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/<4P?<HNA\#'#HyPHyRHy?<?<KNA# I)*y,|a8I<*y,| @a" y !y !yNBg?<LNABg/ ?<=NAPJ@k"?/ /??<?NA .?<>NAX JNu\QUARTET\QUARTET.1\QUARTET\QUARTET.2\QUARTET\QUARTET.3QUARTET DEMO - press space to exit. Add this sort of output, and better, to your programs using QUARTET. Four-channel 16kHz sampled sound. Several minutes of high quality digitised sound in under 70K. Just five individual sounds are used in this composition. Over 100 exist. QUARTET is a four-channel sample sound sequencer which uses a standard musical stave for composition. See review in ST FORMAT. For details contact MICRODEAL at: PO BOX 68 ST AUSTELL CORNWALL PL25 4YB TEL: 0726 68020 8 QUARTET Double-click on QUARTET.PRG, sit back and listen. The fantastic sound coming from your ST is what is possible with Microdeal's Quartet. Four-channel 16kHz sequenced sampled sound. The result is sheer sophistication. Real Amiga-beating stuff. Read the review in ST Format, play the demo and then order your copy from: MICRODEAL PO BOX 68 ST AUSTELL CORNWALL PL25 4YB TEL: 0726 68020 . J.. EDITOR PRG KCOOTS SPL F9EDITOR DOC ًCLAP SPL aHHCLOSE SPL CLAPTHUNSPL U2NAVALGUNSPL 'CYMBAL SPL -4Z`j |j"|0<2> PRE-SAMPLE#  TRIGGER"$(, PLAYFORWDHEARBCKLOOPASTOR INS REGAPASTCULSW BUFFER:   FADE INFILL&VOLUMN44O}REVERSSHRINKJOOV(f1!2o3'*-608?‘ SPECIAL ECTlDIGITTæMIDIŜ Special EffectsoR%"f ECHO/DE#:9HALLR\BDEC䨤Y娤FLNGPP-UPITCHPORVIEW׃ૡ EXITn  IIR Digit FilteringLO SHI NOJРPEAKN BOOSNO D.C.TREBLEfrequency = HzFFPON,­PF WLow f >High$$$fVf4#)890SCREENQJAMLOO-CHANNELSTRIGG KEYBOARD©TES Loop Point EditorjG MICRO ADJU|<<¾glLEF)"d$>>yEHd{ ü DRA,  σ'V È   A\A PZ  Delete MIDI presetsb ALLRERA5b HHHH:H Save AVR format sampleD SAVE͗ z8<6<~>4<|(o*lNN~&|+| <~DGNN-><@HDޞ-~H&"+G.-/NXOHHNJGf` Nq^ޞvBmA.-\X ^0>-RG;G;|=^=^=A .v"NZ!~ .6<BP WA mH ^ ~*?(U~P.<m,) N GgtNqpNN2[1][ Please uMedium |or High resolution.OK ]rN~?A .lOfሀXDNq~~Nq"V[ Desk | Replay Professfal][ File Load Samp\( Save---------------\ Set  Add Wip Quit]Nn Frequencyi5 Khz 8 11622344J`utputMonit; HI-FIxDisledlin Envelo"]2<$6Z~~ HBmJ   ~H+G"$&(*,.0~2Z6<8:<@><BF~dHLEmpty,No_name4 <GL,Ĉ:\*.SPLtDAVRTET\d .2 .7 1KR 3K 4k 5K 6K lST-Ver 4tf PRO-seriesUv1| 1 -><TdZpNA$.rNA./* OHhPP .-P/>-?~?PORm mo- ~=-=~=l~^<DGء0~~ ~=AT.-VXZ.6~V"iv@N,~TGRG "m . /~2H"..*(8vz@`;G\>-\^JGf`NqN:NNqNqP"T?$V b\0( GgXNqdt~~NJ vN2N(."LDVBXZt) Z/ZNqA~ ^0β .-P/>,N玅DgHNqpNN8[0][ REPLAY PROFESSIONAL demo| 2-BIT Systems Ltd 1989|-4 Contact MICRODELTD.| on (0726) 68020OK ]NrNT h~䠐><< ,Q[3 YOU ARE ABOUT TO EX6"! | | Ensure your work is saved. | ]RRj @怨ԁJ4L.Yv&Z:(İ>[N\NuVJ T+L+O-@NNq., (nA .v"N>NP=؀Bn΀JG:`>`BJG40:T GN ˴˴NTŴ䴣 > m *fd@VL|T~~NNh X~DG`R0>|nZ v`vB LP`  ߊ\4R  €8^"R6Nq~N>- ?NTJG⪠~ : :.NqF;G Nq V`d\ =~DG^ ~=>-^$Nr~"NN###NN NNȌӚ BBBB BTGHHHHHH  Nڤ|vJ JJT"T _b     vp,vNNPAbfuPx4<(yld)pNNI[1][ | You are about to CLEAR some of your sample. 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Free RAM 520 ST - Better than 280 kBytes 1040 ST - Better than 820 kBytes REPLAY PROFESSIONAL EDITOR. When the EDITOR is first run, it automatically splits the computers memory into TWO large chunks, one of these is visible as the SAMPLE DISPLAY, the other is invisible and is called the PASTE BUFFER. This buffer is used for the temporary storage of samples during editing operations. Obviously, the larger the PASTE BUFFER, the smaller the SAMPLE memory is. For this reason it is possible to make the PASTE BUFFER smaller or even to remove it entirely. This means that larger sample times can be achieved though it does have the nasty side effect of restricting the size of the temporary sample which can be held or restricting the number of edit functions which are available at any one time. The MENU bar DESK Selecting Desk will allow you to see the REPLAY program credits and version number only. Any desk accessories loaded will be displayed in grey lettering, indicating that it has been disabled and is not available for use within the REPLAY software. Desk accessories are disabled because of their ability to indiscriminately corrupt samples held in memory. FILE The FILE title will reveal options for loading and saving individual samples to and from disc, loading and saving SETs of samples complete with PRESET and MIDI data and finally, the option to leave the program and return to the desktop. For more information on the LOAD, SAVE and SET facilities. FREQUENCY Selection of the sample and play back speed is achieved by clicking on the desired value and is put into effect immediately. The 22 KHz value is the default speed. Roughly speaking, the faster the sample speed, the higher the sound quality but the shorter the sample time. OUTPUT The default output mode is MONITOR but selecting HI-FI will cause all future output to be heard via an amplifier connected to the REPLAY cartridge output socket. All output can be heard via