`< AGp 2<`A2|`"Q"|@"&<#|1AY&`#|#i20#|2#i0vNuH`"?<B?<BgB/9?<(NNNuG|aJ@k|(*y BootgF(M,<1AY&(< NN&<NN$g&g"gTMn`*y:<]Q|4gn*yB*`I:<:Q*y2<BB]QDBB4*y;B| a$Rxv xvmBxvA@001@LNC" "4V"0<G 2Q&A0 rRLid WRid RLid WRid 2RLid bWRid RLid WRid  Kpid  Gid   Kpid BO Gid r  Kpid   Gid   Kpid   Gid 2  Kpid b  Gid   Kpid   Gid   Kpid "  Gid R  Kpid  Gid   Kpid   Gid   Kpid B  Gid r  Kpid   Gid   Kpid   Gid 2  Kpid b  Gid   Kpid   Gid &  Kpid "  Gid R  Kpid   Gid !  Kpid "  Gid #  Kpid B$  Gid r%  Kpid &  Gid '  Kpid (  Gid 2)  Kpid b*  Gid +  Kpid ,  Gid -$  Kpid ".  Gid R/  Kpid 0  Gid 1  Kpid 2  Gid 3  Kpid B4 Gid r5  Kpid 6  Gid 7  Kpid 8  Gid 29  Kpid b:  Gid ;  Kpid < Gid =  Kpid > Gid ?  Kpid @ Gid A  Kpid BB Gid rC  Kpid D Gid E  Kpid !F Gid !BG  Kpid !rH Gid !I  Kpid !J Gid "K  Kpid "2L Gid "bM  Kpid "N Gid "O  Kpid "P Gid #"':n*qT #'Jo*r # 6Kg  $ KH P J 2  $BP J K $B KH K $"     KpidHELVN_BOXXU  2 " J2BOB,This is set up to produce an A5 booklet made up of single sheets of A5 paper. I've imported a load of rubbish text to show you how it flows from page to page. Note how odd page columns are set over to the right and even page columns over to the left to allow room for staples. To use this template for yourself, all you have to do is highlight the text and then press the delete key to clerar the columns. When you start typng your text in, it will flow from page to page in like manner.To change the "My A5 Booklet" titling, click on the left asnd right pages of the `open book' icon to go to each Master Page in turn, go into text mode with the `A' icon, position the cursor within the text frame, bacvkspace or delete to empty it, and type in your own title. I have presumed that you do want to print on both sidess of the paper, in normal booklet style. If you just want to print on one side, you'll need a different template. I can set one up for you if you do, but if you study this one you'll see how simple it is,@ lThe rest of the text herein is just rubbish! BU @XXTouch-Up for NAKSHA (v1.80 Release notes) 3-16-92** WARNING ***************************************************** Some computers when turned off will turn the scanner's ** light on. If you notice the light on the scanner on ** remove the power plug from the cartridge interface ** to prevent damaging the scanning head from excessive heat.******************************************************************ADDITIONAL SUPPORT PROGRAMS (Required for Touch-Up):There are two support programs that are contained inside of the AUTO folder on the Touch-Up Master disk. When you turn on your computer with the Master Disk in drive A: they will automatically be run. If you own a hard-drive, then these two programs need to be added to an AUTO folder at the main level of your drive C:LOFF.PRG A program to turn the NAKSHA scanner light off.OVFIX1.PRG This program corrects a system flaw that causes your system to get extra keyboard click sounds.---------------------------------------------------------------ADDITIONAL UTILITIES:There is a Slide Show program included with Touch-Up. Theprogram IMGSHOW.PRG is located on the second disk in the folder SAMPLE.IMG, and the documention for it is in the fileIMGSHOW.DOC located on the same disk at the root level. Thisslide show only works with monochrome .IMG files.PrintMaster <--> .IMG converter:A program is now provided to convert entire PrintMaster icon files into .IMG files and back. The program PM<->IMG.PRG isfound on the second disk along with full documentation.MACCEL.PRGThis program is highly recommended for all users! We have installed it on the Touch-Up master disk for your use. For full documentation, read the MACCEL.DOC file.When you move the mouse slowly, the mouse pointer moves normally, and when you move the mouse fast, the mouse pointer moves real fast (and far). This will allow you to address all pixels on the screen if you move slowly when you get near the pixel you want, however if you want to turn it on or off, here's how: For times when you want to work with the standard speed of the mouse, you can disable the Mouse Doubler by the Control- Shift-Alternate keys down and clicking on the Left mouse button. Then when you want to enable the faster Mouse option again, hold down the Control-Shift-Alternate keys and click on the Left mouse button again. To change the acceleration speed, hold down the Control- Shift-Alternate keys and click the Right mouse button. This will toggle the speed between fast and slow.-----------------------------------------------------------------Please remember to register your product, so we can keep you informed of product revisions, as well as receive Migraph's newsletter which contains Tips and Hints.Thanks again for purchasing our product.Migraph, Inc. Tel: 206-838-467732700 Pacific Hwy. S. (#12) Fax: 206-838-4702Federal Way, WA 98003U.S.ATouch-Up for NAKSHA (v1.80 Release notes) 3-16-92** WARNING ***************************************************** Some computers when turned off will turn the scanner's ** light on. If you notice the light on the scanner on ** remove the power plug from the cartridge interface ** to prevent damaging the scanning head from excessive heat.******************************************************************ADDITIONAL SUPPORT PROGRAMS (Required for Touch-Up):There are two support programs that are contained inside of the AUTO folder on the Touch-Up Master disk. When you turn on your computer with the Master Disk in drive A: they will automatically be run. If you own a hard-drive, then these two programs need to be added to an AUTO folder at the main level of your drive C:LOFF.PRG A program to turn the NAKSHA scanner light off.OVFIX1.PRG This program corrects a system flaw that causes your system to get extra keyboard click sounds.---------------------------------------------------------------ADDITIONAL UTILITIES:There is a Slide Show program included with Touch-Up. Theprogram IMGSHOW.PRG is located on the second disk in the folder SAMPLE.IMG, and the documention for it is in the fileIMGSHOW.DOC located on the same disk at the root level. Thisslide show only works with monochrome .IMG files.PrintMaster <--> .IMG converter:A program is now provided to convert entire PrintMaster icon files into .IMG files and back. The program PM<->IMG.PRG isfound on the second disk along with full documentation.MACCEL.PRGThis program is highly recommended for all users! We have installed it on the Touch-Up master disk for your use. For full documentation, read the MACCEL.DOC file.When you move the mouse slowly, the mouse pointer moves normally, and when you move the mouse fast, the mouse pointer moves real fast (and far). This will allow you to address all pixels on the screen if you move slowly when you get near the pixel you want, however if you want to turn it on or off, here's how: For times when you want to work with the standard speed of the mouse, you can disable the Mouse Doubler by the Control- Shift-Alternate keys down and clicking on the Left mouse button. Then when you want to enable the faster Mouse option again, hold down the Control-Shift-Alternate keys and click on the Left mouse button again. To change the acceleration speed, hold down the Control- Shift-Alternate keys and click the Right mouse button. This will toggle the speed between fast and slow.-----------------------------------------------------------------Please remember to register your product, so we can keep you informed of product revisions, as well as receive Migraph's newsletter which contains Tips and Hints.Thanks again for purchasing our product.Migraph, Inc. Tel: 206-838-467732700 Pacific Hwy. S. (#12) Fax: 206-838-4702Federal Way, WA 98003U.S.A====================================================================== "PrintMaster <--> .IMG Converter" PM<->IMG.PRG (c) Copyright 1989 Migraph, Inc. All Rights Reserved Version 1.1 3/30/89====================================================================== This program is part of Touch-Up and is covered by the License agreement for Touch-Up.---------------------------------------------------------------------- The PM<->IMG proogram allows you to convert an entire Print- Master icon file to an image file for editing with Touch-Up, and then convert the image file back to a PrintMaster icon file.---------------------------------------------------------------------- ALWAYS WORK WITH A BACKUP COPY OF YOUR PRINTMASTER ICON FILE!! NOTE: The ".SDR" file contains the names of the icons and MUST be in the same directory as the .IMG and .SHP files when running this program. NOTE: You can NOT add any icons to your file while in Touch-Up. You may only edit existing icons. Any icons that you "erase" will still be put in your file as blank space. NOTE: If you move any icons, the names will NOT move with them as there is no link between the icons and names when converted to an image format.---------------------------------------------------------------------- PrintMaster to IMG: Select the "PM->IMG" button, then select the PrintMaster icon file you wish to convert. A .IMG file will be written to the same directory as the icon file ( make sure you have enough room on your disk ) using the same file name with a ".IMG" extender.---------------------------------------------------------------------- IMG to PrintMaster: Select the "IMG->PM" button, then select the .IMG file you wish to convert. An icon file will be written to the same directory as the image file ( make sure you have enough room on your disk ) using the same file name with an ".SHP" extender. THIS WILL DESTROY THE PREVIOUS DATA IN YOUR PRINTMASTER ICON FILE!! The program will warn you of this, so make sure you have a backup of the original data if you want it.---------------------------------------------------------------------- We hope this program makes your use of .IMG files more enjoyable and productive. Comments or problems may be addressed to: Migraph, Inc. 200 S 333rd St (220) Federal Way, Wa. 98003 phone lines 9-5 PST weekdays: 1-800-223-3729 Order line 1-206-838-4677 Product support Online support - GEnie address: MIGRAPH-TECH Category 28 in ST RoundtableAufbau/Verteilung auf der Platte================================Block Erklrung---------------------------------------------- +-----------------------------------+ 0 | ATARI-Kompatibler Rootblock | | (Bootloader/Partition-Infos) | +-----------------------------------+ 1-3 | Protar-Partitioninfos | | | +-----------------------------------+ 4-23 | Protar-Treiber-Software | | | | | +-----------------------------------+ 24-32 | Platz fr weitere Rootblcke im | | 'XGM'-Format | +-----------------------------------+ 33 | Partition 0 | . . . . xx +-----------------------------------+ | Partition 1 | . . . . Rootblock-/ATARI-Partitions-Format (Block 0):============================================Offset Symbol Gre Beschreibung----------------------------------------------------------------------------- +-----------------------------------------------+$0000 st_bootload 1W | Opcode (BRA.S) | +-----------------------------------------------+$0002 st_magic 1L | Magic 'crac' |$0003 st_magic2 1W | Magic, bei Protar-Platten 'HD', sonst 'SH' |$0004 st_reserved 1L | | +-----------------------------------------------+$0008 st_bootcode ... | Das Bootload-Programm || | +-----------------------------------------------+$001E st_minsecsiz 1W| Minimale Sektorgre (fr System-Buffer) | +-----------------------------------------------+$0020 st_mediach 1B| Flag fr "Media change"-Untersttzung | +-----------------------------------------------+$0022 st_bootcode2 ... | Das Bootload-Programm || | +-----------------------------------------------+$01C2 st_hdsize 1L | Plattengre in Sektoren | +-----------------------------------------------+$01C6 st_part0 12B | ATARI-Partitions-Eintrag 0 | +-----------------------------------------------+$01D2 st_part1 12B | ATARI-Partitions-Eintrag 1 | +-----------------------------------------------+$01DE st_part2 12B | ATARI-Partitions-Eintrag 2 | +-----------------------------------------------+$01EA st_part3 12B | ATARI-Partitions-Eintrag 3 | +-----------------------------------------------+$01FE st_1234 1W | Ausgleichwort (alle 512 Byte mssen $1234 | | ergeben) | +-----------------------------------------------+ ========================Offset Symbol Gre Beschreibung---------------------------------------------------------------------------- 0 stp_flag 1B $81 bootbar, $01 existent 1 stp_id 3B Kennung wie 'GEM', 'IBM' (oder 'XGM' fr Zeiger auf weiteren Rootblock) 4 stp_start 1L Start-Sektor der Partition 8 stp_size 1L Partitionsgre in SektorenProtar-Partition-Informations-Format:====================================Block Offset Beschreibung------------------------------------------------------ +-----------------------------------+ 1 $0000 | Interne Branch-Opcodes | +-----------------------------------+ 1 $0010 | Protar-Volume-Info | +-----------------------------------+ 1 $0040 | Protar-Partitions-Eintrag 0 | +-----------------------------------+ 1 $0070 | Protar-Partitions-Eintrag 1 | +-----------------------------------+ 1 $00A0 | Protar-Partitions-Eintrag 2 | +-----------------------------------+ 1 $00D0 | Protar-Partitions-Eintrag 3 | +-----------------------------------+ 1 $0100 | Protar-Partitions-Eintrag 5 | +-----------------------------------+ 1 $0130 | Protar-Partitions-Eintrag 6 | +-----------------------------------+ 1 $0160 | Protar-Partitions-Eintrag 7 | +-----------------------------------+ 1 $0190 | Protar-Partitions-Eintrag 8 | +-----------------------------------+ 10 $01C0 | Protar-Partitions-Eintrag 9 | +-----------------------------------+ 1/2 $01F0 | Protar-Partitions-Eintrag 10 | +-----------------------------------+ 2 $0020 | Protar-Partitions-Eintrag 11 | +-----------------------------------+ ==================Offset Symbol Gre Beschreibung---------------------------------------------------------------------------- 0 v_magi1 1L Magic 'V1.0' 4 v_typ 1W Gerte-Typ (2=Harddisk,3=Cartridge, 4=Streamer) 6 v_state 1W Gerte-Flags (2=Media-Change-Erkennung ntig) 8 v_size 1L Kapazitt in kBytes 12 v_part 1W Anzahl der Partitionen 14 v_magi2 1W Magic 'ST' 16 v_name 13B Produktname (NULL-Byte-abgeschlossen) 29 v_magi3 19B'CRAC GMBH ' 55v_date4BTreiber-Versions-Datum, Format YYCCMMDD =========================Offset Symbol Gre Beschreibung---------------------------------------------------------------------------- 0 pp_start 1L Start-Sektor 4 pp_end 1L End-Sektor 8 pp_bsize 1L Kapazitt in kBytes 12 pp_flag 1W (siehe unten) 14 pp_typ 3B Kennung wie 'GEM', 'IBM' o.a. 17 pp_pw 13B Passwort (NULL-Byte-abgeschlossen) 30 pp_drv 1B Laufwerks-Nummer (2=C, 3=D, ...) 