRKY8/ 7/LհTՒg|A-xnSVpj] Or<~]I;K74m|39NA}{<{.>/rSpzKPpu~;7ȱ& دnSl熻@[:~]sONd+b$؍UP%Wdwēޠ# ud :FP)ƣ}.Pt&)DҤ8C*(yjD&-`u\kJ[I"답ܰ$]J^M5?ªKs|CIb;`m/fSYڼΦz:}f¯_E` Ү0 5Y\ zw!T[Za \LҶż'[g[Ơ#,*p@O"20 59DtQ`4`fp p>4; PZ6Ja6,_|ٞ "V YRu僵 d@a/CmXpl5C`2~ql+0 +ASo '"uGES*#ityN=n-{?PϕזW]ޅÀ>W5!3TmůlI8|螽Χmv,a;Kk ™<_3Ӣ?&,cd:-etӿ.˶k6z/rGxw7ͯc$[ȹWIP{ZHk$N,. pWEY` +uUu\Kup⩺sU bJ:D^ZU[i?-#EtmcN<ߖ}3Aћ)Vg8\|F5B}-<!{|mG[ G ?ϕeQqwgR&7VoB3~`n1 Pds;x(:#ZcE 6׿M uʥlZ!gpzЏ,^/>CcM~hvp6c_h.Ĩ=tɗ߂|׼C}4 鲦h3􃖓Kf(r\!Xl>T-SM4d.`nu]XZ;xENt=pZ5g@uD Ʀ˽K{`/\swK' @ X g R{k<ը+DD Q !5@5Lm?;'=”]WPVU"=E+76э@ώT=ݟ.J`-c7K`{!Յlơ?w,oyaҳ}7 +ɐeA^ٿ䊁wSzfa~?*ꇃ+{ua(, ลa;x>oƤ̡p/) A9=L/#XXkWrr~bG HG NJ&frjP]V=]0Ð~ErK`;D`f5;&AtgY42bzsEs(׷l#j3[%:i-əԽ\; ?&1UaCk 0oSOD«},,w?oC;r&yO|^$giKdC~bj/p#ʏ1uI,/tMJ*owf>e-&DT~[ ꛼_G.숕xe!_=?\\ N&oC>)Z;iENR"cRW uK]O>vlb~||"?mlc{`u/a*Ii_9j}|a}C H J8HcjCuI,358i3 sk7+nL3DksZxWFA0 ^W :^2/w3^'w?4wj  4p T@ [u\hP248owQKeS0Vg 5QP?I>[~q~6L]{@[+¦fsB7nW* O@5w2\dtakG8X[7L[ϮhO^eg*7v4UA?"I%pJ%5瑫pGD᪯T$ii;sHQC M!>u KSpO[_ϻC<_\!v~;s:1 X=DGHY)KSnSv9B;[Ou'#sj6sm z7bat@lr~2"R@Eͳ.}M=\Ů#j\AvF7E?;V/ufӆkq ,KE/<Ӎ,M-V`7*v/|kB/TflV.ŭYBHW*~ҭU,e 񻡞LrVnN\gZd1uf7u mn4;lq ޜ&Zg/מ6װaw珲wxeg1 &4@ .H NiZS(C f!]1Z0dh ht0N& "UOuo쏔[١:|T} ::R?PѤj#{Tun,,}̕ ^ Nv~@~H;&W|?(w}T&t7Gd8[[ۘ5yaxfvrҨ2!Y|^,#} eݪ+~*q={H~d9gH;vNWrQ>E?x>aF$NQGq|CORIJm|) ʾ*Y8cueb*f5n>VP#=e3ǩ,&,S{l,I: ~4Eݾjo⍳:78˧f } Û dS_<~ n|Z OKwJ^8@oi`2za&]ZVqJbB&-,B#~ۂMhbܹq|JmyI~UH J"= Idͺ\#wh_t߾,"RR=ɗbw?x3tJe};Ry ۆͅfVnJ40uB<=,;`9$K`$~lo/OLr* \wV\VRdwKu.\'Խ 1;>aq 'fyP.r~D%uDިk~`^V󓟶Yu?7cz>O~mр\zJc+I[h/ʈ*0F x?K T#3_{];0]Rk{cK굺 vï^aA:QNv*]WUB<}sa3?`NgH䵉LVR^zs=>*\W |Zty::wvL  }E(L!ܙ&2 M?AN RߑTMcja{!=Ѵ-dW'ZgOb/R]uEqʗo+Or%_W׳\S&p޹m T^q>(([i=- xxUpJo4.OwɽlqӼQ;17|ž19[im jFu7͊bWځ / klӯ[Y|/DX5Fg?';i;yr谑zˏB뇧zQ^b|+?o@G3)q-7oshBwՊ%~b!+ȁc@8%I-i@s CJ^ުtMn=o%3|@HxJԖS%5`y.=%-8NL̕~vĬ_U)oH 븽~^cϣ03-h?gwW?M^Hv62Thw³Qʆ|>.a׾nlFkQ]{::w96ﵬio[wY*Jt%MH{˖nۖ%qZ8cWƫ:ԝ7$u:FciSόHjr'svH\Us#cqZ r #\KUw W MD(w)mmEpxbǕjd ƿ`9_dU43~J_km|ԳJ::P-?kEkʲԔy 7}Y'R{ERnD!UA# 4iT/ܶ3"eBˏuv&'4 }:IpbͿ ~{x! nTVhaa}l75l9FQJb ԫaOǖ# YhMˁsfGRE>#Y_pJ0-6 !ZHpnX޻n4Zh6 bkˆax~<r ym9~1Q.1Ư'O5]u$x_ {ݪs A(hBDOyu5qH3ߔwz.%'ЮpU>7qLqΉ'dv<ٰϡcEFel/<.~u=c=cԩDgM.~]xaOoe|j= MJϑ^$<-Dp}doPbݓȥn1 uq&jm(I3=g͞7P ½G_3w}I&fxߗC}uE]}WA5pyno(;)މ9=)o?@֖֕|-:{H }X7[Ԟ8Ra{;`lB?v6vˏ| ^;bEZsg=ZݘWe#[f8K/qBأva-v 8Sv/9G!v@% mX-y&,"9l|$x7 otE~wVi퟊VUBc⿯օo`#7=vz>*2rkϝ^lqC$@SM7%K6(Yaӽ/̜B+ӎGJR ^_]qAtAd~fp9`;b+CT_u6?Ѭ׋n[ybϵ[F}\/gByLj {2QC4yv_U 2#ԩ\=!;1{!BPzGԒ. kQ.܃` *UT\5}ȳ>(9Y|$,9 {sJOI˅[0nT-"'}JyaV.fR_X7n5 D&Y"+&KXFS?ٹcqq3 ^:„M01sI>jy*IܺKfy߉o$٭KJu\; R9CPzh&%~t3(4H9d!XѪQ`<U;+ۀ]4:"9oU3Qt_'&D)"n\;I J=%'wٝv+_(rԍsF}@z؈אze@3AH$sL_O+ߢMHm`{6L%!jyY2"1SʟeK`\es,;r4ܗF 날l_to fg8Dq9bēCb*6ݝ8Ͻvib=F/7>8lm/%{员Xӟ93.x_fH? ͶʮmGU?U9l_5*=~9#lC&wI~7^?d-O`_,W7 ͬs?_p>=-SOsTD (>Qtc/v\?M2VdZB٣-iEݻa~٭.u۽f7w$Dj=q~f`}&Sk3U.yhJZ"{{ecZc vKM}RWOOEE69gG6Kn5 #K^qOy{ 3۞L ØqͻSFt9lǵ6_+^wGЅ&x <=Ūݨp:X4#/2lFOiU{Ly=Q;ØIʝ{4|}sho#u@3wryBY܇2OCFc.q{@V7Zg^-p'YqJ&D]͘2pZ݋5zz=Oe\{YVᓚah4I#˭d[y Ihw=1^S^l$f>~>v>岇k:Z1u$r~ݬ?[C n@}Xz99C*,M[0ܼݪ{ԧF͹=EO_nf֎@j^ML'񿒿ל7̝'?N)yvXHPiypTMG:܋)Hz^eCM~|nU/R"#AB E d:Q}1OٖMXoeVW]R,R8IbfytZ'խZWiE=MvS2D0dmSSq@߀?]z};+S,&+|<5 Q.י)im@M: /(PZi-]4Ws˶m]Mj&JO͐=s݋pZ_k{d+. WxH,ֲ m耛kf"甮1*YeH\ѧјm3|ێσg%Uguv^gWϯg8кۃIk~ލKʵ7GhkIcmCd٦ UK^8%f 5qyG)} e&nJ{:>w~|5b+w$&G%-gM,!_h%V^FT[ O}Xyt;^=2 F ZUb|j]A@T;pOq| ubK$&JXGϬk5g|tQ zx}٧#ϛR`w>q H.;DSe=ϿzcwdBeE{A^6_* "Q 82==ٮI|˲.ŸG! hP GX-D \?ű;Hhq=B JFpkEM |m3M9{K#,:o800c +~x\Lڞ2%JT&eXvx;`k;Yk͋~#^e+DOOke5hpbBffo^љC{-~m*>i},*|Tj9 9\j?duٓ%GĚ2Omw90K1ZubK~Eb?+%][{xn?Kza#7d)tޖFedMApwP! T<ۓ19bəaqYҌf8۶y2˷ %+i)nNk({k1/=Eit:rr=>d}?KEB3)5’{dp+/DN|+j<8v:u ~e\oGۈR0#-sB\B'"C#۽& ^qqn]ѿAǟ a5NtMTnGbyv!:-^fd[j9ǡzֈbpH#]V%r~9{'UI;;":{zw!5l.TѢ2i?kf JfH)_ⲥz{ՙ_nlslԺ~ C]v4#P8ͯR*ܑc]ڥQmAawҐLo%ڇp _׏lB~I(xBE3JIhj}xS?Ok)x,bggJ;~^1ٯڴ6 kOm>Wvڴ´sgNllh)8<$蓪]qct.1/B3I_T/?g/ڹ?euSѡ_HLʇ{}aҴ>}(TBѧkzf n+a_!P#o7=tƢ2tD=AH~ Ak1jR0ofFv~ZIaCS;Ʊt5!Uk\HFd.f{Վ &^=sVN\Ê9] ԆU 9Q* ];@ν.WqZs5`) #Io_1[:nw8u3saf02 4ހYj} gL KCov>]TK<!02;m/E,^ȩ.@^^lb^$ro08o @rRw-x~ԪK@ӷܧk6;</0O>.^>ߗ.ؔ>sO@%jjߞ, [w"g(yjX댾=uÚ?}։M̀`cCZ>aQqf> CQ e; QTg̫b$oZOOu2X*Zq͋ kzZՋS}-7i4x+LbT]:o{0mX]#S:ɛ&b0[5z_f7䥈<D01_2%B\_/nlۿޜ;GB@100 %>p0(zDG){qڶr^@v% M 9TEtFū765e2rv)[VϜs<,:D.)Hl񥔅 iu} S`^H5WtI,ǬӤȰ 9(㳎vs .p}nMI>Z\#G(w,/FSم-]Rsɏ([1Mt7gZR>S_=N:<ъOXbRl,K?OݏwWurͽxc vm3|=ULs/Ogj6R{|;cnnOvJqe΋! he">{`8Lt`;6E`0^Ν,}>sԸ`Gدòu7s ?]wi e^ȿy]3#I9yȮzHF흴tM#r?D"'[p6xJapWvcno{"_LPnWa<P1g^|#r߷(/Hc*'7&$9H9 zw>+}0/O'QM~eQ>^T/_]bz!D,f'eXA 0z5Qnns6JHT7}#-?,dti_ axH4; fo/B`yB.FW/J<5D6&3 RĻ6GNYU/ZFxRO s8@>d!q|f;#w4E)Ƚz?,(Ll ɶZ^fk4;.{K4H+0CTiv{:zP0WDNBz.C(Yܙ:.ϑ&rLݱ?&DX{<`=Vrֹ>0SZS6sm:q:lvt o4,HHHBN};?p~$!1F>h>I5j U\}\9 8\Ħ pkÁQd=rW -ì~ 9ߊ\^P.2&#f VF|OJTզǬ- O0?`{Ѝ֒;۷n68;WmߐdBjNu.֤nØsƁ~+Gu6Z97.ހGW'7.⻫ I6bLv{W U{oc=[ uWCO*nk\?-s{j]N.(ƾXb<٤.2wX/ڥN [h VMaY7Ϸ!&6TDmIͣ|h05ўc_l7H7JHliɄPQ$'d<[s޽ɣg==f6·ЛҴg^ aqY>oMjC]l:08҉ɩo `͇}mkX0X(n+5XupvM'}۽`XVśϩcæ@d]f'6Fx,O8 |k ȇq# wS ϼ=J5N*D]SB2ꉄ.|R}R{a_E}~$W9G*}曹 ?jr}<'D35c^V~aޭhnaJBKRW,- K ‘;ƾ4,XfV%25 Pٓ[eQZeO v׳ye.XS(|aU{Tһ/9\viNҪE'0BRR(ҸDkq0jg`/ht xļ1/BVũ&/} pXդ^X_뽵L> o^߯/"^GtM߱wzj)mH~WY3pAn1SdD3\qMb#]%o=L\~ح{E5/H\ogɍ#-NyC*-g3I? 빲@J8+%؋\l /3FP4 U{ZKl&ԋ}2\sESk?O?Aq?nC04Ux,`vioFDin'7%\K{QVdRo1VR"b̙l~˩,]4t<$-UM+R9QEjT\8Ȅ+یw94rݨy] Ae2Pp$Ձ@+݂F41aBߘg٥a{PIIj_~/-?ob~`2%+ևШ8h(No0h);;LmbsvxI\ut ׍!s?5gf"k D5Bάddny(3S:ca< 3O|캖E+^8w?ֿtaW EB I M#7֞bx@¡7IۙTdydA:)c)9in!!*U $!Tcc#/4hDb]0]cݭόKpAu#PZJB; ppn_'߫LQψHmy&.yŜLs:r ^2VS!ry\7&I(Q`l ju0#*V>gO?Fz$ҾD1bFP\Mc ?Cp%#0W:u{&ovXP__BّF"P@[.RY- g4@0Pފ}a ^/J6)8ޏ0%Z?fz^!bD2-$#)^XGЮt`)ի-bSw -?ʗ[sYNK}pP1\Z$ir*(JmxnZDj>Ntbut3'>;u DžBe̯!ڮW>qF̀,F cX^^̶В~>s6qZ„C;+g nߋ8y`ᣡ`rn=gt~oD)ZS }Vl0ZUɫ_ Jez66,UdY'#c]C?o%4,qέpdWt4"ov.ҁ2\&Z[ɘs͏چzC;S ' qvc'] U]ee׽p׬#s5@ w5QB!^ %0-wT$O(G A,NR}5cn#=_ "+8Y]hq#%K ܇l2Z^y-lh1- FONT3.DAT{1uL, [1!Lz` JiS@tcs8npHw; x11Ae/j9-WB Hz€ а9@f8; .ZO.l4jUG(DeAH`lX@; qz|Z ٛp`݈\=?N>}^)՜i a36c&dOd`+1*<Ȳ`dU7]fTëEW/ju<ц5qp_~isW:{7- em^R jj{I/q<~[W7o3 5v|B97qlo`S*~Jc" ]MC"jIa67xEeE(N89̀rs@b c{+FtkJu=hې>L9݋X379L4GrxZrXUbK7?8[Dk"wk`m܆6sP"gLjſ "h=dng[*57q%<#$8 ާ#E?Ιožͩ7yeZɍORmҍ|C6^4Oke蛷`^ّDU69Г:7Yᛰc*p~,5\꺑ߥ~obSk4ܷ-)7I*)JSs#ؿT'y}5ӪhW5V >ȳIڷ!ruKz<3W)!{`E7Ϳ 49n/,vm~~99޻;>2.‚jJ{q``T`! Jԥ7\U!h2>rA~GF^xPz:?Fy7~ʊ\p<;LZ&y>Y+//y 78}Yd֧~$xf735M`0=\f{K{KQ)ye9:k/ >)ЁΒ;"{Y 7':A ˍ m.E`< B^Y7_~sր?0)z^76i0\M λjOma))/8Y5V-32o󟨪Mp;_".lze3g;@ٮSh?E0}|T&Ѿ1ly)ȱMɥNשYyX)U.X@K֡vSQ+9L0UĄWD8Hn$Tu^q鿙EAmPۡ)qŏ?t&'`@Ktm<9<~v[^=yOK5"M|5W0l\E}Rwlզ/Q=RTKsxgKi<)v~H|{J":NqǾ L@J~?"oX/iݫIf*qZlH.Vn7{k٦'Ѓ [? .u^Y m"!M&»nBG&Y:dm0B޹j2 ߄ ,c / ܻ/1 w Y }ZPg<238]Qӄ/vk׉F썯kYb%A,onᮆyZKWZoǠ~,jO ^7 P&g!|7˓}A B}h]F@t;-`Ñ5{n&]~~~/\W8'oYj5/f]j|Hvztկߓu_Ef k"ȣ'>RyeKCn?ƨ1BH0|4F?1vsrjɻޢSۧMΦ{ Y~y|b>~Jjto1'KOTta맟ŶendHUgMc@o|6f$uE8'GK yny;Z_{/fϊʆ@WO#$ߢGj@g߉Q;p{o`.ôχk_~D?^H^pdC׼ h»cޟ?m9/yKyC{w>WA3ygu׫_L|UeҼS0_f_Z>ײ#uqjʹf|aɼ&5UEAqnѝ*\~ҧ ,1}ݔ!|_s1Q 7+*o9~܆UUbIxp]/P$AK(OmyCΒe h|Mݹn5>|o/{ "Wmr9pgDm<͐sՂ\E/'xFw!|L*vKz^qB)@gsx%t7%a Il:9%ƺj9oMgDq_M8C5%Yhu3Nֳ[ +O3r8;Nh|{?}(Z9ZT@[8e>@n _Y퇽8iZFY;@ǒPK"b u SYu~Wզ\ro:G52״|w7~)]z$j~I'CLGlT(2kyo֍%8LoTD2t'd2m~3o>EK'|-!w8! >MQ auޏou qQo|_ ?8;:7rٿw?'W;7x޳x-wݯ Qg<_7)ȰAɶ ;Л W7 ߅mihSKZ wq/.´̏a"$\_+wV"(mt#ҟݙhwiûəSVۍN+&D@>d \e3X.k8QG=j*fڍ^/i]JFbҩʽ&^9G s":kߪD顩!:_BI)_k dy [7`2ONS4מ-a +kӆL7nR=<<!VƇrocViWz/+ӹ_jIuκǤ\߮|Xb@O?/cEeϛ/o/ګ\,QG#򆟴wټ]%]͇!4k:ah4po{r5҆VQ p{ڇLZ䰝ڒ}Cć9K>̽:tMMں:=U}3rU˜-y_JC_Sܯ!m^ΏMD02t׈3;(8~bKu(~fxFa_f wy5gA5 )D/]Yl᫵w2_5njs팋wv~K. Pe;U,}\b*ٯZ ?y ˍpŁ#M#K!#x7~;49CEߙY&9(˙ DcEތ+D<دs߰l&uy\>~p_x5s\)(ΉE#WkOb 9 PӃXT.2i ;o~󬩰m[E]<◢NEOLMl9O"Gߺ37@23tDHK!;"9U esd4g7_,zsGPQWrcKPHM.==]ٙ?|_cj+S:<֩a>xn=ne;l)s☿og~}5?g۱@ѱ 7br~6˞w.GQI.A%r>Tߚ ezq\ʈEjɩb+Z^]KZ?ylS~{UśpAQi^*23kO-3s LCݼw/ox8W35UӲBG䏃:Ltב2H}>ؿ'/2́gŀAy]_ f⦇0oF.-_ rrVo_l/9!*Zj(26*œ>֎bezhy!7jhnj00nSp _9u?YF&v.\W'JO-nRR㷫>lx-v74YlՌW4rDty7h05hږS˨Xox%\k%6rOٽC~>yA1}nrOX#gތĶex'Bc 7֨HIkB-s~c ]-]"ݙaƷYS%cb%+w;_[N KM|OTԥbI GVk_e$C%yWߴoz?|yөUep2o-Vj:s c|WzXmqAp52 _XHnWٳw|oԩ8[8;O\"oNoソfttda$N7,-yTj7CU- r{\TDњʎt5>w'Usa`[宆Go 0ƺ/˼%+AFe P!I,xOߒ(Xqnj} =o QoQN!*EATŇ;{dNtKOHj;CEg_諥%^3\x8PfC۶ x3ܓ bsg=QlABR{E%۸)insbᚃ+_WG|4mwoZY쁿8пod{,ݺIƫҍov.T-QJIZVf.u07U̩hj{׉eM8I$"֏q?ĒfY+Ӱ_? ?AolԖukއ$(=g1oveTF2&q?orܘQ Y4, co "]&&ȂMȋeb~5^.%QRVu,!6<3<$v*4]luTzoW Qǭ1){OYLcqWB>d@zOz-Sl`/p-:dl@푭jJ~niL0>Iv}uofXi潑[?<|H3RC{mWAn+.݇TfJ؄e ;=T9 d <z ؜p?ZRo3L{:NOƼQ9"#3d}pكhbQ|,?y<c-5uu* Q1xW55b}CINFiYxy *O^T );km㢝jCV=9v5ͬdr =2:.:m+-Onw@s  p0AHҭ%YcoDBG߇7ƛi? _lmƌ &R[($_||Htvrܽwy#Zw5/‡Wv} 4>=R p<f T +/;w\W|{eRŷσQɇ:Î[t"{{B$huu Ve\94ڮ"ftZZŎh5w gZM_ɥ7arCޕ2 4P)˽"8VW薦—M+9y3* %oW7k;k~9C8#Sa$҇>J:J"nźSj^ذ?ٽf~J$F_X21CT><̶,(k9qfBeHj1T}hsBպ7O?U)Ev_o7&sG4Yt+CZ:c"ѧs "ٮay12CX_P[Ŵ$^9,_o0 ߦD*]1dlg UxSbhgTz wN%C]eՕKs.vF!H]RFԹWPJDXl [ Y+hc&/ } :t-ɧVmpEy&AQxjڹ7XoG*͙ QroVPpS9ZDV_</s!UUgD5>~PY:|"cZr{N BfXWϺ%e/F!xb:T2@hg9&3dY3O>Vj~n]0H<@@3&whO`i|8f V dz~?HA(&X{cOIXߛ°Ģ.ey>}OCiPďAE?ʉm%*EL}Ϥt懻׫: :67Eu!]j>6!.EyZ)$^Rlm΀CkqI1 n'}U[;7rdH]&%zݽӃqkF* QaŁVFJ?w13 mW9ˠPB$/yzH_D>ЬxtNoNڅ W3dpN:1 NS׺Zpv+ ӳQjV R=&-oȷqjtϼwHџՁѧVb~r{tvAXJ.&×jsZ=] B}RT*̫JQv6n+n\=H/7'\6)hCy zl˕9$K6ӣ},r!Ё Iaו}[Wg8E5{xTTTb_jxl)KC*mڀځW~M@]g&Zﺻ'ƛZ'>jBP߽-Y!d&|IE3_K8W?Xɯ_5 2o"oȘ:C(o'l;fln yG#RO7l<|=^U!fZ~o֐R iZ.D?6c c͡ #| f.9?{I>W?}wRTJVJ8}_͢};U*f#==B*^<9m2q,uy)=s7?yc!y5Ʈ!?ΰG_75+!t֍:׶}u=~l<[/X K_,g\HM6o6`sm[H ҩ"US0p4IqZr%#ܠzbk:~JޠJS_@ڴ]U0TÕaDD,p*n*g9)iDg_ I77:Ne#gKvɷwwͻ鈨9P51,jzz1v5G00?7]ᇓ&r_:z~iEidV\OiN#7mU UAqu7quM2G?δYZ*IVIQŎsGDN1MDQ'(],q~~aX*a}ʾI7ػԀ g=o/O1I-蹁ᤱ +c㛺3~ͯPGb;dJǙI'p<]R˴9+r9ӈն3;7KYO4vo =kNn@tZ- 7e |cNS_7+l/R>"*->߹S}?vӨ(aR@DOZJݖ?mM|"鎿i ;}.* l*W^MMQ +PuEUl}j%W#K#('ljA?RJ9{~87ۭ#WE,r6^yMGœe 9zgD5[N fRՋl^ c.^,ico3\d}el~QQuqӍqo @ͽHoE"-"b\sZ->e!ᰆ6 dy}hz u{oaRdL %9.U~{'\z+l lW;`e;-U|VbMX Ѿe/Ch{\ @ԉ);7вK1Oe7vo7ɔޝ s'L"FkVH ~6{[zBB=\hu;׏ȿ=+QRnGq3Im:xhi˥j_WT.NA,]>>޿ 7aI@>WU*l=r+\ʲ׭'h|п =ܚB97z/R"+ejLz' {ٕG_Yw)@> Tw,@SfYSBSd`p2PhnjrVn ă>^ta:@u]}_p_;5D{ׁ\NRk{5*_ʺ;olDu 5kHI8c? w}Ŝs8Wyß[%'uj7CWZ^5BkpPэU 4xMWWȭS_,;l x=PQH[[N ЬA{>gF.!RhW+UzD ~G\y%~&&]3<|pK_Җ ;09?W]zW1[{_oVRg5$iW${,OM=_4fu_^6lSa_=tF#at]dbL 5dK|xͷycb,>䬎.=ՉQ+$?&Jdclf.ls9^Bs~W j~%~޵N cWc1{Iv~ZڼLm}2cH2RnO\ʹG۹9_>VOM|ۜiZMu$<6pf>^}KWWAQɀrxuRB+4IoOs J1W#:\]NoJ&d1&p[KܢL¡*QKO?ThM>5bрʧȪtׂ/cW.rFNթDŽb,@Fhsq+noy -egw#(zM7K q, _S#:>/5ט|jGpqm!XzY߳>ⶽ=g,[S;1xMe`$pSk)_0Sl?I4 m̄[_2X؏Q}!pwc 3E]X"Sm30<O;pW4zy 缷creDJ_r zv[6oK&k$//}\=TKR.t{eԵi#^؇l 4POx`졔x[4JEj2r93$~Yx{U7tn'}%`c3]H;&W`^o=ϯ7;bhZA  &r ajkfn[!Rr(Cs ߓ*]YH4Shs_NyMU8xCGPh;?prKw֚(,!_^ɥl1Tv5_TOe[Y#E ΧHa]l9_POԔ~qHDQd2ל6,F`bFbxj;,VƳKdQemcixK{|NS0v^֩j;GњbAnٮQ_17AxYE4lah5*3@Y~+]wt/UяNyVC}P$.#QtFMIx3 B+k )p'pAK-Z4Zv3mK_So#?*%Z3lr|B],fUm. %-?SFG& 8WF}M=.%~~׳_Fh 2"#}_NX;»NqޮwԺVXYX^.Vkvdzҟ֪mee?G1؝0ԋ\-\]|nlgk?_`ݭ|Q_6׾ uwo;̽Ϻxg,leQ]^@i{!6Q@V04C Cvvf)9ˠ ev6mڣybW:#@WXgجL?o_RF2I S{ H4t@wm(v1k A8MŠ_E% /2Yc=F"k_ÏHkݬcXYes7@qNq݆󓜯PHmTsyR_{(\w~<0Y]Whs/bԙխ;) %~Dۉ?C`ќ5lZ4on̊}Y<,/C=ry:E*ٷ<:AmtM_ağ9$%%C|8G mk3~;ke8bGy̹lϑߖk?[P)_XUJ~F#v,9ȳr/⳵Ţu46~fecn5Wf[%R[&Yr_Z[k0ӹn鏓~uE| jwڗ'I")M J蕕5751ʭ^(Y]|Uc}vEF&@zmb&xb Y6QPa_U7Y}h[r/q߯~̺JØ)e&d%|шJL+"*L*,~X5OzN3Sqrb$1/Ԯs (q-^wnIfgckTfY7}k0V[1I>Xk]R2:ܷ#tI'P[P,)ZaԒO JԋY5]7 1jrد4%IU~@i;_R)Z@y5Mɾ@goRxm)eE U4SXRICf#M Fz^ : {j'S3ͦΖt5oD3{`tz)Nw̖tzp?+LbGxᄐ(}Hx,V6%Q6?O|k &?sXroYSv$cXz[uCP_Cwު $LƇSo,k^Qu8\7vDfl) ᬡB^5])ߡ6?NGfD([w#!e0#g>'W$~Փ~*i\XIDIAq..07Re`]m߃Bx8(5O45fY%Qsz=ʤft{bU8۰w(P\XukmdWOّo-}AMhѲ^Uȃ@`O4HՃJS}y1"wrOg5}x=mG=fWV60{mvj97@]pĆrb 5Ň3uJtKR#M[cn pIZ|@ d}oIDؘW2ע49aK8(hgjJ7%X5e@:l9"Jrk j!who{nrF+3}m;;n7X|or5%`K﮿Y~0m?f[p2EƦ}+@y)Ul PϊtہU|9Y< 2Mĩ`M[\sS_1lu vu5s8u>C53y)tf̫ZdKQvmb6ןE_b$Z,?O[-|nvɖL.ZW=R wmQ)6 姛Ff=_Q?oVδϟ8u;L82u=i㨟 T7_%K|_W,u[2g _29 R6Z?V/Y~\lp,V؇?S#UVv=<`9Lu-+gˇW8?ˌG:f#&4$O_pg8ޟߺ"3 ڒfGv&ӈku3B`T% 8/ZE\^r|Qk|yOׂ]ӄ_4 y}D-*ƯWB6|ߎyHtŕk&w^\D$|>.zl鴩>EuoӃy o_IƎ.& ߤoo5N2."W{oFھ=q)7m7cCo꧛xc5~dq3AoZ2U `o݀7y%=W߹V%18__vR?m7lY?BPV_&[r4#܉:_+}o84euӆ8h8ץ=j)zv̿; ?ٟo~S/&F7ŬDD=.hL݀piL0)5橁F_@vS$\yX[+/nݙ~CGԒgg93_0/꼫d:b>"S'Gaix1K_t)I3-cU_ƣԾ˟~me7,O|g>; إx }|ȶzsK˛gU!3ay_2rG;Co]JXA5 uEOYyfD?2gu(R)6iF Lm~%e93:MfI5ՋVu8g¡+ZO8>|.GŶWb 'wfb{bk9Xo7gZˣHsB |h!njEWӶS5n_ce@ԒAَ?~Q +io3ڊ?Dsjr Oo4k #|?]_w{}_7Ĺ0Ɠ77|u^ۿ:8'i{K[ S'[=Q>ӻO~f]7tsr ~LG&zoխߡa\)oy4w>*N?/ cv0o \6uէ*Kdlt\鰦KR;1)(7 ej@\mC~0+}nGP|K7$PB}:YxSxhS7ɞaSݴ`-_Ni94z:,\{j( }?C*( 07WEkrl)-ELCaZ6Q=ҏ~7Şt;@ mvS/ BI3k>e\w0#{z.,w7պr 1YƵ"翧^9~9:5;0M4;FXVo3WdU~t҆_m`]7ԁ?z{!@j!J PVOnwdHhJ$<_xE+x0?NKVn {o~K@I{kǨ~?ֽj13O/F06sl^>9S{uwEX?eՖQ\Ӭ5^LzЯ1 #H~v #ps~gLJA!"H CɇY m-4))x̞¶q> oDnNќ7?QvC0ˏ^J_vЁ0fk{  _l4hUx'e.U  !7{C2Of7`oؘfay;w '\٣ >12z(s :ka?oܚ璿Wl 8&(za8!"zyxZ:o)ғ3Lz8ɖs_ݗJyqծʞ:8-~/<%2btU-L;ζ$A|r&j0n>d;D&| SK鉐ρ~?Q>+ng,j1-/ʥ<OACCL dy'(òE Sg]stNw߰3YP6?H0V1_ 5S xW@ 7HAXNӦKr˯zAI0V8Nv!0Sut5A6x'a|h߽+_1~vDWkJl79J[h`nc۩i%%{+q%\al ?>r#'MvC; ~mѤI4~09# 1NAkiG0GmsJIPsc򲿤|sKI~3M 'lʆu;dtus[Ei&zI< *َlnunnSo5i~<z@zTn VP*;ˮHK 7-=7!™gKy}MoD{_Fo ò+悌9@7ߚCE=~UWI *_ίsN={|hHR*k]BK$琽/bZH_C qe=?8؂ }acbJf<1@h%|=eKM.nC_ץ^!|48Q@( Uj|6p wK][hcMÞP*/l%0np1Lͩ'^V*Gfݑىk-\j{g qkaէWTMagpm\<{89k =d\ Ujۗg^!cQs6.4zX+>׉,ʷ/U/MWf2c& %%v^i@L]schوx%3 SjVڴ\]E1__ 9t,gW_1r>_#6#J,&q(C?袧,LVH!0fb-lh1-; STORY.DATg17M%$YrOޓqp챰Qi+s;xєMA1Hoٿ*\Lr 9gwRG#8Gjj"`DM ٷK6W/5HpAm+I kgeC0JXI!UGMmiE,}04_gd-P9#![OzyޝkW|헡5.huhdI:/ Jqtg20!*wv?~.Gqj&{XYG{YP(o8!u5TQwL0^G;Ʈw G^_!G|jVJFhI&c,6v?3o3&O[1=xIYLRDu wdbg7Yel*P<NeӾU|vYsp>X}T4 RZ \T+݈ ]g$H|rY絲QaP>\xR |`t(VA֑D4l@T%k![%؞oh#8l xbd.4  OxK p~"h|Sm/GG;5v;IcT]Ue|P&SXB@% ]vXdv̵')zpqTĚ_ 2/q+M &R,?Q>^593e,=v0ߓG7w7 γ8RjLf/KM7U`gJd>U5ҠސNO!A%$}DS9$Pz+YLN'uBʋDGRundܒ^Z YIC6z˝-MG=K-4= ZH-^{J%̃ATnF E*Vϼ [vR(-R^hoWV7cvuX>Sh&7%GJuXE21hѓ_9*Y(dוo.9Ub*ZN-2"ŦTd뱉7H{رHV,U+1XbB~Tos$* [p 7Pއ@hyGƴSUo-@hU\Ѐ`e(A6a7]xNؚdeFUuHykGC3Io-xXbycL5;<` NP+IΑXDƒIt2 w؟ml&7*a閚:sbJ^oBj-sMooU{R_eU[Q uFƍYk1xOn%D~c/h,"MRa| $oT}A81O95nnyG UiW omq-<`7e1ڼ(vo^,a}wìy$jd{ +FBB؆ 88"iy%cҼB=cJy nKЍ[$Gm{Dm]OeU_EjBҧ=g6u]Ҵ: ԋ 1K~\VN1~_&ɟWq[ܩvgITm&3g[fcOeQ],s(~Jԫxw=#ޮW]ۍ|~ߟpPX_u_?|A1Ml kFdtO}qW{%?WBZ9K}RI"A`zhy#z*'V rAΆĜ nP1Z.K ̝pOzu'I"w2Mٖ `ho78d}c[,p  -=Zp3Ը(<϶ެ^~v5YVQԊo9B*Vwt5̘6z$`S\=-I0|E^h^~⍓v9gD]|mTOc)m:Me(Qj?(j)ݪOi>FD$5=5(X]dIw9(NƸYN@smGYIe6Rkx L/aq\G p_e󨼴pjx|6Iyg=lkpZ9.a?6{u &D*zVe2peρs7y&#nO{kb8ߛ:0Tey6"i[E_gJNK`i,ݖ풽Z6[Vx)t.16_d6z`_ z׍_F X\^qY$w0=(_1}TR}= eӿ_iShþ;@DOxsDX5ΟL>`VbmO78׿߸gؼ+=o h\ѩw ߝ 6` z~Wl>~}? Vxn k|(PdaYgGzc#6&Cff]ih&rO7`7#->+9ȝE}3j:xnsQ]3sP_>֯gw{?xV`yڥ紹-ˉ~^6~~j}ˎ*o.mB84]S7?fQquΫVhu#NbP7]AJ/^MK ȞAMΑ_-N={f&w9{a"3J&!zPo6WҌۍ(ώf=z B{S$lTAܹ`/会Ǔn۾葘+C- ep)wuTm8eJt3/>|߂=ÜK.חMJku.ס8\?_ ~sۯe#q ,[8\4UCx ` {Uc?lmhgerGB1 l</|SozߦrͳeIAWh)iM~Z6~^Rdñ1ӊ dUEVy[h?n(BCX:;Jpt1% ڒ\+ug5Kі8H,ۣ(7f,jXEd!;O+xPo 0z̑g%xcϓi_a& >p@< C?b)4]`mf=ʮZUnӈeu+z/ eɐۖ ~N:="ժ}fEƼWɤ9|6.$c͊-Fp9\N)~tMUFt(`ߐK$TˤOIQ,Z$d!w0jz~\9ʍ?!ͼy 9%oYfµ2?F,ߡck>\F-"=>R˰+C*oe[W@ H $J,쳜pFg8_ =|'T `98|.eڅA<$mG4+fC.Ϙ㘢 Qib;1L9J1A]TCɫ6&~"! ó\y}O+-FSƂ׫LQDҗ˶8$iϟR._q z]|$9=A7/7Jg fr~z5\wZdO6 )r %c ݚ @ϣr.N{쾧ScUJ5> |SgsWO'Q[\'y3]g,j+ΐ)$}IsT?dT775Txk:(I^̍G|lsVoK襽ՍeC7WE kTϏ;גԼLԭw 5jϗfK /ɵH3TP0{@ !mk uf@JWeQ4mkf`X~L2DXFQgV]O`iҙS(9 lRhF[G,iՒ!.65oi|5B÷Sx٢iB#u_["mgX4ۨ.ܔ&SYXxмJM}_v+/uzR \*KPM@O-;0=[!H yH0-jy5`MgAq=W-3W.=OgO*5y+nt#p9RCXE*IJ|Gr)Nܣ珧*!Gs(,,I!{ydb<1ɯ2m@Iǭj}Te.&36gX愑ʇ xT%TٺӸ?[S=<ׁczHI0qWn?*w ̄,)FtQvz6ä 0y Ķlwz߈`0wнl1D0;]GiMt.v.")XW/mb(vɺ0T %(UF5 #9j< PX^j |Sl>cw^rgVm*C! fe=R&/uܾ *@/I.O-_OtWf^S`ew!xk@mPs>7ɕ; tu\زUYJt;,WLϔjƫ>-\mCcY_O@L㸮M.}_`#-)&*ppxy e̠/6 㑺R,w+A  ]i#Wp'u? -M:R08.!`cۘVrI洑iVuoÜ'_x?FygĔm`ys|pm嚮T#qܰt$s>}wEoIy,$ z\@Io];Z'骆 Rǜܶs<;n_'V TZ$gMO2'uJeCMR|Źwi<ݱ5&0Y.,rOko%vG2^&Xf/職aM"InI{c]՚+UQ!_aS=0e㰝%w2pxO$A03dUfs$t06Rt.mb#6GαIАFzp#Ѿ5m>&g옻n\B붛+=aQ#c#tݦΐͅ@=bJ^?Pm&8W]M^<. / ›*,UX=~qwVXx;֚JԜ_Xur ܝشR~Fsגb{9qz-ns:_ a:bez>cZ:jccqh%xGWV/< 6PJ[$fiW")e,NvjsSkYͦ%h}+<+͵˽֊֪,W[ȀեK߽b ŵ鎨+e 3־_rp~Un?}TxfL5Rk[((N4L[A^( "6wQXxN zrAyOebٛEgʰ~5s"p<<_N~I@$,KS?_3& afUGM#d6;`\8|bٯb~tDfx+$[Vzs'sx{j%}طp6HlY a Щe7JU>|Po+856>~[ڣH7T*/bMw>K}[saDɔ#\/".7tRt^pgz>VY%JhF6l^RSČ1C~QPRk L\=Smz̽[v1[_fFղ4`%Hqrs]|D'T\%2"Kôd0 'Gl~a*9깞+u͗v9PwJMwc3zj yuF?[}T=;~F_`9hTh_g}_^VF"^RƄ~NDqwɹS: V` f E6;|Pʝ? ;'owy8\YĦPOs@ _>Hȹ؏80z7j~Vo=mn.ڑ&Ȧh P.}ݎQe?W =⼇y|+b;FoyM1M0(UG(P奎9[Jmp}(^}b` |Sۗ|aFPMXzٙE8vﳮDPSq4}맗v`C {t4v;nh}gfzKa~GK, [Wb<}W**#i#dBV"<k v-Z#­)dى\ŷ}s.euUsw پT=;DUZ$~?bUZJ@BYtwVkűkOs}ou[n5vCtkŞouq~x;̑sjKYHqй3\ɯ:v]=}N:Fs!F!<$%=<tURion-=z/t`h!npi2՝@ a/fAHu]H[z.۟uH%Nӫol{s"+c0A?׬5Eu#h$WOIlӺr󒰝v7ZW""H!\}ob}¶phi~ѫ/re{L kT=J6Y,ُ".xΊfmu`jAY2(V L}aҐl+i_@uv|ILM]yI:Z_KCen;ODy \CxEo{㧥JB%8"DK#&trT;eEJ1#1<3#,ҌJz3!J7۷t>4=7BFDgljq,Úfݣuo^5M ?40R[r |%6(vUCaCPO im?זH^!ulހǿ x7`}G _A}N^U6Ӂs#$y{A#z5On^5R݄@peؤ+as9.N)-my-g\8]t>K"YGO* }!6LM٦I Xb^4_4.%X?hRh ]u~~qbUvbQ+sxx\ܟ23L LA1 N6Y+R#q`~lO3N*b 3;R=imHHSHpOǚcU=/>痃| V9n~_,}{%d"ѕs؏=73UinX-8 !$xw|dvS[u ;afeD5bT7RD5g5XZ9^pZ?dLdlH񫖄֊Q=aa`5I٪[`1<`]v`=~yv6M9>J)ܯ/B,iJs>NxGʖ.do YY,eZtLpPoscCjg6|46ĄZxW:2yz=1`_|{Rkxu2#=2rrشr?s} b}JZ{?Tjezmib We`\\i}д.;m<4c„c9WtN3nB9fm茩M*nE{Kl-]ξ YJW՝?Y4V*UTD)A][.=i.GQ9%yzv G2?3v\TS ~1M7aϼH&Ӛmʁutn|lDACm$>y$tޟ=Z&#U]E3̈aR(d8~[O/EqWaw]F}?c`0Vl{RSSn 42SV: T H^h ZhWa1/wִ-mqp1͎uq ]Kt6mV2(-orlE}I6u~.W,6{Ėa_׌5nQҷd?_^JnkcL_i._%whstq1:sbA3A<>f wDIVBz8[ __.x )/swސ3XFTzLw]{p~/JQkn&༜8-Z쁈K$z8HFO)iI AS2%@~ Κ3Y:gn!gT1*2{e녇iܐlHWV5(1hތwMRW3s{
/(2w%f-i%Id}Ihc8S.;ݮ~[xq4=<%pY*$:!.\a@c5&}uI,]!AH9`?}-`Ka뵝t\!JH~trYmGX}X×]`3h3lF[#NAN6xT4E; v&݄@BY.n ?!Mu?>hpv%鏝CzwdyǜE0E۝CFUM6'3{Y,1ŒyaR)MG(I/T*1eefp0ۧpϣE꥓>}hNΊ 2(L:/߅ڐeXhbv^AqDw9x՝Stsl Ԥ>ܹALTmܦ|񸟞=?j}ekEKjhm`fyJ#buѷXjdV֗fG(\ЬЭ^VGrh_Ymrx ΣYzE!`PΠtwi Ʌ n{cl"O$n80wg춥7ppxsz.EU~#3{72Phe#ALIfP˾micV+@EoSxr%Z97YsY*o١SyޞUNqIy)rWAv5^abbcz%h[Jl'@A2SW¥"bXϙ荭U j\OVAotPI޲=9),~JwVP$e { `Y{~ͱ#:͖Gmuhb}[P~rߗ?–P?~73lG+WR+ vLx_C6^GA_lvK A"V@ Эǭ,K/@ e&c5x H@c9P>w BM5 6q70OTjDm_ 0O@E%נ`4\=^g|c? 9e攥,<n#~DiL800* ׌V ڼ3W .cX)qJjsٯ.fmfE^9Fy^O>5? ͋.뼂,YiȂ{cTJ;WdM\b+/;~jX׻cykm/g $hvVTlVPz-ΣZMvwK藺"g)2mcI 9E\5~he#^CU< WE-Δ0Ky@4T_cy\πgC̘>&v7-_22ݭ~ET pAO[6Q o5tD9¦LQeMFqcXă KQ}iQtc)m Џ4%Zy#dpD4/sY3TG AVGj}{Ճl5̢ DKw⣝f=f-pFxDž/ 'TWB9>~}tsr9nE] _j&YuTv8$& ?Ϛ>;L[){$`= К}ך }׫; gUJ}/v2gpP^G7JD]֠HNBńQ)Kv-f+nE:[jތ֜ܚ\6 夭oBBpT{ǜ3Usu1m{]L)軀UO(Rٴb'zprwI9p.͡$k*8Q?N( I)|KM\6k~c:'Qڴђ$Aa^xvC#gXl;S޶zI;+A[ˠ漕N=gK]]zS)L}Oe S͐4N[3QؙۚF{g9^`4YY׵:nnBŔݯvB-P_ܨAy~ʆȶsϾB =kGM3k0 EuLz>[rFƛ(I  叛T{%KJg]<3,[/]Medj|~Q!s@СLjo~1qS^툼KJ343iSQJ﫢ziCA~Rg#8k"itz hx3rTQu ^I (WAV#%wBٹ7DEg F2mوQ QrY'Weի߬ |vR znxiz~{exij+fjr_jF[^tBZ򒇞 OTyLSԺyMi.V*Szc쑄ϊ͎z7Ylh*B̜Rwpi댵Dypqۭm#$ʐR? Ё0"O]^5].J?c.9R-mJG㾹r;^*Cy'fZl)[dX1~юu&5?m"1](om 륏(4r+a캤ܭ.n]/_a9=zSuf~׸q^V˽2_v\%,sL_`C86Ww;shm8/YuQ)$$!@-Lf}4&hK]ډ}w1LS`NixaZ:pՏ')ut* \ǏE2N~n<9kЪJ|I[Kc{JP_v9rB&<@\'3o_ڜ?iQn@iٔ}[, ]=Kq;IB`WEzYtYR`M$i#gDsY/}\Q)IaJ2/0Y]~2T90oT  \Uo/g:%gbJ(Kq~:ko:ŋ(縚`{Z";@v`>Q( ( N(` p }bW#~nίXt'E/rrKHӅD6Y׮ohc4Z[ o~ٛ ~nf&aTk ݼ.-B]|Q\$R@{ЄЩ_48N{  ?XL,V/dيwx4ŒSJ(΀%#.",KP-?fO:^j;SFuS6R_tX?Yvѷ>'xpTT/rPS"111M xAz[n.2#x!>,SXr=Ej9mh)0ipwiûׁb7waø܃Ζkɋo*w:lw̩k;3FH58'|=e{va+Vl?yTe#o=E*,I a{Zʿ:oaםisXwRlM62,k6@` v;(8HPpxd/kqbyzŬLX>y`8u"@a#K/= '0 {,-,x_ `G+Yh79`X{po of;m1gp}g^<[%*Vb;Xj 1Sbg^0ܣmF,WG'eNˀvFا86'`[+ŞF`|/΍YGf=sȧp}%[^]j}b}~Pax$ځlk8`1-L UfjYPB=b.ÛQP$%;f(ynTq0ӂtf4VI /*-gM̱fBTLr}%}ao]؝JB:ӓjA#Mӌ3ӧIr询~oo-rp)"αe4lJCSS\+OR8{_JO |CwȗGQh:&^F78 np9Ē\ژJ(, sT6Ü(*A7C=Ʌ<pU$.%5y?ŎE\LTM5Ś#Ćx`\h.֑TtWf%T(_ ՗r~%Nf9.A FV#Dq u%N'-*3h &,@-X0D6""tl¯~jMo@sj%~oǵܳrU|M84|L`$Y"^Az>u0SQ #)c3H yI--#.-RVXG\ ^Ɖ'L<]ߦ)O8P9+/q׏_ >ȼ*'vSg΀1b`5f, |U?\:ŪjmHCr6Xnӱfq.#A!~l~ sd!uy^"CvK2ruB-.Sh[EIq U5hb nZ& ϘW->)0@^?u%-e ,wu|Cy> iR@"F{1UPk^cuePPw<>i.f!({oMѩ|M {j|͇bL58K\Ocf8Xb&Ł;:2T<( 9.Ki愿MMp~#M$Bk^Yd~媂}޴*`f>v=/$%YİLLB-1FI/G ?H0WAKj G5|IĢݽbds<@?]xB@?p\(Mجڧ> ց3&TV} =+aN'?οS٩ڀ~PwΕFsN,gHCV39b}$ӳহXˋ$ 7bM7cn򙑆]/WN>Y TuΏa7T?ob aL9 |A[I|2,~/Mm*}1(oYLsNgQ"Ѵ_9!$웧5W09w=m{(汷3e4\r.ja:-s=Jd,=ۃ!m[ EzUsܴ:ݚ`%\_bÎ7J뺠u`]iPanRWVlxbDPYiמbPr؁|kҀEDU΢_}h`E;O8տ;y;lH!BK oVN{[D`su_[ۆ4ϱ׉iMDmRYNY\l :ݸ5G}<%v\% jmΆX>ܔidJ{n8626x |i(y!Ɏ|$FR>8%kcqN6ĉY5/g޶ӏmt6˥lk W/Mq% (JVvv؇rp߽x{1(tDPlͼgzG?׻lK f&|S}^H ~g n\RQĽ.ʧ&ē7?4?bRSzKoBq)?fv`:?'Oy~WZ}% jDl4Og]7bG+}8a'D!L8vxwCːƧ]`egk9} c_W;QY ?yS W@ȅʓEtw_{ňuB"gYNwB#g ŝWk >sOtaٿ4W`N?HӬfGiS][_eym3O|ַnv= #쏈I56[X_Kl&Ͽ\ d{0R{qu5+S4R{ AR:$MCh:<_2SB< <8"=e'&-?ǿs%L9_]|?myMdkx9 =KDH` zVxkwhf:_ "B2A+:#(m`$ 1{B/͋$ ke\){ٳŠ,xPB ؾrR>GlarH!^Ä݁7b`"*_@8ǺX~U׿JUFBAIkXv(5ќvmWZL;6-j~{T'^,(Gjm|8-G《;˞e"&.11{?yGs~:fV>,~.r:#qw\LaC!/ {ۇAʰ,J_LJ>u~/iU[ -pw*_ĆɿrCP|Cھ;p5@@ 9C?M bpN@`!/FMjk 98>2 w?>\6)ާ(@6$:jvx ct 12.׌LÌ:.j SѠ<3zoƮ2N7wϫjDj{4[nUZB׎蜂_R%-}#_i Tc)K0T};HC85(2Oڮt#- 5.ë%A*4|s#QQ/ooW=E[-CTڗ!-*$(ug HVApJUT"hi~,B}mA6%8eh׿j2h2qUܐeLڡ׆!Xj*umc/ e>Zl8LLWJ^VCL' p˄:VH0kPB2UP$.I"H鍔oPE!s(*0X!0c=)J vD&'d:\%Q*U=*_MJ,3g }W$n\CO⭂4xCک_M' aVpVV`Z4̙a !mLnXTX%\7F`F78FM,w>w" 0poio֤ +GiŽ["F)!eva\`"$kgӖCD)[֞"F}\ul?rAIGXDRV"ABzky_7e5`q!-!yEy2:Ze "mf $a+ u"nT 7oQѥءX1)BmPlW1~*U|R"P@hX!sMW04Waڞ_!/f~[qV5 `@ZUya!ҏM E̞f+?b,LY PwڭnK/<Fh>}ϵ*7#F|9u#` TIs 1/bM -,}f>QT[!V,cDAN3㩰D-M}Afw*a\`#9P=Lpe<\ )'Ǡc6Fc |Q7xvpRd6>"FVe|^tB/:{CQ"h,|k;sd_X#γzz\mL;5'tDbRqshUkX s1)sk[zuϰw E;efrvE ޢfp#DǨn޷!9s~Ԙ/vaᲙ@Nl1glsDح/ y0yg"8k*𹲤"NkGj485vżeXKw9Rɐvk[ $Woy `FO}5RkE2;JΫyp6oy1پ!2L9@AC=Q%p#3u'FݠyRNeTjY\pJ [Z dBzmnRF_B72^ci'4;A澟}q{ATiFUcolZ.`xWrt|Fr1; [mCj3xG ١gUT0 _>h;Q-tIyQt)L/5}#i2WQWVmo`n\e39BR;8?iY\5˷ KJԩ55kOdgXڨDk.4O<߰E5A[YX#~vRWZ.[Q?fhFzc8{yG^iR%Ý_cTV^5fVk=?K9/\LzJ^V^*{p^{WHW~jI&OO! b-mc/ @51!*X׬֫6>M!yP&uA аAlKLB"p\O87qVso=<iY\N)ϟvhQ-%],@X"^E;{']cl"ņVa>8u`\4" t,}S>*> |r_RBC!)IS2ߔ?BfU!#uALڨ *~k_51XtNJ‚-lC,aͤT7f{uO yUpz;&rS$4YX9bo‘ 3~=lY;PJqA>{PzL#]_΃;o~ޒgʾK@Twsb8 LlMjm:4[ 8K HEUSsW0{]#^D1 iA-O/9,j \*1-Lг}W5Ke;G"m:3،8u;*!FaNa4d/WdɟeVlYB>`Gm!Vw|iK8@ s 5 A0Jգ6#'dӪ 0-GͥKYuZ olS1ϗ04{Y -gսԹvCJ_g╹{{Gno_?[ϣd4䧞Vag Я})6Kwވk^ξ)c $$Izxf(@c\aI2ʙϦ-C<q3<2?MB`koXjΡ+qɌ"hIF9a8 )砌 ټ%OnP^4ӭ!}OQ ,fޥqrAbXqEzBۘhZpɶ+t9)F./YuJlԊG c3ʽN1m/='=u!|u%fP) 贿} 2>)l's~Ksn#v<ڨ*,`DG%Dp݂:9q{Hbt],-0G%Z`e~uXn\?=ݬE=U*[d F nm{?7uɾ=F^)!x+W޻J_ږy\I Lp1sM^rE>yT9kfo {O=CVW1^"SS`ۢΙ{t ݁gy97΋QL"7["?g\gZ6$2h`?pk&V-n4!9 Kw0G_:|뭿7e[+%ΨDgPժߓ7UQvifTkM2~WAH3EjzX"v4N|5 cNr̬?<{zngReTC%x/&^8K yV'۰E<)_7G>"Vy`AO`7oKq]5H+_6EfĊH G8])>*w(qT?%D =KaDuG8_5'Ode[dJD+c ++-$vw& #z}PlFL_ucWfXj֏Q$t Z:u?# )w^gZAj˰vGR(QgzE#O䫗9\_E`@nV 5 T5|HiFk2CoJ`Ag: K|39y[WyX\,?ЬxA} jir~ f=.7OUӶ>9BBGf)룄`&LSZSXb>iw!0uv1~w꾮0Wؔt$=tҰ]=l755k˄: D!: kЌg>UhO7awx>{{,>j|A(1h6O)k$B6:g-IGyz%Jn߀' π~s~y߀8_#QKk/@4K>2ìU5 tBDYERWK5l ^>3s*<8)$FpU=H`"'0'V`ƹjW,2/XsgPg>kp#j>(-|MfP>ZQi=C#LM[k&U؆؆N hkFub2ȧxK3Y ͷ0UtEwEf:ᅘFuHV1|܋zds&q)cF,\^0E1.Oj R%`CLDG`Fө׵ E|YBsqemp,m7"jK 3uVKl) ,4! Y"-2mJLI^Bq V5ƅT@iw[[ůilZvyS\\ʥϣn[{HZT;)&٠"K`э}bxk_@.`E#ⶲoJsp,䤕gF_6dc(?&C]e~%3kS%c P5.V0.$Y\d%ClE-xvA˼%bBl~#DžJ|[r|۾l ! ĴF a{qtemk(<"o`F#lvWg%+,dr F3N4F2`&Rg݃..8Ԡ24OF> =`u-,Llkm|9zkua o5/7L|;eg`ށyqjx+_)Z)A!m)H[V֭Ε-/oR8`EI(C jv \iy#U:>Wlb!Ņ9~`AC\FnCn|:Xkp57f0~w dq|#E}:ča_>UdY:ίl0+". q󋀍IK')-;G &AӒw>(S CqL;$S֎PAl MFu&ZlPr$= 2,L]j i'7̮(@)pNcY&}!t]'~֩P6_J`ƫm?`"I% q7lTy>JpX,gX}B0FƥW*ӛ}^޵Xܙ[@ny2anylUR+p_\o ܮڱ)8*'Z.ۍn.