HI-FI but certain restrictions are placed upon the MONITOR mode. For example, an attempt to select a frequency above 32 KHz in monitor mode will not be allowed. Similarly, an attempt to return to MONITOR whilst FREQUENCY is at say, 44 KHz, will be prevented. DISPLAY The options shown here will select the mode used to display the sample in the edit window. The different modes are available to enhance particular detail in a sample. The general purpose selection, FILLED, is the default, but OUTLINE would usually be fine. The main use of outline is for revealing the true shape of a waveform under high MAGNIFICATION where the true wave shape is displayed. The ENVELOPE option will display the full wave envelope reflected along the central axis. This display mode is useful for showing bursts of speech or drums (for example) in amongst a lot of otherwise confusing data. The sample display You will notice a Black line to the left of the display. This is the LOWER edit cursor. To the right you will notice a Black and White dashed line. This is the UPPER edit cursor but it is covered by another cursor called the GHOST cursor. UPPER & LOWER cursors The UPPER and LOWER edit cursors are the key to the operation of the whole EDITOR because it is between these two points that ALL operations are performed. To be useful, it must be possible to move these two pointers. This can be achieved in two ways. One is to use the cursor movement buttons found on the cursor control panel (section 4.5), the other is to use the mouse directly within the sample display. First, Move the mouse 'ARROW' pointer over the dashed line to the right of the sample display, press the left mouse button and keep it pressed. If you are over the cursor line, the ARROW should change into a POINTING FINGER. This means that you have found the cursor and are ready to move it. Now, keeping your finger on the left mouse button, move the mouse to the left, a black line should follow. Move the cursor to the centre of the screen and release the mouse button. The POINTING FINGER should revert back to an ARROW. There should now be three vertical lines on the screen, two black and one dashed. The same operation can be performed on the LOWER cursor to the left of the screen, try it now. You will find that it is not possible to move a cursor further than the position of its opposite number. Both of the UPPER and LOWER cursors will be visible AT ALL TIMES in the SAMPLE display while the GHOST cursor (the dashed line) may disappear from view from time to time. The GHOST cursor Quite simply, the GHOST cursor is a position marker. For example, when a sample is played back and stopped early by pressing the escape key, the GHOST will mark the position at which the sample play back was stopped allowing easy location of parts of a sample of interest. The GHOST may appear to do strange things. If, for example, a sample is loaded from Disc, the UPPER cursor is automatically placed at the end of the new sample on screen and the GHOST will mark the position of the UPPER cursor BEFORE it was moved to the end of the newly loaded sample. This is because the EDITOR will perform an operation by default, but might do something that the user did not want or expect it to do. Therefore the user can correct the mistake by moving the UPPER cursor back to the position marked by the GHOST cursor. The GHOST cursor has a special function assigned to it called the SWAP button located on the PASTE BUFFER control panel. Pressing this button (or the space bar) will cause the EDITOR to swap the locations of the UPPER and GHOST cursors instantly, thus enabling fast and accurate relocation of the UPPER cursor to its old position. A little experimentation with the EDITOR will show the exact nature of this very useful facility. ZOOM (magnify) The ZOOM button will cause the display to magnify in upon the data currently displayed between the cursors. Magnification can be performed as much as desired, but magnification beyond 600 sample values between the cursors has no effect. SAMPLE SIZE DISPLAY / SET This box displays the size of the sample currently displayed between the UPPER and LOWER cursors. However, this box also has the hidden ability to set the size of the sample. This is achieved by clicking the mouse inside the sample display, upon which the numbers in the box will be replaced with '________'. This indicates that the computer is waiting for the user to type in a number and press the RETURN key when finished. If the RETURN button is pressed without entering a number, then the old size is retained by default. Any valid number is one between the values of 2 (minimum size) and the present size of the SAMPLE buffer. If a value that is too great is entered, then the previous size is returned to. Please note that as an alternative to terminating the number with RETURN, the