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(BBPd2 3>H ͋%8G]KM QzUWY[]~_ߤvce߻(hj&ln߀ory"ssug7w[&y@{|;3+!<@e (88z8G<⬈n/}{GyGlwGv\utqsqD>qq~onbml8kjbihXEle =cbXh ^]\X[,ZYXWVbU(WpQ`NTMKcK`GEp8bWfik lAmnm,dl mFlvkkUji gN`Vdf e*dKcb aXWlgPEVU TASR%QO,AHNa#MKLpKJ-hZJZjjk Z`]f&PV*@,Ge06 ,ߤ"or YZ)0>(- h@Uֵ=; }k2to݊7g5_zEVOJ,D*>7&2hŵj$*N9qSŐ'N 0JF!{A+X Rx@hPA0m\_!p8d0;0zQBF_J]\ ^ T%h"xLQ7=D@ax-pE*H bU!!J5n}[ ___U_v7vW5Ux9o|l_;Y@H4P=-UL[P& J "C@pfPZ|@=C_J6; W%$9۫75T);N/S6-,+~*o)Mt'N&%>E#!v֫jnhw^X|NH{]8V,WJ-|AUJjL`(! &rl1I/OjtҾ֝tuR5 xPR O`&AFPCA 邎}ALbb!"3K,$zۊ8d9|llH!mQKO=oM;3 ("][ь2*jD^@!!>q 2XtRZQ7f(w & n ]"X6?( q ɠG>QL~E.mq2Rʯ)Y)PM86FR\4nS G b"R>? _pXʈzRW% Newholme Aston Road Chipping Campden Glos GL55 6HR Dear Darran, Thanks very much for the disks and the review which were all excellent! I've placed the review in the latest issue of the diskzine which isn't finished yet, but it should be by the time you write again. You can write articles on anything you want to (within reason!) and I wish that more people were like you and sent something in! The more people send in, the better the diskmag becomes. I have enclosed the disks you asked for and in return could you please send me the anything I don't have and a list! I don't think I've had a PD list off you yet have I? Can I ask how old you are? I'm trying to do a survey on my contacts to find out who the youngest/oldest are and how many males/females there are too. I'm going to put an article in a future issue about this. Anyway, I'd better finish the diskmag off now and so I'll catch ya soon! Bye for now! Mark Nobes. !•H dbl,>CM~ P$֒[ ppiQ# , xh(cXp9v@0@f ]n#smIm<@I) G$SI}K+#`&Կ (@ u 4 B@JH alA .GQA·ŐmPj@ЃÒ|06Ӻ&h0JGknWf%r &r}x J>!YÈ_Q'^?\OTG+NKJkKKZQ`R_gAi=(a k^ :#D=SX8 # Z(rk co7эƖ1L), hc05jUp. 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Later on a belgican guy called Dr Satan from F.A. converted the Noisetracker and created a ST-version. But the ST-version didn't include all the functions that the Amiga version had. Something had to be done. Il Profesore from ISTARI created DIGI COMPOSER; a modified and extended version of the ST Noistracker (see function details below). Digi Composer is public domain!!! Original Amiga version: Mahoney & Kaktus Original ST version: Dr Satan/F.A. JM.HARVENGT 212 RUE DES CROIX 7310 JEMAPPES BELGIUM Mod. and ext. ST vers.: Il Profesore SVEN KARLSSON RYD NYKYRKA S-591 97 MOTALA SWEDEN NOTE: Send donations such as money,cars,expensive italian clothes and shoes,bungalows,Krell ampfilers,NEXT computers,life-long supplies of CDs LPs Maxisingles and Singles and Disks,1 Gigibytes HDs,money for plasic surgery,small castles all around the world,Nobelprizes or suggestions or bug reports to the adresses above. (Bugs and suggestions should be sent to Sven Karlsson) DIGITAL MUSIC TECHNIQUE Hello fans! Well.. Let's us just be modest. Bitmaster wanted me to write something about Digi Sound. So here we go: TO PITCH OR NOT TO PITCH THAT'S THE QUESTION To play a sample at different pitch (to pitch it) is very much the same as variating the frequency of any periodic wave such as the sinus wave: the faster you "move" trough the wave the higher the pitch becomes. This is simply done by adding a constant to a pointer which points to the sample and looking for the end of the sample. The adding can be done in many different ways but it would be too boring to read if write about everyone of them so I don't write about any of them. Pump up the volume! Yep a digi sound tune becomes much more amazing if you are using volume control or VELOCITY CONTROL. This is not very hard to do: just adress a multiplication table using the sample data as a pointer! Add it upp! In the end the channels are added together and played. That's it. This tiny text is not ment to be understood but I hope some of you out there have understood. DIGI COMPOSER FEATURES - Up to 31 samples - Three different replay frequency modes - Three different replay modes: ST , ST stereo and STE stereo - Eight different replay frequences: ST Low: 10.24 kHz ST Mid: 12.54 KHz ST High: 16.61 kHz ST Stereo low: 8.90 kHz ST Stereo Mid: 11.59 kHz STE Low: 10.97 kHz STE Mid: 14.29 kHz STE High: 17.55 kHz -Totaly compatible with the mostly used Amiga-Tracker: Protracker by Amiga Freelancers. -Overscan -TT support -Timer controlled playroutine. You don't have to bother about the 50/60Hz problems anymore! -Improved sampler option -Faster replayroutine NOTE: These are not my fastest routines. These routines are rather slow. -Improved File selector -Improved Pattern Editor -And a lot more which you will discover if you read on and play around for a while.. LAZY USER Look in Digi Composer HELP area if you want to get started quickly! REFERENCE AND EXAMPLES Here is a list of all functions and commands that can be used in Digi Composer. To make this program easy to use and understand, all facts in this manual are shown with examples and notes. PRINT THIS TEXT!!! It's much easer to work with Digi Composer if you have this manual beside you. If you don't own a printer, use your printer-owning pal (and let him pay for the paper). Well, the masterminds out there can maybe learn this manual by heart. MARKS & NOTES are...marks and notes. BIG unbolded words (or (see ???)) means that you can look them up. The ([???]) among the screen functions means that the function can be performed with a key. ---------------------------------------------------------------- SCREEN FUNCTIONS are all the buttons that you can click to change parameters, modes etc. Also included in the screen functions ((conception are different kinds