31 pp_name 13B Partitionsname 44 pp_bytpsec 1W Logische Sektorgre (512,1024, ...) 44 pp_magic 1W Magic 'ST'  -------------------Bit Symbol Maske Beschreibung---------------------------------------------------------------------------- 0 PA_EXIST $0001 Partition existiert 7 PA_BOOT $0080 Partition ist ein Boot-Laufwerk 8 PA_RDONLY $0100 Partition besitzt Schreibschutz 9 PA_PASSWD $0200 Partition ist passwort-geschtzt 10 PA_FORCE $0400 Partition ist fixiert 11 PA_EXCLUS $0800 Partition ist exclusive 12 PA_BFORCE $1000 Partition ist fixiertes BootlauferkBenutzte System-Vektoren und Variablen======================================Addresse Symbol Beschreibung----------------------------------------------------------------------------$84 gemdos_vec Patchroutine fr ACC-Bootfehler wird eingehngt$88 aesvdi_vec wird whrend der Bootphase umgeleitet$404 etv_critic wird zur Fehlerausgabe benutzt$408 etv_term ^C wird whrend der Bootphase abgefangen$42AresvectorIm Falle einer eignen CookieJar-Installationwird diese beim Reset gelscht.$43E flock Semaphore beim HD-Zugriff$446 _bootdev wird beim Booten gesetzt$472 hdv_bpb zeigt auf Getbpb()-Routine mit XBRA 'PRTR'$476 hdv_rw zeigt auf Rwabs()-Routine mit XBRA 'PRTR'$47E hdv_mediach zeigt auf Mediach()-Routine mit XBRA 'PRTR'$484 conterm Tastaturrepeat wird in Bootphase ausgeschaltet$4B2_bufl2 Zeiger auf die GEMDOS-System-Buffer$4BA _hz_200 Zeitschleifen$4C2 _drvbits Laufwerkseintragungen$4C6 _dskbufp Puffer fr ungerade Adressen$4F2 _sysbase TOS-Versionsbestimmung/Lnder-Erkennung$516 pun_ptr Zeiger auf eine AHDI 3.0-kompatible Struktur$5A0_cookiesFalls keine CookieJar existiert, wird eineangelegt. Es wird ein Cookie "PRTR" eingetragen. 2 "  Gid 7RXXU RAXBXX b R W  KpidBookman-XXU 8@% Booklet   9 Gid XXU   Kpid   %2  KpidFUTBLK.FXXU batsKM.48H2H   3 GidXXU F2H "  <   J6 GidWRXXU 7  r ?=   J6  KpidRXXU 8   @> 2 " J6 GidWRXXU 9   A? b R J6  KpidRXXU :   B@ J6 GidXXU } CA J6  Kpid XXU   KpidDB ! J6 Gid  XXU  GidEC !2 !" J6  Kpid  XXU   KpidFD !b !R J6 Gid  XXU  GidGE ! ! J6  Kpid  XXU   KpidHF ! ! J6 Gid#  XXU  GidIG ! ! J6  Kpid*  XXU   KpidJH "" " J6 Gid1  XXU  GidKI "R "B J6  Kpid8  XXU   KpidLJ " "r J6 GidO XXU   KpidMK " " J6  Kpid  XXU  GidNL " " J6 Gid  XXU   KpidOM # # J6  KpidXXU   HelvN #B #2 J6 GidXXU   Helv #r #b #R':nRt{ ݢXXU U iq # # #'JoRt{XXU  $ # #6Kg XXU  MY A5 BOOKLET $R $b $r XXU  MY A5 BOOKLET)~ )H 9) {) 0=n*@ yz*e{*z@ n_*4 =lP*H  5>t*l<۷o* pf9˃.*`co*7oq*Xv:* -l *  m۰@ ?߱v @?8߰Xt  ({8۾`,; @bq@"2H Bcᡀ  $ 7`  `vo0  vo Dfo? A@f f2A ff B @ Q# t|.> rRLid WRid RLid WRid 2RLid bWRid[/ RLid WRid>R 4Kpl*@ YN 4ll*@ R 4Kpl* RYN 4ll* R 4Kpl* YN 4ll* R 4Kpl* RYN 4ll* >R 4Kpl* >YN 4ll* R 4Kpl* RYN 4ll* R 4Kpl* >YN 4ll* R 4Kpl* R>YN 4ll*  R 4Kpl*  YN 4ll*  R 4Kpl* R YN 4ll*  R 4jl(XX R Kp 2 2 YN l 21:f R  :k   O \W8 " Oh V b NXQ " NdX@ b O W\  n q  >n`p 2 o q\ r o`q  Xn q 8odq 2 ot q r oЛr(  o q >oЛr( 2iZ>#> aO6~O tureH9fH bj2""2" on h 0b]i_ t^aphi 2    R 4Kpl*2H5XXU 8`A4/A5 Booke DOPEY DENNISOnce upon a time, there was a little boy called Dennis. Everyone called him Dopey because . . . well, read on and you will see why. Dennis lived with his mother in a nice house with a courtyard, vegetable plot, cellar and a henrun. One day his mother, since she had to go shopping, said to him, "I'll be away for an hour or two, son. Now, the broody hen is sitting on her eggs. Make sure nobody goes near her. Keep the house tidy and don't touch the jar in the cupboard, it's full of poison." "Don't worry, Mum," the little boy said, and when his mother had gone, he went into the yard to keep guard over the broody hen. However, tired of sitting, the hen got up to stretch her legs for a little before going back to the eggs. Dennis picked up a stick and yelled: "You nasty creature, get right back on those eggs!" But the broody hen, annoyed, only said, "Cluck!", and so Dennis hit her with his stick. He didn't really mean to do her any harm, but the blow fell onthe middle of her neck and the poor hen dropped dead. "Oh!" gasped the lad. "Who's going to sit on the eggs now? Well, I had better do something about that!" So he sat on the eggs . . . and broke the lot! Getting up with the seat of his trousers sticky with egg yolk, Dennis said to himself, "Mum will give me such a scolding. But to keep in her good books, I'll give her a surprise, I'll make the lunch." He picked up the hen, plucked its feathers and put it on the spit to roast. "A roast calls for a good wine!" he said to himself. He took a jug and wentdown to the cellar where he started to draw sparkling red wine from a barrel. "Mum will be pleased with me," he told himself. At that moment, there was a dreadful noise in the kitchen. Dennis said to himself, "Who can that be? I must go and see." And he went . . . forgetting to turn off the tap on the barrel. Up he ran to the kitchen and saw the cat with the roast hen in its jaws andthe spit overturned. "Hey thief!" shouted the lad. "Put my hen down!" He picked up a rolling pin and started to chase the cat which, terrified as it was, firmly held on to the roast chicken as it dashed from room to room. The pair of them knocked against the cupboards, overturned tables, sideboards and stools, smashed vases, pots, plates and glasses. The devastation ended when the cat dropped the hen, leapt out of a window and vanished from sight. Dennispicked up his roast, laid it on the table and said: "Now, I'll go and fetch the wine." He went back to the cellar . . . which was flooded with the wine that had poured out of the barrel. "Good gracious!" gasped Dennis. "What am I to do now?" He didn't dare go in, for before him streched a lake of red wine. "I'll have to mop it all up," muttered Dennis to himself, "but how? I couldgo into the yard and get some sacks of sand, bring them into the cellar and scatter the sand over the floor . . . But that's much too hard work. I'd better think of something else, now then . . ." Seated on the bottom step, hiselbows on his knees, holding his head in his hands, the lad tried to think of a good idea. It really was an alarming situation: there were nearly six inchesof wine all over the floor and in it floated corks, bottles and bits of wood . . . "I've got it!" Dennis suddenly exclaimed. He picked up one of the bags lying on a table, opened it . . . and started to scatter all the flour it contained. "Splendid! The flour will absorb the wine and I can walk about the cellar without wetting my feet," he cried. In no time at all, he had spread not one but five bags of good flour on thefloor. In the end, the floor was covered with a wine-coloured, soft, sticky paste, and as he walked on it, it stuck to his shoes. Dennis went to get the jug he had filled and carried it in great delight back to the table, leaving red footprints everywhere. "Mum is going to be really pleased," he said. Nevertheless, when he thought of all the mess he had made, he began to feara scolding and maybe punishment too. "Never mind," he said, "I'll drink the poison and die." So he went to the cupboard and picked up the jar. He thought the poison would be a black liquid, but the jar contained a red cream. He picked up a spoon and said, "I'll eat it then instead of drinking it." Just as he was about to take his first spoonful, he realised how silly he was. Nobody should ever eat poison, not even when your name is Dopey Dennis. Instead, he decided to hide from his mother so that she would not be able to punish him. A quarter of an hour later, his mother returned. When she saw the overturned furniture, the broken plates and the red footprints, she got a fright and cried, "Dennis! What has happened? Where are you? Answer me!" There was no reply, but she suddenly noticed a pair of legs sticking out ofthe oven. "I'm not surprised you are hiding from me, Dennis, after causing all this mess," she said. "Well, while I am clearing up after you, you can take this roll of cloth to the market and try and sell it for a good price." And she handed the boy a roll of cloth as she spoke. "Oh, I will," said Dennis. "Leaveit to me." When he got to market, Dennis began to shout, "Cloth! Who'll buy this lovely cloth?" Several women came over and asked him, "What kind of cloth is it? Is it soft? Is it hard-wearing? Is it dear? How long is it? How much does it cost"? Dennis exclaimed: "You talk too much, and I don't sell things to chatterboxes," and off he went. He passed by a statue and mistook it for a fine gentleman, so he asked it, "Sir, would you like to buy this fine cloth? Yes or no? If you don't say anything, that means you do. Look here! Do you like it? Yes? Good! Then take it," and he left the cloth beside the statue and went home. "Mum! Mum!" he cried. "I've sold the cloth to a very well-dressed gentleman!" The woman asked: "How much did he give you for it?" Dennis muttered, "Oh! I forgot to ask him for the money! Don't worry, I'll go and ask him for it." He ran back to the statue but the cloth had gone. Someone had clearlytaken it away. Said Dennis to the statue, "I see you've taken the cloth home already. Fine, now give me the money!" Of course, the statue did not reply. Dennis repeated his request, then losing his temper, he picked up a stick and began to beat the statue about the head . . . which broke off and rolled to the ground. Out of the head poured a handful of gold coins, hidden there by goodness knows who! Dennis picked up the coins, put the head back in position and went home. "Look!" he called. And his mother stared in astonishment at this small fortune. "Who gave you such a good price?" his mother asked him. The lad replied: "A very dignified-looking gentleman. He didn't speak, and do you know where he kept his money? In his head!" At this, Dennis's mother exclaimed: "Dennis, listen! You killed the broody hen, broke the eggs, flooded the cellar with wine, wasted five bags of flour, smashed plates, bottles, vases and glasses; you nearly ate the cream, if you think you're going to pull my leg as well you're badly mistaken! Get out of here!" And grabbing the broom, she chased him out of the house. "I don't want to see you again till tonight! Off you go into the vegetable plot." But, as the boy was sitting on the doorstep and did not budge, his exasperated mother picked up the first thing that came within her grasp and hurled it at Dennis's head. It was a big basket of dried figs and sultanas. Dennis shouted then: "Mum! Mum! Quick! Bring a bag! It's raining dry figs and sultanas!" His mother slumped into a chair and said sorrowfully: "What can I do with a boy like him?" Now, since Dennis went about telling folk he had a lot of gold coins, the magistrates sent for him. "Where did you find those coins?" they asked him. Dennis replied: "A gentleman gave me them in payment for a roll of cloth." "What gentleman?" said the magistrates severely. "The gentleman that is always standing at the corner of Plane Tree Street and Jasmine Road," replied the boy. "But that's a statue!" gasped the magistrates. Dennis said: "He didn't say what his name was, but maybe it is Mr. Statue. He kept his money in his head." The magistrates gaped at each other in utter astonishment.Then the chief magistrate asked: "Tell