letters 'K' and 'S' may be substituted. The significance of these is to set the size to kbytes or seconds respectively. Hence entering 10K will set the size to 10,000 bytes. Entering 10S will attempt to set the size to that equivalent to 10 seconds of sampling. Only integer values are permitted, decimal points are not allowed. RESET magnification The RESET key has the effect of un magnifying back up to maximum screen size. The UPPER and LOWER cursors will remain at their previous positions. If the cursors are too close together, then they may disappear from the display. This is because they are virtually on top of one another. Simply use MAGNIFY again to relocate them, or move one or the other cursor, one position either way via its key on the cursor control line. Pressing RESET when no magnification is in effect will cause the cursors to return to their respective extremes on either side of the edit window. All cursor position data will be lost. If the positions were accurately located and were important, then they could have been stored in one of the 10 PRESET memories in case of mishap. SAMPLING / PLAY BACK control SAMPLE Clicking on this button will cause the program to start sampling the sound currently being played on the input of the REPLAY cartridge. The sound will be heard simultaneously via the Monitor speaker or Amplifier, depending upon the current setting of the MENU bar OUTPUT control. Sampling will stop automatically when the sample space is used up, or when the the sampling has been terminated prematurely by pressing the ESCape key. The sample display will be redrawn to reflect the changes within the SAMPLE buffer. PRE-SAMPLE This very useful feature samples continuously. The only way to exit PRE-SAMPLE is to use the ESCape key, after which the sample will be drawn on the screen. There may be a small delay between halting the function and control being returned to the editor, especially when using very large sample areas. When using the straight SAMPLE button, TRIGGER can be used to actually start the sampling but does not guarantee to catch the end of the desired sample. PRE-SAMPLE allows continuous monitoring of the sound and may be terminated upon completion of the sample. Of course, we can not guarantee to have captured the start of the sample in memory, but with use of the set sample size facility we can set the size of the record buffer to any size we choose. The best option however is probably to use the entire sample memory to be quite confident of catching the sample required. TRIGGER ON / OFF With TRIGGER selected, selecting SAMPLE has no immediate effect. Sampling is suspended until the incoming sample volume exceeds the value displayed in the box to the right of the TRIGGER button. As soon as SAMPLE is selected, the MOUSE pointer will turn into a BEE to indicate that it is waiting to start sampling. As soon as the sample volume exceeds the preset value the sample button will then turn black. Sampling may be terminated BEFORE the TRIGGER occurs by pressing the ESCape key. No sample operation will take place under these circumstances. TRIGGER sensitivity The box to the right of the TRIGGER button displays the trigger sensitivity. The smaller the value, the more sensitive, the larger the value, the less sensitive the TRIGGER is. The two arrows on either side of this display are used to adjust this threshold value up and down. Sensitivity is incremented in steps of two. When related to the SCOPE display, a value of 1 represents a small movement of the scope display, where as a value of 127 requires the signal in the SCOPE display to touch either the top or bottom of the display to cause a sample TRIGGER to occur. HEAR (audio monitor) Upon selecting HEAR, audio input to the REPLAY cartridge may be monitored in real time. It is possible to start sampling at any time by pressing the 'S' key, otherwise selecting ESCape will halt the function in the normal fashion. LOOP ON / OFF With LOOP selected, forward or backward play back of a sample will continue looping from start to end and back again, until the ESCape key is pressed. PASTE BUFFER control As has previously been explained, the PASTE BUFFER is an area of the computers memory which is automatically set aside by the EDITOR for the temporary storage of samples or parts of samples. The paste buffer can only hold one sample at a time and may occasionally be required for other uses by the EDITOR, the SPECIAL EFFECTS for example. Whenever an operation to clear or overwrite the contents of the buffer is required, the EDITOR will always request permission to destroy the contents of this otherwise hidden sample. On occasions, the EDITOR may throw up the strange message 'CURSOR GAP TOO SMALL' and give the option to 'OVERFLOW', 'CLIP' or 'CANCEL'. This is trying to say that the sample in the BUFFER at present is larger