of status frames. KEY FUNCTIONS are all the keys that you can press to change parameters, modes etc. Some SCREEN FUNCTIONS are also available on some keys. A great deal of the key functions are conducted to the EDIT FUNCTION. COMMANDS is a way to create effects as echo, vibrato etc. You simply type the command code on a note and the desired (necessary) value and there you are... MODES are made so that you only can preform certain actions in respective modes. There are three exeptions (see L,M & H). NORMAL MODES (play, pattern, stop): In thoose modes, you can only lissten and stop your modul. EDIT MODE (edit!) : In this mode, you can enter notes and commands. RECORD MODE (record!) : In this mode, you can enter notes in real time while the pattern is runing. You can only record one pattern at a time. FIELDS appears in two form: SONGNAME and SAMPLE. SONGNAME : If you load a module the module name should be displayed in this field. If you have created a own module you should enter the module name here. SAMPLE : If you load a sample the sample name should be displayed in this field. If you have modified a sample (whith the SAMPLE functions) you should enter a new name here. TIMER is a...timer. It's really nice to see how long a song is, or? While the timer is running: LEFT MOUSE BUTTON : toggles the timer start/stop. RIGHT MOUSE BUTTON : toggles the timer interval/continue. When the timer is stopped: RIGHT MOUSE BUTTON : zeros the timer. ---------------------------------------------------------------- RIGHT MOUSE BUTTON (in general): Click the up and down arrows and hold the button to rewind. "COLORED" FRAME: To make it clear which function that is choosen. "COLORED" ARROW: To mark that a function is used. ---------------------------------------------------------------- SCREEN FUNTIONS ---------------------------------------------------------------- POSITION 00 U D Name Steps Up/Down arrows Position is the order of the patterns in the melody. PATTERN 00 U D Name Steps Up/Down arrows ([INSERT]/[CLR HOME]) Pattern is a melody string containing 4 channels and during about 4 bars. A melody is built up of different bars. LENGHT 00 U D Name Steps Up/Down arrows Length is the number of positions in the melody (added with 1). RESTART 00 U D Name Steps Up/Down arrows Restart: you can set a position from which you want to restart after reaching the melody end. (Ex. neverending refrain, start all over again). ---------------------------------------------------------------- SAMPLE 00 U D Name Steps Up/Down arrows ([+]/[-]) Sample is the "memory sample libary". You can load samples into the memory using the LOAD SAMPLE function (see DISK). The so called libary is your orchestra which contain samples, that are instruments. Simply change instruments with the arrows. FINETUNE 00 U D Name Steps Up/Down arrows Finetune let you tune the instument (sample). VELOCITY 00 U D Name Steps Up/Down arrows Velocity controls the volyme on the instrument. Set the volyme with the arrows. The V must be darked before this function would make effect (see V). LENGHT 0000 U D Name Steps Up/Down arrows Lenght is the lenght of the instrument. You can change the lenght with the arrows (ex. take away noise and clicks). REPEAT 0000 U D Name Steps Up/Down arrows Repeat will repeat from the number of steps that is adjusted. REPLEN 0000 U D Name Steps Up/Down arrows Replen is a function which allows you to set the lenght of a loop. (Ex. try changing replen value to make a "good" loop). --------------------------------------------------------------- 1 Number 1: stands for channel number one (from right to left). A left click toggles between ON/OFF (darked/lighted). This on/off is simply volume which is turned on or off all commands and noted are executed/played. If you "right-click" the number will disappear and all functions , notes etc are NOT played 2 Number 2: stands for channel number two. A click toggles between ON/OFF. See above ... 3 Number 3: stands for channel number three. A click toggles between ON/OFF. See ab.. 4 Number 4: stands for channel number four. A click toggles between ON/OFF. See ... V Name The V stands for velocity. This function confirm to the command for velocity in a module. A Name The A stands for amplify. Pump up the volume! --------------------------------------------------------------- PLAY Name Play starts playing from the chosen position (respective pattern) to the very end. You choose position with the POSITION function. Mousepointer turns yellow. PATTERN Name Pattern plays a single pattern (the one choosen) or a block which is defined with the BLOCK function. Mousepointer turns yellow. EDIT ([SPACE]) Name Edit let you create a pattern (score) with the different keys which grasps 3 octaves (see KEYBOARD). You can change instrument as many times you like in each channel. Mousepointer turns blue. RECORD Name Record records your bashing within the 2 octaves. The recording is in real time and only one pattern at a time can be recorded. Mousepointer turns blue. TEMPO 06 Name Value Tempo is setting the speed of the song. The standard value is: 06 (ca. 124bpm) Change value with mouse buttons: left=faster, right=slower. --------------------------------------------------------------- STOP ([SPACE]) Name Stop interrupt using PLAY or PATTERN. Mousepointer turns white. DISK OP. Name When clicking the DISK button a number of buttons will appear. These buttons are different kind of disk options. Double click on a button and DigiComposer will change directory (you must of course check that you have inserted a new disk). INVERTED TEXT: Elucidate