ύciŸ/~e@[Kp 3˂/tXj]̸#bP 瀆mCҺyuDfɖ÷,NЗ\BNzDuo"y=FH]j`##$l ^J8JcUMC$`#E3,bxJk #˕(C|3|+{^{8LK&fN^f%uXʗ/HiՍwf Y.dcմ{z4zV"=0WQ./$̵}L._|6wCkdX*Ү>Xu{9->Ř> g}KXILc[WʞijXhb{ `/-eZp m/ ]l)M0t0GDEZ_%0˃j3&dN.x% X-B@LyP51QgD΅<A GCB:@:q qF+B- ʅ%-C0˂ؓZ&|lRfd^g3?zy1\KM"认^|\& QI<6 _=/a;aZe\*!z=rw/u#2PMH=U +$<=Ag#?OZ\#oE,Aìv"3Bj9xt(lH t3[.D2SϔubG|^eמ2{NLyOIsmfdBh7C̒]>}z-$&}P1+s o:]NwYt>SZ%җQUEy,NE upwK'k;S``!|aߵc*ZOȘww7LL2n_T#{Z{{єR;-3/DbM?oܢB+x_m{.A_[&0Ð.[JQ?ܙ9(:yT3| #Fws$4Ͽm_4xyezĶU ֹ w<gH4'|t56VVaUqy[w $:KxdPu~LSO_A]:2LK,K+)Rߞ%L畒lKOS]fO}&쿊z7ŸSSCʛBYAgR Fخ딞6ڷ[=Nͼ}GOdQjF9ǕR˛Q;s$_~OA"H4YSMAjRg wx:F|~p 'RMMT ߀,+I׺$[hJU"/#nEqWa,޷_fC:;Skih0Ɍ6xw !Bo- wh'`*F⊐Y|2m'Gy7~BW2D`ºzSK.&1BbD)+,IIc߆(9xq짐lѩJ+B|%(Ok"Ń!L+ޜEyFHˬ+dTEW+PjVO+aa^wv ;=Ye[@n~gϼkMoq7'<]8yXߕSnfNN \bպ"oֶZVVkc}ײc1LmSz ZQxe] jmmcCdj bۇJ)5lq} lJ4_.],zeбYk}ua7 aʙfs1/=NԦfΟLU1P|4MW/}>ٓ8niwx=;;8汳#8O@k+,Ev^YZdOkf'7dw;8~S%7Gxq3ͲՔgm m5/J̽S^MF wvzۈ=;jE"6`:ͥ%4 im/9Xq?WS~7Jޤ+['}LL(12m?֛|߫pTKVk'xYV%澥ܡv] Ŋ"ct|JbZg{Ƹ]s,`ز< ӦԿ:= }m W\sx6d s*)`&h޻ժn\줷gXzZپ*'t%s+˻4*aNJP8ZvTc@#`,Wxaul9f]{5$)jvE;7Ўz :셙dWnLm?H^|Ul,}N8o7\F-fTTQrǛ$> VJxwT\V]UC>m{YVfW <{?Ir5S(1Mϖhd5C:1|ǫ]Prwg#_'$Ld'UT]2=-W ol/e⌺}_*vaX!]dt^o|c/u/Tkzaz D'D?bk&Nv )'9R ERv'3NKKn& AP3&-`H5Os\WnO#6YiN}]_ W`(U huPnE KcL(J/'_:~sOCN 6HC/AxwZgb˫~$0l1sRx&&p-] 2f'0 5PawH Λ,M(4eT\s$OBܫУW?=Ln!Lq8|:+e(&\hY\uJ- nn'Z3AHZoي!~QmCyvmw ;ȜT ˞.Q` !b0cuJ/fՠu 9xRoUK}os)J%{/M<ܞB:K=f\lwY* D} >B|8fM|2oG9*o<ߏCVM.rbA9r݈ ߒל0ƭ?i&t,@,hIF{Qj쩺*z_!wU1U S~_yI(oِ9%)8EUw-<3B6Ƶ[fKh ɇV8'?L}J!m -;ۮ7lz_]ӣڧlCc=U}3,лrm0{ ,!F)R6“F`{U;*6Nt9M\i > MCp~$!|2?dav~ʮTzJ j5;~[\EВ{M#4P5H)38<ryӻ6Q/皉Wd(yDǘ1m7f^+ʎWc#6%urU;TϪSjFϐ}u@qjLZ֢.qWm fsZRL7s5kոNp̖4"^?Oz^wOGBlO$:+00mc jT&lp-ٺTtvp:j|R 㬾vrh1Z;tefpD_ضp6j Rk^,P6ԘPVP:vE<Ȍ9׀)}Xp;K6Fl(͔Y~iӫİ$cK?6ylHAX ݛOD1XwdGtkHzd]=t^&E [#exz Xi2p^khTi'S2 =OWn+Ee Yl፳F_x>c?­=nCkS=h\rh)+:bocyJ͓ǃ[kg於ߨ>yIV{=!} b ^bZS*!Fq|eM|Ț˟Ù02/Oh؀4ӹQjD٦#${ FOT VEe;#+qE L~=__.#ٿ^([*/fMiY Bx/ģ%A;}Y\t)3yDiLدʿ+bwZ㿪"h 7 r-: +7~C%qaѪ`a(d_Ff-oek`m#s.po8xq7:[JR-+& 44401Iy]mtiߝd~G8T;.e/-6WQCҠ(yE=҅Xp =Cgyyo\&en[GI ժa7WBfbcbi:2),':ϞXs߆~H*c~B찷ur^6[ 5%~"ٱ5hl|iv5Çgɩ8L, 4;w)4ʾTa|` {> ]&i[[5]o*<Ā+"NOkD:o/𛦝$xO|м]\/F-HӗU]]>7Q FNZ u͓ `?Guqjw (<unff0MLt'L`8AR˃u9G#XGS.ySTs4lNQͨۀ^( 攣H9 2Ǎ[0Nqc[ֵ֓6F`ENkxPPok]fח5^c/6vW%&V/_^m//ͼc艖msTis}!a<]8٩T7҈Qޠj^3A=K4ĵ "J.2=O)5$k?=CGqf_7yߕdVp;,|5A+%J[q^K[fT %-t\=<9My9Nh0y'tjUrչlL|djo2z͎ϋ;}/ p'_YG'< ʒ>wnbۗflUcnL)V1N ]'VoyJ͇M̴%(OU2=kBS =Z޻yρ$ZA_]'ʔ򥝴"CC#g@ łz` qk l< {sli0vO1eUg-N\0~N,NNU#6@2N 6%oshYW-&i hvڹ.g.o3Uݤ :k[ {fձU͕N]liِf4>:׋cgTyzQ־/Ѵ2 akW^]gwל8jo|KZZ*I0!PizR&_KhUMwge}':.W,wOn5O xw޹ۖif-'P1Lܰ+Gm˚µF?YvW-$/H_7AD^{ |Wt9e_r,ʻYW[\L Yl'340EP = '[ߘ˗1Y̟6ѝ{{ uD~Z/#lSO%L␨0KfI1^u'ey2d\5_} ͙u8 H [ΧA~1ٱcZب ?4k1[{_d3q>sJ 7)&}eїr/ #mVco~r~*GTE</4.e܄aʥDxAbnk~eIדDޘIdrOy?Q!n ;3blUpBmq&{1>z16B'/oP0N+[ٯ32*H焘QL՜< fȿY%p zՙ\ Z#QP@̅S1oVw}#N_9 vx,U[U\*FG6' t} mc˹ǵdH:iM:9) kW[[ Br nڎ͑l#`m`$M$̺t|qNeɴba;πFbƩO! 點ȣ*$$=hhw8O>(pJ^LWuq2cP>w蕺52;+k&4k"GRG|L/[q9g: I F}+6c!oYcdakhnu'YDIlm597amO`y?To\.+a\sHo9_՜)B]]=7ldvb[ى@zs[- z w*!sBp-{BV:?P@[ ^#6 ͽ_"%^URqQ@߲&;(U^ڸ\١.'{^ W^ ]C^ 'T MƷn즖b}k`{f㤶 *\mgr7%xSrvVău0F[%굯W1ͮӛ1HBRV:79M^4e[>X.SD5铮_YghPLjcY/%hݳ+V̥e\lb-.VUR#¿\p͔D묬dKҫCҜ-AX Of.zZ7GrlwSm !Xe =L|17 *fJryo$up8p-Sˌ! F&h) ~HleIw׬bZ7^"k=-dTp[$-䧇h4b+RsE_/^JWv T $]5 Tۻsvyr.w'fտ Ԍ߫7;ʳ3U Xk)QQ%'pMxb}\;+խKO[wV"v8FOpnHGǸZ&}}w BY/ sɳCxѩcahKKp#Gʸԧ#f20mD38ng@E͸G=gZhރ# W}sAת6/f(C!ՙ Us}}~oGBuro~eةm8o˱N\WwN5eC@۾acⳘgڭ>x7Ýogl݂#{3쿽0ngkW3w\y}ulԷ}MbtF{q~!FpY$_O&qy)D&gkyYE&q`BNx#OU\ii_ރx=ć% zͬOM=ګ8^A-}z]!k'.,.P\nҞRu úJ`ߧoD|gX/Ɯ;p,GR$kowF]VleaЈ"/lSueAp<_7]#i#*q 1M?1} D|/ݥM+ JRPvx݄0ݱc?4+.0|oUH?~o9Pa8($E[7 ;M|2 ѥGLь>I XZ҅z .(&eSZ(L\2t> y|VC X>D|T;ANMZ2ej?iW&.ODe#/\M\]>WT]/! /O0&%2Eh\#4[MdRFh 62J/[&(̠V5#KuVsSݑkaiJ:e?r# ۝F1yopD wLX "~G.Tf5ܔIN_Y5aEّӾV&}ːEG "C)rj-Ӓ&bs>-]٬@[."Z41iqlkDw3,5_|o/q55E< \W!-?z?RPȷ3jp:OiNy ?:'dO6M «!`$q؜[zK7 ۦ,uF5k/eCtw# FD;p \X!-5 D80+)>x s024 c} Asƣh88瀙B<+(+&-P2xΰ9??Qu9 \N[;D>~BK',.0hZ8L)LCb'8bs#I/܊0+NW\+λ%`@cEN쫯jaKWekA!&c+:fԘs*\-+䜘sS v cLFe;zo'B1#?J<1iGzʕ?&~*6ݬv;^>`S^/utn}wί|r1L?|&?6UD?t _l6Q_(.,R4XЖ||p 'b2U10G:rMWff^,`pQ¾a%2ncmݶj ig{Nߊd(c[! ,OVXF?x*}R:CL_++c>}1| `OڑmjZ=]uvmnx9]0nb״fF'EXx6R$MX}j[lg>թB.93 /Q'"ۿ/yDrYbn' %9K$-ʬ4kOO P?͑W_ɱ>t]VGI9 ^+CiAIF}|' {9!yxX.[N{d̈́w a09znw5FwdYx l 3 dr¿qv[a=4JshΛUhZEnH>Q̙z@Zow+鍞ดiI(WDVyK繝&x_A{Qvw&(+b ʣ! 9k?P7\|yx2aKfTwxÊfe1 ]u"}W׊ 61o,]ko@Q M!39q|I8g$fcyǢ +!,vtvCϷ>e νtcˤkf5ݧsѫP!ȴpWZc{'P7sK%OfM`_eVl(srC:(?U CX1Ux>Lv{D>.` :'uR/Ջ{#)Ÿ'N|F'e;۝fyq:Ľ, c\UlQ?![n¾ 2 rׯ6.X&ç6FA;?e3}H _-ۤSA蜇]\aUsT&V\ΖɁe șq9q}vy`G#̊~\4+8¶CyEۇfnv.ybPF!^i|}V ;LG"B t6/i |avn^2l%!"(1hg ͘\ޢ]; %}`b|Zq4Nf>c}аB^TR>W8TxG`ɨs:zW 3|`:ܹ5 90k$*B_C|BІn_Gl<59<)'1|AO dF?]{{+Y?e㣘EҋO3~1@]f=EHځG~]cwL)Y ePj9v_iͻ~\oem4;nɸEM4[Bmv_ל#2WvN.\!yOHj}rd;ZW;{&𴊍(+,R-KҞ_k.i|կ}:x(=Ȯ4(]7"6ɝ>o!*cT*=7l/p>NjW-4G^Vө&N3'&hGRBWJi+ yG swOF4cILq 5` {!14 ߦ+VMb\|: n?oa -|nĜ<۳/C̏8M]No'?g6pzPF r/xwtbxV㕞?0j.toaw1[Mt:yBlf8^Rm91[65H1MqtdӃ=w4S{=6f ,oDX)St92}qṘb4 >nq7L3 Y1Y)Grک\XΫpz;: w4%ڬoio1{nP=N+L5-P?QZ?P\SF C됽n5*U|񣾳9oS^o]#ExEDHNv w)R }vj\M|.Ib'M hZ/U>W H#R ]ia0&qh˛ ߯-;lnyiwk>#ݭPRxcvbQ~均}=Q~`W":#$HE_QI0`@<圠Tٷt'<cv<^44xioɜ' pcw(B^jz'p6,z 5p|!>,sc‡2go> ;]$)2.$|16R.pȧ?]ԇO.e *w~ƧDv&1(._] U7.ޫ G | __B[$(OWtqѷCz*t;`} -|uu1yZ)2~9;-{U)yŻ03xK/}68#E)7Cz[g|5vyzKؕ|t[Ѥ>hEo-8'OiClU1\k%;{?gdf)OPG?&$׾lW6Wτ㬼X&-jU9,Sa"+5=u6sml}ko$VfN1?_ rad#U>۷:ax/?~msnjo$Q |fM WX/nd]]Z$dB,%qU_+_9XRe |g@?8~n ةb<@r02w7"?_ Uᱯ !iJLpmpQ?mYȗp@nD/6Q+紖ٿgq*_W:2Wp^SgͲSpp 1sevfBmgO{Jz5 }{ifJ casNByZLA32J%b?RApᑕ >h=uOKޞf@f+^P-kc&S..’oyN9Vq̲.}(4+&j'폜=UTEg'H3Q_ߔ6pd=>O>w%[s{r' 9{\?Txv-7puq j>:zdS3ҢQ[/_!`pG1xN5uo `BǾ" l~b13e#GXt0z}\l)g{>009Br @?&}xQ~%02 PіwC_0?Mz~0^#k,!d#fd 4Q!s̰`-hFil)rs Nc) Ȼej2(Q^ up Y6cВ%"Sʱ=X K Q{eRӐOÅ3Z*JQa<Ϛo8[Ǯ\kOtηz\qnlcĎߣ  p Y3]fu 'AqHVhO@T|/+=.xnF ,N{J, m[߁] н!n3Ae C<(w7CfCamHd˛h& mB'PBJ- vl1vldphG'B|hW( Ѳ] 5c@OKtPwj~d.Ez\0"tyn .]`))G5‹ WGXFثE*˙=iz[N]Bi.!v'39iLi.X7S٘ݙཬO#U*|uAw=ݩa>m9|{XQ^{Qi\%/Ov%z%"_#ZpV4;A8q&P4󂛛syf6Nuj[6U[ʢ%7~;.*/~ 5$ mTӈ }tnS`gOM};6uMk wŚKEU̕C@-{Q?j\f# ھi:ZuhJP舸{kwY40hVd)0jT"$w>)DY YSWHdY,?wkѳŹs0usqf+A_/گ63+I6wDs8l8e?!6 Mm" ǵIגiGΘ -최_?I_݄߿VNKQM:j_v6@S ui^"USq5*>R<ܰ=GضUE4&XJc`C^]"U [s|b8RZ*'&. ퟰㅪx4fCίA[G68/Bb ӯ_ⰒHFKi6}/ c'&(`^O 6LXri6ZyWfc>XRjdԎ: 3#A}G_Wyס 1|L@1)%}O%v7^  eTa+&20.&pS-t.=fo5tB!tRekB".(dKh0Ԥs:aǟ/,[6#IC2~$qk,fL=זX#*2 ={83 xa $|.kA9j_]]?Mo[H _Xcƭ۩%wչ\]P9TG=vX>Y})<C1W^m|Olіgm7wvEԜjG}$nr{Z| "ᐖ@ l># 7=`G7)kלGܫ,eV۲sk皡ځ7 .xzd]ixү<6g+±~1Ig%ˠB@k0cf3sݞA/E~[,Je]k9#):pSr,`0Hc}]t88fK:3\[#dgvب] D,Ǖ22Q2~#ԔEN]m܌g(we(A.K_;tuS[Uvaס Ê$BD/Md*R_Z/ dsz}ND߅%*%hy-^Mo+h| ޚ47Y$.3kFP'bb2o(vZВW{ M8~Jrqa_T4*Na+Pg}f#޻1uHk˗jS.6G͗)4[E[alF* A#;oՎ`-Zyfjcͮzl l6?$Źx?V(ۂuw_վsʝQO:%=użWlh7v%sпnWņ Y41`?:"Ww">A?(|spGY?wdc:f)cֲ>[9Qo :{HGEԇPU.O \K[}+Kr^gxub5ޛ2[`Mݼ,j+MpށEZ]su/w]k{p%B*BP.ʇOᗿU1"֊*feSORUa:P[EG1˂qЏw8snW\:+k =tڧ?/ܣu.ZlqYQ NTațA +PRC'zXWgU`]Rùc6TI]ڻ,ݰV܏WI*Ɏjp ].0` pNB!߉oEPRm7OSX kuU&[A% dQgg%q0͟KyRC%?9-ɯ3*]?wi!+ƧegǤszFEzq?vm8F9y8sFwWT?\t8g%iW5k|\3lF ]=߅|;> YU%9-۲3n<+,ybdv^%2ES^s{_N"=ChgkgT Pb0 `c}ÿ>-@)7w&Icw ehZyPP Gv}1y#e~]`4UCSAHӽGqs>.Ds񛤿W7d.GK̡Xa99 j0oo|jUŴC^ɗۯ<4sn4N ȏ%]1#[{6)d.˯<_=W5>zM3x0Kyn&nv˷cB~=$]T1bC dmK+{W׉1vDq3׿Fb?BcT3OB6B>57$>㝾 U+ˊ=i؎AO\t89}_Dx?nzҦqIdٳ<ʏ;N(v\ vzFw*t%ԺaȾ +Y9:遜s'?r/yKzwvaV D?eč䔧 F-}4cCK$O;jJ&`p;M]'>2-܄C}yCqwiѭqє8: bO_ ">4:©с#[Iρ|]gD&kEؒb.a]UDZ=S2{qAGޡ!5_@o @Tf$C-h5h\u/La\xkV@A$YuG NP;/Rf "&+TL^v4g4ntKw  HP2 gd<Ԕ2.ίW cq&p;e`'\XamBHGEs/;<)v%8XW`R-EY)o)[Kxpތioӎ+s'rـ; 3w-x}9oh}As~;mf.3WD7rc8%Ǖi_J eJ{ok@;מ1i&._y/GB`IվW)H5\.xчrh\dJ.e3Fvg&G ۪طbU_官Ƽ/GG\ǃpJν! -~lKiKKB˟Nf|@; ym!/c٧T.5Ÿ_uDK+(5$ߖ=8N]#xa[s`a: NwȟŎ'k X:W΅{ 0\;QCMM Ns@u],.\ On񢠕_g1-玳.>Ds/u=Ϳ9V]SSqZYohV\Vb_|b}cs/Q-*:i1UDB^Zbj 2M8\^5gi)ŐI)]ퟭ]/-rgwSU0Nlm4ǰ(^EKy&ƶ%t0k2]^j5/gw\-0ޅXBxZNw"ړNWpų,+-=6t܁"2}ۣ!CxI7gj/9}Ede@fVR.3`W$J :vM9*; ]:h)JR D`Bv@% 8xX'z_vi~)!Īg=x8dZFxBuB%w@u<;9 =eg !)zUGJb8&:)㩐")$a!tc&P'QAFt ^~绉}OEY :}m̦&% zq2TRf]*Zl VF.\ 4<*_wwJRGH*#uU]\>d 49\d[y`oMCelg#(.v*7s0d$[مy:˃:Ecx^vKC@EYhM$r)UZd$11 SBjU8CCwG= 8+ S:I*n 8 &3_gEY'a!ձCFfoϲ[&Ŀ z8p`~oa~`f;W=C+O1rF LӌUV%B盲3Ҫ>=Mk{޷n#l3uVء?Y#)iz՟h'X75gLrfʼu9_ז_M ʠ`nUW'ɽ#_.h[Vo+8ъAd(:\pmN> >n 5wC؜J)PP!9NT1 ځËQ.TȆs"Q v~?7Ql^KUK4N&} pn×Y][5`xq;nc,}bʹAd†:,гw}:$ :kbH)KC ~1bgQuMz|[X-On-ghWK#BնžrVjL&^0V''(wbѾ|6wǻ+ Kv+Z-ۻ/Aײ7}4 uNJ!٨E^?3H|#^*ΝWu é ܘQ̥Vjr»\('I )ڹ9(83D7:L]F*#nL+'ao˩}\ Y 8rV ]QFrq'dy'v?2{O H~Mۿq$B#rAY$ ˁ$ D|Zo6*'t) fXdT#qEbhI$~~%8s45֛} Yx7,H~2FI¦a^ IcU UvZ2wZ`@T]ϡN^B+2ߕvoXݻ2xNoofzesȁ.$jLڍoUʰhXq;pX< md2ʾǺ'⃉y Ze^me2=F7Wu p2zlgp&?kAm̳<QWkHm`ާ̋=d{ L1KMx`Y]#[LJ(M(Tl:w@pm&6vymTjd`lGgށ. ;4za*88tGI3+ˈ^a||D&b>9 >$E϶}O/PF+8)>;/"n>_K 3In`J&"̿7! ROS|㒼<%nMa# ;]muk);m ]T8,q0xGQ?%qQxE.?SSh/dLG{Ѕ`Hfo~>&uRHX~݋jL5^AZ q?v[݁+S(!;V4Dm h><忮B׫P[\ R pUvgR5a0MvK/?SAW`$H96Cvqύ}];6R=4n63xYzhLEe(7k)7ܼvy(TRPrx1Ω_)VGg8(ܶ?ؽn# q-]ވy+) wL=}ݸziΝ0=ͦI7P; 8a! 'bĩ>j/7n#$+ڈO=q<al*Fm5vBJ+o' f>oa\)1ú :j=Jpn$\3&ISedN@vn\FPzj/=~ !]+{6I/*·~gˆCo6ϫk5oZ.0J*uٛņŌ_en݌(*)3K >-Xρti/>zOa pr&ng)9tbCЎiW" fAz1Zw5lz4F%Ujo)Y֪Slt؊m^R{k|y7Q3|5l%Fy7X҆|HaS5+þH1x>{xP MAΚi/w+Cb$ۑpʤ*̊zO"\2Fkܐ;ׇ Wmi/Y]ҜO-ig-C795g*Lv͟2͑-"ts-x+L)'04i93 -zTZwu0yn^sOC+bOPkwj-a< پ͐5=AlB%gݲ3,O`mբ r_{ ) ~YllϜ왖wՄ)6D۹suYן?n 6{Κe"xg# ;`eҿVh`&34 \׭ ZuL`U]HUd~scs[/DE DnZmP TJفSEc dKW8.4+CR+nb#Fw72iL!rR /}A4O\|o{ϵy`;*&B6.(&DTZ37x{UMU}a{A_sk֊UMXިS\/$Y 9N9!geZ= keHՖv34x1Jы5z/9}]KY$ʷL^t0tahk|{=o~=& L&-nM|> ?$zyT"T74X?*۲2km+ Npz":"~{$ҁݾ[q89e=fEV0]l1:.sESAsi6)&Q >(~H疪"$KRPKz]x&Vt4|u .CgaΤsi X2ߦa_{^] qLsd*]Pd,±y/F:{@ ck?Cv添fh96k ˹Jf^!: tn[󖱏k[ޑ##n SVv~@t/nߣrrɞ-0;ۣFav>4=\W:`=ro9@|m쪗NW>mb jf1Z 9=1S0"ݞӳh|Q!h>?86fNJgFy +[ClJH\v<ʰQ&N?DhD"f~袞Qָ~IN~V#:#w.fY%Y+lP=5W/pP2O7I'q=TOa/25>1M 9i"x|buoG!u=iP+#+=-]|09m3~^QQn#_Yc`pz9RO3b{x,;ڶ;keȲ6t^%t|wR;}Y.gύR-a:l>_&y5J _47#XL.z&%`{LNwsBEP/mo ? ?Ld/`OZS-PcˋӐLQl^QO5qL˱OQΗI@7sh1O!~0 *4MdXWόW 72-`O˱2q9 p ݟ mr'c'=_U^>(K J*S"jC}KZ:aK.˰IvxJ֙%saN%FiJľo;>"\ \r2&5/-|bʊ갧pؑb3f̀zRl(%bq .ѼǞ4V,~(ÁCk?.A~;KjrGkMM'վh(6}OI5"nX10ԁg*/4%K3ݲєFL)?%d/w3Š}T^|;: _?YD^׽<,qn )~/,Xn>}1}fbcH܇Gk対6ZP#pQ\%CS;kdrJqsꛌpqT8lU@I&fP/Xѩ:u`u΂8'Nnt=-~B"sӞA-MMc|]ƣjq5wgS>XBu!齌?tEɧ~.Du>XZ/-26cBO{֡UΏ}mBGS|uPgTX$8| .'w%AwxF.HP-o>S^I9%woe OX ]{W{s |9Eny&B˗֮C9?7Gx05 f ~q1RY*X¥6]-jsvfϿ,+UIТ34,|`j̖)1o[y1 g-3SS 5I}xCP{A!ɃW 5Z%K[mU\Y?ruM Fn|prLG{L(֙q\̓8fI߭&Q|u90wmn]Vw|AtZ.Cʇ~&s.M~cmkm~74cgDdJ3?'~(71nw+ +mcYuA&53{F1o"|sRJr5t m& }t⌔-Sos5+~a4pO\dh|YvKF{H~R ԟezdnږ`agwaFI\EaO$-1#nwq2 #2xej{qcgB}-l[Q/ ++$Z4nɛ]`=^#gPI~0?t B]Bw %~%Q,k ~^V~INñ~C>9 [Hqg0B9۞G Kx[:1_+EzX|f d &җmipTJ8kM3쓒ֵhvTo}XJV1&?ͪ|~+_ ܪ]=PN%NY* = Gxow V3!zkN""߈պqA/CJrFqJބPMv1{D bG|K6DWi<ځ-4|TTJ!%w&B)vhi^nv²VRP0^xarބN:bac=Dm5oϓw/t@ݓ97?K{"{?q}xe}eꁮs~V:Cln=,cre]ڶHHۋ)~Şϫ1ޫ&w@ 9/׾UUG5;Ƹ6vUvW?tD[ы'iRTFg^ gMx˚ҥzTU伽mC}[W\!W F.rD!YWZXh{JUUT_B~{t)sFYŅܿ| T Q9tyr2@dq;{yt?Ѣae-'XtoN^󇨢؛ҷwf͇^鄩&*3`ÚӁ[u9~c0WbmH7XوLn`Yv; }qgu`ywe^ֲ ] ov;{EעuT[a;oA"_)Kp`t~7`VP./S<u#RZ6"ΘTtnF6pHH݀玡zȪ>oG*OZAX? HBR/= >ŭP4#Pmi|EZ;H!Ђ(Y(?o{8DjEaǨp%sDuKHƍ}G'OV.㲵yoiBv ڡ}uWxo[N`ԇ, K^kd?autM06B0^qɣv^ CF'@qXrdBmQaδ6_N{[Ռ: _rHZXmO:cq_~v$ͅ.ȻfPxQ̽2A#/g8GfTOs j'|wI2^KSL7& yQ~9bETSp H | e`m<'b#wߴ3Tѝ]@zJpl¶9O!ɿ3Rs>ҀOc㑹mc, { H;QL 9#j ?>3|msph@`'(oAS 3+Dpᾇ|cgeH8/{m>JN8~]k?ep~t^ѭץ9Ƿm ll7>-N%nn/o<_'}xtfQSpޢ^Z̻]bB,*,Yk9C|JoxN YTgv3 eHPso [cuoU!AC m#\s;yHL\ҕ2VKR֥EO9Jj+;n9 >n;X`* %*ds5Fmk~D\r'B}(h )OKNO?I7gcL{t24>Inj:raЖ"i,jػDH% ;WP"Qs7lԣ! x\O/+|jNKv c+jݫuBէNH{)[x&F?))dzgG/TTsjvT)G*Z|OD~6 4- 4s\5ovoohB[VfWTƞͩ>+o;v"Wr/ԧPOunJK/JGY!X]0 SF/I {{W_QfvL#W5ݗWDy;ݾO;pUjI!Le-},S'ٓF=;q_dknY,rS0c fCɐ~c!d$̇!*SL4yvc_n/7XnO Hے{HT~YMSIǩ/!.FX;ů&@qBܻe#GكpB9' 7(5M(dPC, ="' ]:'dK!q{Ee(rZ,SaoE3VZ9EWO \NhW%5aԽRӊakiHkxA,uKeXLPBN/OX>kM,YLOWeH9Rod&>5HTT?tTTp=,ڊr$XmeNXNɂ:hӶQ/0[] q-7zA9FYXF!PF$a2S)g|@BCY;`\wNsKBd){  ڃ&۷K, vSc/vK$=:{j6x)}hOOBH?|GOiR Q*8+\RحK̄Hڕ(&F5U46`*MjE$t$7G;sʬ.\fUR9ru6*}AadweT$wmo/hP0|Ԍ.ֹЂ=,d~L.1!0/-lٽK{NEhԯw|h7dWsv̷%svW7x 4d ogrd`"\5&`e0FSع IsE_x(_]) r5yl]qtGH9W|Bb폒OHA %qv}8qtGuޮό; 揬]-HG~NL~kOC#@2] ˁ~dz4pü=}K%U&m]+%A}T~s~'2#)2W '>֕k^qp3眞^y.V?ȋ~Y?YZIW_@ikizձ32Ac@-POCD(uqH9BVۯ"A^bhr3ͣhcpv_V?s{XHwnRVNkN8"2M^-=龍 ޵A3N|cky 4'23H4 3OFvA%$1[4eMr1t*@,5[hm$vE|Pi.զ} 2|5D=vOolms~T$PjRј8fj@^z|jrKF(\ug 9@ʁ'}5(k(_zX' \Vtd p'bNYQv-3r8S rR{'/'Ξ,J%tnD-!kKi`\sGسv%`ޘ`=y~q45R yѫbee^1>^3R"kO-8s%ib˼\qIo>-˓2at. _\rTX9 F˫w7X\o5ObJ- &5\hwO;y|Q;MyJ<b8z-g߯ˋ1;&Eaa %Qild@~O ߇ uyfU>W>H%%?Y%.P1.=m8*{ J /dAeݿhل3h+ M ŹabYUwE = ^ģϝ [e1z_W)l-WO`_YTzkBeJ5vÙ D!750'Z)/ԁ]ܪg3Ü4*O1FQҿٹ~GI>`r'XLo-[ꪫJjP8`o&ƚ9/%a%+3r!`>Up~xhM ηT`7;;*U{(|՞/>׫j߯pnP.Bз_D=!%zK|J jO\-'XڷhAݗwls`:yWGu5O [SZ|'֥etn?n!ǎ qReHjKMob@j~fGOɶ-ZoGق\p84\|q14e{rq/Ɔ*5.imv%AP"sknutn$r mS$O2RҸxWzi$.w7~w5J]/̻GGʖ{io*+HIJǶ$0Dv/p)F$3u/B{(*Myʼn fr7"7=)rn"g]QLJxf7 .;]!NmMlS[${/;(ͮ{t g{"00EP3D7bT@F}%_ᦁEoە.OQ%/򝱃 2QM)CsKܿ3*ctH8kc'<M09+l}s~Kyh~}2Kˍӛ4Rɺm:c{=rIV~,a/eܘٷA|X4S=&0o2ZflZJoW(< L<[_]T߮R?/v,~gu%-GIEDG.ƆK$:&|8kh#fIQ%Q!N(jZ/"E ә?MZ;o,~ʓ*> ~++5{qX8l[ҭʳjVJG|Kk{G0LAZ꽮<2M>XU S()7~wYuțeA(\s k^79LX"n˔5l\BpuPH-G_jOR/w2<,EM}9O4Ϳ~jwįwb;=)--Hg:z1]ݼ[kde_I,mܘM*VQCs2:oؿ 4KID 5->/}wx"̬oS" Y;7a "9ZXŇ'[n?jO>lyn#B~3F3yH7G 6<=۾ j\'@!$8`ËP@Frm%Abֿ؍U%UPHܿv2dRfN kvȬX|t{HᄞHXcˠU݋gh=Qm7An(7WWsUǛ)ZaۣY_Ϋ P.wXxs)xQu ht6" F. iO\v|}~\uj868ūj!~۬snTU dr/2;}ozlyd31(\.C')k9řFHI80p}&m~*K9ymۍJIj)ܺq٪p۟hw{0p["Ȁ+wj\zs?SRvC~ދΞcQ@|Ku%]%`h6RxV:c<3]=7XtXYZ\Nsr<'Wר$abR66|_C;i%R9Ȥ!Z%rM~C1?(;Wy:% kFG,y{t(̟ۚ^vK?Y[@s2gn&y['ꝲr Fփe0C< QN3-zH8 $yi)SAU o$O g+ٽk?*dm2^~}awTQǖ.IR-Zf{=qL%e]ozMe%/@ڟ̿XruwƽN < sf|(SxuQJ&\#EwTpKw#SXSr78tv)|ݮ=Pyl>|Ȉ9o$Uyv|/ :PUywN+ӋysYW5¯շ.sqO/h?ޚgu~5AYF 8hap&ճڽ|5^5#.̻J`&_fK{UT3lr2S^l!W1DOcp'+J cΐwQ@Mxк(/`mcqk_hNK(#P+窠{dP:I}~ vVz8%wvُ$e3ee<(kU̓]ğ x[OjQ_䑢x[dFM\N`fR˅x)nF/ߊwk/-M^qhV8U TkAa2돓AtjHw<]~1"Ӿ5ƬߗMug:pn<7x7de._+q`iMS,WѾͤ!.*?g և3ɓyv Xg bc=:Vlx@ous&SO*LҼt }ª4ߤ(ȱk*qmY/V޽6^ggƠ 7ъY/E2kT zy)Z|?qK7==-g,LyV&\QfzQ첁3uߛWG-lz Gred̑t>[ݭi-Y>^2ym5+4~>N_B}}׎+Bu=6!a.DݖV ֯]`=:iIE F߄I{ '}'6nT'i^䏰֧> q-nvZmhJ3*ӚFfpKul/\1;?e w5 F,XRVANx1Xd;m| 'daI~}JvP 'm3ΐwR)=K~ %xW[WܝUXr:ckuXg,sZ3Cl^ܐ6/vvsic'yf"9)ѶdogH/3!aUBFz$0ټ ^vpRyi?jmu$rU9_U<\]w};ǴǛf/'4 Ѵ=}!iͥXs%TgKGo@MB*1.]<^,ԚOR⩊4Ui)@6MbQ.RK<܊Y&Y%{|OKoǭ]&G @M( EEOx!s 3#g-gωT`TH ;4 Q ܦa,\c{BLjeirXCrV-_|}AB3slyV{jpf }-oC5/@4_夁_0t>53{xOpz"{O@p^|H(P(锅vF좖sִ$;ΨaYU,֨l5 N/0}X`!m0J-ӤVJt)߉H\WF NWq(v1ݲO,M*`3M ݏ#ZXHD=TS੷˴@|jY͕Y F^Km`[_'/;henZ.s'E5n~(j!B< Bj8~8JwgMv_>H#a'ۉ$O(3F Zu#tHН B.c7N џ:jM>#odĊf*:Dh":)]n񤯡򰎍)7TL9]D{2ysyO%2a{IΖxO&ΝejN׌ͮed;roVY-3-q\OHt-Jvw hʣaQ]_SS=z1*nLPȉُqIB{s+x,e ~Tp$%W?(*|iw~$ kRa\jxFofV(}̷0VmV=?mb5_~skm3y8 2i(ΊfQ_k>9O 뫭⟱Wݧzy?lL]z旘!b/g;^Ȯ㯑CQثmh*C/tCYWaEY""q˒MTJ0Bjek⾱g.'CmX褜>vt$xvtsY QQڊ xb@ ~V3f~İbG_B#?O][6в|ՌspVfwo[Έ 3ҁMӯdm{ lkb}PEzAsy!Om 2|>}%?tө(A\m^`5#C ?Rt0;YGtWKž(".TV _ĄE6ÛKZ.Rdz;]lcS<TfIz"A5dTXz2] XʷLɝ[q/Ñ)ўiBίg+j%=sUR_s״+rPvg>V ϜOece㛕>I|I#gXAK3A4iO'Ncu{1 ]Q)7:Q:}rx,Z8@-0|h#])PLV~.J*5}g ޕ]$P$Y8pzcɊL9:W4R]6XlU9ooxa4i̘e/9ѯ>֦L.(ܫ!7g=̗cmPD2TVCgMK_Z]Hȭτӊ!N~zpPӳF'Lyw(r; Y_Z#cuCss$j_u=]$.:Rp5Cު'vFɕEibB](95tHeb2aa#Q Iex!#'=J|`iʉ؞Qk4=|JR)1n+e‚"2JEP&Y q i@Ңы^ ⃳C6htYCr! rw} I F`"3 YD2ֽuy69~=wl8gx B*^ӥ:k>㪽eXSjtW/bX<\Fb2i{g'BaIvOBxo?+cRvoW0>Q갋d՗gI*ZZ>yn#J >o]sQ.>/ iXJf}*+-<ߺR0>ɏg3 2~PdeRKuvD{1X?#QHwH3f>eI-YO%x"k#z`wbD* [Q8֏\,z8FMW G I"oQ5N۪ Y3 [JݺſL9$4+Ȩ L0OlfWF^}4lAkyPja $4Χ=Rgى.GDJ f8F4Vp2Ml<7%Ub.YvϻE2N_Pg9Z4(J{Dw`4- -;$\c?ڢ&xD CAytd&w-_foDO;J6S/fi=f^o@ʺ]ZM,h/,ڋ؈۟0AG]g^JTx)>.Q\e)} +u~ؓHq:"@|ױNnTR4"7h1OW ߽|}_x/{M#пovoe^At`—v N\ ߫@{Hmj]e\ mԡwkSbOG#z͙x=UM1o#l'KD>,; [:㺣ע(nz@񗩸)IG{ح=t^C=R>G,FBCѬ7l5B)gen4.RI"%_w CLL֖1S,w$bzjwtTQ9T@= *saa]'"JUstCپW"BQgR|o7Rb;q,MQCξF`ajYO ]D>޻ȶn(m  j;0QQZiXȚ;Ҍ!TjAΕUh1[ƌA~%6:i1$,CD-G)MDbKp'!R჉n ћ!Qǡmjk{T{s/Y)g5# ˇD%!c~͐|w6]`,jU E~uAh+)\<Oh?t̿ aaH4l}\.]~] _7uwM Lܫ'ϩs YU{c~%)tL0#IN*6*qu: {CyʏUv!!r)@K]sOM䒫Øw8YFIg qT\mk8[$#uC{Y/&Usly+Ԭj$b*ܠqԺ@t1"lo+~)qpdMcBb>Vu%X3 ǕXn O3DP"/a mtK**v-RW{J $hùD{T2я μi`pC2v٠1UG*Q{lN,)eY:\za1Hײq4ϥէ@ #_9>ƽa}Fx};2ny䫋E&hi9r^n9Ԃ ;TEf?(18?WWd!Mln 7Xk͇Z7]zi,\J Eٺr`X,VqbƳOIHZ^/- 7m *!Vᶿ䴰xgrHJԬg|DGP4R *+wTwY Xל0. ra'?k7M]XشyQM[.0ңPٰEeqz7ie'|f1V 6ݧ(. lc)г0X8vcΚs"n Oқ#eO'<V򋈰yrJYd3Խkc\2M&GAF=gqL,l֔"U.:$L;7F=EB,؄|.Wgivìp݇ÙPhޗTn{&.BtB鑒ka{=?SsL SPy y:zfݶ=P7%#?tY^*'n`9[9p4+<)Ye4o?:8&!n{qo/Gh 3+[$VE[4lw[Sa_TĚ^A]n $eڮȝ~ɛ%e3^^:y#Fm$>kF|*/Oы{ў?ԫ691ף{Q5?96^n7ߣ|*>8@<8.(ELAH=8=VUW wO}ܸo9='>)hzF$ Ǽ[S] 'I}[Fcz'w:OI>^cտ>aA8Oy@c,9^fl¹MT]P]u8'# ѥU殞'Q3bVJYZ ǫ{c!Rj ϡysA[BBS3u&yՃ>#~ u'Ҵ.+ 8[^k"y0|A>JKs}P W,ǃ, RKJq^UVNP-C*i ^OZ3r`K躆zxT{;EY0M#h˪Aw.3m}]dpwsOVCI(T E ;Bya~O泆 0ÒN>zޟ.\BȘ\ 8{%ՙ1o vH7Ƹ_zTk@c7.v;~q\NK2 G-tUhTNtSp*v:짴7=@Nv[7 k̞Ozdn\L#V/) dW*e7ى۪PFcE^J.!N8aLE |ZgfKe@!enW!?5mgIJSy|)o. 7:NKQ+#n0Șやmpޣv$8zU>AvمZY!vk=N>ſR+DŽQ%UuLL&t5?i_3Cʁ=] =o,t~ܺ&Wj⫙v|ʭL(־eǶzJiUڞ9}B߽~W vuVp*i7TՓKb̐?Ru^D316fY \'!}u}V@T40#k #bK`B%r5Dx?-MH7G#mVO VյK˗_XZ᷷Kv3羗\0ۼ,@EdkN0o4sf%6S|gt_ѡ snC#%Bf:vIeM,q' ͍]R^ h.te ungdJ( `Uzg/M3ݔ*Y'pQ$]gƱ/ˎ7< /o % ,pp7p^&5U3{;09+蜶ڪ|&sQgUMuwEʬhDp?,PP`AJpc~r߀/Mg^voQyJk IBR<\D CDw2Tw:8 ]ڴja+Jt&^cѐKބru j:)cKK3@͉YM :m!2%ZX8uj`]иwLKGϼV⾲8q2mMF~b_Ø3F@.ྡ:Wa'/ıei|kM8\J$;B$|Iso~\*\+x}g&\E LZ_WG` Zo3=,"S-#GJ{JH5r,U"ܗP1jB'f 2r+5HfkӨrn(M IsUXίsg'Mkwa#8D ˑl@B)SUT0`b}["P7g4d]Xj&˥W 5FE|+{7s/t5s ޝUF͘+xgS@ps;vsp-F M<^8 _d76L}E; =A薋Q/Cwz%ǥgU|O5< {Eo$LhQ4Aл,z-%8:Y7yt |c8|Hb?TIY|80Эks6oO_n8JmU_JXUXGLw¿@;򿽣Lwň\Ğ/#'j7p ]6Vᱻut&`?@l!uJ~VGIA ^5dg4eG|Ts]]gy׬59N[1nóf&tμ0Ȅ}ᡓnІ&'\68{< D32vt5ۜ(N}y.W˛0tZp_y.?Xe319"ː@WunӛU/[i:eJo e]\3r,6 Ri{z#9ѫ_ѕD4}i|<(~}5_Bw6+GD~]P@K5j:b[^֨\k~E]MXnƣdy*2:A C\W· k* ˨g!f;طWk%>]4ʞ $(MsBt'Ӿ$YXPj8m{z&CPkOqP5Q5GQ_,{vr7mBt wj8?(z_" nI!HD_״dzsȖ8[[GO`әyĞ׮cqoJK[t5-%o_'O<_=p |Ee￯ 4Ko@DДME!#ƃR_ib֚>ٱfMNdv~9)K(RN-Er8=q7vlVZV2J z"ockC9+?QDCq=HWyH+-e$ ZWEaMr2 +~Xsؗt-vaEϕ:pJ칓`fMJO&\ayӭ +myHRl#oG*q)mI7^MB0O .?_v+̃$7W9} ek^}KVSp1\Hg+|̑Ey~)Ilh *w:GBfM[Uo"݉ wuU!)KPUZ-*r+ÅӿD,{hI<˫0Q2HpHQp݆lE4lZ,vaǾ0wFg{洃"#]]r]Dk\{yGߏ{>nJj?M8 16ܳ+v.I|}齍[&&8G Uw.t\ Y?F*oeؒQ x(Ж-NI=xT[ş&ne˓txӎnk+ܱ0C \',Ι\BBpf^(n.MmʺU9z3jf#m`g jƞ,Ƶ7&cd&`l;O lXK`.f ^0+.̳:[& OڋE :y? [[e:y(qI!$3'˼[ԕg9&jIskƧ[il}~ Ɇz˼]8_-L9r:rYG&ܦiɇ6:Ws\ op<9D]\g׹dhW/^PeyovgiZb%?Z7Nwe _,wC& Z^ٞoJ=)}|i'Wv]rܜqL̞.'NH#?z/-䊎Ԏ*:z#*fnlJB_3;iɸ.X Ce[NR.b}7T~.MͿn@|x3qWڂ$O2d"2ʑU1mL!6s*=~I^EvFĠ|+"I1 :wNLLɆG#}8Ѭ`\ѿ:]CHxͳ}`Z(WP8mMAuT&W븫4??]ْ #8y߾dBqFҿH,NJAm/툯cSwOJ؁͕@:xxuP͹^!!Sr6e mp: pYV_޶F YS=R{ʯ] Dä_fn9KZ68m}Iv\E3rh17I b"N0%\XSj[+/h5Nz<_zܾkҙic\Fh ݕLc+BKY>*ECppѝDBp]S1DaK͍o ۭ?qGtMn NHoO58M(7jdMjxIrIj͘@B!.&1r][^#7* n3y"_o\9:Fq Rw wfѹ-d7?0-2'_uNeMTi2-LKwCayxH }~]܂W2h].ef?\6urN,3>)`5W!D媽_׏qFcA}^YO燝ƉF&#u }~/LлM} {[Y]O8&PZopsf/}&ԺxzN)U0'='NFm;Aֶ'&黧s3v?ݣ -kr;eb_h?Nz e6܇K-QW~C+FN`eN0du[ /,&aUa]tp^kȷ_s `@e~vc$+ O J{a|w K܏aw͘K =x M3߅?.tANDb4D ݍf@2F4^H)pdED^9sIB]7E"I8ݣ"*)BU1 pvjb-gZ32$u`$t}~/Z=/_u{޶X~Hw9@cЊk:`|־I] U*)ίv7+³Ņ5&R~ ˾$Bӏ1q 1oYͅtERf!G//o^bzvPD~YnCWł?TrqW_(>|r^,*.oix|F\(:vM0m)c l yy4ҞB@ iHMM/|? ^1~ m 3P2>8r@tLJaֲ2[i7=Q@׳PS$'xվL6ιfPFF<;Wk{޲{(?a׈dXөKX(CgqFabqiJFT<vȮ%8m¤،~ H_ a Q=6+ )gu}]reV1 K\wf.λwh%T?b4Żqת^+dW&2 UVH?=eKU6ąSl.]y ټ+ T0/. }b Sb ؐӸ 䘩 i]% bj5N_yTJ߿wMrmKwCٱDz- [XZXL*w7 8yA_(N ^( TxK,BVKt%֦y@N y _y׺Zcf+n#+c1Y[7`LVLyD%wGŹ/.2$D#B5#`ݟc7 -j=aQL*[ CݩS]>XZk |{,ĺ^P1e:oLb*I: [w럷/Ҩ@E*A+ ^)D\}{1ZVE;Ay1~仑<`zfM~; vQ0ObB&v̐DDD&2^yӶ8q^o[W4Y>>0~+xB͗|$$ Q9v .: M.k&nc~{]B/gEkgJ{݉ڎ”FR)i^Oό䴺{Ukɒ`%NWGtI.ט,(oO 'BhwQpoQ &#䎮Q2JxxѶ Fxrȶg ]~<,65Xm1G# [&ݴv8]A*7a9D|{w01//C8w=AGrpb';2sy?L 2qJ>V/d8)oκ)UAl8;NE7R_~-Ӑ%!c&w:QZE49?le*b;Yy.9#w`=G~ Z-<3~N;W)swQ>ܱI:%J1Kx v:`aXA~0Yu} .yY]?w~J 4ժEcWR\(mHqbI1E؀]̄Æ%Zas˞~|hDR]Zy|_sodEkhj7\R@vHkfՠ;lĖ6jUn4ZYpMbČv%H9ﴱ(! NFZz 2k pr.a 4T;jm.g,_;[ َ(9LMim6lwV{򳤚TUՁ^v}d6t7y]wG] tQ'( Fax*oo\D霸l6ps~S#__0hԍ]y;S{-(_q!]w9s1>97~Gup.]-[kM( KO?"xr"ٺnHV#Fe\W 2@IrÏkx/~kP*n4*֊˔ˆN"T_jKZYq8 p44ZdO]uj*,.v矝9&ļ"Fm|4+ hS7`A`A ƘD^GdvVkͬ& =>i& w}`4VԈfs v7?jiP>/SKx"Ǥ )|hD'%Bͅ,nޑ&Є=ĵbѤ3bYnIuA~nSK2=>(ѽM[??LڅEoLC͵tOm?ߚ?fL/Ǖ뜛6t"NZW7<#'j|d"zvSU`]u?af ݤT྇Ew~g4V3)C)f]fi4'OCj U{zolei 5@O4Fb5nMdDόu'<"=|rK]"PVF^4Rp"?{4*`A񭢮=럞'x^OI5RB F; gJصcÈЧg_]4O9+n*aiHms(^MaIY[@15-e"gM`sOSPwT@6 =bVD*]R(jS0M7_ .qj &Fv!=/;F+FdR~\wCrtfw]bһ K7-ZަgCI=;u\Aꭐ \ځFuLs Q,tw @j0_SZ`F>>AN_Ԩ9S҉BG0K?Ɋ(`*rNNNX&[8|"r&E>i{Z9J$(;kw2<YC{<>[k:rLs=qjf6:pÙEl1ɵ:$2R*sYl`uWQJ9f8k 3Z-5Ԗż+Gaalz{. Qcaܩ$7Ec ;Ч>z~S;9ܿ~Ա|BkY9ތ`Ģxp&' fBPdf6ކl{PkD=e裏O9:[?5J:u!2^*]?yOGm\,ذخ(qq+q.p'[aji?پ"4N&haVI_Tw43(I?e8$7 nm1/+<'@BwY5-RL+LCSf:J yTU>_Oki΢NWlinuiMLZ#-奈 zX3z5GM?i36 E UI, 0\>B%E-dvr@S`# h,~~|D[a.8 7PR;WXU_n/g}IpT/lrS0~o{] ƘW>fN-]^#fjgl58?R ͅv:zFު&>t\e0DTY~K?~B2<3ܒoroӮE,s%;$uVBA\k[-ðyAP>I@.*Z?G=6|e^aQa2|\V<&]<^l%h|jxv-{s's}8 Hv'/aouWE!Ғ!%o)Me=]{ްEko MU]dB߹JCnX5X%R)BzE1a[g|TPvk.Tg3U04˒ϿS~6|XmF}rN6=mV4TyH;τo qVBQyٲb Sٌƾ ,y>)!!$!V;vqifFʴO+ )CLO_| rgKwИ@YZNnܔkVU8J:jV}Io*z-nl[uԝo:.pRo愬'I:`dIp.ǯz{WGJ{/?y1p(X3WH~Ob2 Ck/6O<&p> 5̏gIl6%=h磷Ǟ &io ;l_ֿN}ESS ћ(9-Zov]"uyBZL[4o*޳} Rg?rNoi4("zOUf:^HXT% ]??GJm CG&.Ʃ۹[AZbWh?s|mbpOR]Z/+8ik}Ivs(u{ޑ[HZQ@:-Z^iƝH>v<99 }^+;λi+XяCέ%դIM,y5B"=˦BWFssS=e<×WrwG}Eׂ4Z6o[̕sA5v!;,>W1~?%g0C*ix@Ⱦ('pՎxW=yJ c)@^Z5i\(%ˏ0Yz(>w7xW q3*o;?ivy9+cև؉(2̳6i*iy뾖tvf"PXKj`^Z )]Yۇ^Ga]~{}W?5?\;9+%m+m]ZHq̓uKL <e^u;l=}{B>͊fߡWѶl`j"pQT<[>ˢLՃ3-E((#y-\R>\ }^ w%J=JS"Mq=ov{a-W{9MM~埌_<*sfm|<ʸ!)Yu6)8lz'a-;EG{mT(0AtoPxAJ3TOr-B6c"; ˫י 2{]MQ'9PEAaW' p4FE < %=S=_t 2"͡G~ݥ}+- Jbĥ"@Mc娮?Db:oU.Qi:L+N!UPȩBV!}]j &b9?]r0cׁVd:܇C;]DGM_*+ݯH^ϫ/)B# ;(phUn 5 oFJVDphZ6ol|EH`bήO&`ICo֖lg+MrN霪'tڶi8uS.#8gNء*"2y4^z` 垭hI$ƐC/sKn u|ӖVc0T5 ! [)M;h6}[V߉ptE52fRa1.YrNLgc'Q=f8O"j]NK[Sht &Vqo|O gTE$l&xoG}՜Gi=-,Ɇ\,sY4Њ/X`**Þ;~Ǖ:V.BD!t)cg≥s s"V^F{h̆Z\uoh)NxWTc&^(h~^N1$Z<ޱU ) X7HdqԆ/=8uKKGs];]8{ge?YKKMEHr>Pn);%=&B{"g }d_-PT>wJew*+w˹fkm U6;vYxq0f2)8O$ƌ8{S!ox'KtwЖ|m꞊13rRmR`ozT{6e|7y/ԒKh۟.Ib}/٤>r_j+\@;;, Lk3ez#~nQ0C!c!weCY#zZ\Z%rD/rgjc@K zߠMtu5BƔ,w4Av\[*a~~E=\S6?G"=CDh9ͰoJ?)]!+k~Q~|s#6W-+wc0:@ׅ( MV-.=22=ĶSRޑ6B3Ub+1VEZC؇v7\\>~oyp(Ñ"{kMTl#7ntR 21M)|!IB΄;á4u]ybl^N vu^-擼b휰qTxkf<~XŸ3FWjp$4̂ʕ4\ڧnO\C+gln <0&q.G}(WEq>Ϡ'6pHqC:3kJ(+:90NA s4qNIoρ5%Y`ľy y$"\NBgxw7Pz1Z*!r[&hY7Yɱ2/by N'SV1rX*Ĭ,!L2qLF~s=g4βu>X̤*#;SjR:(tdXUk}AmNt⡙TpPuv[PP'EvR!aM?őY  ܂OƪB==^6lmN^Cb?:|H辩s7,ӎfy٪K%osu~ ɫK[R3ovu~Gߝ-$c|TaJ* ~tŒ$ّ5LPzx z6xzݿ>7.7g̠=:ǽ|u5 U.4豿qK\קOMFԒndI_hrK TX> !eO0QE Ns]XP=|ؓz8_Le3g#\Kޞrab1*ug oxv~i >~~dR[@FӤyT]pu{R72axw0ܯCu uxI7z -М7V1͟h*{m̦6}ߏ:$f~BqN3jsA q|B3yPge^ W,.qӹ.2/' rUߎM2kRuhY #Sdjn\ԊOMu)a) $k+nQ4dFш1f Au_ gǤ>VO3excCcx.^r H,?LMp{}x! j=zOC4ױEO1M՘XˤWŰ|SIFzrY+nE {vo_jCzh*c1.~_6|JqOD_wTyש> :zsmAWe)r#I"bVF&TeZٍ4r&B>1o$vHtk|k"w7?IKԝNHc|U'[.R !ӯMW}JU ׳(^"LdZĕGFu-F |`=@ifM}:CEAbwDnD `02X<{xD-i P]gCjYF hܝĆ״7e H̜Wuou[ ɺt8a?׭T3me)~$RaqV99\f̆.ol3U߷@VMң%H"ߤ7F}S{^^oٳ>m^A} h R:nI .yDㅊiI_4صUI}YLٿ*Q/f@OuV*d M>[0P`I+O%͛F >?1@#I|V5 d^Wu8i0ht~ Ң*Q̉+]G))gLL~xت+̡Ya0V9Ho·:^@WL~>|-~֧4`y'<5QE:1:覧9A!J畉GTu;HxugsD鲣s^]YNὌ;rc(9׃\>R^U_XxwʖF;vC8z@!ySMvsݽK?nr\=BbE !ou,/:.,Ir&(\p-ٝrDPqzpQtlti q3fCʫqtBdr=A:T'7ыLE:Qv17Z r=T n򲾎G:<3( uJ$s OҲ/.:/`myUyl@ICjM$L9',!Mnɿޞ|?P,9X"&OڗTRY]CZEgB!RS%ZAMYd7i+f4lx3H4TO+{ݹl/ݛYCtedo/Ņ7YsuFxxf_b;ǎ$ ݚ9u0|G;`mE0JB>ΐM?605˾?jmNN%yh;oA:0?&nZit Av:90Qqyn>M; Sp'' |:]{ PL*ƍEjHŦ뷞6A#w@,-8kα58_Kdþ?NBZ)s4~GW+\8ܬC.ox_;lXc&[s¬Zu܉ʬNMW,JlJ0Գφ=I6Lh"^+, UDmw ͠bTK0=z xM7 籆v ގ+ AG #x$tYϓ>4#?