than the size of the gap between the UPPER and LOWER cursors. You are given the opportunity to cancel the function, to just take sufficient of the sample from the BUFFER to fit the cursor gap or simply to take the entire sample from the BUFFER and ignore the size of the cursor gap entirely. STORE sample Selecting STORE will copy the current sample between the UPPER and LOWER cursors into the PASTE BUFFER. It will remain there until it is erased by another sample or when cleared out for use by another function, such as reducing the size of the BUFFER itself. INSert sample The LOWER cursor position is taken as the start of this operation. The EDITOR will move the entire contents of the sample space, starting from the lower cursor position, towards the right of the screen by just enough space to fit the sample in the PASTE BUFFER into the new space created. The sample in the PASTE area is then copied into the sample edit area. Any sample that used to exist at the very end of the sample buffer will be lost forever. To clarify exactly what the function does, a little demonstration is required. Suppose that we had just sampled the word 'HELLO' into the computers memory. We now move the UPPER cursor down towards the start of the sample until we only have the letter 'H' surrounded by the cursors. Now press the STORE button. Next, press the INSert button twice, allowing time for the operation to complete between presses. Now move the UPPER cursor back to the end of the sample and press PLAY. The computer will now say 'H- H-HELLO'. REPeat sample REPeat performs a similar function to insert. It will copy the entire contents of the sample edit area from the LOWER cursor position and place the copy at the position pointed to by the UPPER cursor. Again, any sample at the end of the sample area will be lost. Again, a simple explanation will clarify the exact function of this useful feature. Suppose that we had just sampled the 'HELLO' into the computers memory, as before. Again we surround the 'H' with both cursors. Now press the REPEAT button twice, allowing time for the operation to complete between presses. Now move the UPPER cursor back to the end of the sample and press PLAY, it should now say 'H-H-HELLO'. Notice that we have created EXACTLY the same effect as before, but we did not have to use the PASTE BUFFER directly as before. Create a GAP GAP inserts a blank space between the cursors. The whole sample, starting from the lower cursor running right up to the end of memory, will be shifted up to the UPPER cursor leaving the space between both cursors. This space may now be recorded into or have something PASTED or loaded into it. PASTE sample The contents of the PASTE BUFFER are copied from the buffer into the sample area overwriting what ever was in the sample space before the operation. The copy is placed at the start of the area marked by the LOWER cursor position. CUT sample The sample between the cursors is removed and the contents of the sample edit area, starting from the UPPER cursor, are copied down to the LOWER cursor. Any trace of the old sample is lost unless it was first saved with a STORE operation. This function DOES NOT work in the manner that some WORD PROCESSOR users might imagine. The choice of the words in the EDITOR for CUT, PASTE and STORE are more logical and describe EXACTLY what they do. CLR Selecting CLR will erase the sample between the UPPER and LOWER cursors. Again, the action of this button is NOT reversible unless preceded by a STORE operation. SWP SWP causes the editor to SWAP the positions of the UPPER and GHOST cursors. Whilst not sampling, pressing the space bar performs the same function. BUFFER size display The value shown in this box shows the size of the current PASTE BUFFER and therefore the largest sample size that can be held in the buffer. However, in the same way that the sample size display can be used to set the cursor width, clicking in this box with the mouse will again display '________'. The size of the PASTE BUFFER can not be larger than the sample edit work space. PASTE BUFFER status Finally a little box is located to the right of the BUFFER size display. The contents of the display are either E for Empty or F for Full. If the user clicks on the button when 'Full' the contents of the buffer are played out through the currently selected output channel. EDITOR FUNCTIONS FADE IN / OUT Selecting either of the Fade options will cause the sample to fade in from zero to maximum volume or fade out from maximum volume to zero. As with ALL of the edit functions, the area between the UPPER and LOWER cursors is the area faded in or out. FILL The area between the cursors is filled with as many repetitions of the sample presently held in the PASTE BUFFER as can be fitted in. Please note that this may include a copy of the sample at the end of the FILL area