which file that is choosen from the directory. L SAMPLE Name Load sample loads a sample to the memory. Choose a destination in memory by the SAMPLE function (clicking the arrows). (Ex. set sample number 3, then use LOAD SAMPLE and you will for ex. have a "stringsound" as instrument (sample) number 3). S SAMPLE Name Save sample saves the instrument (sample) with the name standing in the SAMPLE FIELD and automatic put .SPL or .AMI ,according to what sample type is chosen,(Se prefs) as extension. If you want to change the name of the sample click in the SAMPLE FIELD. FREE Name Free displays the free space on the current disk. L MODULE Name Loads a module into memory. A module is a melody,song or whatever you would like to call it, that is a complete work. S MODULE Name Save module on disk. Saves your complete work: patterns and respective positions, used samples (even the manipulated). Modules takes plenty of diskspace much because the samples data. FORMAT S Name Format single sided. Formats a disk with 80 tracks and 9 sectors. FORMAT D Name Format dubble sided. Formats a disk with 80 tracks and 9 sectors. DIR: Name Directory. Showing the active drive, paths... SAMPLER Name When clicking the SAMPLER button a number of buttons will appear. These buttons are different kind of sampler options. WINDOW OP. Name When clicking on this button two additional buttons would occur: NORMAL SCOPE : This is the "normal" state. You can see the current samples appearances. TWIN SCOPE : This is the "loop" state. If you look at the left part, you would see the begining-end of the sample and if you look at the right part, you would see the end-begining of the sample. This is a visuall way to conform a good loop. ZEROP.FIN. Name This is a zeropoint-finder! When clicking on this button two additional buttons will occur: REPEAT : RIGHT BUTTON: Searching for a zeropoint upwards in the sample (from a lower to a higher address). LEFT BUTTON: Searching for a zeropint downwards in the sample (from a higher to a lower address). When the zeropoint-finder have reached the end (or beginning) of a sample you can stop clicking because it's no use! Look how the repeat value change in the valuefield of REPEAT. You can, of course, click the arrows to step up and down. REPLEN RIGHT BUTTON: Searching for a zeropoint for a loop upwards in the sample (from a lower to a higher address). LEFT BUTTON: Searching for a zeropint for a loop downwards in the sample (from a higher to a lower address). When the zeropoint-finder have reached the end (or beginning) of a sample you can stop clicking because it's no use! Look how the replen value change in the valuefield of REPLEN. You can, of course, click the arrows to step up and down. NOTE: Use zeropoint-finder in addition to the TWIN SCOPE. TRANS Name When clicking on this button two additional buttons will occur: OCTAVE UP: transpose the sample one octave up. OCTAVE DOWN: transpose the sample one octave down. --------------------------------------------------------------- VOLUME Name With this strange function you can lower the sample volume! The thought behind this function is that it's somethimes nessasary to syncron diffrent samples volumes (because of not having to adjust the volumes every time you would like to use in a new module). Simply adjust the samples volume with the arrows which affect VELOCITY and the press VOLUME. ex. flutesnd: velocity 40 (hex), which you adjust to: flutesnd: velocity 20 (hex), click volume, adjust to: flutesnd: velocity 40 (hex), which now should have the 20 (hex) volume. FADE Name When clicking on this button two additional buttons will occur: FADE IN: doesn't you have any tiny ide what could happend? FADE OUT: if you have, you must be a experienced hacker! COPY Name If you would like to take a copy of the current sample, which you're going to manipulate. Enter destination. REVERSE Name Again a function that's incredible hard to say anything about, but I can say: Hi! (better now?). PREFS Name When you click on this button a preference menu will occur. There are three menus with different kind of settings, which after fitting your wishes, should be saved. DigiComposer would from now on load a DIGICOMP.INF file, when you start the program. Change default settings by clicking or editing. PREFS: A:\ _ _ _ _ _ (Drive and path/s were DC will save the DIGICOMP.INF file. NOTE:The DIGICOMP.INF file must be located in the very same directory as DC or it won't be loaded! MODULES: A:\ _ _ _ _ _ (Drive and path/s were DC will look for modules. SAMPLES: A:\ _ _ _ _ _ (Drive and path/s were DC will look for samples. PALETT: MONO (MONO or COLOUR (see [ALTERNATE]) DEFAULT MODE: MEDIUM (Low, medium or high (see [L],[M] & [H])) OVERSCAN: OFF (Ovescan on/off (see [O])) STE MODE: OFF (STE mode ON/OFF) STEREO MODE: ON ("Amiga-stereo" mode (not panorerad stereo)) VELOCITY AS: HEX (Are you a programmer or not?) see H/D! ST. OUTPUT: YM2149/PROSOUND (Stereo output) MONO OUTPUT: YM2149 INPUT: ST_REPLAY (.SPL samples or Amiga(.AMI) samples) UP DOWN MAIN VOLUME: 0 (Software volyme control) UP DOWN LEFT CH. VOL: 0 UP DOWN RIGHT CH. V: 0 UP DOWN TREBLE LEVEL: 0 (Software treble control) UP DOWN BASS LEVEL: 0 (Software bass control) ** NEXT PREFERENCES ** (Guess what?!) ** SAVE PREFERENCES ** (Guess?!) ** EXIT PREFERENCES ** (G...) TRANS 00 Name Value This function is quite useless, but it's fun. Change value with mouse buttons: left=higher, right=lower. --------------------------------------------------------------- CLEAR Name When clicking the SAMPLER button a number of buttons will appear. These buttons are