>G0xW 6•-w=rkNI]qh$v= Е(4m,49Jo`Ru|-қΦ#)?mYRz?8RoI(Em~7$\WZcy&|[Ρ{͈p8l'J<:>"]|ߛ/>tJ {j3w8?ϒݮ $U` ?Dv血t*E) y ۠Nblo:U떰sGd.SԌ/i,p.'}A߱'bZy{۠S qϚ9ѭ<* eaikx8* :2ﮦYh@Bwf;n%wz\9K|hMIb>LWs }D%\g-8F2~1x2RE/ߙ[UvT #3mߣ Nw52택gTuftâ_K 3i#0x9y8J^|9yCt'Z/[dbwJ3c ]ez MϩLi$$w]O2{1&0a80^8Pdt˂=^][2Ÿot3p_MAG!H"OC]WPuUWx[da>ޛN7dO<",{k𿑥x}r"G~Sa=վ aqO\a4mWs~Bs0:,^I汝.5h)V[}1vpꚪ٬Sӈcv:OYkvYJ.צ8,wX>yEP"n7#%e}ڃc0I'բ_g>z \w:aٚ\˃/ ~M>=GpIOp{ޏ#1ӷ0EzVWKg;V)S PB}~McpKQU$/8 V9(;\"GAz]d]Ϗxso\o9g ,+ M ` y~Cz~.GuG?ylg}xrgU ɪ bNo}é %LY=Cw!t~@7r+#JH+v9 *N80ONw/8zx)U x}@<[l~df&izm.؏w'xrпW34V=^B#27+񳦇\@~݌ѥcm9 IGQ`?1J~ۄ"ג)fOd}G5upеvKeƉ-[cߐϸPsWs?.=~&=.bqv+ϻk0ު`Q1EF}3zOpXW9'2u5Ce ,HJЋ^ag/1͡ƖQUDfY "P柉vR3f(N[Nq߃(aѶRލ݃Ue!Ly;*>3ugD&|zs>Ϥ`xEE8 P7!2nRBq2Gܜ !c4@hNyi\'UAqG- 䨓o 5+hf}u 1ي W>H jOjyuȳnjw4<LqyQW&_s gRpA'~ۛCXBU~7ݿLf[X#]?`[Ǫ=G)TZ>^{9YB7|dz.*ՙ"U!lZgt-kTx!ni-LknhM@)`}+"r{d N_s> [Ĉzy3}T]y);tΓ{Z[ZOz#>O] o0Eoԉ<&e猺)j/!ȡGpb^q$#Tp C<LOYT]ůPq#Ƕ߃nsHWGwo5c~)<m/{.\XiicE׀2)̸W1*fz~uCo-%laBE]k,IJV3MN)YMJZ!Wj#pֱ=[dpenL;^t6VlE\yNlASHVVJGuu+${[4{yx ~zhIy/8Ϯ*3l7 {~Rӯb%\c.kpLJ-;B5{ E@-͊)Ϙ|~KxL!ԤiV_ + _9:e-?0uW6,K%/ tA[/[d<${~,6?M"CCX_k/ פ} ê2^r<*;؉o_xͥa&snw~w٫{Di3$Hxɛooʩ!E=j~B/*kN-h~w4#Ǘw{7~2RRLTjȸQ7ha%F}h-,'/jdYzA`t3|D)|r%/;ǣq9yQ}_ Qej?"nү#)?F?ȖԿ*"T沖ߎ#oIGcIGVL 'Ȃ_r,g7Si \1mĭYrK5-}'Gw>UtAsn?Pv.McV7z?wOw(*7idu|(D}QJ5X^czMc<'^DC{w\S9z }7_$D]NGrA9 u9rR)^-1/sU{0b=zƎ]|Z[1<]{mG vejTL,_T5{2f>`˚ߩ³->yJ(F0R|ۑغ ۛ\4W{Zvل3(Fʾ^>J. abDjCB}*&r0$\/p -xJE׳bYĶnsN[4*#va8]_A@)J%Yqzr1fc:{R$tW-|$2Jt[<_5sE|۶p"#ԽofY:1,:3̈#k IXf5F ,X5ݏ 1t;)-rq{uwFAE{JJ !5uVu6X5]/^6A}Ir}#YFa%fߗTZZS.gHICM (fWy/zԟ[jƀ&18w/s,MwO2.#]#;|>z2<;JC|uD~m:K`Ui9~G\q!0[Hvo҆G3]ϟG%(, zuSIp v>nX{>&stW&*] pB=?-kp͕hO@&[&?\jmQ]FJ<8A kxm-v U+R$ &PʛM=:AFFeJ53)r)ocXm(Vk $UC2<ĽJ+yM z<#ܳ~vg/ VR>1DF:66bÓʚvŹ!.هXq^T<2}i׌Cs}:a^@ɾNIg;yv}kbL49Z")av ARcw(}IBL0r8݆/]GRM; aj1Ყ"=Θ&$qiܙ/'wѥL)M0!8f,񗚼 '#O2 jg!<]l5#o&)ѕDQ{Iu;ql^hl11*O/+*Xۼ2 qU?[.0.Yevfg!0^OK|5'aR3>ޖw_Nq|ֹbHE qCFzzR%MPG)Kx3F:P;Jzimp@:ۡ;?`}٨YK2]CĨm% \ON 0׽o3S<˱OQÓrxu=m3ފ6y]qTͺj JS$hUh}31դN[ S:ﺠpre='P:f@&[ǿKiS#51uqMNpFi3kYÄg X B5ve @ 9EYoP܈aZB?HزO[|h3 Nkcolng {T-yT.~[ A&X>ޢYWeY(w aQVĚ#*S43ٿV?gvnuw4)LqTVkg+"(~ ÿ4KZ96SoTtr `UtWv"dy ?7ag?O}6owؿ| "1~^ N{>z+HS诓Ϯ+|\s]-`l Vʽ5SA05rzZ|늋c?)=7"VT*ۗiyxn w3͈%>OW/G b*eۃDO)@~*GC?kݤTHp w1UѻLmr" >w8jh;^gM+&ko󪏪\"_[ 5g ^MeNHP!BITV: 90>]KlE屪 %JSٹĻZJkJ47OmAƘ [2$a6{ƒ=E6U^;RD}W!5;qDf9Yu/̷kݣ1x'Ωeydr,[ #xco$?N׮|x85GkZ &I(+󪼵|@>5}̅=KW|G7,=4uԾ!P}'I\;qRN>l|ldeߓR-Szd[咫8 sz]n[WCtM=B+>h`wzmp!ѨꙘoG uEJ1[c,V0Ag9,yo)[*{O-{LZr4hzvߊLr#R;E/ -W~M) M*"= tҔ_' VDǓQ6wrInPQoo]ք  ևMs_f6SDkلVRjE->3})-pL# ?3ZYYS3SP'jH$:ϾNk%/s8tlLCgFV[Ĩ'wH[㺢x詈C =xq~u p￯`u uѐĉKs4ڙݟn-Ö,Pweː?.f_25t:g%e`{_]ZܒݿkoFp? u_G+/'{4@;[Ђ4?budNOt'1~4P::߲.t#;&SB6h5VH zfs?'^1|9pIfu\ςJN~vOQ\{ ?I@c}9@V뺗&$zkƒ|}|{at }VKoNZ掐9hv>ɯ{eqCUEouVsNԗVot6ÆfU_-]NHg!2/lt b`_亮7SJ {"Φ LnW{S#h)(o"ǃ}~p=pol{z%}~.c dXv!/YQC!e 7 Xy;.175KRPx9N{xIȦ~k^ğ6[3Wz)Gm#Sk?_s't8YGeF͋kaxuR޴zX=GFnuSWI^.ݵ ='#{=0ƽcat[tdy_w_^y#̓;/r7yLd@ف{e퓞Lмhqˋ:G3I~ֿǓS\E{ϗߚRdlOft˜c?V^oKp?Iy4o@h6x-k~U)LQzp0^pg 7 `v]~ rĀgH5A8l@2!ոqm7<m"[nNe,^H7+T1M{6긃qlExuFxGa[> cUpKl{}/=~Eg`>@JobAg?XbX18ŃjW'ۋԹ^/؏U% fJ<)oOY_D-̓O-)w=E4 A~'+ӷ9v~Uqy~$ToMG 6 UY'2EEzSIʮOeṯ۶y O壪*>8Qu0v񲯩ԩVy ?[ɩ>(8P^}j f1D[y+݋Fk+RIKVtTo3ϧZ8+QX3׈DV/C,fa@ ob4Aÿ>[9|rt'i~ _/mZIVޓWC5J8 o-!$>nT4BC0&tĘ;֬uAmiTP 8tçU9p/ {]SiS\hZtFP[VE;s':}%{$kG&ue_~ Ϳ"&ÝLsx 97xe]ġ#/*6ToNE l:ێR\E@_8}`FF>"o N2Dֲ:/,aP8eO /^ m>kz;J弨?(U G8" \%7>wq$wń녂0Gc zkow-)+km& 6.1\A!=ff!-^Jp)$3?z|QAm#AE{b+^p!q:a?͸A **Ro{uOkX!-??J`g{:~G tQnje8kwE} ߡ"R ChT/:&s l)~1lh)JoxNoҗ:܂NENlqn_p3hʒ+,8yzr1$ݻiTO)Y<8'(:NOɆ9zoǭ~93er|&1,GۃVwK*[S* hp{S^~ V{|/A{f$ys|Y8k985/'u~T}iː=] R&`]w)}YrKt1J] W~*Ǔ.}TyKWJҒ`CE[^zA=_Z q:!׃OݼSmAZa}ȬC|nB,um`@~eg+ )*tv)D %'wO@&ŭ"sRk롴a9Ϙ$x]=뷲Uٿ2p*qawÆ))7M v|Ő{r+bW`7.94~d=M5m-(,F2Jo޸ws4<p69Ϟ ߕC8TzImgD)#S<_:&܉F姃84Hxs}~dE6G5KȰq]Zަ/nO>, +!a5ǐϴe=]u"7oJ aCbd^=]t"yºjzN^6 A5XZo{j/+p?uuGTtj=R'rKPn  _gKzjv7y[;{Oko8ӼoUQ;=xEC+t5V)6z c\E%]ђˣ+mk.5>8AoENW0mZE\Q>GR֭AǂkmKϩ07,/2lxuzRs\A C[J\.OIl2,2En-r>ǝ,pSkܟČ:VxX3N:V4!CJ;VwBB@z?e>.6Ny>!/F6(8.![Ǽa v 2;2v{(a|:,?Tt2\{ Q_*^+6#UQp)̼I/9}a?[ap`vߙ+3ϔ NzYZ/So0,ZMA\𲎓1%P{yOTcn.i`*sA)rFFn.Ȼ%;!t$UƘMSȼo)'}Ik^L¬ xh-;u`{9xADɕ)م% Gw5n*JB7cOJ0/8@,ˏ,Ox%IC/~wͻ xѥ n|{ G(KG5G!{:`/(INO>4B ~K[YfoXMXynGv+OX|ZqaҼ1M~)T2'aw)(d5sd.=EFάk5rWWT0P?6~\jWQ,gmԖ{?ۯ(I0=I9B21V]]œSjC(( J|uҼ:b: nR*nQGV7V*\Vʍ}ttfKs~ {G^%^yYOy(}4&w7Ad"D3F|p9i:)N'S鋽A%s>#'^ukΛʂ%?Bϯ1j*u=j2%e4LB~;}ӼOo;V_+~W#7h w5Yru6|1:%~4'g NjOV*rG&8!S,#= x_Gԁ&Y59}OF'zuSv}Ћ4QLZ QRv//VseBp4䦳[ e3bX6]?u{ns2 O|Mn * Ygx>4厁8a%\D]Q`vz-`XnFs<<AJ41Z ʬZR` )u]̸DGNx?C̙BN8)dz^o%vPr|7y8soATwǕ7q/ojk-=z./O!Xc|c9om g֗c/qvy;K$tyfgX{)wB aMH.ТVhO v۔U|bMC~_S|zu0[듬(c'D)p^~|nyHNlÆCjD[Nz3ψW CgwgWG4"Sf?IO0|1߶77Y6sА`n $wSΧD$-$nBLR 4&Kq77o|K /סɯ_/`wޛ~z˜2B;W?B~CRr:?KQ6Ҳ"@f7pǿif-U)+]xOY]t{fXyf}oK͐O~)Giɗ |qRrxt;7OX1qUqe+}CiؓQЎد[; Ϭ'&&Lj<[ GW;O;:SI[Q_7nsMh1I3 y ވx/?q|xnj߬r pֺEuۗ&#~\ë,͚.ŧ`s؏Jv>:>v}4ͿEoŃ6=Kόm$I!wJJ9JVxO񛃈v 6wb;e41 'Ӱ=gPcr*VQ YsZ{䂓#!m,k?xFMŪ츹 ./s'滞 =cS [bc2`b$<:|*YᜥsCW.Kf\l!X[b]lf Jjz~l/c8HJar%s)NEs]Q W\a-_-0OK_ m]'j웰]T8j:+*cr[96~[~<oV uIer~:ҴX(QKq~PBKT䣨9*6rUlLuQ5 3%ۡUeQ9z|mw\E(z/ fJ_z"N鄞+zlHucrޅx|-kUVH+a2A7|Uvϸzw!dz؏<ʟ'Ϲf7 /;mV&gd>`2vSnjnu|EާF>P-ߕ}_>wXpq$?)jI>jY ]";7Hi{uΧHGƭT=lz{]Bj[AY:9=C-iofM\䤅('%bZj#?%Jj<)"7dTtE9}j&n>ZGYA5 T#g1E^ɠ~[RЊ&= a]>XHX|ޞOӵ'9G.ZڀMKdbL/Oi8d}w>7p>G h@r:>F/۝.s6jifhKms[$q\Tܬ.~|z@v5<1Vixc%ǨcXd5b'J1zSww1DjR;(iVc38j%J'ztQM6s+n^B8.Y~1J>S)Ø⿟$(X5&Dy8s?h̙iT]C$v2O ^0YsS}-]\a |q|#}@Pw|mn햐W'Q*eaK8wU݌;*gSvsu}0-G#jmYCm\WGw.-1`D@*mfc*l]קS,)b|.iƑ͒No"KlJi93C'sUԁSxVʸ=aN%{X-K_feٕVghq*3zLn"kruSzs!7I0^**(7vÅӪc%vg rŒn3rFLj%a8`; Q0[|O&slh[k7n@=.M~fE_v' f`! \/ٓ]Ӵnx!x,KOBPϪk-0`5³.Ӳ|9*u1ųarw.J= pc.Oo$C^U%r6K JX3T`ӆ#)^1 ,صHZXEX/Lɐ(y7vE^Bb"-zÿB\A]9y5vdփ/NJ|?Hܨhٙ`9t;ZB1?dLd䟯;R}t"NS81؛;5Kohm`zbJi])|5* KĜ(^gw1\=6 a Aߴs };W1dGoiX=BrI&H !X 'ֲ+TꋇYIڧQ wį3\g̦{zbF!8k;v*YɵO=:Ys='fj ngp2) @-t_2 "?C$` r\M?Og-_KOC_Gqjomێg~Weh}1^  $Ѵ/vB|"`~IYm sOuWP(~Q[ mW׎S4gN ?+^F =IdUEF,=o:iFUth E<\Ch-\xWm=;]iXP\FH<"k`X.(Z8C]@BgX|ҴOg?t -nکzaH+#7Ӳ[lh(;2c8O*>]b1Qk:eNoxW J\)y++d]EȿϾ@Cp茯Z5>tvN`U}~=01I:3t`1lڟ䂥Y% CQ(;zgMbrtuG AR =9q' g##.g׭ G]ܙ44#[';KU)xw29.w Jjl{y˵}_)".fǧyM›>~ s+K)9eާiɼ7j_%o'/Vi>O++xgOrCܬ ս̗c`n,'*XFQrl9wd7KnHG.y3a3p0?l>tfda0Y?hqB~1܃C>Sӱ7 !kv?ݘa7S=]H(zUiesWN5fȳI)bIlSBAcj&J ˽E'bW!l6!5E((76.qzzL@-@Y!td~سSiԟ* ס ?.l#y*lvඥt\ݙZOsũ(Z숈ʼ׶MBxZKs=YXW_m&=uj?7-F0"!ϸn~<ꀢMD\JDu;,58v~%oV9+8TŕѺ`xjh0Ƅ5:`%#9'slCHt[y:3M_韻ɤM:EIޒ:Za?X|T]aSrt<%u$ylUjZEvP٦3܍4]II~wslS}'<)_g{ ~OQE3)sjiLy T>k}$$5xӎyr!`oÄQ$Fp,+QwYG޷qv|r]òG_O3:"uM}|MԞ~()Oqq ϸZ'<{"v _.bNk%ay%bGvQ]ЁEx Uj&jKvd8NoD-f{Z6RБ `Vo6:?7^C,fr6 5?˵-0эo-f\քF^O7]01,[K|,Vƺ^6׭?夐l &4ֻد8>!Bn{uUg-xoZk]cim%H)ʝk:0n,C}~a&xK~fP+1Wi)NBA1v Ur<̄>znkf@y4j6Q 90D4&@+DwGv}>raY+6u-izcT!պջ0 99eo3Wmc 1;DE*1R}J89-@{ wqiO[C/wύ%AV֍Ljq,Gxc۟G +oPy$svs< vA=)xLXqwIdyD| ='ӹwZe:)>QPϳ 8 aW1.5J"{H'Z{L~7GŢv0C֟j:VCG(`t; c.8{KJ euO;g*R 0`+Ԁ(b$T.)Vh/֮sPL^wnm^+E0HعbBūfϮ kۛ|tfzN`&38p7bunM;C.Ye֑Dוqͥ%Z:9$\n iۑ8Gx)UPbJkD"@=[/(~c3?_Q-^~Cu߈ˆcF6,Z:Of*_*$ 8l$` K%.n_j\’n$'(HJw^- xp52I{ʻV`M躭-Um޳DfeC“yœn'^LUbTu3ݠEѾ3 Jл3ׯbN$!Ԋ93(篒ۖ/V %ylHA@.=ڥ%CoP{˪Fi Y}H^n±⍥tG}h:]T^߁CA0 wB܄z'ST[7 Rs^w-5H=׿?O=PTΡ[-*wsT=M4Vl=uIQXVTpX Թ~68ښ.&S|оe=jjqtaBޞ'שRglt 1ƄoQE<$,InRc $0XζXp[8PL|0uS= S3|EDЊڪa`S$#y²@iŮ{y`LQEYfYzuKboU}D8Ë ?6͉⸓=ψNx<0hmHʾϿ pKm r4lK4iT1bPJEGBeR6ٍ/WvCr$GuN4E{vu`h^ ঵=j8w_y?v:Jܿw7K%6AlHmӠ9T-# Y>.gmM.W2vm¸Mjd'S\!siJ?ll+zp5AdzykV Մ|gIJ5󙸭_bgL~!u wfwK~/uH)OTR4S/xՙ97Is×)n}0Bšn w_ySZx&PW9C=X 0>.uGjҺJW]n_a>:[:Qǫl ^Wewල[8"s~z?'jzfƭ}`w_͙k =Jr֠7![.8gTseaߐΏ&kϊ*A Cۉ^17,&g [?)xź2ovaW~asz\nzAG-< ,>%Ԛ/UG5B1O؂=5|} i6&QL<2 &p,fd(=bg^?_qLS(=.$Ւ TXׇi{tzvz#7 ?rCdBހƯl̛i&En iPWwt ;:6gO'B n+ '/6Sn9,x6Ǔ"=:f7o,^F9{evG}4jll#߃oeX+ft #g[J;&zϑ{/e]zn.x;An#ݰB,1twWT%r& MH eB"oagGϢwS|==FE%ts+EKs3jQeOΉysZ46du&5=X1qM ]-B*:0GxTw F;}[˒E> aȢ8|WmStlrǼ*Q5ߦUVNjEԉị*T~xۼX*zYdşu/H'tp 9G8G#ViF`( Um8ʟ'tG im8--Y-rw91I/Y|¨m'/irxhm1.{yF3r̫$%`+y1^>nvTs77ɕQ?[0exUTEBo_|gt *nݵM5u<El48+;G/jsoܻUiV izk33F p+C6QȠ9vIo;WtZ[0R$OcYAw#1Nq!ƃ,-֒5ךoݜYិG?2'jư B>x3^4ƶG^o~7%:{5UۿgJXˁ! !L{w h/܎bE~Tvz<mzޭd/-4Oݔm@,:s.Dy芭r dS XY༥C@l?<9!AU/?p$9*#gyQ#]/!!V}C2 )Ƃ'n1S|{Z sKszΩWjxR ȑ»3E*#{sPxp$L_ uaĥD2tSs1дv;VFȑI"/FbtSH)yoZ8&Kj)uK?U%y%OWh>͘Ogax"?'L&T*C#HϻEaMD7v]̯QBgSctG Hrwl4Nʬ*C+J!:Rx10OBKsCIas4vc/SwLi.uWMQ)Pʮo,mռ2f %ikk-|&jݭ*waޞ:QM Ɣ4ʶd.KߪTmOfc0KC#jG>͇2Wqc[h)Ϳ33Cg韷KnB,9]]?kSapѪȐI+҇a|B tC#POk $|c(a.nU UU2٠[<=[3^}]V_kEavb1z'51~1zO`|07ns9)Lz~ķihG8>b^I\th"׏{ȶgs-V4W{235U.DHrVNxVs]=7OąM1Ze'P44:Nf[%e::9F*Ot?iė{tmne!fzU m$w8@.-ɦcx t H;B9`~ ղgZק[żV %1BC ǟy{K:I-gvR@WDŕOۤ#Y~*ὫNJ mAYVAq} gJ^wyAbKUgcJ6S\xv \qDgY萑"_0f0+NY0 [E?@F*GgjQpu؎dQ^|YV j, Äwƺt4{TcU,`%BbWE7^]+GBB8hGU`/ O<۫{?s j("\ O 9PM#f[2/s{,a O]`sv~$?6!zt9;Z! ,"+(ߖ{y29ktALUQHh0 ZKMH bdKϴry*:lyԧr[fZ^ W?8Kՙ _%&żdg8呵Z])0.q~ :'< 3ϢKXM|Zys;v 5M5H’.[ptӊhOǪi8 "wN{k/H$~0?Ӡ[~ycrO/eLQJj٧? 62fs4l D}x}\8xًOp7lT4q,8I=s4OzlP\*vFU{>qyJ;>m @TvSdp-a JTD8wҍ>MK#;:s4z'$'/xnL$8+!3{ 1Ő6 ö+B[L2ra;}<Ǖ?B#N3l0':0ͧ w:)3L^H9eEzrM^W0z77wo(|QXϓz+$pcD Jfwwj!EnlR[;7<S1%rɿEZT4/W$<4XAm]׀(S[;bp?踏=J͑4]g-ˀ{^" AүX)c: ?L%ފX%xBnwĖSZ]rJT(8ֱS_bj 0+.R.kM&̳rD`s0vp^]Wu!䔝|J'DN}leD072JJJw/x?&]RBH^ߗ>@$:"|..IƥO v&ߴfDWM"K1k:u )u['q2TÒ'$m ^j?uOx8,E- .~&vk)\AeRN!Ɵ}EpæG-tMi|kR#6 68[9 V{VG[24CHW/?KW_P=|U&?(t{7{8,C)`猜k1rdY kYM(>NiEMc,z>uJsg Y0F89~}~S{_z. A;|<㨹}|{/{7Ȍd#d0ޭ*fr'5J\=ڧ)("<=I2wƠH@XJyM;?#gB-mQ)NVGf 8FOɞ0j g,?/ _:NFTnK>5z[LwV~h/V)S@SBW56]%K(EѤMacߑA:=҈۰p~! iMʹƵ'@*L/x_A3௭?}II(pti! y&5yqF<;I"oK-?ּS>FꝂ~2\3Zq h6&Z8RM}8`zU257g3@A$Zg-b Fh5"7r'iE()g7,)cOη ,tj ["Os߯rYgBR*W%Ub'IgE1F17#a|i$9}&5O˪iög&0H:ue4x "ɇZh4v; i(r_O36/A]6uncz ܰ+ⷻYbg.Z"ji9bus1]'ۥ@=uGZ@>@޿}':j0/19O! uU9Htj^jbɥD 7Ȩ|zFglOo97½>BKe~o+wSA!!CH)O!yHoIi+y}j` -Ypr"[ټ)ox5Tej#%82J/eYyٙQ>Ƃ(6&K.W"5'm/ Phxc-sUCWTפ!Wl x q Ûey E*cKqyʽ`u ?# x>o#X'"r(0P1\{9[9"omn~!,i{79S3 .?غ˶#̤wR-,f&@g~ʆb"]&E&N25zLR-:z܆iI_PE8SFK"C% iMO4Łф"AɎ8ƷH9Nn%IJKC"VVBjsgn\g,DMty;j +TL)%ћQ[>6)y~]U}̕©&H`2SJ]wsar~o!dٯL1dg>uD־;h~RWGy2oqf39񏆚?9gm`R'w+qG qyt9k[~W5i9%HŀO^iR>ը"yZtE8ǽ9@ >sW;FOwg4"OAS[ tgUу|N󘪶܊ꮏqN]k7G=+d~7fD Xe۠m?Y|ܙ yPwA潏_ZDs˫<h]{G^N)<)BgeE=A~|E݋ERDKXm` Qy}dh4L_hK>̕%xC䝻wY"|Nͣ3];iMxl}C/SXrr%ծarDꁪr|:ǖ4 ?z:Y'Z?|qw*u~@iP %Sէ,\#1 wKpl lf\DCNfkAO -W}/5eC/W(%µƆ.~J(茯_eauʉL}u$"e% efg*Q'׊ }ebKAݳAkn.NjS 7W8V!J1~{Ekrx\8ʶ"7{f"aod=DN[s}&H.SO˿eԺXn}_[JWRnqG(nY%HmBΩ~m b@/5L6V|o䴵A,?E-(N ɗ3W\Nc)[?;Hٓ!᷍N&$ fqp}J<.G}#=-r?\{\xܖEE7=ʏkŜY58nL;pM!}g4(JS<+M)mH]nf.%t z̗de0+%:Sc9dB)"Wqj꾃ޡW0N&C57%eW3l%}c.?ڄD)z( v8S^1w&gxa=|ý*LP Ͳpr߃uVtB[5_()]V={y]6AcT;&f#ʔ JcߎNGi3ڬI|c^lO1vÄW^>*N 8Z^M3"%z`j^KM=& 'vZ,9} y]1/CXa:BxjA]c·0`K]mV΅ԛ1RHOzYHLLEc}s/s_kjZf^x~NKawQ{~M7]䏔J0C׮]Z$^oEޞuvA[SeqW'nI+ZPs-̝+֔7PwޤAIveSQmeKw6A >+)ML=q 8"\[)R:[7Z-[" LUKc[) ͯ:)briH8Q%魉`nS541wZS|sֱt{Y%"wdhBInw: /c}Q4F[U[ ՚ǿ5l|^F앥2č9'wɵ4:~@أH|vE4DF8*xW< }~^s1k hjK3'AGEx:+x䌘K^Wjy-%UtvL;!ZgwTJU؏;g8vb yo@ne$Km^suL6^ W& ErCc\%V#Z.u8> 5N-SPi$?vKj ݑX*N?֓=#Pm\HA$#4 o-)?2FnORQx_YuK3|_[> Q!Ӛ&S6)$W$JỴF_Cy½+:%.`ӵs#;H6)~o {H/)npR!.A|RtȦEe Tk]+tSMÑ+jMڥC'N@q`5[1٨<,ʲZ|%N.n+(sSݘ睬 㧩 1/e󣫯=kC7v~Ek]}}<&9BSihmzd1bK[/Ϙ/5H.]. iy`o9gt^:+S<޼ōͰlŇj{@F ]13zfAG-UFV[Np)#i\- D{oௐre%{*g驏 #/BW}748ʷG-;iR`):cӏ!A+5+!NK~P5Y!GZUnmDurK'!C|%2a2OQ{2UhDD*Ű͍w[P@-{$rJu,On'dk̴=$~ 2[cxźcxFyæރHI>%I"fit¾w9\g@<]8<ԯ` Bǁ4<s6~S*e5i$*)df2 o#x\Ji^HV.о d^xۧ*,%07[:?PJ%^i~s>Pk OᄧYWKû B: 8a+&4c]܂1&yd!e|Y#޽`Gųm>=<5?fa^EٯU-/O\Z. *WՖts뽴yXw!yTU Zun}۞n\S۴W >[mF@.3iH"欞7pG\:&"kwO{XjE.Xi(rj_NatA!]U _G!a4fE ~_ DxY|Y2П@V5"YUi +UPGr9kSu..Vi)|6 W ]sUte [G84ޠzqHKJ뇕z퇢]*Ly#vC;Ț.n٨+uٍh:ʷeo)vb&k_ SiA+5[ [3ڌDZ|L/1Lz E|YJhs[=ArW5c4\byoŰcCL΍^GOf5 Ϛce^$5{oZm~hRDXekk!<=#fAĴ_Yb3?@q{ٟv`9Ғ!߼BDf[fwX}V53tc_Іf/`ǣV݃ۘmZeop>n>_K8/Q}FEvJ[kwBlbU'[lv87ܼ]Pq@BcRYg `t#?|y`qI}<V}=0՟n8D^I>yy+h۹m }'AZRK4K; OAgǷgNe)(04XčX-}YȰV6l䜔yh8a .T4=4nx77:W8xo)8)$MFZc/>gL~O~VıK*IP$_DH><| 2Ӈt̷}x:OVEfE/vd44Irq^s(Sɜe5&(5,ѣ܊3l%G394Mah=Y]LuBQS J@81$T;i[A%nRW,jWzZ}a s+9\I PNd]*֬}J lU /oZX o}OpP>{/vݿ *)MFB"ŀwcSNW,p&3X~+3#ԧzbU]ryMNZn7^D>2O{3(!WWJ`>~;{G:|Ĝ.۾~m*t[dN:s>(޺]YSϫwB\ gЭJd?keHZ:"~ FFX $FZ:پbG"z9|z;m4U+['͠5y2,fN^'R[U[¯lòEۭ{1BTGrPGga8Նj7 Nԥt#ɩ;@Hq\<{ yO0^\@Ϡ~*&^JAL'\ݷdy'mQxv`?P$%W}Z3v;,=.w'4Ǡζ::',O2\sɸ(f0boC0Vs0Ƒ>ȶ@-O,^qWbPn-g/iˆms&g7i!նKW6B^_7ReS'ت Όd#gWX/9{?NؗvƫBݯ9w4,{7Tɓeyt5jk3`ZN\6wͪ,ҟ B 9$}f;Y?I;|Ӈ*Ϩhk irow<ߑ.M [tV%d43'ԯ밾wx Ag ]NiB+\ѕes+M b"ºGir +Ȗ˺+>iy2r\9bK=%ܢp߹ӻRk*ڄֳ‘WY.<\R'1S' Z3\2|2#Zc{kF׈]BV5o/lfziK|:SIm\$P @V9`K?uyB4k4k2 l6xT@W{Rr4WgSQ Þ`Q,Fc90i c.0txJ?3$tQJZQ"1\91)Þpxu_)=Om,rl[Hw i S\t}=ns!8.f6Iy7eg!=$,q? cχؓoS˗WMψG'TҜA3\ځ_܅/e$D=dPrbO9֤n!i4wb g&?7.Gb M?"aShD{ԟG zޏCB|gǪC\EE4|w捣AY+Dn*5Z𥛸O@r(O]YNӺ{rSB{tlmPG2XCuo_HR}2(_BC-Qa>lˎa(A-ӓk4;M<]p zC7şg}{D+W_yu@ u\l-1=$},Ӑ/^d P^]K +J-'dr[6(?rþٻPE߰7= s9h p::yay0'pP `h:hD ULψ$oS8< ӯ~cu`]M/TGטrCLpY40Hq$!y"7!)kTd :\f 2|:mD HwjN? -ζjMtߵpdNT29MŜ[{g*חP[Nc0 7&B^ID2Je?7"_R-_XE zh(Ϻ3X8!3ބ{lT>ڄОB/lq>N彩Eϔv~p+]_PGȂߑVIٳϜ!. 5_?vh<fޖݺJq8N+m.u@wBE ߽hg-3YY̒,4K8ܲgd_乕&:`:{.U@P᧶zq<f Ѽ_VV.Dr]dThU_%Jþ*&/-ԢVRBʧ:e$8ܖkiA5GMJRnX't1=i+̣MrepM+il\x\_Xf2]!-!@ _Ź]A5M?5Օ-Yq*6Jް7 {7(Յx0< Pǧ7a#6eUk\YTBed#'TR>Y!ė})xyadeD{!:Z'Q-ΞˡUs<#57?eQ¾|p5p~˘e"q;:d@ozCW>/uBmyx#ЊWdžqI=+亷Qxj^}pv KM84qu ONlsiXyQ9fe[_Iլ1|PMӄ‡ weEtMZU<n2k[z,5*&T^Ch` |ݐ9_Pk-}Щ>p.hEeyE`2~J#_P*Y:HU$aF1vf'G)$"9oK9筽|~){Jajol8um9h8?/g `jh PMT|?Vh<ﲛ+9{mk\E,?wsEc$ѩ5L4l'udj2 }>`'*@_l#VS&}ElGIa`} sˡ#| X{ݣpȌӱ~7w ݱճ[C9l-,lXŽ6QQ.t>ɴs ] Vcuj][[&ɘplQ=ouWMf۷C(v{)xe\Cd*2k3͕^7]K]?QWF?DD )sO ]֡5=o]QiW0q_}O*ߛm 1ȉKY̐~wqypm^ { IܧG}g:={)l^,ޮ-Y t[HS]~,nS_p@ׅO~~` EV~#'Q伈|zC*\ o\U[56tDfdowCa*=^˝^#ˬ&mT|$gx0 8a|ͼդ̇3Zg32 {Y#atJuv?{Tq`yy߯rty}|ě]fg i>4è9ASj>[a ~xk$G? Y߼@3cp~=@ fp: 21;$#!( Y/*d}DIt5$-:`=r XdrHFlƱA~ $V^mqjn&;=޼yrgQ=a휸S9<("\B%naD~1Mg3N_~7eXR Hfmyq+-޳_iLW?^7ůAQqaT-ٹr_S;|ɡ@S-I" [ߏHw奪v|΅ɗIϞNLv ]x1Ƭ?j*0윳 ٫*IpVU?NtGZtzT1y&wF)l}mu eln2e)xˬW m0)-v8WIA94'Oo;kKc`AD0PW{x3yX[JZw>7;߲{PX).WjouNjb3D\ |E9,{FJ ӜDr:Y<2g@İ},N8แ{Dէ<^I"N ;֞ fF3qRIM"j/HhwpRj|t yDkx9Y6$%t+H$<ADM}MfoBU[Viw7u^#1mTu=-}ҕ2Xq4fEiGncL ~uHV5;21~-|c AY:pJ}y[O`2pqqٖ|~;D ?8Y#l/h/(f h $F?`#4GeDiܳbm9V;lXy~`9ߥ/%s qb %ſOWN_9俧=D+ϢbCԝ}'v[9N ٥wLo(3rRPCrä"i dd/Afc1olM* qƽ+ B?HiE_n^oB T',=ɀIn.g;=  އáΛv{)Ƈ_ Cw่7嵮v07| @[Wooި!#_{R] gv??*,GR>~)ODkcGlj,L*C73f;=A(0 >lb lߺ1R8:Z? T{AK-4ݚaT v|ecB~ DhbIڽiBo$2VIONN-ȰAudp1 ,0x'! yw͸6Zee2{ M/̶aaBY# ص)צ37/ә KUWswB0]Dɦdc٦_Cy-,V`s:L-t F+o\j3Y@GQah(Zc fb }?Ud2-։bFsCE B>|xS !B2Y9+sHm:L-nI$S C1H&d4 PXf=9;W؁uZ< f39¥Ƕ,۳=;>ֽMߥ[PɮH& Z[K%EהDz{2>/#dT_j !kd(d ֍{F^?UDB7>ϿcSK;oNwʝw?Do3%#*GÖ%[@00uGgN Tn[c~ZmIà:V[tpaXS]hZ0 !6|Iʗf'Cq SA/sh?o(fFbjw ETq?jE=mZs:s6jBP J*?J*& !b֪,F;(l7"8!e/'ضGg>8่Kz(!x} j-Kle[J8JVdm:'3~O}O1iָ >¢G:=ַDp=|oHg>`'Cw2jzw?wy.,L=N"^#~E_WRܮ׾mfs#73᥾a 3ٯd.r/,4rD͝ԥK"koզ%p4 &]?gvAw >A-}vߏD3lP'zLG/Y }?+; ǩ&]c׎l<47NW+uR{Vl \< [a{[>%$2_H>M#IA,,EHUo3Gru!.&ӢǍ3UOF^6ƚ+N *fE(7*WƟB; yĢʹ1du m䈟Bo )=ѕQfCN 4Đ\s\.Sx:Ckžc7pNl3'CݸݣK?Ϯw˸IՐ_kVn7MXmdvbQjK|Ujd#ۉҐ~oS?ޅ_Y,tj=MVߴ o֮D%]A7XM꩗qvLq;ZwTF\c`adR9,+ c݌ /ׇVVʧn;+>ʤcJIB-l7rn1 5lh\L6$ܲBwݩ]:b8QF8E"IQ7o+ ]yVznpO|,Qq8J!,+Ol՘Eh"Lqz}e]O._H.?mG51SmQܼ>Pb,uKIKQ1%m2g]i(p*'&yz޽Bt6:pO8ro jAP@aM_b/L PDuaBmfKw|+('~_2A=8IK4}xG h",B^ Cö{@i7̆gl+ֲnvLOq]⪏:~{Iw=ǥt@q0w.yycr<39 $$h/G>_C{B[h07!3気zA»<[B/nLσa8Bڳr~i_%n$Y"kg; {' nGMVtW8FgxR$lIUVқ/ ; Up+[ .]fcʍh4f< ,#*5#\Lh?ֹgq[_3?Ҁ]84#+P*K |D6(O\P&wUƁ{[MGXV`kFlS 0F϶5޺5l,L/Ӆ<2lDͷ`ݦ80zv^OtXs@*PBgYYr3 Ϯv~UK=W} |Z+oݧh~f+±GS@f~SMh)Նu%ϭ)1&7P.ُ(Kjr-VVi݌2Eg $,~7tCdž\e]bWL{jsct`COyͿN5 zj"28W{ؼ ' \iqr@tj߻3Vt w~iIt|-:`hiV<\VfK9y[) 03FY<?h} ڹ^1bnZ/!U|TAfJˉTWILM9|&$)x绦OXˆLgy[QLɋGQ密夷>_Vȕm\V!|r_mmnRۆ£#Kq2ata6uTe}GmeU xlu7p bƖZѕUZwgYK|&ǟ9HDƩ䅕S3k1х$b}.#g%?16gc-i)=*O|S> R@Ud<מ o^.\^?HrC2i ضֲHƬKA9:·]GEȖq ,1Lfp*` Mmt:}6xӓܥA{r7,W:v;+tSFnPq `c fhctzbPj$kX%pnq|mB?\>/wy먞iC\!ad+䗛weD49tgnʍ7~'|{6ݾך^ZңIlpKN)s}a}͖vĢQsiN4T ?W_|Qsgk6w)l[)#ҝ~M:hn(iߕE>5M'SY&o/FߚxH<iܚDE{Kdͦ缄p6/ #Gߪfc r_}kEJ8a 7Si ^ AǻnW_7}#{OL[UTՌbA~Vx|%{]{~{C(9;$n(/ߛ>|`\7_0z>MՈP00-B1OR(B'`+~v'Nw5>zm [-]o %<+2_~6]x^}NP<߰cN`QL:Zb_?S!i=8ipUiSYߵ떻++'pPj}^#wCz~ ۜC=|bYՑ UvC,ҝA&G9f"_i^*2'i8vl8[ݑ(*[% ֦nQQ1(tnU>{jht^!1W^V`fݏ{"_>)ovtiV ixߓC3g;(MZH5a~A7iՋs ԰Ros7'5#aILXt!.II`4%o|+ Ō*sE܈m7JZ߇g-iN`J%0Ls#-go 7FQS."S%!~^E`X\=Bhi>WPvXI`-rTĝ4 W}/<_ðhGƶ^6x/٫,Z߱1GtqsK)I""2[= 4{==:0td|- /vUBR?ƝҴM/qFcՄSO֭ZX hW@+_*9 +5=qWbZ NVyC!͙x2}ZfD! Kd^' xO|YᄙB3O Qw#kq=.v%q{zö4{k]6z֭ ҾŬsWs}Vu1K tEB$gFQcr+Yt^lI2EX{dh,{LYH]ȡ`[%Ŭ*8 $,l1NH[1S%.OV(N)@Τ^.cٜδzy<̀+"vѓ4ݹxݵYe`uR(䨫Bk ӘJǃu'_T y03DvjU*W;T88w,sǣB}蕄 qE|~ ?6v*u+} gUsU3⚌#z^"z}atf!i<{hyˋ~ _Wƣr|Zk0;dv'ݔtb m o\ʩ'T豧X4WwOi{T+:ݦu*/TIfį2 {x?0"τG+̋y=v+icNnw: U[U! 'myyfcqrӘ=Ү^X'\NO:U䉬{x{jזi/IroװR쮞Ia68"BRR `jx)N.{4ߐoIHZ m+ TuzoǵldG/t*Mڟ DMҶ: w^j=d2?$~8 /IsU/;T㥊im]a*N(B8a18X"Pq &$jFa ~fK1_Mhx`qvn/X pz:O@j[# U>LH^d!3!Z(hnsYCZe=ʎy[6a@/ʋG7cwa5BJCY]ZW{~t3P*1٦˒͋ų d)TURu|OCyDoO3y "=^'feX-3{QbI]YUne\#Ԏjj܍/!T9[yF즵 ]G:&ўa%YߟC[.H㱮6lbSg>8+^Po3\|SмOP"RUQǶn.q/=0:5?G `P9UaRD c`hcn *&U12 dB ;3rP׍?r#63X׮6R(SLO*jxK e_@7wF0uw+K %It)  @+Pon}v$tjl]U4):GD|K'&u<$p9.=5˽K{!Ҁ]V}wt74tI^/&U XO&v6LynimJu;h[1HE*%,*?x:rTz|.5=?lcF:LS8Dވ65D;ٚ[M٠nT=˛u< w9S>^FҖߴ;u2;{y~N+/?ccy]_/<~h!a/=c{s*qVd4M45o;9# *w1/C} /Nk lcP5Bfg!k%MPbMoyјirR?4m?{xD+hWI|(˱6:&;='fCBʯիNJE_  yioʘ=ûtCC{,_r>Ya6՜?hGpօʹ&U/ZSVgҶ_"?Cy? Be"mg͇r9U*.^UdHr[;gT P3gUV[*C{I >şpߣTڦuRY sN<@/rCTTQI71n5.toG_+-X̽xt[rWCSjH~`gȯ կFׄ{_>!+6궏$ѳ+kuhϷ,ي#ͱKyDa\Gl\zhlLaADe0|h@z# z85/e>d5rEG4;O]nSKD {o93@غY%-Fvm3V%oN3;`,(sSuc-;&9w̛@_gvoh>??8*׈P__%iT1%~Yt]}u>`-ZpgM-{#KU_o],'JX.j{{/ sT(jׇY1AvH/S(2 c)QCv$|s2z4a=/(w ռݮȊ TޔC j/8Yݵ~cT([]g;,!i-|:|MT`pQ4".yfEM70>oFax+EAS2LmBrIL iUos'v95\CH.ֻ-s &#i1_u 8;Aǿ/iN(%f sDa7%?hѼ#(몖,q/ȡsVr%zkfu#|*Z q3Жx*c[!L\ƹϠ4Pw4 \)΀q?vxjBڶ{bߐ%%Y(YO k)ŵH)4?2f~;?ޒwFtFB^Őw7v}w9KBv[NW)3/ǬW7֝8Zu} !^f|g\i<~afb4AF'*tO?Y=cjF'X8!5>\Fx`U޻9G .U6wj|Hkm0g-kd3Gf&cj0ms P'|c?3tWj`PԊ;}wR8w۳zGÎS$5sӞѹn-h3:YS$y'ӴCC%4Nص(CCݩrGQpUFx7--{)/5̙þ#]vw NPϢ<$?jba#VfglÓu;bG ;bʤ.s<So9E+2~Iier3d]`䐚1ԫчL;^/(ԃp-0'"0UX') dZkVf5.ҀَIdNV)a@AP}n!:Ji݋<7.rԒ,!6.V܌0uKo͉2ui}Xσr/at|OK(~1٦?%O`v}1׎w#鋮)4WZ'(P.8ZA}V7!U8P٘&8P9)5X}SlM>co-Sbhzw |õM;_D0i/$S'hF&&79).p*bDRbL]wg ׆Fzd֨JG;@Ui `NԄ#|-Uܠ2^AE5w= 6:bjgͫd!d4|L#^Qs"d?eH"+뚽hgKIRprXp-յib H1y~4fpSQXD] ݟ^;o\ZFR.?LW qj=5}:*d^״m*m 7 Tֲhou:z8Zit= YޟxKsB#W:}YH dljw%Fע}۽ϭudVqS$Χ)|hc><*d+j q78Kr[k/wCPڭM};ٖx}$| v=ܩt* Tm_lLT |cv܊J`M-| mXObY`4_P0pyĬB u[RGqD{ݷfCžz|0u3hDљD0 $_ FRPT{MCB$XuvdO rk1$Oz/S9ugPJӷG-Pϓ&bC5["-Xc^#>Ɇy\V~9.;O7Ɯ'­JHo %Qjtbp}B IG?y"`7z8ᵗ &r>'PzXG|&JV֥C޿{SYP )hKd ;Kן+E>8 ao^ݲXZ+T\kSRige_B M|Ocu -IA_F4> [@eN>ٞ֒'ϫ&'fIN<vF v6TW<QojBNu~j$uvy(d U-ܰYbys Z$ LzSz,7:wG\dUf6ߎ azVo׎ZA{S?{i65.zUՓsz$X8R[wɿ~³xpfy sUm((Dͬȸs0ͺI-,a}4w.%uγ[)_!exЕ1CBkDJ}* %QmUYsWJ P$hd6OŸtyΔK}9*Gvob25TʭFs~rH#)ֻ05wEwEQ|h*CTG5wbrrl)Is:OodF|P 셒ٕ&LɌ[кXJ_N-h5zSwh+/.4]Z\khx}rׅdBdM0 2pk="_,@Cz9$b셯hBuϊj?2 Ɓ\5~X/{JɯǁvKFt`TAF9QGMG,fDޭCR`68̆InDQ@źOIKDӹ;ĺ)9:ok-_FRv[x7x*W{j-э^g;Ѱ~L6{a  'nCCY<|/Av=\l>m8yd+l9l 798c\3%MnN3;\َnsgK WLִ3Uv>Vwxޗڅ./w0;NYWR/ZLRH.Ӝ:(S HE@3SYb ϖ݊W ;7v~cy5skQ͢n&u``1= U TSzk vV9{ TSY{ߴԷl3фZ7,Xm;zx?pЖT>* s~z|XV}*RɏUHs(bpuZ Ǹ8\F9JzrB<G(qXNfyy顚idZĄpF{fUr?5P9B:S?o._QjF7?o9vJL+8 bw>UAT{)| i%CMLg:#.N/nk8ݫNEn/f$+M\B,۷,Yu|)kzzNz Nr%7ħ<3o~<޲'>X>[[W|~:.:/b+_-'!TZ٧?>mױ W]̺Pظd> vL7Y՘֖_9><e_OeZ[R2^DSPUemjYE~[@8=?GeiPsl{^ܪl<&Q7?ˤ[ 5zeꮋMġSm؁=+rnR70|Hо| []v3@ʦh&_(ߞ*XOW|NEsck{ Ֆ Ȑ*\$Jx6P%j3!b>5>ޫ%fg!&OIoSo[ h0rF&W|?<(APӨ _-{tb޴ĞW,l5>,v7=1[; ָrELNm]tκ`aܭ9d6͹j铕ù֑'}S5(mXhKw`hig#rѨ/g 1@X~Zf;Nr}ѹLk 2,d=qJAA?8ˎh$H<_ K>DQe7\to SBQQmL+ٮ;G9 y6)l\Cf:x)֕`ˠbNX~T+M#%38x.M6y#oéůN75'cOwXfHK{ٍk4H_яa7;{;l&^yһpb7aBuM9NAlEYX;X}zo]ox;{p+Y gv;b@ot&3CP][+#=qP#p#MP 5S~Dj(,Z.mu$_.=V̾űE|>Qd{}yE>Y D+Ta(}k~`z2wwϼrs8Ya|ށ= l2u -~xɦL}fW( quk?C$Pu):y+> ùAw_"^Qh I2m?Iw97('1ʢ9odxg0n5x!@}墶'N^`zx;|'=lÔ{@ufk=HJ]j@ONx8]BtF ubr"ZѨ>:kI˟O xAlCCTO)q,W `o V37i꡾|ϔUS(L< B\3c.[])F)Vd1DdP,j5 K:P"#a#^A΀y#Ds)Ûxߓw9HJ9{@3Cy $Zy3aƫ^-殶0pkWz񮁅 {0U>JuK|< dqo\ϋ#?B(\H9ڦ* bxb;ɓl6SlĪ!3'~|{Ap2y/-΅ |9 y+XG1~~=?~i@y¢"F޷Y)5rT]9x 6BM M+'edޯ|^ȹ( \l#09 p?YIܭyjy= ^f]y<``OrZ ~eѺЭ Fn]=5 pn6Zѱy)b#IqOP}Ezr.[h|'fbdͫ:?ތOz[L=*X6  b,)C^aA }*IoV]ɒlENUHDA+6 H`9~"#p, 4sjů|[^=jMZx#zU!iMfEïkjӄDI[2lnMhVBD= ,(f~?p0S6r?Ěxix]2\q$ d)-Eb~m%:&xK&R`韲^I0^UD_ w&H{L J,C6M٫-爏EYC&IIoD/pEuנAYf0kmc&<52xYWׂVN Pcmg*Ky7A ,9u%>SE|~Sn匋~,I9~M֠/Gƙ|7KZJMU5B:u26ѱZ#]7]˛,0|"$PQ`y bQޛ%o^>g.JڎxYjgY?КY=$i?Sĩ [NIß sC6ƕ˄jtYoUP6l۽WV_kudȗ-o%n"[֥̀?"ukBXCsRٔ%a cu}mU4 UGEG2'!uJ:89HIUEOrU*ߨ:F_Obt$v53z`6&EnάfȹnVo"RD9[bAJ$=_7j %^ WNV#a2~rP;fx]ï1|9DW_3zOd߷_f$b7L~LjOwff?6*⏆w?}NXٸ}}V%~o$,Ua S1 $=>#& tR7^:~soVMWO~\Biy_0EoMfxcYP&)g(I *U'lWzR] ,O'dlτ_Ωl"'f_81rUϴYX6ղ39_Nr^0ua21Z d8zR<68*0Au޽#wa_T6γK'KcR <7\+3w/ݸ]mVbym"QZ!buJ2-C׌󨢽߂ݻz6S&=L7GBm$9 jTlm%NjBJs#S3N; U=eAIVp:l72eW WK5%A/o;}g)Wuz %Qfleesr*Sݗ}6پrgƓQ>5`o7bHkɽye.d\j"33LkJIΪk ]{`/~izO+1"r,O؆Vnŗ|'XLe;>>}֟j1~Lri~ F"狸9My (+#%إb r?xVu5h4:RWmicZ4֭*#b0虹mn)!R WAtEWݺi}/g6|Eh58kڐ:;'vsoy7#.;(F0hudV% CĘ5ж d=SSG\҉sko[k.Bqphi30GaZlX iXcmo9e-c"àhʄxk|]i:El+R=pv)8?#YCA2h;#=x3J[ew<`bkKvCe,pj{ [ZaX)~E^X.O2_L0:䈆l7Z֬h fqݼ5.y8p#qYtdo|}eBX@qZw+ppP# 6iN} ߑ^tL> 5 w\c"~ſh%\6iM.Vd/l>q9Ncݿ|4Bֵ$A; nydyspـ9ߦ 5[n5|oy@BX;BJ{ ZǓw \$]/C38%ʲωՎ&lވ&1Jfxnj 7\$MeL}FZ۰ipO~ٔg/K˕aT^kC+=dVqDc\uMa~ohׁ߄-ѣE(:uK#@ߌ '̯w(8q"ۯ$']H~Q6 ﷓aŏaXriMz]&zgʥ MבTdqـ>ɢ7~fQ8O*bxnOF+k8z5M6rxP5U~''Kcyޞ8x/!鰳iWU_YnEKSPVpC(7 J8/mlBZ1G [JT-䐜p:R+9Mdα~2vT'?8BF+*WՉ-eUҺ?&<>ӏDkU_[ Utk’ۄW3q #GjhODJȩǐo'IoXs;9ػ2!\mIY p晔mu]mc옏o[ ]o4mQJh ysy8<{Xg)T=_CڮjH|z5^V~/gvΙн4nA;0J.Lp#=)kh_apƂwD#\ySTcOJi 2A~?eU,Q4K⭃xfG! bV-bpgt-MUuŘ3pu>ӯ?v S[!_yPo[uDŽQ6 ]Èq*r7]B)X:ħ]u?-02^a}r[E?>-)@h&qE^2mthws; Mv3+k!f:]S:ً~uцmxY.QnuYnkviq?l*B` ?co-_`C> h1/6egm>@ kk޲7kp6T{E͓{v9w\4{poAΟ"PV ;qFY$|䇬8H)Zߊ9$ż2\RGFaL7i`e sW<*iY>(#cuD#XTɧί1oz3=oћmxH1fe>@Qk 2F : :E\SFrh5-v_ &j 'jyK05dESK@qjWL|x?=Յu߱shal҅(kg{F@E(Ev}#y,==m{a.Ԡh>[Im' cXaI˛{oL.ٵ(Ca0O]{na"酔#Ʒ)fysĢ/ZbS3R)GDI9S󣦋=[idf@?qʖP|@g1ū͉1vR*Sy<A}+*OֶDcpmb΋8U{CdRR$~<ތqoUwq=BgkϮv^Dpކi̱re@<]ۆ.Z4nhx˽Oy$ n:Nwr_fD\֚RDC;8pr/sx4g>)1_V| $ 5#;%cUhF@AxJ껲_iYy)a@fhR=RsCsSHfw&žz@ˀ -JD2[z{4.jh()#I{Aar *\ۤp@t4@YdEK[pXW%W%51ᅡ;Oz }Z[RvLض,hF#XUy؜~E-nwXA#^5!~fƆ|-,53p;aPA[̱ʂⱁۀ{K&dHpٴ_"&yk}р8#ͷ;IxbHCmi8't.5#ׅ*%Q} cz"c0O^]N^v+Z!xE<:B1AS?5G_}ح’l%/-P<+2M0Aפl z>T5Bn<X{<@ KVlbJqB jU[$pUQIBaW}Hf"xFG[GEDuR/&I.HM]%ű7XDtXYLf%["s 4I{!~( S]-Ugk91'rva֍>,od>-5y[bunȦ,frf.F&BĈ 0~յu"S:ce܏6Y_OŲٵ:!wbV29o!.om 9e# ~jkr!߿owI_BZl.4nTRsyd-o8vMד4y#-JXHТi]#;KR uo,^}!}L#*:36S`z^UniT K?M*U,Y{]Rj\%M /6{j/+bR+_N} {@EŸU*oKzyR aV ySb/l`"ߓd89s~U6(z_I u:=w,0G7<>ZD{ΝOfMb=^R_m]蚂eT4&С~n^1n~'hb8Ѫq9 l `N _uEِy"{Lo #-j}q:^|etCz/5W@X8v*t.[O@}/?-.k_t L3pZ㍗ɕnʫ/v4?3un͋5 Pd*\ E`+V ٓ-jKmt:&¿Bp NCu&S=/෣.}ʛ@;1NY6},+A%!$^6P X@[ '#e.j,}swR,ĖmcɎdY˱)~Q ?ͻƒmK=] X=3*f" dk&sw5ɳx?-k=t]uz߁#-&=$a0˕[ qVukc4]q&عl@~K?ojOHhHJ< *âWNթ^^@b 4bN*(>SrK:ǝ[Kh$bקCuSS?rX.T1芢A;LTm^vСbkzQZ:&GVy#EZ`y4U'NrwbeD~A/D؍%b߻1 t,[Z#5cͨQOmJ_=u%qb舨"lӒ>Kpy}eL|vT!U:Sӷ s58u IzmB|-}Yșo}A7RT{{D0G`o,A>blm[{] `SڐŅ61y28bXtUh6 2Gv>NZgNHgޞj?