which is INCOMPLETE ! (I.E. two and a half copies of the PASTE sample). VOLUME Upon selecting VOLUME, the computer will ask you to select volume up or down. Select the desired direction and the EDITOR will increase or decrease the sample between the sample cursors by about 12%. Please note that repeated use of VOLUME increase will result in a proportional increase in any noise present in the sample ! FIND FIND will locate the occurrences of a sample segment held in the PASTE BUFFER. Upon selecting FIND, the EDITOR will ask were to start searching from. The search will either look from the very START of the sample buffer to find the FIRST occurrence of the sample in the sample buffer, or start searching from the LOWER cursor position (the NEXT occurrence). Please note that FIND may take some while to search a very large sample buffer. Also, to make a match, the sample being searched for must be an EXACT copy of that held in the PASTE BUFFER. It is therefore a waste of time to search for a sample which has had its volume adjusted ! REVERSE This function reverses the sample in memory and has the same effect in RAM as having played the sample backwards using the BACK option from the sample play control panel. FINE FINE allows accurate positioning of the UPPER and LOWER cursor positions. The EDITOR will give the user the option of which cursor to adjust. Upon selecting a cursor, the sample display window will be replaced with a magnified display of the sample surrounding the selected cursor. Moving the mouse pointer into the display area and pressing the LEFT mouse button will cause the cursor to be moved to that position. Pressing the RIGHT mouse button in the display area will cause the cursor to be positioned back at the exact same location found upon entry into the display mode. To exit from this mode of operation, move the mouse pointer outside of display area and press the RIGHT mouse button. The display will be returned to that relevant at the time before entry into the FINE mode with the selected cursor at its new position. This mode of location is useful for accurately identifying the start and end of sample segments, or for locating the cursors in an attempt to remove MIDI looping clicks. SHRINK SHRINK compresses a sample to be half of its original size. As a result, the speed of the sample will now be double its original value, so to correct for this, it will be necessary to select a new sample frequency from the FREQUENCY menu on the MENU bar. For example, assume that a sample was made at 22 kHz and then shrunk, then a new value of 11 kHz will need to be selected to make the sample sound correct. It is advisable to sample sounds at the highest possible speed and then shrink them down to the desired speed. This will normally result in a higher quality sound than if it had simply been sampled at a lower speed since the sample will have been made at a speed many times faster than the filtering threshold of the REPLAY cartridge and will, therefore, be subject to much less ALIASING than at lower speeds. JOIN The controls now in the centre of the screen, effectively allow fine positioning of both of the UPPER and LOWER cursors by selecting the appropriate buttons. Alternatively, the user can actually draw, on the screen, the waveform between the sample start and end points. Provision is made for testing the sample from within this mode of operation. On leaving the JOIN mode, the EDITOR central control panel will be redrawn and the sample display will also be redrawn with the cursors at their new locations. Micro adjust. Selecting the double arrows located either side of the legends marked LEFT and RIGHT will increment the cursor positions in steps of 10 samples at a time where as the single arrow keys will move 1 sample at a time. The display is redrawn after each selection to display the latest cursor position. Screen draw. Selecting screen draw will enable the user to place the mouse pointer any where within the sample display and hand draw the waveform by pressing the LEFT mouse button and moving the mouse pointer slowly around the screen. To exit draw mode, move the mouse pointer to some point OUTSIDE of the sample display area and press the RIGHT mouse button, upon which the editor will return to normal loop edit mode. Screen draw should only be used where the cursors represent the START AND END of the sample and not where the cursors represent loop pointers located somewhere inside a MIDI looping sample. OVERLAY The sample in the PASTE BUFFER is superimposed on top of the sample between the current cursor positions. Please note that there will be a resulting reduction in the overall sample volumes after the operation has been performed. Crude ECHO effects can be created by overlaying samples on top of themselves but displaced by a small amount. PRESET To assign a sample or