three diffrent ways to destroy your work! CLR ALL Name Clear all clears everything in memory. Patterns and samples, all will be cleared. This is a sort of "new" function. Remember to save your work before using this function (see DISK). CLR PATS Name Clear Patterns clears all the patterns in memory, but the "sample libary" will still be there. This is a sort of "I'm not satisfied" function. Remember to save your work just in case you regret (see DISK). CLR INST Name Clear all samples in memory. Your whole "sample libary" will be lost. Remeber to save your work just in case you regret (see DISK) (You maybe had edited the samples with the SAMPLER). HELP ([HELP]) Name HELP! This is a integrated helptext which contain a so called "get started" and short references. ABOUT Name Well, this one is really nice! Don't you agree. Painting the logos was a piece of cake compared to writing this manual! QUANT 01 Name Value This function defines how many lines you wish to go down, when you work in EDIT MODE, after you have placed a note or a command. Change value with mouse buttons: left=bigger steps, right=smaller steps. COPY 01 Name Value The nummer of copies you wish to make of a defiend block (one or four channel (see FUNCTION KEYS)). Change value with mouse buttons: left=more, right=less steps. --------------------------------------------------------------- H/D Name Hexadecimal/Decimal. Choose which number base you want to display VELOCITY with. NOTE: The standard is hexadecimal however there are some strange modules where the velocity is decimal. This feature was built in to support those too. It is adviceable to use Hexadecimal! E Name Extended. SixTeen Extended (STE). If you own that kind of Atari, be happy. It really sounds C(ruel!!!). O ([.]) Name Overscan. Why bother about the low border? This function was created to make it easier to edit (see L). OO ([UNDO]) Symbol Stereosymbol. The stereo can be heard on normal STs if you connect a sampler with output you can hear one channel through the cartridge and one through the monitor. See in preferences which cartridges DC supports. Or if you own... (shut up!) Il Profesore's NOTE: After the DC had been packed I found that I had written MT 16 instead of MV 16. Ehhmmm... But I was too lazy to pack it one more time. L ([(]) Name Low. This is the low replay frequency (see DIGI COMPOSER FEATURES). The Overscan function only works in this mode. M ([)]) Name Medium. This is the medium replay frequency. It starts sounding a little bit better now! H ([/]) Name High. This is the high replay frequency. It sounds marvellous!!! (I don't want to to think about how much processor time there is left. Even the graphics ("peak" & osci) are removed just to push the replay frequency to a maximum). ---------------------------------------------------------------- KEY FUNCTIONS ---------------------------------------------------------------- THREE-OCTAVE-KEYBOARD Name Below are the "playable" keys showed. They are organized in the "piano style" with "white keys" and "black keys" (ordinary tunes: C,D,E,F,G,A,B respective highed and lowered tunes: C#,D#,F#,G#,A#). The cursor must be on the NOTE POSITION to accept a note! 2 3 5 6 7 9 0 = ` Q W E R T Y U I O P [ ] S D G H J L ; Z X C V B N M , . / REMEBER. You must be in EDIT or RECORD MODE to enter notes. ---------------------------------------------------------------- FUNKTION KEYS ---------------------------------------------------------------- F1 Name Chooses two low octaves. F2 Name Chooses two high octaves. F3 Name Define a block start (from cursor position in a channel). F4 Name Define a block end (from cursor position in a channel). F5 Name Define a whole pattern block (Hex: 00-3F, Dec: 00-64). F6 Name Undefine a block. The blockmarks will be reseted. F7 Name Copy block as four channels, that is all four channels will automatically be "blocked" (from "block start" to "block end". The block will be pasted at the cursor position whithin any channel. F8 Name Delete block as four channels, that is that all four channels will automatically be "blocked" (from "block start" to "block end" and deleted. F9 Name Copy block as one channel. The block will be pasted at the cursor position whithin the channel. F10 Name Delete block as one channel. ---------------------------------------------------------------- EDIT MODE ACTIONS ---------------------------------------------------------------- [TAB] Name Delete note and instrument number. [RETURN] Name Delete note and instrument number and command. [DELETE] Name Delete a whole line. Everything is gone...be sure of what key you are going to press : return or delete! ---------------------------------------------------------------- OTHER FUNCTIONKEYS ON THE KEYBORD ---------------------------------------------------------------- [ALTERNATE] Name Toggle beetwen scope and equalizer. The mentioned graphics are'nt avaible in the dreaded High mode. [CAPSLOCK] Name Change colours. MONO: This is the monitor palette (grey) made for the "SCART-people". COLOUR: This is the TV palette (brown?) made for the "RF- people", which means that they can't afford a monitor or that they are too gready. The brown colours should be easyer to watch if you have a TV. [HELP] Name Help! I'm lost. The built in help-area should be a quick reference guide and a support for weak minds. The lazy user should find a "get-started". [UNDO] Name Toggle between stereo mode on/off (doesnt't take affect in High). [SPACE] Name Toggle between STOP and EDIT MODE. [INSERT] Name To step one position down. [CLR HOME] Name To step one position