us, Dennis, when did you do this piece of business?" "It was the day it rained dry figs and sultanas!" the boy replied. Again the magistrates exchanged looks, and now certain that Dennis really was dopey,they said: "You can go home, lad, you're free!" And so Dennis went home and lived there happily with his mother. A bit dopey, yes, but he never did anybody any harm, and that's all that counts. JACK AND THE BEANSTALK Once upon a time there was a poor widow who lived with her son Jack in a little house. Their wealth consisted solely of a milking cow. When the cow hadgrown too old, the mother sent Jack to sell it. On his way to the market, the boy met a stranger. "I will give you five magic beans for your cow," the stranger offered. Jackwas unsure and hesitated for a while but then, enticed by the idea of such an extraordinary deal, he decided to accept. When he returned home, his mother was furious and reprimanded him sternly: "You fool! What have you done? We needed the money to buy a calf. Now we don't have anything and we are even poorer." Jack felt guilty and sad. "Only a fool would exchange a cow for five beans," his mother fumed. Then, at the height of her exasperation, she threw the five beans out of the window and sent Jack to bed with no dinner. The morning after, when he stepped outside, Jack saw an amazing sight. A gigantic beanstalk, reaching far into the clouds, had grown overnight. "The beans must have really been magic," Jack thought happily. Being very curious, the boy climbed the plant and once he reached the top of the stalk hefound himself over the clouds. While looking around in amazement, Jack saw a huge castle of grey stone. "I wonder who lives there," he thought. Jack was very surprised to see a path leading to the castle. He cautiously stepped on the clouds and, when he saw that they held him up, he walked to the castle. As he stood in front of the huge gate, his curiosity increased. He knocked several times on the gigantic door, but no one came to open it. Jack noticed that the door wasn't locked. With great effort, he was able to push it until it creaked open. "What are you doing here?" a thundering voice asked. The biggest woman he had ever seen was scowling at him. Jack could only mutter: "I am lost. May I have something to eat? I am very hungry." The woman, who did not have children, looked at him a little more kindly: "Come in, quick. I will give you a bowl of milk. But be careful because my husband, the ogre, eats children. If you hear him coming, hide at once." Jack was shaking with fear but, nonetheless, he went inside. The milk the woman gave him was very good and Jack had almost finished drinking it when they heard a tremendous noise. The ogre was home. "Fee fl fo fum! I smell the blood of an Englishman!" the ogre shouted. "Hide, quick!" the woman whispered, pushing Jack into the oven. "Do I smell a child in this room?" the ogre asked suspiciously, snifflng and looking all around. "A child?" the woman repeated. "You see and hear children everywhere. That's all you ever think about. Sit down and I'll make your dinner." The ogre, still grumbling, filled a jug of wine and drank it all with his dinner. After having counted again and again all the gold pleces of his treasure, the ogre fell asleep with his feet propped up on the table. After a little while, his thundering snoring echoed throughout the castle. The ogre's wife went to prepare the ogre's bed and Jack, who had sneaked out ot the oven, sawthe gold pieces on the table and filled a little bag full of them. "I hope he won't see me, otherwise he'll eat me whole, Jackq thought whileshivering with fear. Jack's heart was beating faster, not just faster becausehe feared the ogre but because he was very excited. Thanks to all the gold coins, he and his mother would be rich. Jack ran down the path over the clouds. Jack arrived at the top of the giant beanstalk and began to descend as quickly as possible, hanging on the leaves and the branches. When he finally reached the ground, he found his mother waiting for him. The poor woman hadbeen worried sick since his disappearance. She had been frightened by the giant beanstalk. When she saw Jack come downand then triumphantly hold up the bag full of gold, she burst out crying: "Where have you been, my son? Do you want me to die worrying? What kind of plant is this? What . . ." Jack cheerfully interrupted her, emptying the contents of the bag before her. "You see, I did the right thing exchanglng that cow for the magic beans. Now I'll tell you the whole story . . ." And Jack told his mother everything that had happened in detail. In the days that followed, the widow's humble house was made into a comfortable home.The gold pieces were spent to buy a lot of things Jack and his mother neverhad before. Mother and son were very happy. But as time went by, so did themoney. When the last gold piece had been spent, Jack decided to go back to thecastle above the clouds. This time the boy went inside through the kitchen andhid once again in the oven. Shortly after, the ogre came in and began to sniffabout. "I smell children," he said to his wife. But since she had seen no one comein, she didn't pay any attention to him. After dinner, the ogre placed a hen on the table. The hen laid golden eggs.Jack saw the miraculous hen from a crack in the oven door. He waited for the ogre to fall asleep, jumped out of the oven, snatched the hen and ran out of the castle. The hen's squawking, however, woke up the ogre. "Thief! Thief!" he shouted. But Jack was already far away. Once again, he found his mother anxiously waiting for him at the foot of the beanstalk. "Is that all you stole? A hen?" she asked Jack, disappointed. But Jack ran,happy, to the courtyard. "Just wait," he said to his mother. As a matter of fact, a little while later the hen laid a golden egg and continued to lay such an egg every single day after that. By now, Jack and his mother were very wealthy. Their house was completely rebuilt. Teams of carpenters replaced the roof, added new rooms and elegant marble columns. Then they bought paintings, tapestries, Persian rugs, mirrors and many other beautiful fumishings. Their miserable shack was transformed into a luxurious home. Jack and his mother had not forgotten their previous years of poverty and deprivation. So they chose to welcome any traveller who needed food or shelter. But wealth doesn't always bring happiness. Jack's mother suddenly fell ill or so it seemed. But not one of the many doctors who visited her could discover what her illness was. The woman was sad, ate less and less and showed no interest in life. She rarely smiled, and then only when Jack was near to her. Her son tried to cheer her up, but nothing could save the mother from her slow but inevitable decline. Even a circus's famous clown, who had been invited especially for her entertainment, received only a sad greeting. Jack was desperate and didn't know what to do. All the hen's gold was not enough to make his mother well again. So he had another idea. "What if I went back to the ogre's castle? Maybe there I could find the answer," he thought. He shivered with fear thinking about the giant's huge hands and mouth, but the hope of helping his mother encouraged him to face thedanger again. One evening he gathered all his courage and climbed once more the giant beanstalk. This time he entered the castle through an open window. He sneaked in the darkness to the kitchen and hid inside a huge pot until the following day. After dinner the ogre went to get his magic harp, an instrumentthat sang and played marvellous music. While listening to the harp's sweet melody, the ogre fell asleep. In his hiding place, Jack was captivated by the harp's song as well. When he finally heard the ogre snore loudly, he lifted the pot's lid and saw the extraordinary instrument: a golden harp. He quickly climbed on the table and ran away with the harp in his hands. The instrument woke up the ogre screaming: "Master, master! Wake up! A thief is taking me away!" The ogre woke up suddenly, was disorientated for a couple of seconds but then realized what washappening and began chasing Jack. The boy ran as fast as he could and the harpkept calling out. "Shut up! Shut up! If you'll play for me, you'll be happier," Jack kept telling it breathlessly. He finally arrived to where the leafy top of the beanstalk poked through the clouds. Jack crept along the ground and slipped down the stalk quietly. The harp did not make a sound and the ogre didn't see Jack go down the plant. When Jack got down to earth he called to his mother, "Look what I've brought you!" The harp began to play an enchanting melody and his mother smiled happlly. But up there in the clouds someone else had heard the harp's beautiful songand Jack soon realized with terror that the thick beanstalk was shaking under a very heavy weight. The ogre was coming down to earth! "Hide the harp and bring me an axe! I must chop down the plant before the ogre gets here," Jack said to his mother. They could already see the ogre's huge boots when the plant and the ogre finally crashed to the ground. The ogrefell down a cliff nearby. The ogre's wife never found out what had happened toher husband and as time passed Jack no longer felt in danger. The magical sound of the harp cured his mother's sadness and she was once again happy and cheerful. The hen kept on laying golden eggs. Jack's life had gone through a lot of changes since he had accepted the magic beans. But without his courage and his wit, he and his mother could never have found happiness. THE GOLDEN GOOSE Once upon a time . . . there was a woodcutter called Thaddeus, a dreamy, foolish-looking lad though good-hearted. One day, his father sent him to a distant wood to chop down trees. Thaddeus thought that these trees were a kindhe had never seen before and that it was hard work trying to hack through their hard trunks. Sweating after all his efforts, he had barely sat down against a sawn-off trunk to have a meal, when a strange old man with a white beard popped out from behind a bush and asked him for a bite to eat. Kindly Thaddeus gave him some bread and cheese and together they cheerily drank a flask of wine. "Of all the woodcutters that have tried to fell these trees, you're the first one who has been nice to me," said the old man, stuttering, perhaps after all the wine. "You deserve a reward. If you cut down that tree in the centre of the wood, you'll find that all the others will fall down by themselves. Have a look in its roots where there's a gift for you! You see, I'm the Wizard of the Woods!" Not particularly surprised, Thaddeus did as he was told, and in a flash, his work was done. From the roots of the tree the Wizard had pointed towards, the woodcutter took a golden goose. Slipping the bird under hls arm, Thaddeus set off homewards. Now, it may have been too much wine, or maybe the fact hewas new to these parts, but the fact remains that Thaddeus lost his way. At dead of night, he reached a strange village. A tavern was still open, so thewoodcutter went in. "Something to eat for myself and for the Golden Goose that the Wizard of the Woods gave me," he ordered the innkeeper's daughter. "That's a bite for meand a bite for you," he said, sharing his food with the goose across the table. The innkeeper's other two daughters came to stare at the strange sight,then all three dared ask: "Why are you so kind to a goose?" "This is a magic goose," replied Thaddeus, "and worth a fortune. I shall stay the night here and I need a secure room, for I don't want to be robbed." However, during the night, one of the sisters was persuaded to steal at least one goose feather. "If it's a magic bird, then one of its feathers will be precious too!" Butthe second her hand touched the goose's tail, it stuck fast, and nothing wouldunstick it. In a low voice, she called her sisters, but when they tried to pull her free, they too stuck fast. A little later, Thaddeus woke, not at all surprised to see the three sisters, ashamed at being discovered, stuck to the golden goose. "How can we get free?" they wailed. But the woodcutter coolly replied: "I have to leave with my goose. Too bad for you if you're stuck to her. You'll just have to come too!" And when the innkeeper saw the strange little procession trip past, he shouted "What's up?" and grabbed the last sister by the arm. It was the worst thing he could have done! For he too found himself attached to the tail of the little group. The same fate awaited a nosy villagewoman, the plump curate and the baker who had placed a hand on the curate's shoulder as he rushed past. Last of all came a guard who had tried to stop theprocession. People laughed as Thaddeus and his row of followers went by, and crowds soon flocked the roads. Close to the village where Thaddeus had spent the night stood the Royal Palace. Though rich and