memorise the cursor positions at any time, select the PRESET key, it should turn black. The EDITOR is now waiting for the user to select the function key to which the assignment should be made. Select an unused key from f1 to f10. Once this is done, the user will be requested to enter a name for the sample. The name can consist of up to 8 valid printable characters, and should be typed in from the computer keyboard. Press RETURN when finished. If a key already has a name, then just pressing the RETURN key will keep the old name. The name of the current sample is displayed in the edit window after selecting or naming a function key. F1 to F10 The function keys can be used on their own or jointly with the PRESET key. When the PRESET key is selected, pressing a function key will cause the EDITOR to assign a sample or memorise the positions of the cursors within the sample edit display window. Pressing a function key while the PRESET key is NOT selected, will cause the EDITOR to relocate the screen to the exact position that it was in when the definition was last set. The entire contents of the screen are remembered including the state of magnification. SPECIAL EFFECTS (S.F.X) ***NOT IMPLEMENTED IN DEMO*** DIGITAL FILTERING ***NOT IMPLEMENTED IN DEMO*** MIDI Within the EDITOR, it is possible to play samples under the control of an external MIDI keyboard. While the facilities offered here are some what more restrictive than within the MIDIPLAY software, the user has the chance at least to try out samples under MIDI KEYBOARD control and test the loop points accurately using the TEST function. MIDI looping Throughout the use of the EDITOR, it is made clear that performing an operation upon a sample is always relevant to the sample or part sample held between the LOWER and UPPER cursors, until now ! Because of the fact that REPLAY PROFESSIONAL can now perform MIDI LOOPING, the cursors now perform a slightly different function. It is always assumed that the extreme Left of the display is the start of the sample and the the extreme right of the display is the end of the sample to be played REGARDLESS of the present setting of the cursors. The cursors now form the body of the sample to be looped. The LOWER cursor defines the start of the loop and the UPPER cursor, the end. But what is MIDI looping ? Well, consider an instrument such as a guitar. When the guitarist strums a note, the note plays, loud at first and decays away until it can no longer be heard. In this case the sample plays once and decays away naturally. Now consider an instrument such as a violin. As the violinist draws the bow across the violin, the instrument makes a noise. The violinist can make the instrument play a short or a long note depending on how far the bow is pulled across the strings, the violinist can SUSTAIN the note for a longer period. As soon as the bow is removed, the note will decay to nothing. By carefully defining loop points in some samples we can add our own SUSTAIN period. We do this by surrounding the loop point by the cursors. REPLAY PROFESSIONAL supports a form of A.S.R. looping (Attack, Sustain, Release) which can be individually selected to be on or off for each sample. The attack is the first and often loudest part of a sample and is defined as the part of the sample between the Left of the display and the Left cursor. The Sustain period is the 'Flat' part between the cursors. The Release phase of the sample is defined as the point between the Right cursor and the Right hand side of the display. When a looped sample is played, the sample is played from the far left of the screen through the Left cursor to the Right cursor. If the MIDI key is still pressed then the sample goes BACK to the Left cursor again and plays to the right cursor. If the MIDI key is now released, then the sample will continue to play until the end, upon which it will stop. Sample data box In the centre of the display, the editor shows data on the PRESETS. It shows the sample PRESET number and the name of the sample assigned to it, if any. Next the MIDI note assignment, if valid followed by an 'L' if the sample is defined to be a looping sample. Sample selection To select a sample, simply click the Mouse on the relevant function key legend on the screen. The SCREEN pointer At the end of the row of Function buttons is a large button called SCREEN. This button is a button which will allow the user to experiment with looping pointers without having to go through the rather tedious business of setting up a PRESET every time a change is to be tested. Assigning to a MIDI note or KEY To assign a PRESET to a MIDI note for the TRIGGER mode, select the button called NOTE. Now click on the legend of the function key that you wish to assign the NOTE to. The Mouse pointer should now change to the small image of a MIDI keyboard. The computer is