up. ---------------------------------------------------------------- KEYFUNCTIONS ON THE KEYPAD ---------------------------------------------------------------- [(] Name Low replay frequency. Overscan works only in this mode. [)] Name Medium replay frequency. [/] Name High replay frequency. [*] Name Jump to the start of the previous pattern. [7] Name The "status scroller" will stop scrolling and display SONGNAME and the timer. [8] Name The "status scroller" will stop scrolling and display STATUS (block) and FREE (memory). [9] Name The "status scroller" will stop scrolling and display DISK STATUS. [-] Name To step down SAMPLE. [+] Name To step up SAMPLE. [6] Name Start "status scrolling". [5] Name Stop "status scrolling" at the current point. [4] Name Jump to P4 ((within) Pattern position four): 63. [3] Name Jump to P3 ((within) Pattern position three): 48. [2] Name Jump to P2 ((within) Pattern position two): 32. [1] Name Jump to P1 ((within)) Pattern position one): 16. [0] Name Jump to P0 ((within) Pattern position null): 00. [.] Name Toggle overscan on/off. In low replay frequency only. [ENTER] Name Toggle between SONGNAME and SAMPLE (see FIELDS). ---------------------------------------------------------------- COMMANDS ---------------------------------------------------------------- EDIT FORMAT: C#1 5 C 3 0 / / | |_| / / | Command info / / Command / Inst.nr. Note to be played. Note...: A ordinary note that's created by that peron who have used that sample. Instr.nr: This is the number of that sample in that module. Command: This letter or number tells DigiComposer what effect you'll like to deal with (see EFFECT COMMADS). Com.info: This byte should cointain the additional information for the used command. EFFECT COMMANDS: Effect commands on DigiComposer should be compatible with all the other trackers. 0 - None/Arpeggio 8 - * NOT USED * 1 - Portamento Up 9 - SampleOffset 2 - Portamento Down A - VolumeSlide 3 - TonePortamento B - PositionJump 4 - Vibrato C - Set Volume 5 - ToneP + VolSlide D - PatternBreak 6 - Vibra + Volslide E - Misc.Cmds 7 - Tremolo F - Set Speed E - COMMANDS The E command has been altered to contain more commands than one. E0 - Filter On/Off E8 - *NOT USED* E1 - Fineslide Up E9 - Retrig Note E2 - Fineslide Down EA - FineVol Up E3 - Glissando Control EB - FineVol Down E4 - Vibrato Control EC - NoteDut E5 - Set Finetune ED - NoteDelay E6 - Patternloop EE - PatternDelay E7 - Tremolo Control EF - Funk Repeat Cmd 0. Arpeggio (Range:#0-#F/#0-#F) Usage: #0 + 1st halfnote add + 2nd halfnote add Arpeggio is used to simulate chords. this is done by rapidly changing the pitch between 3(or 2) different notes. It sounds very noisy and grainy on most samples, but OK om monotone ones. Example: C-300047 C-mayor chord: (C+E+g or C+4+7 halfnotes) C-300037 C-minor chord: (C+D#+G or C+3+7 halfnotes) Cmd 1. Portamento up (Speed:#00-#FF) Usage: #2 + portamento speed Portamento up will simply slide the sample pitch up. You can NOT slide higher than B-3! (Period 113) Example: C-300103 1 is the command, 3 ist the portamentospeed NOTE: The portamento will be called as many times as the speed of the song. this means that you'll sometims have trouble sliding accurately. If you change the speed without changing the sliderates, it will sound bad... Cmd 2. Portamento down (Speed;#00-FF) Usage; #2 + portamento speed Just command 1 except that this one slides the pitch down instead. (Adds to the period). You can NOT slide lower than C-1! (Period 856) Example: C-300203 2 is the command, 3 is the portamentospeed. Cmd 3. Tone-Portamento (Speed:#00-FF) Usage: Dest-note +#3+slidespeed This command will automatically slide from the old note to the new one. you don't have to worry about which direction to slide, you need only to set the slide speed. To keep on sliding just select the command #3 + 00 Example: A-200000 First play a note C-300305 C-3 ist the note to slide to, 3 is the command and 5 the speed Cmd 4. Vibrato (Rate:#0-#F, Depth:#0-#F) Usage: #4 + vibratorate + vibratodepth Example: C-300481 4 is the command, 8 is the speed of the vibrato and 1 is the depth of the vibrato To keep on vibrating just select the command $ + 00. To change the vibrato, you can alter the rate, depth or both. Use command E4- to change the vibrato-waveform. Cmd 5. ToneP + Volsl (Speed:#0-#F/#0-#F) Usage: #5 + upspeed + downspeed This command will continue the current toneportamento and slide the volume at the same time. Stolen from NT2.0 Example: C-300505 5 is the speed to turn the volume down C-300640 4 is the speed to slide it up Cmd 7. #7 + tremolorate + tremolodepth Tremolo vibrates the volume Example: C-300794 7 is the command, 9 is the speed of the tremolo and 4 is the depth of the tremolo To keep on tremoling just select the vommand #7 + 00. To change the tremolo you can alter the rate, depth or both. Use command E7- to change the tremolo-waveform. Cmd 9. Set SampleOffset (Offs:00-#FF) Usage: #9 + SampleOffset This command will play from a chosen position in the sample and not from the beginning. The two numbers equal the two first numbers in the length of the sample. Handy for speech-samples. Example: C-300923 Play sample from offset #2300. Cmd A. Volumeslide (Speed:#0-#F/#0-#F) Usage: #A + upspeed + downspeed Example: C-300A05 5 is the speed to turn the volume down C-300A40 4 is the speed to slide it up NOTE: The slide will be called as many times as the speed of the song. The slower the song, the more the volume will be changed on each note. Cmd B. Position-jump (Pos:#00-#7F) Usage: #B + position to continue at Example: C-300B01 B is the command, 1 is the