powerful, the King had a great sorrow: his only daughter suffered from a strange illness that no doctor had been able to cure.She was always sad and unhappy. The King had once proclaimed that the man who succeeded in making his daughter laugh would be granted her hand in marriage. But so far, nobody had so much as brought a smile to the Princess's lips. As it so happened, the Princess chose that day to drive through the villagesquare, just as the woodcutter with the goose under his arm, solemnly marched by with his line of unwilling followers. When she heard the people chuckle, the Princess raised the carriage curtains. The minute she set eyes on the amazing sight, she burst into peals of laughter. Everyone was amazed to hear the Princess laugh for the first time. She stepped down from the carriage for a closer look at the golden goose and that's how she got stuck to the baker! Laughing and chattering, the processionheaded towards the palace, with the crowds at their heels. When the King saw his daughter in fits of laughter, he could hardly believe it. "How amazing! How amazing!" he said. But in spite of all the mirth, it was a serious situation. That is, until alarge man with a tall peaked hat and a white beard stepped forward and snappedhis fingers three times. Suddenly, Thaddeus and the others all became unstuck.The woodcutter was about to thank the Wizard of the Woods, for it could be none other, but he had vanished into thin air. And that's how the simple woodcutter, Thaddeus, found himself married to the King's daughter. THE LION AND THE MOSQUITO Once upon a time . . . a tiny mosquito started to buzz round a lion he met."Go away!" grumbled the sleepy lion, smacking his own cheek in an attempt to drive the insect away. "Why should I?" demanded the mosquito. "You're king of the jungle, not of the air! I'll fly wherever I want and land wherever I please." And so saying, he tickled the lion's ear. In the hope of crushing the insect, the lion boxed his own ears, but the mosquito slipped away from the now dazed lion. "I don't feel it any more. Either it's squashed or it's gone away." But at that very moment, the irritating buzz began again, and the mosquito flew into the lion's nose. Wild with rage, the lion leapt to his hind legs and started to rain punches on his own nose. But the insect, safe inside, refused to budge. With a swollen nose and watery eyes, the lion gave a terrific sneeze, blasting the mosquito out. Angry at being dislodged so abruptly, the mosquito returned to the attack: BUZZ . . . BUZZZ! . . . it whizzed round the lion's head. Large and tough as the lion was, he could not rid himself of his tiny tormenter. This made him angrier still, and he roared fiercely. At the sound of his terrible voice, all the forest creatures fled in fear, but paying no heed to the exhausted lion, the mosquito said triumphantly: "There you are, king of the jungle! Foiled by a tiny mosquito like me!" And highly delighted with his victory, off he buzzed. But he did not notice a spider's web hanging close by, and soon he was turning and twisting, trying to escape from the trapset by a large spider. "Bah!" said the spider in disgust, as he ate it. "Another tiny mosquito. Not much to get excited about, but better than nothing. I was hoping for something more substantial..." And that's what became of the mosquito that foiled the lion!@There, Bob, that was a nice couple of tales for you, if you've bothered to read this far.By the way, the letters A,B,C etc stuck on the side of the text columns are only there to aid me in setting the text routing and enumerating the pages. I would normally delete these before printing, but left them in so that you could see my method.Again, if you want to make use of this particular lay-out, all you have to do is highlighty and derlete the text - probably a page at a time - and then either start typnig ir importing on page one and the text will flow into the correct text columns on the appropriate pages.This form is a little more difficult to set up than with separate A5 sheets, but not tyoo difficult, really.Of course, if you let me know exactly what lay out you require, including the exact number of pages, I can prepare a template for you. Or why not just send me your text files and lI`ll do it for you, leaving you to photo-copy, collate and staple?When I can I'll give you a run down on the more important features of Proxima. 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All clothing and equipment is provided. Your instructor will allocate the craft most suited to your level of experience. YHospitality YMeals are available at the club though you may wish to explore some of the excellent local facilities. Accomodation can be arranged on request. When you are not on the water, relax in the peaceful surroundings of the small market town which is just a few minutes walk from the Marlin Sailing Club. YA crche facility is available or you can leave the children in our instructors' capable hands whilst you have a well-earned break. YBook early! YBook your course one month in advance for free membership to the Marlin Sailing Club until the end of the summer season! For more details and a booking form contact Carol Cook at the Marlin Sailing Club. 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A&A lA&A c2t&. y&y ly&y c2&. & l& c2&. & l& c2&. #&# l#&# c2W&. \&\ l\&\ c2&. & l& c2&. & l& c2&. & l& c2:&. ?&? l?&? c2r&. w&w lw&w c2&. & l& c2&. & l& c2&. & l& c2&. & l&UTXTYMarlin Sailing Club P FFFP The meadow P FFFP St. Ives P FFFP Cambs PE17 4LG P FFFP Tel. 0480 496789 OTLN4 ; }Z>ģ'ePyO7]PSTYBODY TEXT,}ddp @P !$'`PSTYBULLETHdldp @P !$'`PSTYFOOTNOTExddp @P !$'`PSTYHEADLINES ddp @P !$'`PSTYSUBHEADddp @P !$'`FKEYPOFSEODFDTPI*.A4GRAF8SCLUB2.GEM*,3s;m7F1o )PK2% lh jk 'l(4E4$E4>E4XE4oE4E4E4E4E4E4E4E4E5E5,E5HE5sE5E5E5E5E5E6E6E6*E6?E6TE6mE6E6E6E6E6E6E7E7E7(E7:E7DE7LE*3D3D4D43D4LD4bD4pD4}D4D4E4E 4E 4E 4E4D5D5+D5WD5rD5D5D5E 5E5E5E6E6E6*D6@D6YD6qD6D6D6D6D6E 6E 7 E 7E7,D76D7>D)3D4D40D4ID4`D4uD4D4D4D4D4D4D4D4D5D52D5\D5vD5D5D5D5D5D5D6 D6!D66D6ND6dD6uD6D6D6D6D6D6D6D7D7D7D7%D(4PF4oF4E4E4E4E4F4F 4F4F5F$5"F%55F#5JF5cF5}F5E5E5F5F5F!6F*6(F-6;F(6NF6aF6uF6F6E6F6F6F6F6F7F!7 F#7-F!78F7IF7YF-3ES3E93E.4 E)4%E*4?E04NE84]EC4lEN4~EW4E`4Eb4E`4EW4EQ5EF5%E45YE-5yE25E<5EM5E^5Ei5Em6Em6Ek6Ef61EZ6=ET6KEK6dE<6E36E06E46E<6EG6ER7 EZ7E^7@Ea7PE^7_EW7tEK7ED7E<4C4C4B?4A_4@4@L4?4?-4>v4=4='4<4< 4>3AT4*B4Cn4C4C 48C5PC4Dh48C48C5PC4Dh48C6C6C6Bc6A6A 6@6@[6?6?6>a6=6=6=6!?J5A62B6Ch6C 6=C7(C6DE6=C6=C7(C6DE6=C !6";m66;p6H;x6Y;6g;6s;6|;6;6;6<6|<26sģ'ePyO7]OTLN4 ; }Z>ģ'ePyO7]OTLN4 ; }Z>ģ'ePyO7]PSTYBODY TEXT,}ddp @P !$'`PSTYBULLETHdldp @P !$'`PSTYFOOTNOTExddp @P !$'`PSTYHEADLINES ddp @P !$'`PSTYSUBHEADddp @P !$'`FKEYPOFSEODF%!PS-Adobe-2.0 EPSF-1.2 %%Creator: John Bradley GST %%Title: Fractal Tree %%Comment: The Scew is random %%CreationDate: 06/01/89, 13:26:29 %%BoundingBox: 0. 0. 100. 75. %%EndComments /SCEW1 1 def /SCEW2 1 def /ASCEW1 1 def /ASCEW2 1 def /ASCEW3 0 def /tree { 1 index 1 gt { 3 index 2 index 2 index ASCEW3 add sin mul add 3 index 3 index 3 index ASCEW3 add cos mul add 5 index 5 index 3 index 3 index newpath moveto lineto 3 index 10 div setlinewidth stroke 1 index 1 index 5 index 5 index exch 0.7 0.15 SCEW1 mul add mul exch 20 ASCEW1 mul add tree 3 index 3 index exch 0.7 0.15 SCEW2 mul add mul exch 20 ASCEW2 mul sub tree } if pop pop pop pop } def /frand { rand cvr 2. 31. exp 1. sub div dup truncate sub } def /main { frand /SCEW1 exch def frand /SCEW2 exch def frand 2. div 0.75 add /ASCEW1 exch def frand 2. div 0.75 add /ASCEW2 exch def frand 0.5 sub 180. 8. div mul /ASCEW3 exch def 40. 0. 10. 0. tree } def gsave main grestore showpage DTPI*.AX4IMAG'BMARLIN.IMG&TT%&???????????????D????<;;0;;;s:9:p:<::]ǀ9c999x9>9O98808 |8>887787a<776668|66555a585?544e4 p~4 84 3 3 3 ~3 q3 82 2 2 ~2 ?2 p1 >1p 1 <1 1 0 pe0 90 .0 x?/ / w/ s/ 9{/ j7. 3. .| ..8-|-0--Ǖ,/,{/,,E++++x~*% o$y$p ѐ_$ # ?۝# ~<" o8"  ! pLm"x! 8 c8x> x_?>736fw<;dlmٸg=8zsf? s01  8?~ $7$??>9 mq`&[mMH "/0a@ H;;LQ I?`S ?g$+FH ܴ0 ??[C_viP  OϹ@ۖ;` x '-m@Bgb@  61_  D_O ɂQ=/7?$@܊~'NI}~ y~ 0`Ƞ(R 0 `$Rnph`\*T0 _  /@PTq\+? $\_wb  no: BFUv  !#  ]*]v<O  W_` @׭(G^ qZϿ ~ zUkg, ((T? x[C?  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H xʿ- H'5< H K HKn HA' NWSO_ F ME W D#nW NW wL׷ !׿  (  IH{? &`J}!#"w<@'~/D0@ # ۿ?r/?wc ~;C a?!` ww C? |0 w9Bcw {!? _?  1 1  y;? {? 0w1 7=> w  9 }9{  < |s  x?<? 6zGiyg `q>?7 x<p!D  ?  @!c  @   ( |0 ?{?>?\O? ?~8 ? 1 ?ǀ >     | \ {|   'Ǟ& g>;&|5&1&&3&%%????????? ??????????PAGEbJ 1 M  M#J1 MXXXXXM0XXXXXM1W XXXXXM2&W RXXXXXM4& RXXXXXM5W RXXXXXM6 RXXXXXM7"&W RXXXXXM8"& RXXXXXM; 370?M< 9 3 g7M= 37M> 3l7M?$n 3D7dlol weSaM@"jCylignC lMA 9"j gW507 07 7OMB"jE>u@&MC"jlIMD$n"jD>9G6vÊME$n4DDdlol weSaMF$n6 Ddlol weSaMG$n7Ddlol weSaMHW4Ddlol weSaMIW6 dlol weSaMJW7dlol weSaMK9;& F:F9MLBY&MM4Sj?7 D7MUTXTYLakeside Chandlery YThe Meadow, YSt. Ives, YCambridgeshire PE17 4LG YTel. 0480 496 789 YFax. 0480 496 189 UTXT=Y SALES INVOICE Y YInvoice No: YInvoice Date: UTXTYInvoice To: Y UTXT0YDeliver To: Y UTXT1YInvoice No. Y Y UTXT2YDate of Invoice Y UTXT4YAccount No. Y UTXT5YClient Order No. Y UTXT6YRep. Sales Y UTXT7YSales Order No. Y UTXT8YNo. of Parcels Y UTXT;YProduct Code UTXT <YDescription/Serial Number UTXT=YQuantity UTXT >YPrice UTXT ?YTotals UTXT@Y UTXTAY UTXTBY  UTXTCY  UTXTDY  UTXTEY  UTXTFY  UTXTGY  UTXTHYTotal Value UTXTIYVAT @ 17.5 % UTXTJYTotal Due UTXT?KYTerms: 30 DAYS FROM DATE OF INVOICE VAT NO. 201 9010 188 UTXTMYLakeside Chandlery PAGEbJ 1 q  q#J1 qXXXXXqXXXXXqW XXXXXq&W RXXXXXq& RXXXXXqW RXXXXXq RXXXXXq"&W RXXXXXq"& RXXXXXq  370?q! 9 3 g7q" 37q# 3l7q$$n 3D7dlol weSaq%"jCylignC lq& 9"j gW507 07 7Oq'"jE>u@&q("jlIq)$n"jD>9G6vÊq*$n4DDdlol weSaq+$n6 Ddlol weSaq,$n7Ddlol weSaq-W4Ddlol weSaq.W6 dlol weSaq/W7dlol weSaq39;& F:F9q9BY&q:4Sj?7 D7qUTXTYLakeside Chandlery YThe Meadow, YSt. Ives, YCambridgeshire PE17 4LG YTel. 0480 496 789 YFax. 0480 496 189 UTXTKY SALES INVOICE Y YInvoice No: 26 609 YInvoice Date: 07.02.92 UTXTcYInvoice To: YMalcom McDonald Y23 Russett Way YSt. Ives YCambridgeshire PE17 3RT UTXTcYDeliver To: YMalcom McDonald Y23 Russett Way YSt. Ives YCambridgeshire PE17 3RT UTXT"YInvoice No. Y Y26 609 UTXT#YDate of Invoice Y07.02.91 UTXTYAccount No. YS105 UTXT!YClient Order No. YRN012 UTXT!YRep. Sales YGavin Smith UTXT YSales Order No. Y20704 UTXTYNo. of Parcels Y2 UTXT YProduct Code UTXT !YDescription/Serial Number UTXT"YQuantity UTXT #YPrice UTXT $YTotals UTXTZ%Y 57488 Y 67567 Y 84690 Y 67456 Y 96607 Y 22500 Y 96000 Y 48485 UTXT&YSilva 85 regatta compass YRWO Trapeze handle YHOLT Spring hook, 44 mm YD Shackle, 10mm YSERVO11 Fairlead top mount YSUPERSPAR Spinnaker pole YYACHTSPEED Standard blocks YMUSTO Trapeze harness UTXT:'Y  1 Y  2 Y  4 Y  5 Y  2 Y  1 Y  4 Y  1 UTXTU(Y  54.80 Y  5.40 Y  1.25 Y  0.99 Y  4.50 Y  45.50 Y  2.80 Y  56.30 UTXTW)Y  54.80 Y  10.80 Y  5.00 Y  4.95 Y  9.00 Y  45.50 Y  11.20 Y  56.30 UTXT*Y  197.55 UTXT +Y  34.57 UTXT,Y  232.12 UTXT-YTotal Value UTXT.YVAT @ 17.5 % UTXT/YTotal Due UTXT?3YTerms: 30 DAYS FROM DATE OF INVOICE VAT NO. 201 9010 188 UTXT:YLakeside Chandlery PSTYBIG LABELSqdqdp @P !$'`PSTYBODY TEXTUdqqdY ) i9 !$y'I*PSTYCOL CODELqdqqdn>  ~N #^&.(PSTYCOL DESCRPqdqqdR" b2r"B%'PSTYCOL HEADER,dqqdp @P !$'`PSTYCOL PRICE qdqqdR" b2r"B%'PSTYCOL QUANTY qdqqd Z*j:" $'PSTYCOL TOTALS qdqqd d 4tD"%(TPSTYFILL TEXT9ddp @P !$'`PSTYFOOTNOTE9dqqd JZ* #&)j,:/ 1PSTYHEADINGTUdqqdp @P !$'`PSTYLABELSXTUdUdp @P !$'`PSTYSALES HEAD qdqqdp @P !$'`FKEYPOFS77EODFDTPI*.AX4IMAG'BMARLIN.IMG0&TT%&???????????????D????<;;0;;;s:9:p:<::]ǀ9c999x9>9O98808 |8>887787a<776668|66555a585?544e4 p~4 84 3 3 3 ~3 q3 82 2 2 ~2 ?2 p1 >1p 1 <1 1 0 pe0 90 .0 x?/ / w/ s/ 9{/ j7. 3. .| ..8-|-0--Ǖ,/,{/,,E++++x~*% o$y$p ѐ_$ # ?۝# ~<" o8"  ! pLm"x! 8 c8x> x_?>736fw<;dlmٸg=8zsf? s01  8?~ $7$??>9 mq`&[mMH "/0a@ H;;LQ I?`S ?g$+FH ܴ0 ??[C_viP  OϹ@ۖ;` x '-m@Bgb@  61_  D_O ɂQ=/7?$@܊~'NI}~ y~ 0`Ƞ(R 0 `$Rnph`\*T0 _  /@PTq\+? $\_wb  no: BFUv  !#  ]*]v<O  W_` @׭(G^ qZϿ ~ zUkg, ((T? x[C?  Bj@ `z? @Q=_  UM  `@ Y$@ *_ ݠ  XN  OYw uT @?!z ? Kn > @ } U 洽   9o?  O r ֟߯@ V MMN_ H~ &_  S[G  黷 u__ :i: 5B[  {i [ A=  ^ey_ h /߮ _O$Smmw @ n k} `  Lk ${ 4o] > gq]߭  7 @&o ~@ 6 tٛ  n l߰ @ "fǘ o ۥ2 f yUi =q*Av۽ g +6@ 䊳\۴ uQ7o^< D : K[ 8l&}_ !Oހ 搄"} !HB IY@ !,#@-0 !Q`o !?d_ !v !īL 6o !D\7 ! osɥ@ !IͶ` !w /m "V@m? J"k8` o{? "5~ʟ    ">߰&sݯ "I @E "?҄% ( Dq}~%P6%, f@8w}% % 1?& B~w& &`@ C o&47&@ L&  @ &@ #v& ! & ٟy& {m' @m\' ݂ 'h 0Qw@ '2@~}H@'4 @'@ 7 '  !;ww'@Lh'@  ɭk @'` #sk ' doi '  ( ;;o\(d ;w7ˤ((;@ gl'(4M@( 3yX<(  @97mr( $`'f(C( 6(X!Ǜm( Ov )XV) "ݿ)e):C2~|)6 n^)@ "|G)qͻ~A) `}2)Psn)~ )H 9) {) 0=n*@ yz*e{*z@ n_*4 =lP*H  5>t*l<۷o* pf9˃.*`co*7oq*Xv:* -l *  m۰@ ?߱v @?8߰Xt  ({8۾`,; @bq@"2H Bcᡀ  $ 7`  `vo0  vo Dfo? A@f f2A ff B @ Q@<H f <$0 Z H6 )2ar ) DRY A  Y A[-Y A +?H AF F. H;u. H xʿ- H'5< H K HKn HA' NWSO_ F ME W D#nW NW wL׷ !׿  (  IH{? &`J}!#"w<@'~/D0@ # ۿ?r/?wc ~;C a?!` ww C? |0 w9Bcw {!? _?  1 1  y;? {? 0w1 7=> w  9 }9{  < |s  x?<? 6zGiyg `q>?7 x<p!D  ?  @!c  @   ( |0 ?{?>?\O? ?~8 ? 1 ?