԰jUe[L}nF14'@J]hSW MÆ%u_u$xTn!C=VBm>ގc"tIt:$])ڇ[ AO֧ͻ*ıBἉ8f s&e{(7QX9QĻGbi;?7͌g^'wt\V.yl'#mwaX H`r5w`&P _hȕЭE-F@i1 0ldn]<ϓ"y4H^K>p eAQcvm+*aC.^Zg˘$MCNriR*+{σo-μÌp?Cb؟LZG;o2L :s},dOvk?^zva!ڹ?P.xx8,|,l<7e!mđ%1%L.Yk3^Hmgu`s-[Ö^N3ȵyg}M,? %pLoB~.`܏sasː/NG -L{?++|84pw nR+*_n5"C/<"%̃룡-£`@&6Jl'Ør%wvw¨yJc0GN<~% ͽeҐ)C x(#wr9<\q& ?qnZRD@Yx ;""rt 9J;@ v*~Gd}4ɂ5ː$R':u9)3:Y﮾%o$ޯI]x-혱IEG˥3ϟ*4zPϛDқQY?s71ߌMɯk2S.x( ֽ t['Rd^Fquׄ_F1zG ݃vT0e:B~Ok_4)v Q񫍘VSa䓐]?Z3/ffAԲK݃|G 9D]yW.oo%, F6 Y`"\Q\j]h:0hAu{GIq *sg.]WBeXT2gG ]wJ+,A!S6cp$pImV9BG78EMr\BE`zuzƴ,)Y#VQ&(فaa) Y04dFVwiHP4xq@OmbY2,oο+kGډDu{э G(T# !>'[ƶjYҫuQ_L^/.][5Rj"nk*_\I+y ￯U>Nϫ4gBͼ v vMNz׹TKբU;#^t)5 i2u,8;i_Dv}(3:>ܜGMlĸPQȖ}Xi{~z@C%?ؗEz7zbk5\KMa ub` { W"'h6<Dy%m7mz$ݗG<> }WZ+,BZ#s^||Jz>ʯm! &ڦeF?÷|.>>{KYӟo>'B*3 'V.x}vtKKdA̮Q:ܘ Sg}>(VKSA~]Cif#̗\ZU5(lYbf+|7618w"mN6ã)ZԷf+V!<.]le>Ϋ-rcF(?*s/ULV-Dh휓)Mexawږdr&a]bXO/Ƭ{ckU{eG{lr-}K)&rY2CJ;Ytg rkז#&/7un̮= $I=Hc`ž&De' nmyPY$h>~nw+b¾Q=lziqd2HGokyV<|={Fn>si QXeTjUW"l|΅I&:BRȧJ׸(< 3Rވ- A*bAT|W88Ƙ O0qi[_ 02XW̭{AX7[_r6iݕ.!uji&;U:wg/e<bx h/v(rHr;$#< y]𽃇I!2y3Ӂѧ:WF}3oO^Ɋ}Qe5&4rg^6p$?nq)/iQ+=j'qO}J䏔v//\iDP*~ȣZ_)m {# H&7c`['RSDD}k{ja4mM.wk R_o^ FGJ!bE;6Бs֌$B槞;T0z9*# <8 k?Lfd :w4D;"em'%p/[Cz:7Wۯan!^%exi8eC-E?C3yٕV?mZ7bV_q?W,]Ӱ>98ݽvlh{JT $yH|w|ZZ~ BbvHiyM};,/G}h1#"ʂT_=vr[a]w$|?/@G¼I}ߩ > z9Vt yuԝx.|c{y`;˾ oYӷ&6xS\H82?34PI Kx,a,r+a7uo2>23hAEؿ-Gg82jb)\y pNIn!K)칌ϒ!:^t/[LJV?u&݊||i1ҲTucH g;M5[_(nGdgذf<X'n;jvcξӯv>?QD_Hֺ@ ]éYi _ d)П!}~^4o9a{p^uw2c{L0ׂW:oi۽/]quY2|ĉsse5Mv@qxw鈕ů =Vl0mqΘPKJgvgXYN.Pg;A^TKؓh X7gC.rB`Lsߧ9nܜ w:8ٞ>¬~T+!7hLCgv;4y(P.o;۟0Z'\ۗ~󚓒1RpOIomkJSn#vU$w+A~D=gi; [ lOUjy >RHXc]vS^n"fHW[9į#6$2~ kdy ĵGU/&\;G(Rlwf {o c-y= ^D@m/=:CȥC-e{C]L0GJ7! qj+߯LSE<0v<ആzqN6>̟BtcpuNL4 Apȓͯ]]^,N&M u}Ckg!R]iFFvw^8M4pI fdžb%#C dO3"O+FktX.+Lxn(bnv9ُ=잉OiRgOl{>'vXCa~ {.}9U?tEAr7S.G_JG"ݽ0SdN]j]9D,>p ~?s0N} x3)g0tGtgЌ?|Qȩ焾œwAcR ~mKiɻ멟Vp;l"~1_&6S`Ǡfqe55;9wy`x?"|;1( Lq5Bp6f~F&!s.YK0X3f.-*zgR.\ LRf8fqϟn*Ayé,ZQ|l EkJ̗YfH[A ?&U$VD5aio |\$00Sև0mĠNgSEypJTvQv?wh-UU&*D`"Ù,(^۹DjX.i5TͰ1lʌ/֝eFh }LL=¶ck8ꭽjqpt2M4t.*bO.Seɏhtiȡx~4GsfajRT_<47T=-/F g=[X T7>wlקrs͂udpS_{[lI\T XFyƷўܺZ]vK2,"V-M:|qOT_刉W/ԟ#9;e${*bp9AGn|b / :tnכ3J0tR`Saϛ_ !sXeTW35#@rLɃSYqM-q\'V>qJWyu"NA 2:.{ϿNe^ hn/*+vwDc| b% ǹ{0B?HJœ5nּGA[/=AT#mj'#3(p#/.BݫH =u/{r%l ܬ[JrzM_=[J#ü{U%œ߼i3mW^o`fNiB-jfxn%rK֝SEȦp{wKImydj*;[HYQtӇKOzT<%qɆ+eF;-[suL>C ]::r9y Hm}Lvƌ7u,{k;'Ʉ?%q 4C,fMdX/;/*o['Wrf]T@V ,"V!j:u6u 𶟺VFRĔKTJu֠kmjPNTgfӽ7]/Axk 2&Ԑn)G9#E(9dK<~w~?Gg}OU_t_zlzTg1?sQbn`CrFe6l3;I ^7'ְﱋs ̷(44qpbC3vo7Mn#/師!rCJ qmL{XI?Y1')vy$\xU6pPk6pk?I5Z $A䐶A$Xw6$ D_`,x1!Uk.G)9UMŕ,.\X0|!=Zazkh ?C?7%3cvW Il-/9S{mZ;ɋm mvJԨF\LMYSe<sS&a "CorO]벌^W5?>Ԕ y[;9#YO괶˄acZL'/YkVn K-=uR_ª]c/@qQimbr_H:tsOj;껋Ux|(+|3$4gjmܭ &t0U)Y٭fnٿY\aT= *64L'_ě7 ۜ]o%w 1+WS.2^WۛyY7|4C}2KœyvxxZO@Όa0j ytyExe6펓w]/#2WGw; G7^wdnECH#~?'v[0t?9JLmP[-׻~FuxS.k7VrLY+`]3zt;owb,*t8%}% [uܝ][3 q۳^[?u4Ux%Df놕 {o= n3*Dw_db]*;.^s5P {>?6Q,xgs1mwxVȮ^TUwm~ۑ`F"uݬ^m{Iys.nOx^? mgh{xvϒu,kQNmU/I{WG_kd^Czr&[pͥUk7)]+U2Ѿu5zRV&_r44^nnW[)~CV0 Ɂe%d-:=KB"ґOf=\9go.K_X+mc:ֽE NC: m+m^Ksבʰ]t-%aW >*ֲAC1_;u^}̝յoDV&MXg5IıU'+]Y7_5S. b%El=Ӥ+;Ǝ5ODb:gI3k]}eN_琮:Y$?~_7k'v˝ !isp_iWđ].W3ʶ-_4?z^;{pJVkyDx(>鸩qۨz?nC2ϯ!XV#0k b]mnqL)%oI=K|lI'1STjY ~#ͭ*_W4u}3\'=XkϜ; ?4"(֎rI!Mף, T.Wa}'|e^:r\`iecmzMX gd'O;`򾮅O]MW:&K8Η߷d_bp[;s(7ii^3A[-9&.<ۍKx qݶ`"Mu!vzQNz)6͐+{KQ [i=3[ݽgi;\X-W4*]ՂQv'E3q5A&k9_ȗKUqI!8kۈ( ?IS3A ]-HPfyEKZ90O{1^+5^ϺF8x=/ߧW nE>x: o3y]oS99dAXb;hC{| d$Y/6fnkAդ? (n Yӡt9eTc>Z>4-+C]?l7wv$ ~gR~ ?5=+ZYHłi707-m%|.x,aR/%e2n2ͪ`SHg;pwl>Dg+Gdy :3ei*cդ FMKD}3I% wv=O@i_G;H֬>Z;S@$^9LtS$I+ԍ7ԊV_ ][O2y>7u{0a?t/K82[?F1"Mi$/LkY0o)znNtG"`/*xn>'B >TF'iMdn5],MD}a^!ݿg\U73M~j@Uρo"̕*g urRV}cyrvtvo8@cV{Crʭyq Cw>/OoI[;^$1Җٮ+ګ.@9=V~9zo\2 ̮%NamJ***Շ+'t X-p']·%qRY J#K_z43ҳU7gV9Izpq!ߚ+&3C0,$fCcڽm.jޤ<[t Od*$D#&8wE){=\܃'S~/I`jf bAcF+s7 3:]bAO{qx0m'aɌUL $ү}iI3{mj*&R}+-4 z˾Uws;ȷ;gzt۞U|QaZ(պ|}AؙrU3N1˭0Dw +[`0T{+Ļԙψjm:tWQ.?kۈO-z6:|.U^\ wō"|C X],لIEPjdPNI$K/k\ )b1QՈ*{ ouq>v<>{Msg^'m)t_hLYujȳVz,}H{ҍ*cNrU6e?mdr~lǨ| d%(v#B=8 .p.[X؄#T*"m+ȹE7f'2v5BLҲ3Uj^0{۬l*5畆/\I*|u]GѸisCQYݯ`Z}OK^Il;zmOs|⵾2_Pry >OFНOT~ڹ M<1gYCU`?/kLnGz6&R*vz^s{SUVCX;};T+8T,ɏr4NGԵ)be7:]׌tg%HDoU#i_ǃޏp=.9Tom= ,tO^CߩǺf$o8lU'$4 N;-%ooLvLA@L={b |2gnN`HӎVԇWV!ߢD|q/Aq/- sk±@]y3ӏuJg/WݲxZR͈h¯S}*GCjɂϦ |a:7}z lkV֟;cBJog=@Tfrtw>Zs^w6PL]UdL4nh^(t<,PQJcQ.^W砊{7z#R45FYz{gs,_S D]ItETzz;g!n`=QGw)w3 +-XɵOL꽙JO=Xg]<[e⌰FGɾ!;.|'+*{Z؎Zh+>O}I]G]o+-~qIE, 3څKT*><[3juPuchݣZZQ&ЏMbɓS+ev+;ƮYM֖Y_߼(@NՔ܎ۗS6'˾;4[#3g!i~SW-@Q_|Sq?3W6̘},,Ij<-^ڟ(`K=Rw=if֣?ea#y ٠:@9sg5v¢QCj`OL1U=yP)U U(>aJ<䑓 +Ǻ^Y-48},+rɍ ՟)nK=ZfՏVWGə%0.Ո,ZW#yZ٥}B.Gg.-!FN #r6ۧmn}(8)6A3RA}eC]NZ.y+(;B=8z?R or=lfzA)rNM?!?,+>4KY+3sxwoz*4O/ނsT$ z?{1[{l>Z ?!fs^ԜI@ȃ?8.Nr,zMК.ߞ[G Y/ ?wHy⽻Ru%I)~ThUaX7Dxi5'LmMJ{#rӮ 1WWR:ML}ӞbkXyM( _? bqn] ՗\~~͝|B_i;~ı|!qJ\^7X!Y5Jl["˒*Tl%0@g@{*{V>I[[n7ht,0`󎵧qP>{\ɾ>n* vWө=|H3w4ywW3ּ0mQatO5G0k>@b͇7/5t-QaHztˤ@vFWb>JdewwkHj94>[Y[+ ƺלX:|r@XR(ʱ}]St^0t2{y8E+=OYѭh1q?v5jX/G{Wn_E~$f{ow-=6"(tCX4rvthp|)H\חcs WpD h暲0g~I )Q."+9kfdC?;,l/'|n8e. b͌i搿\;&`V ?ʝ9;v;R&#Clg!ϓ˱8 ^Lo#![L/Gp!G1nRH!|Nrg[ ;(simcity.txt SIM CITY AMIGA COMPLETE DOX Typed by the DOXTOR August 17-21, 1989 TABLE OF CONTENTS I. INTRODUCTION  PAGE Foreword.04 About System Simulations. 4 The Goals of SimCity.$5 II. GETTING STARTED Simulator Reaction Time.!7 Tutorial - A Walk Through Your City.7 III. USER REFERENCE.114 Menus.214 The Editor Window.&17 The Budget Window.&22 The Maps/Graphs Window.!24 The Evaluation Window."29 Disasters..30 Scenarios..31 Game Play Level.".31 Growing a City.)31 User Reference Card.$33 Keyboard Reference Chart.34 IV. INSIDE SIMCITY; HOW THE SIMULATOR WORKS.35 Zones.235 Population - Residential.35 External Market - Industrial.36 Internal Market - Commercial.36 Tax Rate./36 Budgeting..37 Power.237 Transportation - Traffic.38 Pollution..38 Crime.239 Land Value.-39 V. THE HISTORY OF CITIES AND CITY PLANNING.40 VI. BIBLIOGRAPHY.350 Page 3^ I N T R O D U C T I O N FOREWORD Enter SimCity and take control. Become the undisputed ruler of a sophisticated real-time City Simulation. Take control of San Francisco 1906, just before the great quake or Tokyo 1957, just before a monster attack. Show your pioneering spirit. Start with virgin territory and create a living, growing city. The quality of life in your city depends on you. Zone land, balance budgets, install utilities, manipulate economic markets, control crime, traffic and pollution, and overcome natural disasters. Your city is populated by Sims--simulated citizens. Like their human counterparts, They build houses, condos, churches, stores and factories. And, also like humans, they complain about things like taxes, mayors, taxes, city planners, and taxes. They let you know if they need more housing, better transportation, an airport or a sports stadium. If they get too unhappy, they move out; if you collect excess taxes, the city deteriorates. ABOUT SYSTEM SIMULATIONS SimCity is the first of a new type of entertainment/education software, called SYSTEM SIMULATIONS. We provide you with a set of RULES and TOOLS that describe, create and control a system. In the case of SimCity the system is a city. The challenge of playing a SYSTEM SIMULATION game is to figure out how the system works and how to take control of it. As master of the system you are free to use the TOOLS to create and control an unlimited number of systems (in this case cities) within the framework and limits provided by the RULES. In SimCity, the RULES to learn are based on city planning and management, including: Human factors - residential space and amenities, availability of jobs, and quality of life; Economic factors - land value, industrial and commercial space, unemployment, internal and external markets, electric power, taxation, and funding for city services; Survival factors - strategies for dealing with disasters, crime, and pollution; Political factors - public opinion, zoning, and keeping residents and businesses satisfied with your city and your performance; The TOOLS provide you with the ability to plan, layout, zone, build, bulldoze, rezone, and manage a city. Page 4^ PLAN - Mapping systems give physical and demographic overviews of the entire city. LAYOUT - Design living and working areas, road and transit systems, and recreational areas. ZONE - Set zoning boundaries for parks, residential, commercial and industrial areas. BULLDOZE - Clear forests for city growth, build landfill along waterways, clear and rezone developed areas. MANAGE - Usingf the mapping and graphing systems, gather up-to-date information on traffic density, population trends, power grid status, pollution, crime, land value, police and fire department efficiency, and cash flow. Set the tax rate and funding levels for city services. But the most important TOOL of all is the Simulator itself. Test your plans and ideas as you watch the city grow or shrink through the immigration and emigration of industrious Simulated Citizens. Sims will move in and build homes, hospitals, churches, stores and factories in the zones you provide, or move out in search of jobs or a better life elsewhere. The success of the city is based on the quality of the city you design and manage. THE GOALS OF SimCity There are many goals to be pursued and reached in SimCity. SCENARIOS Each of the eight included Scenarios is actually a game in itself, with an unlimited number of ways to win - or lose. Each Scenario is a city which is either the victim of horrible planning or about to become the victim of a natural disaster. After you load in a Scenario, you will have a limited amount of time to correct or repair the problem. If you are successful you will be given the key to the city. If not, you may be ridden out of town on a rail. If one strategy doesn't work, try another. And another. There are a million stories in each city, and you write them. YOUR DREAM CITY Perhaps the main goal of SimCity is for you to design, manage, and maintain the city of your dreams. Your ideal place to live may be a bustling metropolis, lots of people, lots of cars, tall buildings; high-energy, high-density living. Or it may be a small rural community, or a linked group of small communities providing slow paced country living. As long as your city can provide places for people to live, work, shop and play, it will attract residents. And as long as traffic, pollution, overcrowding crime or taxes don't drive them away, your city will live. Page 5^ (A picture of the opening screens is Page 6) GETTING STARTED SIMULATION REACTION TIME The simulator is a very complex multi-tasking piece of software. It is continually performing many checks, calculations, and updates, as well as keeping a watch on the mouse and keyboard to respond to youe demands. When you load in a City, give the simulator a few minutes to compile its data and update the maps, graphics, population levels, etc. Some of the other times when the simulator lags behind you are: powering zones and updating the city services map after installing police and fire stations. TUTORIAL - A WALK THROUGH YOUR CITY Boot your AMIGA, then insert your SimCity disk and double-click the SimCity icon. NOTE: In SimCity, use the LEFT mouse button, unless otherwise noted. The RIGHT button is used primarily to activate and select menu items from the title bar. The RIGHT button activates the BULLDOZER function while in the Editor Window, so don't press it unless you mean it. After a few seconds, the "Welcome to SimCity" roadsign will appear. It displays the following options:START A NEW CITY, LOAD A CITY, and SELECT A SCENARIO. Click START NEW CITY. The Workbench will reappear, and the program will continue to load. You will soon see a small notice window that informs you that the program is terraforming a new city. A map of undeveloped land will be generated and displayed. You will be given a choice: GENERATE A NEW TERRAIN or USE THIS MAP. Click USE THIS MAP. Click the OK box when you are done. You are now given a choice of GAME PLAY LEVEL. Click EASY.You will now be asked to name your city. Go ahead and name it, or accept the default name SOMEWHERE. You are given a choice: GENERATE A NEW TERRAIN or USE THIS MAP. Click USE THIS MAP. Click the OK box when you are done. Page 7^ (A picure of the MAPS/GRAPHS WINDOW and the BUDGET WINDOW is Page 8) You will be shown the MAPS/GRAPHS WINDOW. On the left side of the window is the map; an overall view of your entire terrain, approximately 10 miles by 10 miles in area. The icons below the map are buttons to activate and display views of your city. We'll play with them later. On the right side of the screen you can view time-based graphs of various city data. We'll come back to these later, too. The rectangle located somewhere on the map indicates the portion of your terrain that will be visible in your EDITOR WINDOW - your main work area. Click and drag the box around the map, choosing the area you wish to work on, then click the "RETURN TO EDITOR" button in the lower right-hand corner of the screen to leave the MAPS/GRAPHS WINDOW and go to the EDITOR WINDOW to begin building your city. NOTE:The BUDGET WlNDOW will pop up once a year in city time. When it does, just click the GO WITH THESE FIGURES box at the bottom. Page 9^  (Page 10 is a picture of the EDITOR WINDOW) You are now in the EDIT WINDOW, looking at a close-up view of the area box in the MAPS WINDOW. Note the icons on the right. They work just like icons in various draw and paint programs. At the top of the EDITOR WINDOW is the Title Bar. This displays the Name of the city, the date and your available city funds. There are also the usual Amiga gadgets to move the window to the top or bottom of the stack. Note: You can click and drag the Title Bar to move the Editor Window, but the window must be all the way to the top of the screen for terrain scrolling to function properly. Move the mouse pointer to the title bar, and press and hold the RIGHT button. This will show you the various menus available in SimCity. Without choosing any menu items, slide the mouse pointer across the screen and take a look at the available menus. To scroll the terrain under the EDITOR WINDOW, move the pointer to the top, bottom, sides, or corners of the screen. Cursor keys can also be used to scroll. Your available land is made of three types of territory. The brown areas are clear land, the green areas are forests and shrubs, and the blue areas are water. You can build only on clear land. You can clear forest and extend coastlines with your bulldozer. You can run roads, rails and power across water. To clear the terrain, click the bulldozer icon. The "pointer" is a small square, outlining the area that will be bulldozed every time you click the mouse. Move your bulldozer pointer over some forest land and click. The forest section under your pointer is now clear land. Now, hold the button down and move slowly across the forest. Mass destruction. Clear a large area of land to prepare for building. To begin a city we need three things: places for Sims to live, places for Sims to work, and power. Click the Residential icon (the house), then move back to your terrain. Your pointer is now a larger square outline. This outline indicates how much clear space you will need to create a residential zone - a place for Sims to live. Clicking the left mouse button in clear terrain "zones" the land. The "R" in the center of the zone indicates that it is a residential zone. The flashing lightning symbol indicates that the zone has no power. Place a few more residential zones adjacent to the first one. If you have trouble placing a zone, make sure it is on open land. You cannot zone on water, trees or over other zones.  Now decide where to position a power plant in your city. Point to the power plant icon and click the mouse button. Page 11^ A small menu will appear, giving you the option of choosing a coal or nuclear plant. For now, choose the coal power plant. The outline for the power plant is even larger than for the residential zone. Place the Power Plant in some open space near your residential zones. If your power plant is not directly adjacent to a zone, you will have to run a power line from your power plant to the residential zone. To do this, click the power line icon. Using your mouse pointer and button, lay power lines from your power plant to your residential zones. Adjacent power line sections will automatically connect themselves to one another. Roadways and transit lines connect in the same manner. In a moment, the flashing symbols will disappear, indicating that your zones have been powered. Any zones that are adjacent to a powered zone do not need separate power lines run to them. Soon you will see small houses start to appear. The Sims have started to move in.  When you zone land, you designate where building is allowed. It is the Sims who actually build. Now that you have a few residential zones, you're ready for Commercial and Industrial areas; places for the Sims to work, shop and transact business. Select the Commercial Icon (several buildings)and place a few Commercial Zones near your residential ones. Then select the Industrial Icon (the factory) and map out some Industrial Zones. Connect all necessary power lines. NOTE: There is a delay between the time you connect power to a zone and the time the flashing lightning symbol disappears. This delay gets longer as your city gets larger.   Notice that as you select different icons, the Icon's description and its associated cost will be displayed in the box just above the Icons. The message bar across the top of the EDIT WINDOW displays your total funds available. If you do not have enough money in your treasury to pay for a certain function, that icon will be "ghosted" on your screen and is unavailable for use. Now, click the Road icon and add roads from your residential housing to the commercial and industrial areas to allow the Sims to commute to work. Roiad sections connect themselves like power line sections. Once you have roads, traffic will be generated. Now move the mouse pointer to the title bar, press and hold the RIGHT mouse button, slide the pointer to the WINDOW MENU, and select the BUDGET WlNDOW. This is where you set the level of funding for your fire, police and trans- portation departments. Click the up or down arrows to change the funding level. You can also adjust the current property tax rate. If you have no police or fire departments, you can't fund them. You cannot fund more than 100%. Click the GO WITH THESE FIGURES box when you are done. Page 12^  Now select MAP&GRAPH from the WINDOWS MENU to return to the MAPS/GRAPHS WINDOW. By clicking on the icons along the lower left, you can see different demographic views of your city. You will need this information to build and adjust conditions in your city. For example, you can pinpoint the areas with the highest crime to determine locations for new police stations. Additional information can be gained by cycling through the available Graphs. Unlike the maps, which only show the current state of your city, the graphs give you a record of the past so you can gauge trends and cycles. This is all the basic information you need to run SimCity, but we suggest reading on. The User Reference explains in detail how to use each program function. Inside SimCity explains the inner workings of the simulator and gives some hints and tips for using it. There is also an essay on The History of Cities and City Planning and a Bibliography for serious City Planners. Page 13^ USER REFERENCE ~ MENUS SimCity Menus follow the standard Amiga interface. Use the RIGHT mouse button to activate and select menu items. FILE MENU  ABOUT brings up a screen giving fascinating and vital information about SimCity and Maxis. START NEW CITY generates a new, empty terrain. Clears existing city (if any) from memory. You will first be asked if you wish to "GENERATE A NEW GROUND MAP AND LOSE THE CURRENT ONE?" and gives the option to go ahead or cancel. You will next be given a chance to set the GAME PLAY LEVEL, and then name your city. PICK SCENARIO brings up a menu of available SCENARIOS to load and run. LOAD CITY brings up the standard Amiga "File Loading Screen", allowing you to load a previously saved city. SAVE CITY brings up the standard Amiga "File Saving Screen" allowing you to save the scenario or city-in-progress for later use. Once you have loaded a secnario, it can be saved and reloaded, like any city, without the impending disaster.  