position to restart the song at. This command will also perform a pattern-break (see below) You can use this connand instead of restarting as on noisetracker. Cmd C. Set volume (Volume:#00-#40) Usage: #C + new volume Well. this old familiar command will set the current volume to your own selected. the highest volume is #40. All volumes are represented in hex. Example: C-300C10 C is the command, 10 is the volume (16 decimal). Cmd D. Pattern-break (Pattern-pos:00-63, decimal) Usage: #D + pattern-position This Command just jumps to the next songposition and continues play from the patternposition you specify. Example: C-300D00 Jump to the next songposition and continue play from patternpositon 00. Or: C-300D32 Jump to the next songposition and continue play from patternposition 32 instead Cmd E0. Set filter (Range:#0-#1) Not available. Cmd E1. Fineslide up (Range:#0-#F) Usage: #E1 + value This command works just like the normal portamento up, except that it only slides up once. It does not continue sliding during the length of the note. Example: C-300E11 Slide up 1 at the beginning of the note (Great for creating chorus effects) Cmd E2. Fineslide down (Range:#0-#F) Usage: #E2 + value This command works just like the normal portamento down, except that it only slides down once. It does not continue sliding during the length of the note. Example: C-300E26 Slide up 6 at the beginning of the note Cmd E3. Glissando-Control (Range:#0-#1) Usage: #E3 + Glissando-Status Glissando must be used with the toneportamento command. When glissando is activated, toneportamento will slide a halfnote at a time, instead of a straight slide. Example: C-300E31 Turn Glissando on C-300E00 Turn Glissando off Cmd E4. Set vibrato waveform (Range:#0-#3) Usage: #E4 + vibrato-waveform Example: C-300E40 Set sine (default) E44 Don't retrig WF C-300E41 Set Ramp Down E45 Don't retrig WF C-300E42 Set Squarewave E46 Don't retrig WF C-300E43 Set Random E47 Don't retrig WF Cmd E5. Set finetune (Range:#0-#F) Usage: #E5 + finetune-value Example: C-300E51 Set finetune to 1 Use these tables to figure out the finetune value. Finetune: +7 +6 +5 +4 +3 +2 +1 0 Value: 7 6 5 4 3 2 1 0 Finetune: -1 -2 -3 -4 -5 -6 -7 -8 Value: F E D C B A 9 8 0 436.4 Hz -1 432.1 Hz 1 439.0 Hz -2 429.6 Hz 2 441.6 Hz -3 426.3 Hz 3 445.1 Hz -4 423.1 Hz 4 447.8 Hz -5 419.9 Hz 5 451.5 Hz -6 416.7 Hz 6 455.2 Hz -7 414.4 Hz 7 457.0 Hz -8 412.0 Hz Cmd E6. PatternLoop (Loops:#0-#F) Usage: #E6 + number of loops This command will loop a part of a pattern. Example: C-300E60 Set loopstart. C-300E63 Jump to loop 3 times before playing on. Cmd E7. Set tremolo waveform (Range:#0-#3) Usage: #E7 + tremolo waveform Example: C-300E70 Set sine (default) E74 Don't retrig WF C-300E71 Set Ramp Down E75 Don't retrig WF C-300E72 Set Squarewave E76 Dont regrig WF C-300E73 Set Random E77 Don't retrig WF Cmd 9. Retrig note (Value:#0-#F) Usage: #E9 + tick to retrig note at. This command will retrig the same note before playing the next. Where to retrig depends on the speed of the song. If you retrig with 1 in speed 6, that note will be trigged 6 times in one note slot. retrig on hi-hats! Example: C-300F06 Set speed to 6. C-300E93 Retrig at tick 3 out of 6. Cmd EA. FineVolsl uip (Range:#0-#F) Usage: #EA + value This connad works just like the normal volumeslide up, except that it only slides up once. It does not continue sliding during the length of the note. Example: C-300EA3 Slide volume up 1 at the beginning of the note. Cmd EB. FineVolsl down (Range:#0-#F) Usage: #EB + value This command works just lika the normal volumeslide down, except that it only slides down once. It does not continue sliding during the length of the note. Example: C-300EB6 Slide volume down 6 at the beginning of the note. Cmd EC. Cut note (Value:#0-#F) Usage: #EC + Tick to Cut note at. This command will cut the note at the selected tick, creating extremely short notes. Example: C-300F06 Set speed to 6 C-300EC3 Play note at tick 3 out of 6. Note that the note is not really cut, the volume is just turned down. Cmd ED. NoreDelay (Value:#0-#F) Usage: #EdC + ticks to delay note This command will delay the note to the selected tick. Example: C-300F06 Set speed to 6. C-300ED3 Play note at tick out of 6. Cmd EE. PatternDelay (Notes:#0-#F) Usage: #EE + notes to delay pattern. This command will delay the pattern the selected numbers of notes. Example: C-300EE8 Delay pattern 8 notes before playing on. All other effects are still active when the pattern is being delayed. Cmd EF. Funk Repeat (Speed:#0-#F) Usage: #EF + funkspeed This command will need a short loop (#10,20,40,80 etc bytes) to work. It will move the loop through the whole length of the sample. Sounds like shit really, but who cares? Example: c-300EF8 Set funkspeed to 8 To turn off the funking, set the speed to 0 Cmd F. Set speed (Speed:#00-#FF) Usage: #F + speed This command will set the speed of the song. The lower the number, the higer the speed. 1 = fastest, FF= slowest. The default speed is 6. This will be set every time you load or clear a song. Speed 6 equals ca 124 bpm. ---------------------------------------------------------------- HOW WE MADE IT!