ǀ >     | \ {|   'Ǟ& g>;&|5&1&&3&%%????????? ??????????PAGEbJ 1 L  L#J1 LXXXXXL0XXXXXL1W XXXXXL2&W RXXXXXL4& RXXXXXL5W RXXXXXL6 RXXXXXL7"&W RXXXXXL8"& RXXXXXL; 370?L< 9 3 g7L= 37L> 3l7L?$n 3D7dlol weSaL@"jCylignC lLA 9"j gW507 07 7OLB"jE>u@&LC"jlILD$n"jD>9G6vÊLE$n4DDdlol weSaLF$n6 Ddlol weSaLG$n7Ddlol weSaLHW4Ddlol weSaLIW6 dlol weSaLJW7dlol weSaLK9;& F:F9LLBY&LM4Sj?7 D7LUTXTYLakeside Chandlery YThe Meadow, YSt. Ives, YCambridgeshire PE17 4LG YTel. 0480 496 789 YFax. 0480 496 189 UTXT=Y SALES INVOICE Y YInvoice No: YInvoice Date: UTXTYInvoice To: Y UTXT0YDeliver To: Y UTXT1YInvoice No. Y Y UTXT2YDate of Invoice Y UTXT4YAccount No. Y UTXT5YClient Order No. Y UTXT6YRep. Sales Y UTXT7YSales Order No. Y UTXT8YNo. of Parcels Y UTXT;YProduct Code UTXT <YDescription/Serial Number UTXT=YQuantity UTXT >YPrice UTXT ?YTotals UTXT@Y UTXTAY UTXTBY  UTXTCY  UTXTDY  UTXTEY  UTXTFY  UTXTGY  UTXTHYTotal Value UTXTIYVAT @ 17.5 % UTXTJYTotal Due UTXT?KYTerms: 30 DAYS FROM DATE OF INVOICE VAT NO. 201 9010 188 UTXTMYLakeside Chandlery PSTYBIG LABELSqdqdPSTYBODY TEXTUdqqdPSTYCOL CODELqdqqdnPSTYCOL DESCRPqdqqdRPSTYCOL HEADER,dqqdPSTYCOL PRICE qdqqdRPSTYCOL QUANTY qdqqdPSTYCOL TOTALS qdqqdPSTYFILL TEXT9ddPSTYFOOTNOTE9dqqd JPSTYHEADINGTUdqqdPSTYLABELSXTUdUdPSTYSALES HEAD qdqqdFKEYPOFS77EODFDTPI*.An7DTXT0004.DOCY29th January 1992 Y YMr A Fisher Y14 Pleasant Drove YDoddington YCambridgeshire YPE15 9TU Y YDear Mr Fisher YFurther to your letter dated 24th January, I am pleased to have this opportunity to tell you more about the IMarlin Sailing ClubI. YThe club was founded in 1980 by IAlan CookI, the Owner and Commodore of the Club, and myself. It is located by its own lake on forty acres of land near ISt IvesI. YApart from the attractions of pleasantly landscaped surrounds, the club has built up some excellent facilities including club house, bar, dining area, changing rooms, showers and our ILakeside ChandleryI, which retails all water sports related equipment. YThe IMarlinI is a friendly family club which caters not just for the avid sailors but also the social members who enjoy safe swimming, ample picnic areas and a full range of social gatherings throughout the year. YRacing takes place every Saturday and there are additional mid-week series in the Summer months, on Wednesday evenings. Racing is provided for Wayfarers, Scorpions, Enterprises, Lightnings and Lasers for the Spring, Summer and Autumn series and the General Handicap is always well supported and keenly competitive. YWindsurfers are a welcome and enthusiastic section of the club and are available for hire to club members. YI hope this answers your enquiry. However, should you require any further information, or wish to become a club member, please do not hesitate to contact me. YYours faithfully Y Y Y YCarol CookBUBUBUBUBU YUBUGENERAL SECRETARYU IMAG'BMARLIN.IMG&TT%&???????????????D????<;;0;;;s:9:p:<::]ǀ9c999x9>9O98808 |8>887787a<776668|66555a585?544e4 p~4 84 3 3 3 ~3 q3 82 2 2 ~2 ?2 p1 >1p 1 <1 1 0 pe0 90 .0 x?/ / w/ s/ 9{/ j7. 3. .| ..8-|-0--Ǖ,/,{/,,E++++x~*% o$y$p ѐ_$ # ?۝# ~<" o8"  ! pLm"x! 8 c8x> x_?>736fw<;dlmٸg=8zsf? s01  8?~ $7$??>9 mq`&[mMH "/0a@ H;;LQ I?`S ?g$+FH ܴ0 ??[C_viP  OϹ@ۖ;` x '-m@Bgb@  61_  D_O ɂQ=/7?$@܊~'NI}~ y~ 0`Ƞ(R 0 `$Rnph`\*T0 _  /@PTq\+? $\_wb  no: BFUv  !#  ]*]v<O  W_` @׭(G^ qZϿ ~ zUkg, ((T? x[C?  Bj@ `z? @Q=_  UM  `@ Y$@ *_ ݠ  XN  OYw uT @?!z ? Kn > @ } U 洽   9o?  O r ֟߯@ V MMN_ H~ &_  S[G  黷 u__ :i: 5B[  {i [ A=  ^ey_ h /߮ _O$Smmw @ n k} `  Lk ${ 4o] > gq]߭  7 @&o ~@ 6 tٛ  n l߰ @ "fǘ o ۥ2 f yUi =q*Av۽ g +6@ 䊳\۴ uQ7o^< D : K[ 8l&}_ !Oހ 搄"} !HB IY@ !,#@-0 !Q`o !?d_ !v !īL 6o !D\7 ! osɥ@ !IͶ` !w /m "V@m? 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Bj@ `z? @Q=_  UM  `@ Y$@ *_ ݠ  XN  OYw uT @?!z ? Kn > @ } U 洽   9o?  O r ֟߯@ V MMN_ H~ &_  S[G  黷 u__ :i: 5B[  {i [ A=  ^ey_ h /߮ _O$Smmw @ n k} `  Lk ${ 4o] > gq]߭  7 @&o ~@ 6 tٛ  n l߰ @ "fǘ o ۥ2 f yUi =q*Av۽ g +6@ 䊳\۴ uQ7o^< D : K[ 8l&}_ !Oހ 搄"} !HB IY@ !,#@-0 !Q`o !?d_ !v !īL 6o !D\7 ! osɥ@ !IͶ` !w /m "V@m? J"k8` o{? "5~ʟ    ">߰&sݯ "I @E "?҄% ( Dq}~%P6%, f@8w}% % 1?& B~w& &`@ C o&47&@ L&  @ &@ #v& ! & ٟy& {m' @m\' ݂ 'h 0Qw@ '2@~}H@'4 @'@ 7 '  !;ww'@Lh'@  ɭk @'` #sk ' doi '  ( ;;o\(d ;w7ˤ((;@ gl'(4M@( 3yX<(  @97mr( $`'f(C( 6(X!Ǜm( Ov )XV) "ݿ)e):C2~|)6 n^)@ "|G)qͻ~A) `}2)Psn)~ )H 9) {) 0=n*@ yz*e{*z@ n_*4 =lP*H  5>t*l<۷o* pf9˃.*`co*7oq*Xv:* -l *  m۰@ ?߱v @?8߰Xt  ({8۾`,; @bq@"2H Bcᡀ  $ 7`  `vo0  vo Dfo? A@f f2A ff B @ Q@<H f <$0 Z H6 )2ar ) DRY A  Y A[-Y A +?H AF F. H;u. H xʿ- H'5< H K HKn HA' NWSO_ F ME W D#nW NW wL׷ !׿  (  IH{? &`J}!#"w<@'~/D0@ # ۿ?r/?wc ~;C a?!` ww C? |0 w9Bcw {!? _?  1 1  y;? {? 0w1 7=> w  9 }9{  < |s  x?<? 6zGiyg `q>?7 x<p!D  ?  @!c  @   ( |0 ?{?>?\O? ?~8 ? 1 ?ǀ >     | \ {|   'Ǟ& g>;&|5&1&&3&%%????????? ??????????PAGE$#_XXXXXR$XXXXXR b$ XXXXXR%3&RUTXTY UTXTYMemorandum UTXTYY YBTO: YBFROM: YBCOPIES: B YBDATE: YBSUBJECT: PAGE$#_XXXXXR$XXXXXR b$ XXXXXR%3&RUTXTYIt has been decided that we will start offering discounts to our long serving Club Members, on all equipment at the Lakeside Chandlery. YMembers will be eligible for discount as long as they fall into the following categories: YIf they have been a member for over a year, they will receive 10% discount on all items. YWhen their membership reaches three years, this will then increase to 15%. YThen, for those who have been members for over five years, there will be a 20% discount. Y"Life-members", those who have been with us for ten years or more, will get 25% discount. They will also be given half price Club Membership as an extra bonus! YI'd like to arrange a meeting with you sometime next week to discuss this proposal further. If possible I'd like this scheme to be up and running by the 1st of March. YI'm sure you will agree, this could be a great opportunity for us to gain new members and to keep those that we already have! YPlease let me know when you will be free to discuss this. UTXTYMemorandum UTXTY YBTO: BMalcom Smith YBFROM: BAlan Cook YBCOPIES: BCarol Cook, Martin Sail YBDATE: B20/01/92 YBSUBJECT: BIDiscount to Club MembersI PSTYBODY TEXTxddp @P !$'`PSTYBULLETsdmdp @P !$'`PSTYHEADLINE\ddp @P !$'`PSTYTABSTEXTxddp @P !$'`*0FKEYPOFSEODFDTPI*.AnO4IMAG'BMARLIN.IMG&TT%&???????????????D????<;;0;;;s:9:p:<::]ǀ9c999x9>9O98808 |8>887787a<776668|66555a585?544e4 p~4 84 3 3 3 ~3 q3 82 2 2 ~2 ?2 p1 >1p 1 <1 1 0 pe0 90 .0 x?/ / w/ s/ 9{/ j7. 3. .| ..8-|-0--Ǖ,/,{/,,E++++x~*% o$y$p ѐ_$ # ?۝# ~<" o8"  ! pLm"x! 8 c8x> x_?>736fw<;dlmٸg=8zsf? s01  8?~ $7$??>9 mq`&[mMH "/0a@ H;;LQ I?`S ?g$+FH ܴ0 ??[C_viP  OϹ@ۖ;` x '-m@Bgb@  61_  D_O ɂQ=/7?$@܊~'NI}~ y~ 0`Ƞ(R 0 `$Rnph`\*T0 _  /@PTq\+? $\_wb  no: BFUv  !#  ]*]v<O  W_` @׭(G^ qZϿ ~ zUkg, ((T? x[C?  Bj@ `z? @Q=_  UM  `@ Y$@ *_ ݠ  XN  OYw uT @?!z ? Kn > @ } U 洽   9o?  O r ֟߯@ V MMN_ H~ &_  S[G  黷 u__ :i: 5B[  {i [ A=  ^ey_ h /߮ _O$Smmw @ n k} `  Lk ${ 4o] > gq]߭  7 @&o ~@ 6 tٛ  n l߰ @ "fǘ o ۥ2 f yUi =q*Av۽ g +6@ 䊳\۴ uQ7o^< D : K[ 8l&}_ !Oހ 搄"} !HB IY@ !,#@-0 !Q`o !?d_ !v !īL 6o !D\7 ! osɥ@ !IͶ` !w /m "V@m? J"k8` o{? "5~ʟ    ">߰&sݯ "I @E "?҄% ( Dq}~%P6%, f@8w}% % 1?& B~w& &`@ C o&47&@ L&  @ &@ #v& ! & ٟy& {m' @m\' ݂ 'h 0Qw@ '2@~}H@'4 @'@ 7 '  !;ww'@Lh'@  ɭk @'` #sk ' doi '  ( ;;o\(d ;w7ˤ((;@ gl'(4M@( 3yX<(  @97mr( $`'f(C( 6(X!Ǜm( Ov )XV) "ݿ)e):C2~|)6 n^)@ "|G)qͻ~A) `}2)Psn)~ )H 9) {) 0=n*@ yz*e{*z@ n_*4 =lP*H  5>t*l<۷o* pf9˃.*`co*7oq*Xv:* -l *  m۰@ ?߱v @?8߰Xt  ({8۾`,; @bq@"2H Bcᡀ  $ 7`  `vo0  vo Dfo? A@f f2A ff B @ Q@<H f <$0 Z H6 )2ar ) DRY A  Y A[-Y A +?H AF F. H;u. H xʿ- H'5< H K HKn HA' NWSO_ F ME W D#nW NW wL׷ !׿  (  IH{? &`J}!#"w<@'~/D0@ # ۿ?r/?wc ~;C a?!` ww C? |0 w9Bcw {!? _?  1 1  y;? {? 0w1 7=> w  9 }9{  < |s  x?<? 6zGiyg `q>?7 x<p!D  ?  @!c  @   ( |0 ?{?>?\O? ?~8 ? 1 ?ǀ >     | \ {|   'Ǟ& g>;&|5&1&&3&%%????????? ??????????PAGE$#_XXXXXR$XXXXXR b$ XXXXXR%3&RUTXTY UTXTYMemorandum UTXTYY YBTO: YBFROM: YBCOPIES: B YBDATE: YBSUBJECT: PSTYBODY TEXTxddp @P !$'`PSTYBULLETsdmdp @P !$'`PSTYHEADLINE\ddp @P !$'`PSTYTABSTEXTxddp @P !$'`*0FKEYPOFSEODFttTр* DEQPEEEQQTWUUUWQ@@UU@EQUDQu׃PUEUU@* ꪪQDAQE@AUu_WQEQUP*說TQQUQTUUUU_PUWp  E@AEPTQQQDAUETQ@*UQEAU@@EUWߌU@ DTEDQTQAPEQQ_U@UP *ꢪ@APDEPUPEEUEW]EQU@ * TADTQQAQAEQU_UPT@  Q@QUTEQ_PQ*D@UAP@PTDE_UP@* Q@UQUP@UPDP"꠨EDPATD@*ꪪDP@A@EG]@@*U AUTAP@DD ***@@D_@QT*PE_ _PU  WP (*U _PP@ ""PQAE_ WP@  ꨪ D_ WPU *ꨪ @@_ W@Q@**( @@E} UE@ (*  QA] UQU@ ***P EP * *D@ W* *** Wu}(* (ￃ@E= UՈq@* (@] _W@(" E U|P" *    E}p*(" "  AP p ("" * E@ Ѐ*( **DU **(*(*  @@]u@@ UЀ *PDUW ** QUXDW (   ]UUUU]UU_p*  WtU}T pUUU * U]UUt UW* QWE}W_w _( +뮪 }ww_ U***ꪠ DUW_ (*ꪯꪰU__W߀_(*]_Ճ _U@U_p*?ￃꪰ }UU|UQ_ ??_??ꨪwUtE_?_/.]W_W ]_*"!]WU_wT\*!W}uAG_ *!W__TU__* ]U_w D]_  _U@_*WŃ|_  uU@_}׃Q ߈UQ_ }@_p  Wu*߇Up@wUP*ߎ@ ꯿߈@Eﯿ*uߎP]׊*w߉Pﰀ߉@\ +ﰃW/ﰀ߈τW ꉀߍ _Wꨠ/߈ @Uꪨ  Wꪨ* TPPU 값W 값UUߋ 간 @@UUW_*  W 가 @_Uߋ_ߌ@U *_  ߊT_ ꪮ**߆twꉀ U_ꪪ QTUꃀ바 UuU]E]갈߈ UUUU]"갔ATU_߇UU׃u_EU박׋_難߇U_ꪪ*녀 *가߅U_ ꊪ_߈U ݜ ՜뿆ﰀ߄}ߜ_ _W]UU_W껈DTPI* .A8;88 9THEADHEADPage #v'>vDTXT 0005.DOCYBCommodore's ColumnB YAs we enter a new year I just hope the weather is kinder to us than it was in 1991. YI must be one of a very few people in the country who groan out load when the weather turns out to be fine and dry - but it just doesn't help the water level. YI suppose we should be grateful that the dreaded blue green algae stayed away. The Water Authority treated the lake all summer and whatever they used did the trick! Their support for us is much appreciated by all I'm sure. However, let's hope we won't need to call on their services again this summer! YSailors from the Club gained excellent results at all levels of sailing in 1991. We really do have talent in depth at Marlin! Let's hope we'll do just as well in 1992! YWell I had better sign off now, and leave some space for the Editor to fit in his "other" articles. YHappy sailing. YCrche YThe creche now operates on Sundays and has the use of the building near the sandpit. Everyone with small children are welcome. Ring BICarol CookIB 0480-496789 for more details, or come and see us at the club.BB YFacilities YLast year was a year of consolidation, ie, the maintenance, repair and improvement of existing assets, rather then spending on major new capital items. YHopefully we will be able to rectify this in the not too distant future! YThe club already has permission for limited camping and overnight use of camper vans in connection with sailing activities and has now submitted a planning application for limited acceptance of trailer caravans. This is in line with facilities being offered by comparable clubs elsewhere in the country and reflects the steady increase in the use of leisure facilities. YBEvents YIt has been decided this year to provide club events on the four bank holidays of spring and summer. YIBEaster WeekendBI we are planning a team event, with the aim to develop some enthusiasm for team racing within the club. YIBMay DayBI a two hour pursuit race has been organised, which we are hoping will attract many entries. YIBSpring Bank HolidayBI will be used primarily to promote the club and a substantial number of visitors are expected to attend throughout the day. YIBAugust Bank HolidayBI will take the form of a family day and various events will be organised afloat and ashore. YBResults YWednesday Evening Series: YFast Fleet Y1. James Green Fireball Y2. Phil Edmund Fireball Y3. Simon Read Flying Fifteen YSlow Fleet Y1. Tony Watkins Enterprise Y2. Dave Lucas Enterprise Y3. Martin Smith Laser YCatamarans Y1. John Stead Hurricane Y2. Chris Payne Hurricane Y3. Andy Grove Dart 15 IMAG'BMARLIN.IMGf&TT%&???????????????D????<;;0;;;s:9:p:<::]ǀ9c999x9>9O98808 |8>887787a<776668|66555a585?544e4 p~4 84 3 3 3 ~3 q3 82 2 2 ~2 ?2 p1 >1p 1 <1 1 0 pe0 90 .0 x?/ / w/ s/ 9{/ j7. 3. .| ..8-|-0--Ǖ,/,{/,,E++++x~*% o$y$p ѐ_$ # ?۝# ~<" o8"  ! pLm"x! 8 c8x> x_?>736fw<;dlmٸg=8zsf? s01  8?~ $7$??>9 mq`&[mMH "/0a@ H;;LQ I?`S ?g$+FH ܴ0 ??[C_viP  OϹ@ۖ;` x '-m@Bgb@  61_  D_O ɂQ=/7?$@܊~'NI}~ y~ 0`Ƞ(R 0 `$Rnph`\*T0 _  /@PTq\+? $\_wb  no: BFUv  !#  ]*]v<O  W_` @׭(G^ qZϿ ~ zUkg, ((T? x[C?  Bj@ `z? @Q=_  UM  `@ Y$@ *_ ݠ  XN  OYw uT @?!z ? Kn > @ } U 洽   9o?  O r ֟߯@ V MMN_ H~ &_  S[G  黷 u__ :i: 5B[  {i [ A=  ^ey_ h /߮ _O$Smmw @ n k} `  Lk ${ 4o] > gq]߭  7 @&o ~@ 6 tٛ  n l߰ @ "fǘ o ۥ2 f yUi =q*Av۽ g +6@ 䊳\۴ uQ7o^< D : K[ 8l&}_ !Oހ 搄"} !HB IY@ !,#@-0 !Q`o !?d_ !v !īL 6o !D\7 ! osɥ@ !IͶ` !w /m "V@m? J"k8` o{? "5~ʟ    ">߰&sݯ "I @E "?҄% ( Dq}~%P6%, f@8w}% % 1?& B~w& &`@ C o&47&@ L&  @ &@ #v& ! & ٟy& {m' @m\' ݂ 'h 0Qw@ '2@~}H@'4 @'@ 7 '  !;ww'@Lh'@  ɭk @'` #sk ' doi '  ( ;;o\(d ;w7ˤ((;@ gl'(4M@( 3yX<(  @97mr( $`'f(C( 6(X!Ǜm( Ov )XV) "ݿ)e):C2~|)6 n^)@ "|G)qͻ~A) `}2)Psn)~ )H 9) {) 0=n*@ yz*e{*z@ n_*4 =lP*H  5>t*l<۷o* pf9˃.*`co*7oq*Xv:* -l *  m۰@ ?߱v @?8߰Xt  ({8۾`,; @bq@"2H Bcᡀ  $ 7`  `vo0  vo Dfo? A@f f2A ff B @ Q@<H f <$0 Z H6 )2ar ) DRY A  Y A[-Y A +?H AF F. H;u. 