PRlNT ClTY brings up a window giving you the choice of printing out your city on a single page, or on a multi-page poster. You may also cancel the print function. QUIT OUT! ends SimCity. EDIT MENU UNDO cancels the last operation you performed. OPTIONS MENU The options in this window stay with the simulation, not with the city. AUTO BUDGET keeps your budget at the same percentage setings without asking for approval every year. AUTO BULLDOZER allows you to place zones, roadways, etc., directly on top of trees and shoreline without manually bulldozing first. You will be charged the same as for manual bulldozing. AUTO GOTO EVENT automatically transports you to the scene of a disaster or major event. Page 14^ SOUNDS ON toggles the city sounds on and off. Defaults to the "on" position. The simulation runs slightly faster with the sound off. GAME SPEED brings up a sub-menu allowing you to set the simulation speed. FAST sets city time to maximum speed. MEDIUM is the default setting, about three times slower than FAST. SLOW sets the speed about seven times slower than FAST. PAUSED stops time. Zoning and building are possible in paused time. POWER BOLTS toggle on and off the presence of the flashing power sign in unpowered zones. DISASTERS MENU The DISASTERS MENU allows you to set natural disasters loose in your city. Use these disasters to test your ability to deal with emergencies in your city or just to release some aggression. More information on disasters, their causes, and dealing with them is presented later. **WARNING** It is a good idea to save your city to disk before you set a disaster loose - just in case. FIRE starts a fire somewhere within the city limits. FLOOD causes a flood to occur near the water. AlRDISASTER causes a plane to crash. If there are no planes in the air, one will be generated. TORNADO causes a tornado to appear within the city limits. EARTHQUAKE causes a MAJOR earthquake. MONSTER sets a monster loose in your city. WINDOWS MENU BUDGET brings up the BUDGET WINDOW. EVAL brings up the EVALUATION WINDOW. MAP&GRAPH brings the MAPS/GRAPH WlNDOW. WORKBENCH allows you to bring up the WORKBENCH WINDOW, or close it to free up another 30K of memory for SimCity. Page 15^ (Page 16 is a picture of the Editor Window again (same as 10)) THE EDITOR WINDOW This is where all actual zoning and building takes place. TERRAIN There are three types of terrain in the EDITOR WINDOW. The brown area is open land, where you can zone and build. The green areas are trees and forests. You cannot zone or build on green areas. You may BULLDOZE trees and forests to turn it into clear land. While some bulldozing is necessary, clearing away too much green area will result in lower property values. The blue area is water. You cannot zone or build on water. You must bulldoze coastlines to create landfills before you can build or zone there. Roads and power lines can be laid across water, with no turns or intersections. EDITOR WINDOW GADGETS TITLE BAR displays city name. Clicking and dragging the Title Bar allows you to relocate the EDIT WINDOW. NOTE: The EDITOR WINDOW must be all the way to the top of the screen for the scrolling to work properly. At the right of the Title Bar are the standard Amiga gadgets for moving the window to the top and bottom of the stack. Behind the Title Bar is the Menu Bar. The MESSAGE BAR, located directly below the Title Bar displays status messages to you from the simulator and demand messages from the Sims themselves. GOTO BUTTON (the eye) takes you to the scene of a disaster or major event mentioned in the Message Bar. ICONS along the right are for the editing functions. The ICON TITLE BOX, located just above the Iocns gives the name and cost of the selected icon. EDITOR WINDOW CONTROLS The MOUSE is used to activate Icons. Moving the Mouse pointer to the sides or corners of the screen causes the terrain to scroll below the EDITOR WINDOW. The LEFT mouse button is used to select icons, and place items. The RIGHT mouse button performs the Bulldozer function, regardless of the active icon. Page 17^ The CURSOR KEYS will also cause scrolling. Z and X cycle active icons in opposite directions. Q - (Query) - Hold down the "Q" key while clicking on parts of your city to bring up a status box identifying the spot (zone, road, terrain, etc.), and giving information on Population Density, Land Value, Crime Rate, Pollution and Growth. B, R, T and P are shortcut keys. No matter which icon is selected, if you Push and hold down the "B" key, you will be in active Bulldozer mode. Release the "B" key to return control to the selected icon. The "R" key activtes Roadbuilding mode in the same way. The "T" key activates Transit line building, and the "P" key puts you in Power line mode. EDITOR WINDOW ICONS  Active Icons arc highlighted. Ghosted Icons are unavailable due to lack of funds. When an Icon is selected a rectangle will accompany the pointer to indicate the size and area of land that will be affected. BULLDOZER clears trees and forests, creates landfill along the water, levels developed, existing zones and clears rubble caused by disasters. The Auto-Bulldozer option only works on natural terrain, not developed land. NOTE:Bulldozing the center of a zone will destroy the entire zone. Bulldozing one section of land costs $1.  ROADS connect developed ares. lntersections and turns are automatically created. Lay continuous roads by clicking and dragging your pointer. Be careful - if you accidentally lay a road in the wrong place you will have to pay for bulldozing and rebuilding. Roads may not be placed over zoned areas. They may be placed over trees, shrubbery, and shoreline only after bulldozing or activating the Auto-Bulldozer. Roads can cross over power lines and transit lines only at right angles. Laying roads across water creates a bridge. Bridges can only be built in a straight line - no curves, turns or intersections. Shorelines must be bulldozed prior to building a bridge. Roadways are maintained by the transit budget, and wear out if there is a lack of funding. The amount of yearly funding requested by the trnsportation department is $1 for each section of road, $4 for each section of bridge. It costs $10 to lay one section of road and $50 to lay one section of bridge. Page 18^ TRANSIT LINES create a railway system for intra-city mass transit. Place tracks in heavily trafficked areas to help alleviate congestion. Intersections and turns are created automatically. Lay continuous transit lines by clicking and dragging your pointer. Tracks laid under rivers will appear as dashed lines. These underwater tunnels must be vertical or horizon- tal - no turns, curves or intersections. Transit lines are maintained by the transit budget. The level of funding affects the efficiency of the system. The amount of yearly funding requested by the transportation department is $4 for each section of rail, and $10 for each section of tunnel. It costs $20 per section of track on land, $100 per section under water. POWER LINES carry power from power planlts to zoned land and between zones. All developed land needs power to function. Power lines cannot cross zoned land. They can be built over trees, shrubbery, and shoreline only after bulldozing, or activating the Auto-Bulldoze function from the Options Window. Power is conducted through adjacent zones. Unpowered zones display the flashing power symbol. There is a delay between the time you power up a zone and when the flashing symbol disappears. The delay grows longer as the city grows larger. Junctions and corners are automatically created. Lay continuous power lines by clicking and dragging your pointer. Power lines across a river must be horizontal or vertical - no turns, curves or intersections. Shorelines must be bulldozed before placing power lines. Power lines consume some power due to transmission inefficiencies. It costs $5 to lay one piece of power line on land, $25 on water. PARKS can be placed on clear land. Parks, like forests and water, raise the land value of surrounding zones. Parks can be bulldozed as fire breaks or reserve space for later mass transit expansion. It costs $10 to zone one park. RESIDENTIAL ZONES are where the Sims build houses, apartments and community facilities such as schools and churches. Residential zones develop into one of four values: slums, lower middle class, upper middle class, and upper class. They can range in population density from single-family homes to high-rise apartments and condominiums. Factors influencing residential value and growth are pollution, traffic density, population density, surrounding terrain, roadway access, parks and utilities. Page 19^ It costs $100 to zone one plot of land as Residential. Residential zones are bordered in green to aid in distinguishing them from other zones.  COMMERClAL ZONES are used for many things, including retail stores, office buildings, parking garages, and gas stations. There are four values for commercial property and five levels of growth from the small general store to tall skyscrapers. Factors influencing the value and growth of commercial areas include internal markets, pollution, traffic density, residential access, labor supply, airports, crime rates, transit access, and utilities. It costs $100 to zone one plot of land as Commercial. Commercial zones are bordered in blue to aid in distinguishing them from other zones. INDUSTRIAL ZONES are for heavy manufacturing and industrial services. There are four levels of industrial growth from small pumping stations and warehouses to large factories. Factors influencing the growth of industrial areas are external markets, seaports, transit access, residential access, labor supply, and utilities. It costs $100 to zone one plot of land as Industrial. FIRE DEPARTMENTS make surrounding areas less susceptible to fires. When fires do occur, they are put out sooner and do less damage if a station is near. The effectiveness of fire containment depends on the Ievel of fire department funding. It costs $500 to build a fire station. Full yearly maintenance of each Fire Station is $100. POLICE DEPARTMENTS lower the crime rate in the surrounding area. This in turn raises property values. Place these in high-density crime areas as defined by your Crime Rate map. The efficiency of a station depends on the level of police department funding. It costs $500 to build a police station. Full yearly maintenance of each Police Station is $100. Page 20^ POWER PLANTS can be coal or nuclear, chosen from a sub-menu provided when you click and hold on the icon. The nuclear plant is more powerful but carries a slight risk of meltdown. The coal plant is less expensive, but less powerful and it pollutes. All zoned land needs power to develop and grow. When developed land loses power, it will degenerate to barren ground unless power is restored. Connecting too many zones to a Power Plant causes brownouts. Coal power plants cost $3000 to build, and supply enough electricity for about 50 zones. Nuclear power plants cost $5000 and supply electricity for about 150 zones. STADIUMS encourage residential growth. The message window will indicate when the city wants a stadium. You may build a stadium in your city prior to this request without negative effect. Stadiums indirectly generate a lot of revenue, but create a lot of traffic. Properly maintaining a stad- ium requires a good road and transit network. It costs $3000 to build a stadium. AlRPORTS increase the growth potential of your commercial markets. Once a city starts geting large, commercial growth will level off without an airport. Airports are large and expensive and should not be built unless your city can afford one. Position airports to keep flight paths over water whenever possible lessening the impact of air disasters. Once you build an airport you will see airplanes flying above your city to and from the airport. There is also a traffic helicopter which alerts you to heavy traffic areas. It costs $10,000 to zone land for use as an airport. SEA PORTS incrcease the potential for industrial growth. They have little effect in a small city, but contribute a lot to industrialization in a large city.  Sea Ports should be placed on a shoreline. The shoreline must be bulldozed prior to zoning a seaport. Once the port is operational, you may see ships in the water. It costs $5000 to zone land for use as a Sea Port. Page 21^ THE BUDGET WINDOW When your first taxes are collected in a new city, and each year after, the BUDGET WINDOW will appear (unless you select the Auto-Budget function). You will be asked to set the funding levels for the fire, police, and trans- portation departments, and to set the property tax rate.  You can raise and lower budget levels by clicking on the little arrows that correspond to each category. A percentage indicator will display the level of funding that will be maintained if you turn on the Auto-Budget function. You may adjust your tax rate by clicking on the arrows next to the tax rate indicator. Click on "GO WITH THESE FIGURES" to exit the BUDGET WINDOW. Page 22^  TAX RATE The maximum tax rate you can set is 20%. The miniumu tax rate you can set is 0%. The optimum tax rate for fast growth is between 5% and 7%. To slow city growth without actually shrinking set the tax rate to 9%. The taxes collected from each zone is based on the following formula: Tax = Population * Land Value * Tax Rate * a Scaling Constant. The scaling constant changes with the difficulty level of the game.  The level of yearly funding requested for the fire and police departments is $100 per station that you have placed. Until you actually build fire or police stations, you cannot fund them. You cannot allocate more than 100% of the requested funding for fire and police departments - SimCity police officers and fire inspectors are honest and will not accept your bribes. Allocating less than the requested amount will decrease the effective coverage of the police or fire station. The amount of yearly funding requested for the transportation department is $1 for each section of road, $4 for each section of bridge (roads over water), $4 for each section of rail, and $10 for each section of tunnel (underwater rails). You cannot allocate more than 100% of the requested funds. Transportation maintenance funding slightly below 100% will cause slow, minor deterioration of the transit system - an occasional pothole or bad track section. Funding between 90 and 75% will cause noticeable damage - and rail will be unsafe. Funding below 75% will cause rapid deterioration of your transit system. CASH FLOW Cash Flow = Taxes Collected - Total Allocated Funds. It will be a negative number if your yearly maintenance costs are greater than your yearly tax intake. A major difference between SimCity and a real city is that SimCity does not allow budget deficits. If you don't have the money, you can't spend it. Try not to let your city run with a negative cash flow. An hourglass icon is displayed at the top left of the budget window. It indicates the time remaining to enter the budget information. When the hourglass empties, the budget that is set is accepted. If you need more time, click in the BUDGET WINDOW to reset the hourglass. Page 23^ MAPS/GRAPHS WINDOW The MAPS/GRAPHS WINDOW supplies the city planner with vital information on his city. Click on the "RETURN TO EDITOR" button when you wish to leave the MAPS/GRAPHS WINDOW and return to the EDITOR WINDOW. MAPS The left side of the MAP/GRAPH window supplies you with maps showing various overviews of your city. On the map is a red box, indicating the area of the map that will be visible in the edit window. The box can be moved around the map by placing the pointer where you want the center of the box to be and clicking the left mouse button. You can also hold down the buttonb and drag the box around the map. For demographic maps that show density, rate or comparative levels, a Color Key will be shown to the left of the map. You may also notice yellow letters on the map. These are markers to let you know where moveable objects are. An "S" marks the location of a ship. An "R" marks the location of a railroad train. An "H" marks the location of a helicopter. An "A" marks the location of an airplane. An "M" marks the location of a Monster, and a "T" marks the location of a Tornado. Page 24^ The ClTY FORM MAP shows the physical shape of your city, demarking developed and non-developed areas. Zones are shown in dark grey, roads in black, and rails in light grey. Use this map to plan city expansion.  The POWER GRID MAP shows you the power network of your city. Powered zones are shown with a yellow dot in their middle. Unpowered zones have a black dot. Power lines on land are shown in black. Power lines over water are shown in yellow. Use this map to locate unpowered zones and breaks in the power lines. The TRANSIT MAP is a road and rail map of the city. Roads are shown in grey. Rails are shown in black. Use this view to examine your city's access to specific areas and to plan future expansion of the network. The ZONES MAP shows and distinguishes all zones and developed areas in the city. Residential zones are shown in green. Commercial zones are blue. Industrial zones are yellow. Other developed areas, such as Power Plants, Airports, and Sea Ports are shown in black. The POPULATION DENSITY MAP displays the average number of people occupying an area each day. Use this map to locate under-utilized areas and overpopulated areas.  The TRAFFIC DENSITY MAP shows the amount of traffic on the roads. Spot traffic problems and determine where new roadways are needed. The CRIME RATE MAP shows the level and location of crime in your city. Crime is calculated from population density land value and proximity of police stations. The POLLUTION INDEX MAP shows levels of pollution throughout your city. Pollution is generated primarily by industry, traffic, and coal Power Plants. The LAND VALUE map shows the relative value of land within the city limits. Land values are used to establish the amount of revenue generated in taxes. The GROWTH RATE MAP shows the most recent growth (positive or negative) of your city, and where it is occurring. The FIRE PROTECTION MAP displays the effective radius of Fire Stations based on their location, power, and funding levels. The POLICE INFLUENCE MAP displays the effective radius of Police Stations based on their location, power, and funding level. Page 25^ USING THE MAPS The MAP WINDOW should be constantly referred to in all stages of city planning, building and managing. BEFORE YOU BUILD Use the map before beginning a new city to plan: where you want your city center, where you want the high class waterfront residential areas, where you will cross water with bridges, power lines, and tunnels, where to place power plants, where to place large industrial sections away from the residential sections, the general layout of the city. Printing the map and sketching in your plan with pencil or pen will save a lot of bulldozing and re-zoning and rebuilding. DURING CITY GROWTH Use the map to guide your city's growth around forest areas, to preserve the trees and improve property values. Use the transportation map along with the traffic density map to plan traffic control and expansion. Use the city maps to make sure you have the proper ratio of residential to commercial to industrial zones. Use the pollution map to detect problem areas, and disperse the industrial zones and/or replace roads with rails. Printing out the map in various stages of development and doing some preliminary expansion planning with pencil can be useful. Printouts can also be used for historical records. DURING CITY MAINTENANCE Coal power plants will only supply approximately 50 zones with power and nuclear plants will supply about 150. Overloading power plants can cause brownouts and blackouts. Use the power grid map to locate zones that have lost power. Use the city services maps to evaluate the effective coverage of your police and fire departments. Use the crime rate map to locate problem areas that need more police protection. Use the pollution map to locate problem areas. Use the transportation and traffic density maps to determine where to replace roads with rails. Page 26^ Use the land value map to locate depressed areas for improvement or replacement. Use the city maps to maintain the proper ratio of residential to commercial to industrial zones. GRAPHS The right side of the MAPS/GRAPHS WINDOW gives you time-based graphs of various city data. You may view graphs for time periods of either the last ten years or the last 120 years by clicking on the "10 YEAR/120 YEAR" button. The RESIDENTIAL POPULATION graph shows the total population in residential zones. The COMMERClAL POPULATlON graph shows the total population in commercial zones. The INDUSTRIAL POPULATION graph shows the total population in industrial zones. The CRIME RATE chart shows the overall crime rate of the entire city. The CASH FLOW graph shows your city's cash flow: money collected in taxes last year minus money it took to maintain your city. Note: Cash flow has little to do with your current funds, or how much you spend in building (except that city expansion will increase both taxes collected and maintenance costs). The line in the center of the Cash Flow graph represents a cash flow of zero. Do not build more infrastructure (roads, rail, police departments, fire stations) than you can support with tax revenues. The POLLUTlON graph shows the overall pollution reading of the entire city. USING THE GRAPHS The Graphs give information on many of the same factors as the Maps, but show the information over time. Graphs are for locating trends in city life that won't be noticeable in a map. If you look at a map, for example the crime rate map, every year, a very slight rise in the crime rate will not be noticeable. But on a graph, you would easily locate the upward trend in crime because you will be viewing the levels for a number of years at the same time. Residential, commercial and industrial population growth and/or declines can be tracked and displayed. If you notice a downward trend in any of these, refer to the User Reference Card to locate potential problems and solutions. Crime rate can be displayed, revealing slight but consistent upward or downward trends. Use the cash flow graph to track your city's efficiency as it grows. If your maintenance costs are higher than your tax revenues, you will have a negative cash flow. Use the pollution graph to catch rising levels of pollution before they reach a problem level. Page 27^ (Page 28 is a picture of the Evaluation Window.) THE EVALUATION WINDOW The EVALUATION WINDOW gives you a performance rating. You