(The indeed true story of DC's birth) ---------------------------------------------------------------- About 6 months ago (that's october 1990) I(il Profeore) got a copy of the PD-programme called Noisetracker. It was the 1.02 version. It was somewhat of an anticlimax when I realised that it wasn't fully amiga-compatible. I wanted however to look at code and perhaps correct some of the many bugs(for example the so- called joystick-bug. HINT TO DR. SATAN: It was very easily fixed. It was something with a cmp and a branch I think...). And when I have speeded up the routines a bit I used the modified Noisetracker as a sort of module replayer. For about 1.5 month I did nothing on Noisetracker. But then I decided to make a own tracker. I got Protracker as an amiga executable file from an amiga-guy (Thanx Axel!) which I ported to the ST and disassambled I also ported another amiga-tracker: Startracker by Fairlight (Once again:Thanx Axel!). I extended the playroutine so it would be fullt Protracker-compatible. Then the real work began: During 2 weeks I modified almost all of the routines and I wrote many more.(Puhh!) I thought that i finally could release it. Then I got Noisetracker 1.5... I said to myself: You got to include all the new functions... At the same time Bitmaster had tested DC and showed me a lot of bugs, which I had to correct. And finally: ,after a week of sleepless nights for both me and Bitmaster, we could proudly and very tiredly release Digi Composer. ----------------------------------------------------------------- CREDITS FOR THIS MANUAL (and a little bit of bullshiting) ----------------------------------------------------------------- First of all I would like to explain for all you out there, who thinks that whole this manual is a maltreatment of the english language, that's because I'm from Sweden (and the time pressure was really hard). The credits for this manual goes to the following persons: ME (Bitmaster (=Anders Gustavsson) of ISTARI), who have written almost everything! MY MOTHER (member of family Gustavsson), who have written the ripped part of this manual: Protracker commando description (Amiga). Il Profesore (Sven Karlsson) of ISTARI, who have written about the digisound technics and DigiComposer features. Il Profesore's NOTE: I have also corrected some bugs in the manual. But I think that Bitmaster have done a rather good job! There are a few places in this manual that may confuse you (everything), make you laught (my english) and make you cry (my jokes). If you find any errors in this manual or the program please let us know. Write to: Sven Karlsson (his address stands at the first page) Anders Gustavsson Utterstigen 10 S-590 30 BORENSBERG SWEDEN ISTARI consist of the following menbers (1990-03-14): Bitmaster, Il Profesore, Wolf, Snobben and Isvar. 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CODERS - SOUND TRACKER - v1.0-2.5 Karsten Obarski Exterminator of TJC TIP of TNM Unknown of DOC Mnemotron of Spreadpoint ... - NOISE TRACKER - v1.0-1.1 Mahoney & Kaktus of Northstar & Silents v1.2 Main coding: Riff Raff of UFO ReAssembling, Scope & Beta testing: Antichrist --------------------------------------------------------------------------- General infos. -------------- Please disconnect your joystick when you are using this program. Patterns. --------- Any piece of music written with NoiseTracker is build up from patterns. NoiseTracker holds a table with information about the sequence in which these parts must be played. With 'Position' you determine your position in the table. With 'Pattern' you define what pattern to play at that position. 'Length' defines the total size of the table. 'Restart' is the restart position after the song stops. Instruments. ------------ You can use up to 31 different instruments in one music-piece. Each instrument consists in a sample up to $ffff (64 kbytes) For each instruments you can define : -The volume: you can change it to each value between $00 and $40. -The lenght (in bytes) -The replen: if you want that the sample loops when it ends,you can define the replen value. -Repeat: it is the restart value if a loop is selected. NOTE: All since the very first Soundtracker by K.O. there has been a bug in the replay-routine (both in the tracker and the replay). The tracker calculated the loop-start in bytes, and not in words as it's written into the instrument- list. All this means that in the later Soundtrackers, you couldn't loop the whole sample. To use your old loop-values (from ANY other tracker) you should divide your Repeat-value by 2. (fex. $07e0/2 = $03f0) If you want to save memory, decrease the length of your looped sample until it stops. This will save only the used part of the sample in the module. V1.5 : Loading an Module will auto-correct the Repeat values! Edit format. ------------ Notes: ------ C#1 3 C 2 3 / / | \| / / | Command Info / / Command / Inst# Note to be played. Note: This is simply the note that must be played by that particular ----- instrument. Inst#: This is the number of the instrument that must be used to play ------ the note. When the instrument number is zero, the last selected instrument will be used. Command: This number tells SoundTracker what special functions must be -------- performed while playing the note.