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When asked if you wish to load an existing style sheet, clicking on YES displays an Item Selector for you to select a folder and style sheet. Clicking on NO allows you to create a new style sheet and choose your page format, (page orientation, paper type, single or double master pages etc). OPENING AN EXISTING DOCUMENT Select Open in the File menu to load an existing document from disk. When the Item Selector appears, select a document and click on OK. SAVING A DOCUMENT Select Save in the File menu to save the current document to disk. It will remain on screen for further editing. When a file is saved, a backup file can be created automatically. If you want to work on this backup file you can rename it as a DTP file. For more details, refer to "Saving your document" in the User manual. CHANGING A DOCUMENT'S NAME To give a document a new name before saving it, choose Save as in the File menu. An Item Selector will be displayed for you to type in a name. ABANDONING A DOCUMENT To abandon any edits and reload the original document, click on Abandon changes in the File menu. SAVING AUTOMATICALLY (1) You can save your document automatically at regular intervals or set an alarm to warn you when to save the current document. To use this facility click on Automatic backup in the Options menu. Select the appropriate options and enter the time period after which you want the document to be saved or a warning to be given. SAVING AUTOMATICALLY (2) The document will be saved with the .ATB file extension unless you enter an alternative. The .ATB file is updated each time the document is saved automatically. The .ATB file is created in addition to a .BAK file if you have chosen to use .BAK files from the Set Defaults form. DOCUMENT STATISTICS Click on Status in the File menu to show the size of your document, number of words, words to be placed, unused frame space, and the amount of free disk space. PRINTING A DOCUMENT Select Print in the File menu to print the current document. A form is displayed for you to select your printing options e.g. which pages to print, whether to print the pictures in your document and how many copies to print. To abandon printing, press [Esc]. SETTING THE PRINTER OFFSETS Use the Set Column Guides form in the Options menu to change your printer offsets. Refer to the Installation guide for full details of setting the Horizontal and Vertical page offsets. DELETING FILES FROM DISK Choose Erase in the File menu to delete unwanted files from your disk. Be careful using this command because deleted files cannot be retrieved. SAVING DEFAULT INFORMATION (1) Select Set defaults in the Options menu to set default information. The information you can set includes paths for documents and style sheets; formats of file imports; whether to show tools, rulers and frames & columns; and whether to create backup files of your documents. SAVING DEFAULT INFORMATION (2) An option is selected when it is highlighted in reverse video. The information is saved when you click on OK but you can change the settings later if you wish. GRAPHICS MODE To draw simple pieces of line-art, switch to Graphics mode by clicking on the "pencil" icon in the toolkit. In Graphics mode, a panel of drawing tools replaces the browser. Graphics objects can only be drawn inside a frame. Select a frame by clicking in it. The graphics grid will appear if Show grid is switched on in the Graphics menu. DRAWING TOOLS Select the drawing tool you need by clicking on its icon in the drawing tools panel. The pointer will turn into a crosshair icon. STRAIGHT LINE To draw a straight line, drag the crosshair in the frame from the point where you want the line to begin to the point where the line should end. RECTANGLE/ROUNDED RECTANGLE To draw a rectangle, drag the crosshair from the point where the upper left corner of the rectangle should be to the point where the lower right corner should be. Draw a rounded rectangle in the same way. CIRCLE/ELLIPSE To draw a circle or ellipse, click inside the frame and drag the crosshair to the right and down. FREEHAND LINE To draw a freehand line, drag the crosshair anywhere in the frame. POLYLINE A polyline is a line made up of smaller straight lines. To draw a polyline, click the crosshair at the start of the first segment. Move the crosshair and click to start the next segment. At the end of the last segment, double- click anywhere in the work area. SELECTING GRAPHICS OBJECTS To select a graphics object, click on any one of the drawing tools in the panel then click on the graphics object. MOVING GRAPHICS OBJECTS To move a graphics object, click on it to select it, then drag it to the position you want. SIZING GRAPHICS OBJECTS To size a graphics object, first click on it to select it. Drag a corner handle to size the frame both vertically and horizontally, and a centre handle to size it either vertically or horizontally. SIZE AND POSITION (1) To size a graphics objects more accurately, select the graphics object and click on Size & position in the Options menu. A form is displayed where you can enter new horizontal and vertical positions for the graphics object and new width and height dimensions. SIZE AND POSITION (2) Double-clicking on the graphics object also displays the Size & Position form. STACKING GRAPHICS OBJECTS Use Bring to front and Send to back in the Page menu to stack graphics objects in the desired order. SIZING A FRAME CONTAINING GRAPHICS A frame containing graphics objects can be sized without resizing the graphics objects inside the frame. To do this, hold down [Ctrl] as you drag on a frame handle to size the selected frame. CUTTING GRAPHICS OBJECTS To cut a graphics objects out of a document and place it on the clipboard, first select the graphics object then click on Cut in the Edit menu. COPYING GRAPHICS OBJECTS To copy a graphics object to the clipboard, select the graphics object then click on Copy in the Edit menu. PASTING GRAPHICS OBJECTS To paste a graphics object into a document (which need not be the document or page it was cut from), click on Paste in the Edit menu. LINE STYLE Choose Line style in the Graphics menu to select the line style and width, the shape of the line ends, and black or white ink. The new line style will be applied to any selected graphics object and to graphics objects drawn afterwards unless an alternative line style is selected. FILL STYLE (1) Choose Fill style in the Graphics menu to choose from 36 opaque or clear tints in black or white ink, and whether to display the graphic object's outer edge or not. The new fill style will be applied to any selected graphics objects and to graphics object drawn afterwards unless an alternative fill style is selected. FILL STYLE (2) Fill styles cannot be given to shapes drawn using the line tools. If you click on a graphics object with a particular line or fill style, that style will be applied to the next graphics object you draw unless you select an alternative style. SNAPPING TO THE GRID Graphics objects automatically "jump" or snap to the nearest grid point when drawn, moved or sized. The grid is based on the current unit of measurement used on the rulers and the current view size. Click on Snap to grid in the Graphics menu to turn snapping off. This command is marked when snapping is turned on. `p/ y y _#/MF!,_### oNnNu#,y--#-9K*UR*yB<#M,v`NU,y#,/#M,VS,yNu#,y--#-9*yB<#,y,v`NU,y#,/#,yNu#,y--#*y- *y#M,VB<,v`NU,y#,/#,yNuNuBAxNuNu// p?r3??N\O$@ gBgr?/t1?r?NO p?/ r5??NO p?r4?t?N\Op+?r?NXO|f.p?/ r6?t?NO &JCgBg?p ?N\Op=?r?NXO$_&NuH?+ry?NO p ?Ho8?+ry?NO p ?Ho2?+ry?NO p ?Ho,?+ry?NO p ?HoJr?/ t*?p?NOp ?HoDr?/ t*?p?NOp ?HTr?/ t*?p?NOp ?HUr ?/ t*?p?NOp ?Ho?/ r*?t?NOp ?Ho>r?/ t*?p?NOp ?Ho8r?/ t*?p?NOp ?Ho2r?/ t*?p?NOp ?Ho,r?/ t*?p?NOp?/ r5??NO p+?r?NXOp=?r?NXOOfL<Nu//"4UB|"bjJj < f-DC"t&HCJCf&HC;0NRBH@B@H@f`$?&8BCHC06H@0HC;0&RBJf8QB" _&Nu3!`0123456789abcdefghijklmnopqrstuvwxyzz60x             "    *dUSING FRAMES Text and pictures in a document are always placed in frames. You can have up to 100 frames per page, and up to 8,192 in a single document. DISPLAYING THE RULERS Use the rulers to help you draw and position frames accurately on the page. To display the rulers, choose Show rulers in the Options menu. This command is marked when the rulers are displayed. CHANGING THE RULER SPACING Select Ruler spacing in the Options menu to change the unit of measurement used in your document. The units available are: * Picas and points * Centimetres * Inches and tenths * Inches and eighths. SETTING THE COLUMN GUIDES Column guides are dotted boxes in the work area intended to help you draw and position frames accurately. To set the column guides, choose Set column guides in the Options menu. When the form appears, select up to 9 column guides, and specify the amount of space to be left around and between them. DISPLAYING FRAMES AND COLUMN GUIDES Choose Show frames & columns in the Options menu to display the frames and column guides. This command is marked when frames and column guides are displayed. SNAPPING TO THE COLUMN GUIDES Frames automatically jump into position (snap) when drawn, moved or sized. The left and right edges of a frame will snap to the column guides, and the top and bottom edges will snap to the nearest ruler unit. Choose Snap to guides in the Options menu to turn snapping off. This command is marked when snapping is turned on. DRAWING FRAMES Draw frames by switching to Frame mode (by clicking on the frame icon in the toolkit) and dragging the mouse to the right and down. SELECTING FRAMES Select a frame by clicking once inside it with the mouse. Eight "handles" will appear aroung the edge of the frame, indicating that it is selected. To deselect a frame, click outside it. GROUPING FRAMES (1) Select more than one frame at a time by holding down [Shift] and either: * Clicking inside each frame in turn with the mouse, or * Dragging a box around the frames to be selected. GROUPING FRAMES (2) Click on Select all in the Edit menu to select all the frames on the current page. A box will be drawn around the group so that the whole group can be cut, copied, pasted, moved or resized. The individual frames in a group are marked by small black handles at their corners. GROUPING FRAMES (3) To deselect a frame within a group, hold down [Shift] and click on the required frame. To deselect a whole group, click outside of the box surrounding the group. MOVING FRAMES To move a frame or group of frames, select the frame or group by clicking inside it then hold the mouse button down inside the frame or group and drag it to the position you want. SIZING FRAMES To size a frame or group of frames, first select it. Drag a corner handle to size the frame in any direction, and a centre handle to size it vertically or horizontally. STACKING FRAMES Use Bring to front and Send to back in the Page menu to stack frames in the desired order. CUTTING FRAMES To cut a frame or group of frames out of the document and onto the clipboard, first select the frame then click on Cut in the Edit menu. COPYING FRAMES To copy a selected frame or group of frames to the clipboard, click on Copy in the Edit menu. PASTING FRAMES To paste a frame or group of frames into a document (which need not be the document or page it was cut from), click on Paste in the Edit menu. FRAME BORDERS Choose Frame border in the Options menu to specify a border for the selected frame. You can choose from four different styles and have borders on any or none of the frame sides. FRAME TINTS Select a frame and choose Frame tint in the Options menu to choose from 8 opaque or clear tints. NOTE: Frame borders and tints cannot be applied to groups of frames. REPELLING TEXT (1) When you put a frame over another one which has text in it, the text is pushed aside by the top frame. To specify an area of horizontal and vertical "padding" around the frame, select the frame and click on Repel text in the Options menu. Enter the amount of vertical and horizontal space you require. REPELLING TEXT (2) To allow text to flow behind a frame, select the frame and click on Repel text in the Options menu to display the Repel Text form. Click on Repel text this frame Off to turn repel text off for the selected frame. DEFINING FRAME BORDERS (1) You can also run text around an irregularly-shaped frame. Select Repel text in the Options menu and click on one of the Define border buttons to define the left or right border. Define the shape of the border by drawing a polyline from the middle of the top edge of the frame to the middle of the bottom edge. DEFINING FRAME BORDERS (2) Press [Backspace] to delete the last point you have drawn. Press [Esc] to delete the whole polyline and start again. Double-click with the mouse or press [Return] to finish the polyline. You can repeat the process for the opposite border of the frame. FLOWING TEXT INTO IRREGULAR FRAMES You can flow text into an irregularly-shaped frame. Select a frame and define the left and right- hand borders using the Define border options on the Repel text form. 