can access it through the WINDOWS MENU. PUBLIC OPINION is presentcd in poll form, rating your overall job as mayor and listing what the public regards as the city's most pressing problems. You are advised to keep your residents happy or they might migrate away, and you will be left with a "ghost town." In general, if more than 55% of the populace thinks you are doing a good job, then you can feel secure about keeping your job. If 10% or less of the people think something is a problem, then it's not too bad. These are the problems that citizens complain about, and how to correct them: TRAFFIC--replace dense sections of roads with rails. CRIME--Build more police departments, or try to raise land values. POLLUTION--Replace roads with rails, disperse industrial zones. HOUSING--Zone more residences. HOUSING COSTS--Zone more residences in low property value areas. FIRES--Build more fire departments. TAXES--Lower taxes (if you can). UNEMPLOYMENT--Build more industrial and commercial zones. STATISTICS on POPULATION, NET MIGRATION, and ASSESSED VALUE are displayed, along with the city's GAME LEVEL and the OVERALL CITY SCORE. This data is calculated once a year at budget time. POPULATION is the number of residents in your city. The NET MIGRATION statistic provides a rating of the desirability of your city. If people are leaving in droves, you know something is rotten in SimCity. The ASSESSED VALUE is the combined value of all city-owned property: roads, rails, power plants, police and fire stations, airports, sea ports, parks, etc. Does not include residential, commercial and industrial zones. The CATEGORIES are defined by population as follows: VILLAGE 0 to 1,999 TOWN 2,000 to 9,999 CITY 10,000 to 49,999 CAPITAL 50,000 to 99,999 METROPOLIS 100,000 to 499,999 MEGALOPOLIS 500,000 and above. Page 29^ The OVERALL CITY SCORE is a composite score based on the following factors (some positive, some negative): MAJOR FACTORS--Crime, pollution, housing costs, taxes, traffic, unemployment, fire protection, unpowered zones, city growth rate. MINOR FACTORS--Stadium needed (but not built), sea port needed (but not built), airport needed (but not built), road funding, police funding, fire department funding, and fires. A large population is not necessarily a sign of a successful city. Population size does not affect the overall city score, since low population could indicate a new or growing city. Since city growth rate does affect the overall city score, a city in which growth has been intentionally stopped for environmental or aesthetic reasons will have a slightly lower score. DISASTERS  Disasters will randomly occur as you play SimCity. At higher game levels the disasters will happen more often. Most disasters can be activated from the DlSASTERS MENU. FIRES can start anywhere in the city. Fire spreads fairly rapidly through forests and buildings, somewhat slower over roadways. Fire will not cross water or clear land. The effectiveness of the fire department (which can be viewed in the MAPS/GRAPHS WINDOW) is based on how close it is to the fire, and its funding levels. Fires inside this effective radius will be extinguished automatically. If you have no operational fire departments in the area you can try to control the fire yourself. Since fire will not spread across clear terrain, you can build firebreaks with the bulldozer. Just surround the fire with clear areas and it will stop spreading and eventually burn itself out. Note: You cannot directly bulldoze a fire. FLOODING occurs near the water. Floods gradually spread and destroy buildings and utilities. After a while the flood waters recede, leaving behind cleared terrain. AIR CRASHES can happen anywhere in the city if an airport is operational. This happens whenever aircraft collide with things, such as a tornadoes or another aircraft. When a crash occurs, a fire will start, unless the crash is on water. A good strategy is to locate the airport away from the central city to minimize the fire damage.  TORNADOES can occur anywhere on the map at any time. Very fast and unpredictable, they can appear and disappear at a moment's notice. Tornadoes destroy everything in their path, and can cause planes, helicopters, trains, and ships to crash. EARTHQUAKES are the most devastating disaster. This is a MAJOR earthquake- between 8.0 and 9.0 on the Richter Scale. It will destroy buildings and start fires. The Page 30^ initial damage will vary with the severity of the earthquake, and the eventual fire damage depends on your fire control efforts. When an Earthquake occurs, you will see the EDITOR window shake for a while. When it stops, you will have to take charge and control the scattered fires. Use the bulldozer to contain the largest fires first and work your way down to the smaller ones. MONSTER ATTACKS are provoked by high levels of pollution. A monster destroys everything in its path, starts fires, and causes planes, helicopters, trains, and ships to crash. MELTDOWNS are only possible if you are using a nuclear power plant. If a meltdown occurs your nuclear plant will explode into flames. The surrounding area will be unusable for the remainder of the simulation due to radioactive contamination. Meltdowns are not available on the DISASTERS MENU. SHIPWRECKS can occur once you have an operating seaport. They can cause fires where the ship crashes into a shore or bridge. Shipwrecks are not available on the DISASTERS MENU. SCENARIOS  The scenarios provide both real and hypothetical problems for you to deal with in seven famous cities (and one not-so-famous). They present various levels of difficully. Some problems are in the form of disasters which will occur some time after you start. Other problems are more long-term such as crime. Your task is to deal with the problem at hand as well as possible under the circumstances. After a certain amount of time the city residents will rate your performance in a special election. If you do very well you may be given the key to the city. However if you do poorly they might just run you out of town. NOTE:To avoid the disaster which is tied to a scenario save it to disk and reload the city from the saved file. GAME PLAY LEVEL  When you first start a new city you must pick a difficulty level. Once a city is started you cannot change the game level; it remains at your initial setting for the life of the city. The game level setting is displayed in the evaluation window. This level - Easy, Medium, or Hard - adjusts the simulation to your current abilities by altering several factors. A harder setting will increase the chance of disasters, make residents more intolerant of taxation, cause maintenance costs to grow, etc. GROWING A CITY While growing a city, refer often to the USER REFERENCE CARD. It provides a chart of city dynamics; how all factors of city life and growth are related. Page 31 The main points to keep in mind while growing a city are: Grow slow. Watch your money. All zones must be powered to develop. Roads or rails must provide access to and from each zone for it to fully develop. There is a yearly maintenance cost for each section of road, rail, bridge and tunnel. This can add up. Don't build too many roads and rails and generate high maintenance costs before your city can generate enough tax revenues to support them. Extra powrer plants and redundant power lines are expensive, but can keep zones from losing power during a disaster or emergency or deteriorating. Rails can carry much more traffic than roads. While building and zoning an area that you predict will generate heavy traffic, install rails instead of roads in the early stages of development. If you get a lot of heavy traffic warnings, replace roads with rails. You can even build an entirely roadless city. Grouping zones together, 4 or 5 in a row touching each other, can eliminate a lot of power line segments. Airports, sea ports a ms won't help a small city grow--so save your money until the city gets The Sims will tell you when they need these things. Place zones, roads< refully--they cannot be moved, and you will have to pay to bulldoze the~ uild. As a rule of thumb, the number of residential zones should be apf88ly equal to the sum of commercial and industrial zones. When your city f 8 8 you will need more industrial zones than commercial, and when your cit <  rger, you will need more commercial zones than industrial. Separate th <tial areas from the industrial areas. Proximity to forest, parks, and lreases land value, which increases the taxes collected. Don't bulldoze l00forest than you must. Also natural shoreline increases property values 0~00 landfill shoreline. Keep in mind that proximity to downtown raises pr0~``lues. The simulator defines the downtown area as the "center of mass of~ `~`~lation density." It calculates the average geographical center of the p~ `~`~. Page 32^ A bigger, more populous city is not necessarily bet ng a self-supporting, profitable city with pleasant surroundings is better than a huge city that is always broke and has no forest or shoreline. Use the various maps and graphics to plan city growth, locate problems, and track your progress. Look for areas that need police and fire coverage as you go, so you don't have to go back and bulldoze developed zones to make room for police and fire stations. Save your city to disk before trying any major new policy so you can go back if your plan doesn't work. Print out your city in different stages of evolution to track and plan growth. Check the EVALUATION WINDOW often. The Sims will let you know how you are doing. Also the statistics can be useful; if your population is shrinking, don't go zoning new areas that may never develop, look for problems in the existing zoned areas, and spend your time and money solving them. SAVE YOUR CITY TO DISK OFTEN!!! THE USER REFERENCE CARD Included in the SimCity box is the User Reference Card. (At the end of this doc file...) ZONE EVOLUTION CHART On one side of the User Reference Card is the Zone Evolution Chart. It shows the various levels of development and decline of residential, commercial and industrial zones. The level of development depends on the land value and population density. Use this chart along with the Query function to identify, and gather information on, individual zones. CITY DYNAMICS CHART The other side of the card is the City Dynamics Chart. This chart lists the factors of city life and growth and shows how they inter-relate. Use this chart to guide you in designing your city. It will help you ifnd soluitons to the Sims' complaints, and to problems you discover from the maps and graphs. Page 33^ KEYBOARD REFERENCE CHART GENERAL KEYBOARD COMMANDS RIGHT-AMIGA/ B - Brings up the BUDGET WINDOW RIGHT-AMIGA/ E - Brings up the EVALUATION WINDOW RIGHT-AMIGA/ G - Brings up the MAPS/GRAPHS WINDOW RIGHT-AMIGA/ L - Loads a City RIGHT-AMIGA/ P - Brings up the PICK SCENARIO MENU. RIGHT-AMIGA/ N - Starts a New City RIGHT-AMIGA/ Q - Activates the UNDO command. RIGHT-AMIGA/ S - Saves a City SPECIAL EDITOR WINDOW KEYBOARD COMMANDS X and Z - Cycle through and activate icon functions Q - ( Query) - Point to a zone or object in the EDIT WINDOW, hold down "Q" while clicking the left mouse button to bring up information about the zone or object. B activates the Bulldozer while depressed, overriding active icon. R activates Road laying while depressed, overriding active icon. T activates Transit line laying while depressed, overriding active icon. P activates Power line laying while depressed, overriding active icon. CURSOR KEYS scroll the terrain under the EDlT WINDOW. Page 34^ INSIDE SimCity HOW THE SIMULATOR WORKS AND STRATEGIES FOR USING IT  Many factors influence the chance of your city's prospering or floundering: both internal factors (the structure and efficiency of your city) and external factors (the regional economy, disasters, etc.). ZONES Your city is divided into three primary zones: residential, commcercial and industrial. These zones symbolize the three basic pillars upon which a city is based: population, industry, and commerce. All three are necessary for your city to grow and thrive. RESIDENTIAL ZONES are where the Sims live. Here they build houses, apartments and community facilities such as churches and schools. Sims are the work force for your city's commercial and industrial zones. INDUSTRIAL ZONES are used to site warehouses, factories, and other unsightly and polluting structures which have a negative impact on surrounding zones. One of the major goals of planning is to separate these nuisances from the areas where people live. In this simulation, industrial zones represent the "basic" production of your city. Things produced here are sold outside the city to an "external market," bringing money into the city for future growth. COMMERClAL ZONES represent the retail stores and services in your city, including gas stations, grocery stores, banks, and offices. Commercial areas are mainly dedicated to producing goods and services needed within your city. This is callcd "non-basic" production or production for the "internal market". POPULATION-RESIDENTIAL  The major factors controlling residential population are birthrate, availability of jobs and housing, unemployment,and quality of life within the city. Birthrate as used here is actually a combination of the birthrate (+) and the deathrate (-). Within SimCity there is always a positive birthrate. Availabilily of jobs (the employment rate) is a ratio of the current commercial and industrial populations to the total residential population. As a rule of thumb, the number of commercial and industrial zones together should roughly equal the number of residential zones.  If there are more jobs in your city than residents, new settlers will be attracted. If the job market declines during a local recession, your people will migrate away in search of jobs. Page 35^   Housing for your residents is built in the residential zones. These zones must be powered and connected to the places of employment with a road and/or rail network. The structures built in residential zones are influenced by land value and population density. Quality of life is a measure of relative "attractiveness" assigned to different zone locations. It is affected by negative factors such as pollution and crime, and positive factors such as parks and accessibility. EXTERNAL MARKET - INDUSTRIAL  There are thousands of variables that influence your city. All these variables can be influenced by your actions with the exception of one. The external market (the economic conditions that exist outside of your cily) is controlled by the simulation-there is nothing you can do to change it. ln many ways, this external market is the original source of all city growth. Towns frequently begin as production centers (steel towns, refineries, etc.) that service a demand in the surrounding region. As time passes, the external market grows to reflect the regional growth going on around your city. The industry in your city will attempt to grow as the external market grows. For this to happen there must be room for expansion (more industrial zones) and an adequate labor supply (more residential zones). INTERNAL MARKET-COMMERCIAL  The internal market is completely influenced by the conditions within your city. Internal production, created in the commercial zones, represents all the things which are purchased and consumed within the city. Food stores, gas stations, retail slores, financial serviccs, medical care, etc. - all depend on a nearby population to service. Within SimCity, the size of the internal market determines the rate at which commercial zones will prosper. Commercial zones need enough zoned land to build on and an existent, sufficient workforce to employ. The structures built in commercial zones are mainly influenced by land value and population density. Commercial zones grow and develop to serve the expanding internal market. Commercial growth will usually be slow at first, when the population is small and needs very little. As your city grows, commercial growth will accelerate and the internal market will become a much larger consumer of your total city production. This accelerating effect, when the external/ industrial production is overtaken by the accelerating internal/commercial sector, can turn a sleepy little town of 50,000 into a thriving capital of 200,000 in a few short years. TAX RATE The tax rate you set controls the amounl of income generated by your city. As taxes are collected each year (simulation time), Ihe BUDGET WINDOW will appear, giving you the fiscal details of your city and a chance to adjust rates. The simulation determines the amount of revenue collected by assessing each zone an amount based on its land value, current level of development and the current tax rate. Page 36^ The tax rate has a global effect on your city's growth rate. If you set it low (O - 4%), growth will be brisk but the city income will be low. If you set it high (10 - 20%), you will collect a lot in the short run but in the long run tax income will decrease along with the population. You must keep tax income high enough to meet city maintenance costs and invest in new development, but low enough not to scare off residents and businesses. A high tax rate is one way to control city growth, should you want to experiment with "growth control" measures. BUDGETING  City budgeting effects the way your city grows. City infrastructure cost is represented by three departments: police, fire, and transportation. You may set the funding levels separately for each. All three departments will request a certain level of funding each year. You may supply all or part of the requested funds, in the attempt to balance safety needs and budgetary concerns. POLICE DEPARTMENTS  Police stations lower the crime rate within a territory. The effective radius of your police station is related to the amount of funding allocated to the police department. There is a positive correlation between the value of land and proximity to a police station. Police Stations cost $100 per year to fund. FIRE DEPARTMENTS  Fire departments prevent and extinguish fires. The level of funding deter- mines the effective radius of a fire department. Fire departments put out fires witnin this radius much sooner than outside it, and decrease the chance that they will start in the first place. Fire Departments cost $100 per year to fund. TRANSPORTATION DEPARTMENT  When you build roads and rail systems you are charged for construction and yearly maintenance. The larger your transportation network, the more it will cost for upkeep. If you decide not to or are unable to pay this maintenance cost, roads will slowly deteriorate and become unusable. The maintenance cost for each piece is: Road - $1, Bridge - $4, Rail - $4, Rail tunnel -$10. POWER Electrical power makes modern cities possible. Efficient and reliable powcr transmission to all zones is the goal of good "power management." Periodically in the simulation the entire power grid of your city is checked for links to power. If a zone is connected (by other zones or power lines) to a power plant, the zone is considered powered. Zones must be powered for development to occur. Many things (such as fires, floods monsters and bulldozers) can knock down power lines and cause blackouts in parts of your city. Development will stop in unpowered zones, and if power is not quickly restored, the zone will decline back to its original state of emptiness. Redundant Power Plants and power connections can make your power grid more reliable, but running more line adds construction costs. Page 37^ TRANSPORTATION - TRAFFIC  One of the most most important elements of city structure is the transportation network. It moves Sims and goods throughout your cily. Roads typically occupy as much as 25% - 40% of the land in urban areas. Traffic along these roads indicates which sections of your road system are used the most. Traffic levels are simulated by a process known as "Trip Generation." Over time, each populated zone in the city will generate a number of trips, depending on the population. Each generated trip starts at the origin zone, travels down the road/rail network, and if a "proper dest- ination" is reached, ends at the destination zone - otherwise, the trip fails. Trip failure indicates inaccessibility of a zone and limits its growth . The majority of generated trips represent people commuting to and from work. Additional traffic is generated by residents traveling to shopping, recreation, etc. When analyzing traffic, the simulator tests the followinf traffic routes: From: ORIGIN To: DESTINATION Residential zones Commercial zones and Industrial zones. Commercial zones Residential zones and Industrial zones. Industrial zones Residential zones. When Sims drive away from an origin zone, they have a limited "trip range" in which to find a destination zone. Heavy traffic decreases the trip range. If the destination zone is too far away, the trip is unsucessful. Repeated unsucessful trips will cause the Sims to move out of the origin zone. Each road has a limited capacity for traffic. When this capacity is exceeded traffic jams will form. Traffic jams drastically lower the capacity of a road, compounding the problem and frustrating drivers. Traffic conditions fluctuate quickly, responding to things such as open bridges, sporting events and port activity. Avoid traffic problems by providing several routes for the traffic to take, and building rail systems when you can afford to. The traffic helicopter will spot traffic bottlenecks and report them. A road must be adjacent to a zone for the zone to be connected to the traffic pattern. Zones do not conduct traffic the way they conduct power. Roads and rails may be used together, as Sims are able to get out of their cars and into transit lines, or from transit lines to roads without delay. POLLUTION  Pollution levels are tracked in all areas of your city. This is a general "nuisance level" which includes air and water pollution, noise pollution, toxic wastes, etc. Pollution has a negative impact on the growth of residential areas. The primary cause of pollution is industrialized zones. The level of pollution created by an industrial zone increases with its level of growth. Traffic is another cause of pollution.There are limited means of combating the pollution level. Lowering traffic density, limiting industrial development, and separating the pollution from the residential areas will help. Page 38^ CRIME Crime rates are influenced by population density, local law enforcement and land values. As population density increases in an area, the number of crimes committed increases. Crime will also increase in areas of low land value. The most effective way to deal with high crime rates is to introduce a police station into the area. Based on its level of funding, the police station will reduce the rate of crime in its sphere of influence. A long-lerm approach to lowering crime is to raise the land value of the area. One way to do this is to demolish and rezone (urban renewal) . LAND VALUE  Land value is one of the most fundamental aspects of urban structure. The land value of an area affects how that area is used. In this simulation the land value of an area is based on terrain, accessibility, crime, pollution, and distance to downtown.  