now waiting to receive a note on the MIDI input, simply press a key on the MIDI keyboard or press the ESCape key. The mouse pointer should now return to its Arrow shape. MIDI CHANNEL selection For the TRIGGER, KEYBOARD and TEST modes to work, the MIDI channel must be set up to be the same as that of the MIDI keyboard in use. The MIDI channel number can be selected by clicking on the arrows surrounding the MIDI channel display. TRIGGER performance mode Upon selecting TRIGGER, the computer will wait for a key on the MIDI keyboard to be played that matches on of those in the sample data display. As soon as a selected key is pressed, then the sound assigned to that key will be played. To exit trigger mode press the ESCape key. KEYBOARD performance mode As soon as keyboard mode is selected, the the computer is waiting for a note on the MIDI keyboard to be played. When a key is pressed, then the current sample will be played in that KEY. To change the sample, simply press the associated FUNCTION key on the COMPUTERS keyboard. The new sample will become the active one straight away. To exit the KEYBOARD mode simply press the ESCape key. TEST mode TEST mode is identical to the KEYBOARD mode with the exception that on entry, its default sample is whatever is setup on the SCREEN button. The other point of interest is that setting the LOOP button before selecting TEST will cause the sample to adopt A.S.R. loop mode. SAMPLE change in KEYBOARD mode While in KEYBOARD mode, the simple method of changing the 'ACTIVE' sample is by pressing a Function key on the computer keyboard. An alternative exists if the MIDI keyboard in use is equipped with voice change buttons which are MIDI controllable. By pressing the voice button which issues the MIDI data 'VOICE 1' will cause the computer to select that sample number. LOOP CLICKS Loop clicks are probably the biggest enemy of the musician wanting to use samplers as serious alternatives to REAL instruments. Use of the FINE and JOIN modes in the editor are highly recommended to try and help this often arduous and thankless task. Remember the famous saying 'Patience is a virtue' ! Perseverance really is the name of the game here. FILE handling LOAD sample Clicking on LOAD SAMPLE will cause the EDITOR to place the computers file requester on the screen. The default file type to load will be .SPL It may be necessary to change the extension to .AVR depending on the type of sample to load (see APPENDIX iii for further details). SAVE sample ***NOT IMPLEMENTED IN DEMO*** SETS A SET is a disc file which contains a number of samples (between 1 & 10) which are used in conjunction with the EDITORS MIDI facilities (section 4.13). LOAD SET Selecting LOAD set will cause the file selector to appear. Upon selecting the desired SET, the computer will proceed to load all of the samples into memory and assign them to the Function keys accordingly. MIDI key assignment and looping data is also automatically loaded in along with the cursor positions. The samples are all loaded in as one block and it is up to the user to ensure that sufficient space is available to load the SET into memory since, with all other operations, the samples are loaded into the memory space starting from the LOWER cursor position. If prior to loading a SET into memory, some function keys are already defined, then these definitions will be wiped. All samples are assumed to have been made at the same sample speed. After loading, the computer will attempt to set the system play back speed to be that relevant at the time of saving the SET to disc. SAVE SET ***NOT IMPLEMENTED IN DEMO*** ADD SET After selecting ADD SET and choosing the set to load from disc, the computer will start to load the samples into memory. The new sample(s) will again be loaded into the sample edit area starting from the LOWER cursor position so great care must be taken to ensure that the new sample data does not overwrite the sample space of existing PRESETS ! When assigning the key definitions, the computer will start to assign sample from the lowest available spare function key and will only assign the new samples to empty keys. If in the process of allocating the definitions, the computer runs out of spare function keys, then a warning will appear on the screen. All sample will be loaded (space permitting) but some samples may NOT be assigned to a key if none are available. WIPE SET Upon selecting WIPE set, the central control panel will be replaced with a new control panel. The top line of control buttons represent the Ten function keys. It will now be possible to select a function key or series of keys to de-allocate. Upon selecting ERASE, the definitions highlighted in black will be made empty. Only the Function key definition is removed, the sample in memory is left intact ! 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