(cf. song_commands) Info: This byte contains the additional information for the commands. ----- Song-commands. -------------- Here you've got them: 0 - arpeggio 1 - portamento up 2 - portamento down 3 - Tone-portamento 4 - Vibrato A - Slide volume B - Position jump C - Set volume D - Pattern break F - Set speed (now up to $1F) $0 Arpeggio - $0 + second halfnote-add + third halfnote-add This command will produce a one-channel chord. No comments. C-3 00037 produces a minor-chord C-3 00047 produces a major-chord $1 Portamento up - $1 + portamentospeed This command slides the pitch up. C-3 00103 1 is the command, 3 is the speed. $2 Portamento down - $2 + portamentospeed This command slides the pitch down. C-3 00203 2 is the command, 3 is the speed. $3 Tone-portamento - destination-note + $3 + speed This will automatically slide from the old note to the new. To keep on sliding, just select the command 3. Try it out yourself, and I'm sure you'll understand a little bit better. C-3 00305 C-3 is the note to slide to, 3 the command and 5 the speed. $4 Vibrato - $4 + vibratospeed + vibratosize C-3 00481 4 is the command, 8 is the speed of the vibrato and 1 is the size of the vibrato. To keep on vibratoing (?) just select the command 4. $A Volume-slide - $A + upslidespeed + downslidespeed C-3 00A05 5 is the speed to turn down the volume C-3 00A40 4 is the speed to slide it up. $B Position-jump - $B + song-position to continue at C-3 00B01 1 is the place to restart the song at. This command will also perform a pattern-break. $C Set volume - $C + new volume Well, this old familiar command will set the current volume to your own selected. The highest volume is $40. All volumes are represented in hex. (Programmers do it in hex, you know!) C-3 00C10 C is the command, $10 is the volume. $D Pattern-break - $D + nothing Sure simple, this magic thing will end your pattern and go on with the next one. C-3 00D00 D is the command, all others are a waste of memory. $F Set speed - $F + speed This will change the speed of your tune. (how fast your patterns will roll ...) Speeds from $01 - $1f are allowed. Speed of $01 is fastest... C-3 00F07 sets speed to $07 The keyboard. ------------- you can use those keys in listen,edit and record modes 3 octaves keyboard : 2 3 5 6 7 9 0 - ` A Z ER T Y UI O P^ * S D G H J L M W X CV B N ?. / + F1 - Chooses two low octaves F2 - Chooses two high octaves NOTE: Cursor must be on a note position to accept the note ! ----- NUMERIC PAD : [0] - Go to patternposition 0 [1] - Go to patternposition 16 [2] - Go to patternposition 32 [3] - Go to patternposition 48 [4] - Go to patternposition 63 [*] - RESET SCRIPT POSITION AT 00 [+]/[-] - SAMPLE NUMBER +/- [(]/[)] - PATTERN NUMBER +/- [.] - PLAY SONG [ENTER] - PLAY CURRENT PATTERN OTHERS: [ALTERNATE] - TOGGLE BETWEEN SCOPE/EQUALIZER [CAPSLOCK] - CHANGE COLOURS [Help] - help screen ! [Space] - Toggle between Stop/Edit-mode [UP] [LEFT] [RIGHT] - MOVE INTO PATTERN [DOWN] [CLR HOME] - go to next track (easier editing) [INSERT] - go to previous track EDIT COMMANDS (IN EDIT OR LISTEN MODES ONLY) : F3 - TO DEFINE BLOCK START F4 - TO DEFINE BLOCK END F5 - TO DEFINE A WHOLE PATTERN BLOCK (00-3F) F6 - INSERT A LINE F7 - COPY BLOCK AS 4 TRACKS F8 - DELETE BLOCK AS 4 TRACKS F9 - COPY BLOCK AS 1 TRACK F10 - DELETE BLOCK AS 1 TRACK IN EDIT MODE ONLY : [TAB] - DELETE NOTE + INSTRUMENT NUMBER [RETURN] - DELETE NOTE + INSTRUMENT NUMBER + COMMAND [DELETE] - DELETE A 4TRACKS LINE Modes. ------ 1)play,pattern,stop: -in those modes,you can play a note but you don't record it. -'pattern' play the curent pattern. -'play' play the all song. 2)edit: -in this mode,you can enter notes on each track but also instrument,song_command and data infos. 3)record: -here you record the note but the pattern is played at the same time. Clear. ------ you can clear: -all the song (patterns+instruments) -only patterns -only instruments With the 'KILL' option,you can kill the curent instrument. Tempo. ------ is the 'velocity' of the tune ($01-$1f) Transpose. ---------- this option is really not usefull !! Copy. ----- is the number of copies selected when you copy 1 or 4 tracks with edit commands. Quantum. -------- it is the number of lines you go down in edit mode after a note (instrum.,command or data infos) record. Preferences. ----------- Note: The NOISEPREFS are not compatible to those of other versions of Noisetracker. Delete them when you copy a new Noisetracker version to your workdisk! It could cause severe problems if you don't! INPUT: here you can specify the input format of samples (amiga,st replay) OUTPUT: you can play the tune on -the standard st YM 2149 -st-replay cartridge -mv 16 cartridge -prosound designer centronics interface AMPLI,COLOR:no comment ! PATHS: Here you can enter your prefs/modules and samples paths (up to 32 chars) SAVE: Saves your prefs to 'PREFS PATH':NOISE.INF EXIT: Eeeh? Exit! NOTE: this version of Noisetracker has a directory buffer for up to 520 entries. Sampler. -------- here you can work on each sample in memory. VOLUME:volume is calculated at the curent sample_volume value REVERSE:the sample is reversed in memory OCTAVE UP/DOWN:new lenghts are calculated FADE IN/OUT: when you select this option,the program waits you 'click' the position on the curve where the fade must start or end. COPY:the curent sample is copied at the asked sample position (nr) Disk operations. ---------------- Here you've got the old familiar Load/Save/Del sample and module LOAD SAMPLE: A sample will be loaded from the path you've specified in the Prefs menu. SAVE SAMPLE: The sample will be saved to the path you've specified in prefs, under the 'sample_name'. LOAD MODULE: you can load any song_module coming from the original amiga soundtracker. SAVE MODULE: the song will be saved to the path defined in prefs menu. patterns+instruments are saved (and your song can be played with any st/amiga module player) FORMAT S/D: You can format a single(S) or double(D) sided disk with this option. NOTE: you can load a sample simply after the name has been input, ----- by clicking on LOAD (next the samplename) --------------------------------------------------------------------------- bug report or suggestions ? WRITE TO : JEAN-MARC HARVENGT 212,RUE DES CROIX 7012 JEMAPPES ---- BELGIUM enjoy !!! 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