The farther the residents have to go to work, the lower the land value where they live, due in part to transportation costs. The value of commercial zones depends greatly on accessibility by the populace. Land value is also affected by surrounding terrain. If land is closer to water, trees or parks, its value will rise. Creative placement of zones within the terrain, with little bulldozing, can make good use of this natural advantage.  Land value and crime rate have a feedback effect on each other. Lower land values cause crime rates to rise. Higher crime rates cause land values to drop, and can cause "transition areas" near your central city to rapidly decline in value. Page 39^ HISTORY OF CITIES AND CITY PLANNING by Cliff Ellis INTRODUCTION The building of cities has a long and complex history. Although city planning as an organized profession has existed for less than a century, all cities display various degrees of foresight and conscious design in their layout and functioning. Early humans led a nomadic existence, relying on hunting and gathering for sustenance. Between 8,000 and 10,000 years ago, systematic cultivation of plants and the domestication of animals allowed for more permanent settlements. During the fourth millenium B.C., the requirements for the "urban revolution" were finally met: the production of a surplus of storable food, a system of writing, a more complex social organization, and technological advances such as the plough, potter's wheel, loom, and metallurgy. Cities exist for many reasons, and the diversity of urban forms can be traced to the complex functions that cities perform. Cities serve as centers of storage, trade, and manufacture. The agricultural surplus from the surrounding countryside is processed and distributed in cities. Cities also grew up around marketplaces, where goods from distant places could be exchanged for local products. Throughout history, cities have been founded at the intersections of transportation routes, or at points where goods must shift from one mode of transportation to another, as at river and ocean ports. Religious elements have been crucial throughout urban history. Ancient peoples had sacred places, often associated with cemeteries or shrines, around which cities grew. Ancient cities usually had large temple precincts with monumental religious buildings. Many medieval cities were built near monasteries or cathedrals. Cities often provided protection in a precarious world. During attacks, the rural populace could flee behind city walls, where defense forces assembled to repel the enemy. The wall served this purpose for millennia, until the invention of heavy artillery rendered walls useless in warfare. With the advent of modern aerial warfare, cities have become prime targets for destruction rather than safe havens. Cities serve as centers of government. In particular, the emergence of the great nation-states of Europe between 1400 and 1800 led to the creation of new capital cities or the investing of existing cities with expanded governmental functions. Washington, D.C., for example, displays the monumental buildings, radial street pattern, and large public spaces typical of capital cities. Cities, with their concentration of talent, mixture of peoples, and economic surplus, have provided a fertile ground for the evolution of human culture: the arts, scientific research, and technical innovation. They serve as centers of communication, where new ideas and information are spread to the surrounding territory and to foreign lands. Page 40^ CONSTRAINTS ON CITY FORM Cities are physical artifacts inserted into a preexisting natural world, and natural constraints must be respected if a settlement is to survive and prosper. Cities must conform to the landscape in which they are located, although technologies have gradually been developed to reorganize the land to suit human purposes. Moderately sloping land provides the best urban site, but spectacular effects have been achieved on such hilly sites as San Francisco, Rio de Janiero, and Athens. Climate influences city form. For example, streets have been aligned to take advantage of cooling breezes, and arcades designed to shield pedestrians from sun and rain. The architecture of individual buildings often respects adaptations to temperature, rainfall, snow, wind and other climactic characteristics. Cities must have a healthy water supply, and locations along rivers or streams, or near underground watercourses, have always been favored. Many large modern cities have outgrown their local water supplies and rely upon distant water sources diverted by elaborate systems of pipes and canals. City location and internal structure have been profoundly influenced by natural transportation routes. Cities have often been sited near natural harbors, on nagivable rivers, or along land routes determined by regional topography. Finally, cities have had to survive periodic natural disasters such as earthquakes, hurricanes, tornados, and floods. The San Francisco earthquake of 1906 demonstrated how natural forces can undo decades of human labor in a very short time. ELEMENTS OF URBAN STRUCTURE City planners must weave a complex, ever-changing array of elements into a working whole: that is the perennial challenge of city planning. The physical elements of the city can be divided into three categories: networks, buildings, and open spaces. Many alternative arrangements of these components have been tried throughout history, but no ideal city form has even been agreed upon. Lively debates about the best way to arrange urban anatomies continue to rage, and to show no signs of abating.  NETWORKS Every modern city contains an amazing array of pathways to carry flows or people, goods, water, energy, and information. Transportation networks are the largest and most visible of these. Ancient cities relied on streets, most of them quite narrow by modern standards, to carry foot traffic and carts. The modern city contains a complex hierarchy of transportation channels, ranging from ten-lane freeways to sidewalks. In the United States, the bulk of trips are carried by the private automobilem with mass transit a distant second. American cities display the low-density sprawl characteristic of auto-centered urban development. In contrast, many European cities have the high densities necessary to support rail transit systems. Page 41^ Modern cities rely on complex networks of utilities. When cities were small, obtaining pure water and disposing of wastes was not a major problem, but cities with large populations and high densities require expensive public infrastructure. During the nineteenth century, rapid urban growth and industrialization caused overcrowding, pollution, and disease in urban areas. After the connection between impure water and disease was established, American and European cities began to install adequate sewer and water systems. Since the late nineteenth century, cities have also been laced with wires and conduits carrying electricity, gas, and communications signals. BUILDINGS Buildings are the most visible elements of the city, the features that give each city its unique character. Residential structures occupy almost half od all urban land, with the building types ranging from scattered single-family homes to dense high-rise apartments. Commercial buildings are clustered downtown and at various subcenters, with skyscrapers packed into the central business district and low-rise structures prevailing elsewhere, although tall buildings are becoming more common in the suburbs. Industrial buildings come in many forms ranging from large factory complexes in industrial districts to small workshops. City planners engage in a constant search for the proper arrangement of these different types of land use, paying particular attention to the compatibility of different activities, population densities, traffic generation, economic efficiency, social relationships, and the height and bulk of buildings. OPEN SPACES Open space is sometimes treated as a leftover, but it contributes greatly to the quality of urban life. "Hard" spaces such as plazas, malls, and courtyards provide settings for public activities of all kinds. "Soft" spaces such as parks, gardens, lawns, and nature preserves provide essential relief from harsh urban conditions and serve as space for recreational activities. These "amenities" increasingly influence which cities will be preceived as desirable places to live. EVOLUTION OF URBAN FORM The first true urban settlements appeared around 3,000 B.C. in ancient Mesopotamia, Egypt, and the Indus Valley. Ancient cities displayed both "organic" and "planned" types of urban form. These societies had elaborate religious, political, and military hierarchies. Precincts devoted to the activities of the elite were often highly planned and regular in form. In contrast, residential areas often grew by a slow process of accretion, producing the complex, irregular patterns that we term "organic." Two typical features of the ancient city are the wall and the citadel: the wall for defense in regions preiodically swept by conquering armies, and the citadel - a large, elevated precinct within the city - devoted to religious and state functions. Page 42^ The Romans engaged in extensive city-building activities as they consolidated their empire. Rome itself displayed the informal complexity created by centuries of organic growth, although particluar temple and public districts were highly planned. In contrast, the Roman military and colonial towns were laid out in a variation of the grid. Many European cities, including London and Paris, sprang from these Roman origins. We usually associate medieval cities with narrow winding streets converging on a market square with a cathedral and a city hall. Many cities of this period display this pattern, the product of thousands of incremental additions to the urban fabric. However, new towns seeded throughout undeveloped regions of Europe were based upon the familiar grid. In either case, large encircling walls were built for defense against marauding armies; new walls enclosing more land were built as the city expanded and outgrew its former container. During the Renaissance, architects began to systematically study the shaping of urban space, as though the city itself were a piece of architecture which could be given an aesthetically pleasing and functional order. Many of the great public spaces of Rome and other Italian cities date from this era. Parts of old cities were rebuilt to create elegant squares, long street vistas, and symmetrical building arrangements. Responding to advances in firearms during the fifteenth century, new city walls were designed with large earthworks to deflect artillery, and star-shaped points to provide defenders with sweeping lines of fire. Spanish colonial cities in the New World were built according to rules codified in the Laws of the Indies of 1573, specifying an orderly grid of streets with a central plaza, defensive wall, and uniform building style. We associate the baroque city with the emergence of great nation-states between 1600 and 1750. Ambitious monarchs constructed new palaces, courts, and bureaucratic offices. The grand scale was sought in urban public spaces: long avenues, radial street networks, monumental squares, geometric parks and gardens. Versailles is a clear expression of this city-building model; Washington, D.C. is an example from the United States. Baroque principles of urban design were used by Baron Haussmann in his celebrated restructuring of Paris between 1853 and 1870. Haussmann carved broad new thoroughfares through the tangled web of old Parisian streets, linking major subcenters of the city with one another in a pattern which has served as a model for many other modernization plans. Toward the latter half of the eighteenth century, particularly in America, the city as a setting for commerce assumed primacy. The buildings of the bourgeoisie expanded along with their owners' prosperity: banks, office buildings, warehouses, hotels, and small factories. New towns founded during this period were conceived as commercial enterprises, and the neutral grid was the most effective means to divide land up into parcels for sale. The city became a checkerboard on which players speculated on shifting land values. No longer would religious, political, and cultural imperatives shape urban development; rather, the market would be allowed to determine the pattern of urban growth. New York, Philadelphia, and Boston around 1820 exemplify the commercial city of this era, with their bustling, mixed-use waterfront districts. Page 43^ TRANSITION TO THE INDUSTRIAL CITY Cities have changed more since the Industrial Revolution than in all the previous centuries of their existence. New York had a population of about 313,000 in 1840 but had reached 4,767,000 in 1910. Chicago exploded from 4,000 to 2,185,000 in the same period. Millions of rural dwellers ni longer needed on farms flocked to the cities, where new factories churned out products for new markets made accessible by railroads and steamships. In the United States, millions of immigrants from Europe swelled the urban populations. Increasingly, urban economies were being woven tightly into the national and international economies. Technological innovations poured fortrh, many with profound impacts on urban form. Railroad tracks were driven into the heart of the city. Internal rail transportation systems greatly expanded the radius of urban settlement: horsecars beginning in the 1830s, cable cars in the 1870s, and electric trolleys in the 1880s. In the 1880s, the first central power plants began providing electrical power to urban areas. The rapid communication provided by the telegraph and telephone allowed formerly concentrated urban activities to disperse across a wider field. The industrial city still focused on the city center, which contained both the central business district, defined by large office buildings, and substantial numbers of factory and warehouse structures. Both trolleys and railroad systems converged on the center of the city, which boasted the premier entertainment and shopping establishments. The working class lived in crowded districts close to the city center, near their places of employment. Early American factories were located outside of major cities along rivers which provided water power for machinery. After steam power became widely available in the 1830s, factories could be located within the city in proximity to port facilities, rail lines, and the urban labor force. Large manufacturing zones emerged within the major northeastern and midwestern cities such as Pittsburgh, Detroit, and Cleveland. But by the late nineteenth century, factory decentralization had already begun, as manufacturers sought larger parcels of land away from the congestion of the city. Gary, Indiana, for example, was founded in 1906 on the southern shore of Lake Michigan by the United States Steel Company. The increeasing crowding, pollution, and disease in the central city produced a growing desire to escape to a healthier environment in the suburbs. The upper classes had always been able to retreat to homes in the countryside. Beginning in the 1830s, commuter railroadsenabled the middle class to commmute in to the city center. Horsecar lines were built in many cities between the 1830s and 1880s, allowing the middle class to move out from the central cities into more spacious suburbs. Finally, during the 1890s electric trollrys and elevated rapid transit lines proliferated, providing cheap urban transportation for the majority of the population. The central business district o fthe city underwent a radical transformation with the development of the skyscraper between 1870 and 1900. These tall buildings were not technically feasible until the invention of the elevator and steel-frame construction methods. Skyscrapers reflect the dynamics of the real estate market; the tall building Page 44^ extracts the maximum economic value from a parcel of land. These office buildings housed the growing numbers of white-collar employees in banking, finance, management, and business services, all manifestations of the shift from an economy of small firms to one of large corporations. THE FORM OF THE MODERN CITY OIN THE AGE OF THE AUTOMOBILE The city of today may be divided into two parts:(1) an inner zone, coextensive with the boundaries of the old industrial city, and (2)suburban areas, dating from the 1920s, which have been designed for the sutomobile from the beginning. The central business districts of American cities have become centers of information processing, finance, and administration rather than manufacturing. White-collar amployees in these economic sectors commute in from the suburbs on a network of urban freeways built during the 1950s and 60s; this "hub-and-wheel" freeway pattern can be observed on many city maps. New bridges have spanned rivers and bays, as in New York and San Fransisco, linking together formerly separate cities into vast urbanized regions. Waves of demolition and rebuilding have produced "Manhattanized" downtowns across the land. During the 1950s and 60s, urban renewal programs cleared away large areas of the old city, releasing the land for new office buildings, convention centers, hotels, and sports complexes. Building surges have converted the downtowns of American cities into forests of tall office buildings. More recently, office functions not requiring a downtown location have been moved to huge office parks in the suburbs. Surrounding the central business area lies a large band of old mixed-use and residential buildings which house the urban poor. High crime, low income, deteriorating services, inadequate housing, and intractable social problems plague these neglected areas of urban America. The manufacturing jobs formerly available to inner city residents are no longer there, and resources have not been committed to replace them. These inner city areas have been left behind by a massive migration to the suburbs, which began in the late nineteenth century but accelerated in the 1920s with the spread of the automobile. Freeway building after World War II opened up even larger areas of suburban land, which were quickly filled by people fleeing central city decline. Today, more people live in suburbs than in cities proper. Manufacturers have also moved their production facilities to suburban locations which have freeway and rail accessibility. INdeed, we have reached a new stage of urbanizatin beyond the metropolis. Most major cities are no longer focused exclusively on the traditional downtown. New subcenters have arisen round the periphery, and these subcenters supply most of the daily needs of their adjacent populations. The old metropolis has become a multi-centered urban region. In turn, many of these urban regiosn have expanded to the point where they have coalesced into vast belts of urbanization - what the geographer Jean Gottman termed "megalopolis." The prime example is the eastern Page 45^ seaboard of the United States from Boston to Washington. The planner C.A. Doxiadis has speculated that similar vast corridors of urbanization will appear throughout the world during the next century. Thus far, American planners have not had much success in imposing a rational form on this process. However, New Town and greenbelt programs in Britain and the Scandinavian countries have, to some extent, prevented formless