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           N @!TIFF Import Internal Errorrb!TIFF Import File ErrorTIFF error - Unable to allocate buffersTIFF error - Invalid compression format!TIFF error - Incorrect number of scan line!TIFF error - Lines read from file is %d lread %d             @.,* F ,  . .  , "(H$V HN&D x4Z442*P444446442.244444444444 ,0^f(&P.V:>><j*"0&*$&$   "  &*8<& <b  XP ^ 20 R *L0 8 <|0H$ (Tf$ 6 H*R.FLF2(j: d`"f/ y6 yV _#/MF!,_##V# oNnNu#,y--#-9K*UR*yB<#M6,v`NU,y#,/#M,VS,yNu#,y--#-9*yB<#,y,v`NU,y#,/#,yNu#,y--#*y- *y#M,VB<,v`NU,y#,/#,yNuNu >A|NuNu/9p?N\ONu/9p?N\ONuHy:/p?NO #gpNuB@Nu/9p?N\ONu?/9p?N\O6|K/9p?N\O|@06Nu/ / &o $o0/]@gU@g`"J KNP`"J KN`p&_$_NuBy3Nu?/ E0f`r2* yV m(4*g N@4`?*?<NXOBj40f"2*g Bj5jp0* jRj$_6NuH0E0* f42*f 5|`$6*R0*Cr2 yV np`B@2j er`BAJ@fJAg@J@f N@5@ 0* fr2"jt4* j0N24j`??<NXO&@Jg?<NTO8JDgf0r2"j KN2p??*?<N\O??<NXO%@"K @0N2/ ?<N\O5DB@45@ 5C`/ ?<N\O5| `5| L Nu3NuH0YO&HBCE6*f@0*Rg8AN6f,2*Htp0Ҁ W 0*R W1@4r2ӫ,0XOL Nu// BCE?<NTO4g+tFB 2+4|BB A2+4|BB A2A5Gl0Go:SCJCl2E>o2vD`(0@<22EH 툐2HN2A5SCJCl0/"fvA`0@2A1SCJClv`00@>0pC`2A8011S@2AplJ@lRC|mp2+Ap7@r4+ Bp 7Ap4+"Bp 7@r4+Bp 7AO$L NuHBCN>NJ@f@N^zP`(09FgFNpSEcNNJ@gvJEcJCgN0L8NuHYOBWN?@N6NJ@fBFz(`\8<~`(0/Dh2DiN8 y`RFSGLJGlԺ|o N?@N6NJ@g>SEJEo0gBD`ZN^BFzP`BBGB`,4rG0RF y?BB004NJRG|mNpSEJEnNRD|o0XOLNuHQOBWN?@N?@N?@N6NJ@fBD~`<<z`@0/Fh2/Fi4/Fj 2Fi N8 y@RDSENJEl|o4N?@N?@N?@N6NJ@g>SGJGo0gpBF`lN^BD~P`TBEB`>4BA yB@0@NJ 4 yB@0@rNJRERD|mNpSGJGnNRF|o0POLNuH0&H:$IBCN&<BD` yBN6NJ@fRDSFJFcJCf NJ@g4JCf KN260L xNuBAAA0Nu?6CBCAp0dp`B6NuH0$oB@)`v618x@1@fR@v6G8b|dBC`*fJfv` <fv`v|f ||dv0L NuH<]O$I/I(H*Lr2G`N/ "LANnXO62fRL`6 Wfp0`(/ "L MNXO$H"J20 LNb$Hp0*Lf/ "L MNXO$H \OL<Nu/|f`||b`L|f`||b<`,(`B||bB6HÇ I&Nu/ $o J@g4`BA`RA|e||bBA`RAAb J$_Nu//tL?NO Nu/ EJ0g jBP j1j0jgr???<N\O?*?<RNXO$_NuByNByJByLNuH0&HBCEP0*g*2*H\ yV b4*"R&\jRj` yVp  b?<NTO80*g" R1j R0p??*?<N\O`5DJDg>??<NXO @p5D$r@5A5|"R3@"RBit4C(&`v`v0L Nu/ EJ0g" jBP j1jp???<N\O0*$_Nut@H…0H…B@TB2|oB@Nu|opNu <Nu2rbNeochrome (.NEO)*.NEO$Degas (.PI?)*.PI?$  %2                2 @.,* F ,  .  8  .     $     *  *z B  ,  F   $ , "(H$HdMOVING THE CURSOR (1) [Left arrow] or [Right arrow] Move the text cursor one character left or right. [Up arrow] or [Down arrow] Move the text cursor one line up or down. MOVING THE CURSOR (2) [Control] [Left arrow] Move the text cursor left one word. [Control] [Right arrow] Move the text cursor right one word. MOVING AROUND THE DOCUMENT (1) [Shift] [Left arrow] Go to the previous page. [Shift] [Right arrow] Go to the next page. MOVING AROUND THE DOCUMENT (2) [Shift] [Ins] Go to the first page of the document. [Shift] [Clr] Go to the last page of the document. BASIC EDITING KEYS (1) [Delete] 1. Delete the character to the right of the text cursor. 2. Cuts a selected frame, block of text or graphic to the clipboard. BASIC EDITING KEYS (2) [Backspace] Delete the character to the left of the text cursor. [Esc] 1. Redraws the screen. 2. Stops printing. TEXT EDITING KEYS (1) [Space] Insert a space. In a justified paragraph, this space may be stretched. [Control][Space] Inserts a fixed (non-breaking) space. It will not be stretched or used to break a line. TEXT EDITING KEYS (2) [Control][-] Inserts a soft (discretionary) hyphen into a word. The word will only be hyphenated at this point if at all. Place a soft hyphen at the beginning of a word to prevent it from being hyphenated. TEXT EDITING KEYS (3) [Control][Return] Insert a line break, i.e. begin a new line without beginning a new paragraph. The space above the new line will be the same as the leading, not the space above the paragraph. KEYBOARD SHORTCUTS (1) [Alt][A] Repeat the last Search or Search & replace. [Alt][B] Bold text on/off. [Alt][C] Copy a frame, block of text or graphic. [Alt][D] Display the Character Entry form. KEYBOARD SHORTCUTS (2) [Alt][E] Hide/Show frames and columns. [Alt][F] Search in your text. [Alt][G] Display the Go To Page form. [Alt][H] Hide/Show the Toolkit. [Alt][I] Italic text on/off. KEYBOARD SHORTCUTS (3) [Alt][J] Hide/Show rulers. [Alt][K] Kern two characters together by half a point. [Alt][L] Light text on/off. [Alt][M] Switch work mode (Frame, Paragraph, Text, Graphics). KEYBOARD SHORTCUTS (4) [Alt][N] In Text mode: Reset the marked block to the paragraph text style(s). In Paragraph mode: Turn off all paragraph text styles. [Alt][O] Open a file. [Alt][P] Print the document. KEYBOARD SHORTCUTS (5) [Alt][Q] Quit the program. [Alt][R] Search & replace in your text. [Alt][S] Save the document. [Alt][T] Select Font and size. [Alt][U] Underlined text on/off. KEYBOARD SHORTCUTS (6) [Alt][V] Paste a frame, block of text, or graphic. [Alt][W] White text on/off. [Alt][X] Cut a frame, block of text, or graphic. [Alt][Z] Hide all pictures. [Alt][0] Display at half size. KEYBOARD SHORTCUTS (7) [Alt][1] Display at three-quarter size. [Alt][2] Display at actual size. [Alt][3] Display at double size. [Alt][4] Display a whole page (Full page view). [Alt][5] Display two pages. KEYBOARD SHORTCUTS (8) [Alt][6] Bring a frame/graphic to the front. [Alt][7] Send a frame/graphic to the back. [Alt][+] Superscript text on/off. [Alt][-] Subscript text on/off. FUNCTION KEYS Each of the function keys may be allocated to a paragraph style. Press a function key in Paragraph mode to tag the selected paragraph with the relevant paragraph style. To tag a paragraph in Text mode, click the Text cursor within the paragraph and press the relevant function key. (For more details, see "Paragraph styles" in the Help menu.) USING THE MASTER PAGE (1) The master page is a "template" for any new pages added to the document. It can contain frames, pictures, text (typed in, not imported) and graphics. A single-sided master page creates right-hand pages only; a double- sided master page creates left and right-hand pages as needed. USING THE MASTER PAGE (2) You should design your master page before starting to work on a document. The pages of your document will then be copied from the master page. Any pages created before the master page is designed will not be copies of the master page. Click on New in the File menu to choose a single master page or left and right master pages. DISPLAYING THE MASTER PAGE To display the master page, choose Go to page in the Page menu. When the form appears, click on the tick (single master), or left and right arrows (left/right master). To move from the master page, click on Go to page and enter a page number then click on OK. MOVING TO ANOTHER PAGE (1) To move to another page, choose Go to page in the Page menu. When the form appears, type in the page number and click on OK. You can turn straight to the first page by pressing [Return] without typing in the page number. To turn straight to the last page of a document type the page number 999. MOVING TO ANOTHER PAGE (2) To "turn" the page, click on the left or right arrows by the page icon. VIEW SIZES Use the following commands in the Page menu to change the view size: Half size [Alt][0] Three-quarter size [Alt][1] Actual size [Alt][2] Double size [Alt][3] Full page [Alt][4] Two pages [Alt][5] ADDING AND INSERTING PAGES (1) Choose Add one page in the Page menu to insert a copy of the master page after the current page. You cannot use this command in Two pages view. If the last page of a document is displayed on screen, you can add pages by clicking on the right arrow on the page icon. ADDING AND INSERTING PAGES (2) Choose Insert one page in the Page menu to insert a copy of the master page in place of the current page. The inserted page is placed before the current page. If you have not placed anything on the master page, the new pages will be blank. ADDING OR INSERTING A RANGE OF PAGES Click on Add pages in the Page menu to specify a number of pages to add to or insert in the document. DELETING PAGES Click on Delete pages in the Page menu to delete the current page or several pages. ADDING HEADERS AND FOOTERS To add headers and footers to a document, choose Headers & footers in the Text menu. When the form appears, enter the text you wish to appear in the header or footer. Type # for the page number and % for the last page number in the document, e.g. type # of % to get 1 of 8. STYLING HEADERS AND FOOTERS A paragraph style named HEADER or FOOTER is automatically created when you add a header or footer so that you can set its font, point size, spacing, indents, etc. If the document has left and right master pages, four paragraph styles are created when headers and footers are added: L HEAD, R HEAD, L FOOT, and R FOOT. TURNING HEADERS AND FOOTERS OFF To turn the header off for the current page, choose Header on this page in the Text menu. This command is marked if the header is displayed. To turn the footer off for the current page, choose Footer on this page in the Text menu. This command is marked if the footer is displayed. PAGE NUMBER FORMAT Choose a format for the page numbers entered on the Headers & footers form. Click on Page numbers in the Text menu and select one of the formats available. Click on OK to apply the format to your page numbers. PARAGRAPH STYLES Every paragraph of text in a document is "tagged" with a paragraph style. Switch to Paragraph mode and click the mouse pointer on a paragraph to select it and highlight the paragraph style name in the browser. SWITCHING PARAGRAPH STYLES To tag a paragraph with a different style, select it and click on another style name in the browser or use the assigned function key. CREATING A NEW PARAGRAPH STYLE To create a new paragraph style, either select the name of an existing style in the browser and click on Paragraph style in the Text menu, or double-click on the style name. When the Paragraph Style form appears, click on the New style box. Press [Esc] to delete the old name and type in the new style name. DELETING A PARAGRAPH STYLE To delete a paragraph style, display the Paragraph Style form and click on the Delete style box. Paragraphs tagged with the deleted style name will reset to Body text. You cannot delete the Body text paragraph style! CHANGING JUSTIFICATION FORMAT To change the justification format, display the Paragraph Style form and click on the Options box. Select the new format (Justified, Flushed left, Centred, Flushed right, Table) and click on OK. CHANGING BULLETS A bullet is a heavy dot or other symbol used before a paragraph to give it emphasis. To change the bullet character used at the beginning of a paragraph, display the Paragraph Style form and click on the Options box. Select the new bullet character and click on OK. TURNING HYPHENATION ON OR OFF To turn hyphenation on or off, display the Paragraph Style form and click on the Options box. Select Hyphenation On or Off and click on OK. TURNING LETTER SPACING ON OR OFF Letter spacing controls the extra space added between letters when justifying text. To turn Letter spacing on or off, display the Paragraph Style form and click on the Options box. Select Letter spacing On or Off and click on OK. FONT AND POINT SIZE To change the font and point size of a paragraph style, display the Paragraph Style form and click on the Font & size box. Select the font and point size you require and click on OK. You can also change font and point size by selecting the style name in the browser and choosing Font/size in the Text menu. TEXT STYLE To change the paragraph text style, select the paragraph style name in the browser and either choose a style from the Style menu or use the keyboard shortcuts. Any text styles, fonts and point sizes assigned in Text mode are not saved as part of the paragraph style or style sheet. FUNCTION KEYS To allocate a function key to a paragraph style, display the Paragraph Style form and click on the Function key box. Function keys which have already been assigned will appear dimmed, but you can re-assign them. Select a function key and click on OK. INDENTS AND MARGINS To set the amount of space in and around a paragraph, display the Paragraph Style form and click on the Dimensions box. Select the space above the paragraph, the left and right indents, the first line indent, and the leading then click on OK. SPACE ABOVE The Space above setting controls the amount of space above the paragraph which determines the spacing between the previous and current paragraphs. To edit this space above, display the Paragraph Style form, select Dimensions and click the mouse in the Space above box. Enter the space you require and click on OK. LEADING Leading is the spacing between lines of text. You can set the leading manually by clicking in the box and typing in the required amount. HANGING INDENTS (1) To create a "hanging" indent, select Dimensions from the Paragraph Style form. Set the First line left indent value to less than the Left indent and the first line will "hang" on the left from the rest of the paragraph. HANGING INDENTS (2) To insert a character before the paragraph, insert the text cursor at the beginning of the paragraph in Text mode. Type in the character, then press [Tab] to move the cursor to the Left indent position and carry on typing. WORD