sprawl from engulfing the countryside. THE ECONOMICS OF URBAMN AREAS Since the 1950s, city planners have increasingly paid attention to the economics of urban areas. When many American cities experienced fiscal crises during the 1970s, urban financial management assumed even greater importance. Today, planners routinely assess the economic consequences of all major changes in the form of the city. Several basic concepts underlie urban and regional economic analysis. First, cities cannot grow if their residents simply provide services for one another. The city must create products which can be sold to an external purchaser, bringing in money which can be reinvested in new production facilities and raw materials. This "economic base" of production for external markets is crucial. Without it, the economic engine of the city grinds to a halt. Once the economic base is established, an elaborate internal market can evolve. This market includes the production of goods and sevrices for businesses and residents within the city. Obviously, a large part of the city's physical plant is devoted to facilities for these internal transactions: retail stores of all kinds, restaurants, local professional services, and so on. Modern cities are increasingly engaged in a competition for economic resources such as industrial plants, corporate headquarters, high-technology firms, and government facilities. Cities try to lure investment with an array of features: low tax rates, improved transportation and utility infrastructure, cheap land, and a skilled labor force. Amenities such as climate, proximity to recreation, parks, elegant architecture, and cultural sctivities influence the location decisions of businesses and individuals. Many older cities have had difficulty surviving in this new economic game. Abandoned by traditional industries, they are now trying to create a new economic base involving growth sectors such as high technology. Today, cities no longer compete in mere regional or national markets: the market is an international one. Multinational firms close plants in Chicago or Detroit and build replacements in Asia or Latin America. Foreign products dominate whole sectors of the American consumer goods market. Huge sums of money shift around the globe in instantaneous electronic transactions. Cities must struggle for survival in a volatile environment in which the rules are always changing. This makes city planning even more challenging than before. Page 46^ MODERN CITY PLANNING Modern city planning can be divided into two distinct but related types of planning. Visionary city planning proposes radical changes in the form of the city, often in conjunction with sweeping changes in the social and economic order. Institutionalized city planning is lodged withing the existing structures of government, and modifies urban growth processes in moderate, pragmatic ways. It is constrained by the prevailing alignment of political and economic forces within the city. VISIONARY OR UTOPIAN CITY PLANNING People have imagined ideal cities for millenia. Plato's Republic was an ideal city, although lacking in the spatial detail of later schemes. Renaissance architects designed numerous geometric cities, and ever since architects have been the chief source of imaginative urban proposals. In the twentieth century, Le Corbusier, Frank Lloyd Wright, Paolo Soleri, and dozens of other architects have designed cities on paper. Although few have been realized in pure form, they have influenced the layout of many new towns and urban redevelopment projects. In his "Contemporary City for Three Million People" of 1922 and "Radiant City" of 1935, Le Corbusier advocated a high-density urban alternative, with skyscraper office buildings and midrise apartments placed within park-like open spaces. Different land uses were located in separate districts, forming a rigid geometrical pattern with a sophisticated system of superhighways and rail transit. Frank Lloyd Wright envisioned a decentralized low-density city in keeping with his distaste for large cities and belief in frontier individualism. The Broadacre City plan of 1935 is a large grid of arterials spread across the counrtyside, with most of the internal space devoted to single-family homes on large lots. Areas are also carefully set aside for small farms, light industry, orchards, recreation areas, and other urbanfacilities. A network of superhighways knits the region together, so spatially dispersed facilities are actually very close in terms of travel time. In many ways, Wright's Broadacre City resembles American suburban and exurban developments of the post-WWII period. Many other utopian plans could be catalogued, but the point is that planners and architects have generated a complex array of urban patterns from which to draw ideas and inspiration. Most city planners, however, do not work on a blank canvas; they can only make incremental changes to an urban scene already shaped by a complicated historical process. Page 47^ INSTITUTIONALIZED CITY PLANNING The form of the city is determined primarily by thousands of private decisions to construct buildings, within a framework of public infrastructure and regulations administered by city, state, and federal governments. City planning actions can have enormous impact on land values. From the point of view of land economics, the city is an enormous playing field on which thousands of competitors struggle to capture value by constructing or trading land or buildings. The goal of city planning is to intervene in this game in oeder to protect widely shared public values such as health, safety, environmental quality, social equity, and aesthetics. The roots of American city planning lie in an array of reform efforts of the late nineteenth century: the Parks movement, the City Beautiful movement, campaigns for housing regulations, the Progressive movement for government reform, and efforts to improve public health through the provision of sanitary sewers and clean water supplies. The First National Conference on City Planning occurred in 1909, the same year as Daniel Burnham's famous Plan of Chicago. That date may be used to mark the inauguration of the new profession. The early city planners actually came from diverse backgrounds such as landscape architecture, architecture, engineering, and law, but they shared a common desire to produce a more orderly urban pattern. The zoning of land bacame, and still is, the most potent instrument available to American city planners for controlling urban development. Zoning is basically the dividing of the city into discrete areas within which only certain land uses and types of buildings can be constructed. The rationale is that certain activities or building types don't work well; factories and homes, for example. Illogical mixtures create nuisances for the parties involved and lower land values. After several decades of gradual development, land-use zoning received legal approval from the Supreme Court in 1926. Zoning isn't the same as planning: it is a legal tool for the implementation of plans. Zoning should be closely inntegrated with a Master Plan or Comprehensive Plan which spells out a logical path for the city's future in areas such as land use, transportation, parks and recreation, environmental quality, and public works construction. In the early days of zoning this was often neglected, but this lack of coordination between zoning and planning is less common now. Two other important elements of existing city planning are subdivision regulations and environmental regulations. Subdivision regulations require that land being subdivided for development be provided with adequate streets, sewers, water, schools, utilities, and various design features. The goal is to prevent shabby, deficient developments which produce headaches for both their residents and the city. Since the late 1960s, environmental regulations have exerted a stronger influence on patterns of urban growth by restricting development in floodplains, on unstable slopes, on earthquake faults, or near sensitive natural areas. Businesses have been forced to reduce smoke emissions and the disposal of wastes have been more closely monitored. Overall, the pace of environmental degradation has been slowed, but certainly not stopped, and a dismaying backlog of environmental hazards remains to be cleaned up. City planners have plenty of work to do as we move into the twenty- Page 48^ first century. CONCLUSION: GOOD CITY FORM What is the good city? We are unlikely to arrive at an unequivocal answer; the diversity of human needs and tastes frustrates all attempts to provide recipes or instruction manuals for the building of cities. However, we can identify the crucial dimensions of city performance, and specify the many ways in which cities can achieve success along with these dimensions. A most useful guide is Kevin Lynch's A THEORY OF GOOD CITY FORM (Cambridge, Mass. MIT Press, 1981). Lynch offers five basic dimensions of city performance: vitality, sense, fit, access, and control. To these he adds two "meta-criteria," efficiency and justice. For Lynch, a vital city successfully fills the biological needs of its inhabitants, and provides a safe environment for their activities. A sensible city is organized so that its residents can perceive and understand the city's form and function. A city with good fit provides the buildings, spaces, and networks required for its residents to pursue their projects successfully. An accessible city allows people of all ages and backgrounds to gain the activities, resources, services, and information that they need. A city with good control is arranged so that its citizens can have a say in the management of the spaces in which they work and trade. Finally, an efficient city achieves the goals listed above at the least cost, and balances the achievement of the goals with one another. They cannot all be maximized at the same time. And a just city distributes benefits among its citizens according to some fair standard. Clearly, these two meta-criteria raise difficult issues which will continue to spark debates for the forseeable future. These criteria tell aspiring city builders where to aim, while acknowledging the diverse ways of achieving good city form. Cities are endlessly fascinating because each is unique, the product of decades, centuries, or even millennia or historical evolution. As we walk through city streets, we walk through time, encountering the city-building legacy of past generations. Paris, Venice, Rome, New York, Chicago, San Francisco--each has its glories and its failures. In theory, we should be able to learn the lessons of history and build cities that our descendants will admire and wish to preserve. That remains a constant challenge for all who undertake the task of city planning. Page 49^ B I B L I O G R A P H Y Boyer, R. and D. Savageau. Places Rated Almanac. Chicago: Rand McNally & Co., 1986. Choay, Francoise. The Modern City: planning in the 19th century. New York: George Braziller, 1969. Clark, David. Urban Geography. Baltimore: The Johns Hopkins University Press, 1982. Clay, Grady. Close-Up, how to read the american city. Chicago: The UNiversity of Chicago Press, 1986. Gallion, A. and S. Eisner. The Urban Pattern. New York: Van Nostrand Reinhold Company, 1986. Greenburg, M., D. Kueckeberg, and C. Michaelson. Local Population and Employment Projection Techniques. New Brunswick: Center for Urban Policy Researcxh, 1987. Jacobs, Jane. The Death and Life of Great American Cities. New York: Vintage Books, 1961. Kueckeberg, Donald. Urban Planning Analysis; methods and models. New York: John Wiley & Sons, 1974. Callenbach, Ernest. Ecotopia. Berkeley:Banyan Tree Books, 1975. Hoskin, Frank P. The Language of Cities. Cambridge: Schenkman Publishing Company, Inc., 1972. Le Corbusier. The City of Tomorrow and Its Planning. New York: Dover Publications, Inc, 1987. Planning (The magazine of the American Planning Association) 1313 60th St., Chicago IL 60637 Page 50^ RELATED READING FOR CHILDREN FICTION Burton, Virginia Lee. The Little House. Boston: Houghton Mifflin, 1942 (reissued 1969). Murphy, Shirley, and Murphy, Pat. Mrs. Torrino's Return to the Sun. Shepard Books, 1980. Dr. Seuss. The Lorax. New York: Random House, 1971. NONFICTION Macaulay, David. City: A Story of Roman Planning and Construction. Boston: Houghton Mifflin, 1974. Macaulay, David. Underground. Boston: Houghton Mifflin, 1976. Barker, Albert. From Settlement to City. New York: Julian Messner, 1978. Eichner, James A. The First Book of Lacal Government. New York: Franklin Watts, 1976. Rhodes, Dorothy. How to Read a City Map. Chicago: Elk Grove Press, 1967. Monroe, Roxie. Architects Make Zigzags: Looking at Architecture from A to Z. Washington D.C.: National Trust for Historic Preservation, 1986. For more information on city planning and related subjects, contact: American Planning Association Planners Bookstore 1313 E. 60th St. Chicago IL 60637 (312)955-9100 Page 51^  SIMCITY USER REFERENCE These levels> are affected by these factors (below) A B C D E F G H I J K Residential Population + + + + Commercial Population + + + + Industrial Population + + + + + Population Density + Traffic !+ + - Pollution - - - Crime - - Land Value + - + + Trees-Parks + Water + Proximity to City Center + Radioactivity + Tax Rate + - - - - Unemployment 0+ - Stadium 5+ Sea Port ,+ Airport 1+ Police Departments + - Fire Departments + Roads + Mass Transit + A: Maintenance Funding B: Taxes Collected C: Land Value D: Crime E: Pollution F: Traffic Density G: Industrial Population H: Commercial Population I: Residential Population J: Overall City Score + Positive effect - Negative effect SIMCIY ZONE EVOLUTION Zones in SimCtiy evolve and devolve according to many factors, as charted above. RESIDENTIAL ZONES grow from empty to single family housing, and then on to four levels of density and four levels of land value. Residential zones can also become churches and hospitals. COMMERCIAL ZONES gorw from empty "free zones" to five levels of density and four levels of land value. INDUSTRIAL ZONES grow from empty "free zones" to four levels of density and two levels of land value. Included on your SimCity disk is a program called ZONE EVOLUTION. This program displays a window containing a chart of the zone evolution in SimCity. Double Click on the ZONE EVOLUTION Icon before you begin SimCity, and the chart will be available in a window during the game. ` *o"mEv$"mEx$Ed$B?< NA\ML,?<NNTCX"$@?<NNTAL2<<g2<gNqQC4|9<f|%Hz?< Nq\a&3@/:?< NA\*z&z k -"zJgёBJAg<f``&z+k +k+k  -"- Ҁ+A -Ҁ+A :tм$@*@$<HC2Q"zD(I$:<R(z6&L,z6$z6:6N&&Q"o&iBm2<<g2<gNqQ LBBBBBBB"A$B&C(D*E,FNE4@ z"z$`G&G&* faxe:M0(H@DytpxK"ܫ9b8KP0 01  & DѦc z0 @CY/ AT*I1CPƦǹf44*[aO7`_"Q)bP ^ҟ]a5 w)07 ҡQ''`0Dta 6MA 5-0;i3] ]b܆j5ۙpba= CckZ1r6P (Z2(*mh ށ,  2u2*bhI0rBj9P6)ghc`KobihUcC" D/f`DBR$(Cތ=3:$EMMl͈2prr((a'W;c C;{ S'3KS Oz9J.pˆB\`%ˆ\`B4 !QfxAQiBs z!a a "_@`)"%hE@j5B!01a$!ML D5DQ P e  :  '`ÈhӈIP- 09ӄ!8D& LЊ!A"T?=a<A&W#׎dXAp1} {XY#hHqbܫ<40@@       N``L`*:h _Z  packed_adr = $30000 length = $1234 lea packed_adr,a0 move.l #length,d0 bsr unpack ;-? unpack: movem.l d0-d7/a0-a6,-(sp) move.l d0,packed_length move.l d0,actual_length move.l a0,load_addr btst #0,d0 ; odd length: not packed bne end_read move.l a0,d7 ; odd address of buffer btst #0,d7 bne end_read adda.l d0,a0 move.l -(a0),d0 ; check if crunched file cmpi.l #'JEK!',d0 ; crunched, last Longw. = 'JEK!' bne end_read move.l -(a0),actual_length subq.l #4,packed_length move.l load_addr(pc),a0 adda.l packed_length(pc),a0 move.l load_addr(pc),a1 move.l -(a0),a2 adda.l a1,a2 move.l -(a0),d5 move.l -(a0),d0 eor.l d0,d5 L541f8: lsr.l #1,d0 bne.s L54200 bsr L542be L54200: bcs.s L54242 moveq #8,d1 moveq #1,d3 lsr.l #1,d0 bne.s L5420e bsr L542be L5420e: bcs.s L5426e moveq #3,d1 clr.w d4 L54214: bsr L542ca move.w d2,d3 add.w d4,d3 L5421c: moveq #7,d1 L5421e: lsr.l #1,d0 bne.s L54226 bsr L542be L54226: roxl.l #1,d2 dbra d1,L5421e move.b d2,-(a2) dbra d3,L5421c bra.s L5427c L5423c: moveq #8,d1 moveq #8,d4 bra.s L54214 L54242: moveq #2,d1 bsr.s L542ca cmpi.b #2,d2 blt.s L54264 cmpi.b #3,d2 beq.s L5423c moveq #8,d1 bsr.s L542ca move.w d2,d3 move.w #$c,d1 bra.s L5426e L54264: move.w #9,d1 add.w d2,d1 addq.w #2,d2 move.w d2,d3 L5426e: bsr.s L542ca L54272: subq.l #1,a2 move.b 0(a2,d2.w),(a2) dbra d3,L54272 L5427c: cmpa.l a2,a1 blt L541f8 end_read: movem.l (sp)+,d0-d7/a0-a6 move.l actual_length,d0 rts L542be: move.l -(a0),d0 eor.l d0,d5 move.w #$10,ccr roxr.l #1,d0 rts  L542ca: subq.w #1,d1 clr.w d2 L542ce: lsr.l #1,d0 bne.s L542dc move.l -(a0),d0 eor.l d0,d5 move.w #$10,ccr roxr.l #1,d0 L542dc: roxl.l #1,d2 dbra d1,L542ce rts  actual_length:  DC.l 0 load_addr: DC.l 0 packed_length:  DC.l 0 1 move.l sp,a5 ;release memory move.l 4(a5),a5 move.l $c(a5),d0 addi.l #$100,d0 move.l d0,-(sp) move.l a5,-(sp) move.w #0,-(sp) move.w #$4a,-(sp) trap #1 adda.l #$c,sp clr.l -(sp) ;supervisor state move.w #$20,-(sp) trap #1 addq.l #6,sp move.l $84.w,OLD_TRAP1+2 ;store & change TRAP #1 vector move.l #MY_TRAP1,$84.w move.l d0,-(sp) ;user state move.w #$20,-(sp) trap #1 addq.l #6,sp pea DUMMY_VAL(pc) ;load & execute program pea DUMMY_VAL(pc) pea FILE_NAME(pc) move.w #0,-(sp) move.w #$4b,-(sp) trap #1 END_OF_PRG: lea.l 16(sp),sp clr.l -(sp) move.w #$20,-(sp) trap #1 addq.l #6,sp move.l OLD_TRAP1+2,$84.w move.l d0,-(sp) move.w #$20,-(sp) trap #1 addq.l #6,sp clr.w -(sp) trap #1 FILE_NAME: dc.b 'delight.rsc',0 even MY_TRAP1: btst #5,(sp) bne.s NO_SUPERVISOR move.l usp,a0 bra.s CHK_FUNCTION NO_SUPERVISOR:  move.l sp,a0 addq.l #6,a0 CHK_FUNCTION:  cmpi.w #$3f,(a0) ; read beq.s FUNC_3F OLD_TRAP1: jmp 0 FUNC_3F: move.l 8(a0),LOAD_ADDR ; Puffer move.l 2(sp),RET_ADDR5+2 ; Returnadresse move.l #READ,2(sp) bra.s OLD_TRAP1 READ:  tst.w 2(sp) bmi RET_ADDR5 ; device handle->do nothing movem.l d0-d7/a0-a6,-(sp) move.l d0,PACKED_LENGTH move.l d0,ACTUAL_LENGTH_2 btst #0,d0 bne END_READ ; bytes read odd->not crunched move.l LOAD_ADDR,a0 ; Puffer move.l a0,d7 btst #0,d7 bne END_READ adda.l d0,a0 move.l -(a0),d0 ; check if crunched file cmpi.l #'JEK!',d0 beq.s UNPACK bra END_READ UNPACK: move.l -(a0),ACTUAL_LENGTH_2 move.w sr,d1 btst #$d,d1 bne.s SUPERVISOR clr.l -(sp) move.w #$20,-(sp) trap #1 addq.l #6,sp lea.l SYSTEM_STACK,a6 move.l d0,(a6) move.w #1,SV_FLAG SUPERVISOR: move.w $ff8240,OLD_COLOR subq.l #4,PACKED_LENGTH move.l LOAD_ADDR,a0 adda.l PACKED_LENGTH,a0 move.l LOAD_ADDR,a1 move.l -(a0),a2 adda.l a1,a2 move.l -(a0),d5 move.l -(a0),d0 eor.l d0,d5 L541F8: lsr.l #1,d0 bne.s L54200 bsr L542BE L54200: bcs.s L54242 moveq #8,d1 moveq #1,d3 lsr.l #1,d0 bne.s L5420E bsr L542BE L5420E: bcs.s L5426E moveq #3,d1 clr.w d4 L54214: bsr L542CA move.w d2,d3 add.w d4,d3 L5421C: moveq #7,d1 L5421E: lsr.l #1,d0 bne.s L54226 bsr L542BE L54226: roxl.l #1,d2 dbra d1,L5421E move.b d2,-(a2) eori.w #$370,MY_COLOR move.w MY_COLOR,$ff8240 dbra d3,L5421C bra.s L5427C L5423C: moveq #8,d1 moveq #8,d4 bra.s L54214 L54242: moveq #2,d1 bsr.s L542CA cmpi.b #2,d2 blt.s L54264 cmpi.b #3,d2 beq.s L5423C moveq #8,d1 bsr.s L542CA move.w d2,d3 move.w #$c,d1 bra.s L5426E L54264: move.w #9,d1 add.w d2,d1 addq.w #2,d2 move.w d2,d3 L5426E: bsr.s L542CA L54272: subq.l #1,a2 move.b 0(a2,d2.w),(a2) dbra d3,L54272 L5427C: cmpa.l a2,a1 blt L541F8 move.w OLD_COLOR,$ff8240 cmpi.w #1,SV_FLAG bne.s END_READ move.l SYSTEM_STACK,-(sp) move.w #$20,-(sp) trap #1 addq.l #6,sp END_READ: move.w #0,SV_FLAG movem.l (sp)+,d0-d7/a0-a6 move.l ACTUAL_LENGTH_2,d0 RET_ADDR5: jmp 0 L542BE: move.l -(a0),d0 eor.l d0,d5 move.w #$10,ccr roxr.l #1,d0 rts  L542CA: subq.w #1,d1 clr.w d2 L542CE: lsr.l #1,d0 bne.s L542DC move.l -(a0),d0 eor.l d0,d5 move.w #$10,ccr roxr.l #1,d0 L542DC: roxl.l #1,d2 dbra d1,L542CE rts  ACTUAL_LENGTH_2: dc.l 0 LOAD_ADDR: dc.l 0 SV_FLAG: dc.w 0 SYSTEM_STACK:  dc.l 0 PACKED_LENGTH:  dc.l 0 OLD_COLOR: dc.w 0 MY_COLOR: dc.w $777 DUMMY_VAL: dc.w 0  !`*o"mEv$"mEx$Ed$B?< NA\ML,?<NNTCX"$@?<NNTAL2<<g2<gNqQC4|9<f|%Hz?< Nq\a&3@/:?< NA\*z&z k -"zJgёBJAg<f``&z+k +k+k  -"- Ҁ+A -Ҁ+A :tм$@*@$<HC2Q"zD(I$:<R(z6&L,z6$z6:6N&&Q"o&iBm2<<g2<gNqQ LBBBBBBB"A$B&C(D*E,FNE4@ z"z$`G&G&* faxe0(h[rx 5Y Ei CckbA@"`h ] \@%\0V : 52%=ž'{c{;72B. !bf6r!4v2rwp 7𽱱:'SggC;OkSOpxt D BGHello Freaks, The original program was written by Sharaz Jek who is a member of Automation. He converted the packer from the Amiga to the ST. I (Axe/Delight) got the Jek-packer from F.O.F. who live in Finland. Unfortunately there was an error in the packing/depacking routines. To pack files easier, I improved the JEK-packer up to version 2.0. This is what I improved: - Offset always set to $1000 - more than one file can be packed by using * and ? For example: data.*, or *.*. - You may select VERIFY. I advise you to do so in any case. It has no disadvantages. If you don't have enough memory, you'll get a message and the file be saved without verify. - The eye-killing flickering is switched off - The file is only saved, if it is smaller than the original - The files are saved under name of the original. - Executable Files are packed as DATA-files and can later be transferred to executable with JEK_EXEC.PRG. All executable files that are packed work correctly. Sorry for the error in version 1.0. Version 2.2: - The packing rate is shown in percent (e.g. 65%) - The program was optimized in length This folder may be freely copied. It is public domain. No files may be removed from the folder. No guarantee is taken that the programs work correctly. Axe of Delight -