SPACING To set the word spacing in a paragraph, display the Paragraph Style form and click on the Word spacing box. Select the minimum and maximum amount of space between each word, and the size of the hyphenation "hot zone", then click on OK. (The hot zone is the area at the end of a line where hyphenation is allowed to occur if hyphenation is switched on.) MONOSPACING To ensure that spaces between words in a monospaced font are not stretched, display the Paragraph Style form, click on Options and switch Monospacing On. SETTING TABS (1) If you have chosen Table as your justification format, set your tab stops by displaying the Paragraph Style form and clicking on Set tabs. You can set up to 14 left, centre, right or decimal tab stops according to their width or position. You can choose the type of leader character to be used and the spacing between these characters. SETTING TABS (2) Alternatively, you can set one tab and copy the same setting to all the other tab positions. See the User manual for details of how to make the most of tabs. LINE-ART AND IMAGE FILES You can use two types of pictures in your document: line-art files created with a drawing program like GEM Draw, and images created with a painting program like GEM Paint. All pictures can be resized by making the frame larger or smaller, but only image files can be scaled, cropped and edited. LOADING A PICTURE To load a picture into a document, choose Import picture in the File menu. When the form appears, select the type of picture file you want and click on OK. Use the Item Selector to select your picture and click on OK. To place the picture into a frame, select the frame, then click on the name of the picture in the browser. HIDING THE PICTURES To turn the pictures off and increase the screen drawing speed, click on Hide all pictures in the Graphics menu. This command is marked if the pictures are hidden. PICTURE STATUS Select a picture frame then double- click on the picture name in the browser to display information about the picture. DELETING A PICTURE To remove a picture from your document display the Status form for the picture and click on [Delete]. SCALING AN IMAGE FILE To change an image's proportions, select its frame and choose Scale picture in the Graphics menu. The form displayed allows you to preserve or ignore aspect ratio (the height to width ratio of the image), and to select whole pixel scaling (which improves the quality of the printed picture). CROPPING AN IMAGE FILE To cut an image to size, select its frame and choose Crop picture in the Graphics menu. Drag a box inside the image with the "scissors" to mark the portion to be shown in the frame. EDITING AN IMAGE FILE To edit an image file, select its frame and click on Edit picture in the Graphics menu. Add and delete pixels in the window using the mouse. Click on the close box to save the edited image or cancel the edit. RESIZING A FRAME CONTAINING AN IMAGE When a frame containing an imported image is resized, the image is rescaled (according to the settings on the Scale Picture form) to fit the new frame. FREE 30 DAYS "HOTLINE" SUPPORT All Timeworks Publisher owners are entitled to 30 days free "Hotline" telephone support, providing that you have registered the product with us. To register, simply return the enclosed card in your Timeworks Publisher pack or phone 0480 496600. WHAT IS SOFTLINE? Softline provides support to customers of GST Software Products and Electric Distribution. We offer a support package which includes "Hotline" telephone support, newsletters, discounts on upgrades, an on-line bulletin board and more, all for a small annual subscription. HOW DO I JOIN SOFTLINE? Tick the box on your registration card and we will send you complete joining details. We also have information available on professional training courses in Timeworks Publisher. BEFORE YOU CALL SOFTLINE: 1. Check the User manual and any README file supplied on disk, for the answer to your query. 2. If it is a printing problem, check that the printer is switched on, on-line and supplied with paper. 3. Note what you did before the problem occured. WHEN YOU CALL PLEASE: 1. Give your name or membership number. 2. Say you are using Timeworks Publisher and give the version number which is displayed on the billboard in the Publish menu. 3. Know which computer, mouse, printer and any extras such as expanded memory, you are using. IF YOU WRITE Give a telephone number where you can be contacted during office hours. FAXING You can also fax documents which you think may illustrate the problem that has occurred e.g. printouts. Our fax number is: 0480 496189 USING A STYLE SHEET Every document you create is formatted with a style sheet. The style sheet contains the page format you have chosen and the paragraph styles you have designed. When you start a new document by selecting New in the File menu, you are asked if you want to load an existing style sheet. LOADING A STYLE SHEET Click on YES if you want to load an existing style sheet. An Item Selector is displayed for you to select a disk and folder. CREATING A STYLE SHEET To create a new style sheet, click on NO, then use the Page Format form to choose paper size, orientation, and single or double master pages. PAPER SIZE Choose one of 6 predefined paper sizes: * A3: 297 x 420 mm * A4: 210 x 297 mm * A5: 148 x 210 mm * Organiser: 3.75 x 6.50 inch * Fanfold: 8.5 x 11 inch * Fanfold: 8.5 x 12 inch. CUSTOM PAPER SIZES In addition to the paper sizes provided, you can set up your own sizes by clicking on Custom size on the Page format form. Enter the width and height you require. The maximum width or height available is 22.50 inches. Click on OK to create your new paper size. SINGLE/DOUBLE-SIDED MASTER PAGE Select All pages alike to create a single, right-handed master page, and Left & right to create a double- sided master page. PAGE ORIENTATION Select Portrait to make all the pages in your document "tall" and Landscape to make them all "wide". NOTE: Not all printers can print in landscape orientation. PARAGRAPH STYLES For details on creating and using paragraph styles, see "Paragraph styles" in the Help menu. SAVING THE STYLE SHEET To save the current style sheet select Save style sheet in the File menu. An Item Selector will be displayed for you to type in a name (e.g. DOCUMENT.STY). IMPORTING A STORY To load a text file or "story" into a document, choose Import text in the File menu. When the form appears, select the word processor or text format used and click on OK. Use the Item Selector to select your story and click on OK. To place a story into a frame, select the frame, then click on the name of the story in the browser. USING AUTOMATIC TEXT FLOW When you have flowed a story onto a page, if the last frame containing the story has a dotted bottom edge, some text remains to be placed. With this frame selected, click on Autoflow text in the Text menu. Copies of the page and its story frames will be created until there are enough to place the whole story. The story will automatically flow into these new frames. STORY STATUS Double-click on the story name in the browser to display information about a story including the number of frames used, number of words in the story, and the number of words yet to be placed. DELETING A STORY To remove a story from your document, double-click on the story name in the browser. When the Status form appears, click on the Delete button. The story is removed from your document, but the original text file is not removed from the disk. NAMING TEXT To name text typed directly into a frame, select the frame containing the text and click on Name text in the Text menu. An Item Selector is displayed for you to enter a name for the text. (This name can be used if you later export the text.) You can then continue typing and flow the text into subsequent frames. EXPORTING STORIES IN ASCII FORMAT To export a story select a frame containing the story or click on the story name in the browser. Click on Export text in the File menu to display an Item Selector suggesting the story name for the exported text file. Edit this name if you wish then click on OK to export the story. TYPING IN AND EDITING TEXT To type in and edit text, click in a frame to position the Text cursor. Select the text style before you type or edit by either choosing a style from the Style menu or the browser, or using the keyboard shortcuts. For details of the keys used when typing and editing text, see "Keyboard" in the Help menu. VIEWING YOUR EDITS Pressing [Esc] redraws the screen, updating your edits. LINE BREAKS To insert a line break without starting a new paragraph, hold down [Control] and press [Return]. The text will remain as one whole paragraph for paragraph style tagging. SOFT HYPHENS Choose Soft hyphen in the Text menu or press [Control][-] to insert a soft (discretionary) hyphen into a word. The word will only be hyphenated at this point. Place a soft hyphen at the beginning of a word to prevent it being hyphenated at all. USING DINGBATS (1) To type in a Dingbat character: 1. Switch to Text mode and place the Text cursor at the position for the Dingbat. 2. Select Font/size in the Style menu. 3. Choose the Dingbat font. USING DINGBATS (2) 4. Select Character entry from the Edit menu. 5. Type the required number into the Char. No. box and press [Return]. Refer to Chapter 5 of the User manual for a list of the supplied Dingbat characters and their corresponding numbers. FIXED SPACES Press [Control][Space] to insert a fixed (non-breaking) space. A fixed space will not be stretched or used to break a line. SEARCH AND REPLACE EDITING (1) Click on Search in the Text menu to search forward through a story for a piece of text and mark it as a block. SEARCH AND REPLACE EDITING (2) Click on Search & replace in the Text menu to search forward through a story for a piece of text and replace it with another one. You can choose to replace one, some, or all of the pieces of text found. To continue a Search or Search & replace, choose Search again in the Text menu. KERNING To move two characters closer together or further apart, place the insertion cursor between them and click on Kern in the Text menu. When the form appears, specify the kerning distance in points, select + (apart) or - (together). Press [Alt][K] to move two characters together by half a point without displaying the form. MARKING A BLOCK OF TEXT (1) There are two ways of marking a block of text: * Using the Text cursor, drag the mouse pointer from one end of the block to the other. * Click the Text cursor at the start of the block then hold down [Shift] and click at the end of the block. MARKING A BLOCK OF TEXT (2) The marked block will appear in reverse video. To extend a marked block of text, shift-click at the point you wish to extend it to. Double-click on a word to mark the whole word and the space after it. RESTYLING A BLOCK You can change the text style of a marked block by choosing a style either from the Style menu or the browser, or using the keyboard shortcuts. To change the font and point size of a marked block, choose Font & size in the Style menu. Select the font and point size you want and click on OK. CUTTING A BLOCK To cut a marked block out of the document and place it in the clipboard, click on Cut in the Edit menu. COPYING A BLOCK To copy a marked block to the clipboard, click on Copy in the Edit menu. PASTING A BLOCK To paste a block of text into a document (which need not be the document or page it was cut from), position the Text cursor and click on Paste in the Edit menu. USING THE ATARI CHARACTER SET A modified Atari character set is supplied with Timeworks Publisher. This character set is listed in Chapter 8 of the User manual. You can insert these characters at the text cursor position by selecting Character entry from the Edit menu than typing the appropriate number in the Char. No. box and pressing [Return]. * Text import compatibility information for Timeworks Publisher 2.00 |DisplayWrite/RFT...|019 You can import a Displaywrite text file by converting it to DCA/RFT format. For details of how to do this, refer to the section entitled 'Revisable-Form Text Conversion' in the Displaywrite Reference Guide. After converting your text file, import it by selecting the DCA/RFT format on the Import Text form. * |LocoScript...|018 You can import a text file from LocoScript by converting it to either WordStar or DCA/RFT format. To do this, select the LocoScript text file using the LocoScript Disc Manager screen then press F9 and choose Export document. For more details, refer to Chapter 13 of the LocoScript reference manual. After converting the file, import it by selecting the WordStar or DCA/RFT format on the Import Text form. * |MultiMate...|020 You can import a text file from Multimate 4 by saving it in an another format which is listed on the Import Text form. Use 'Save As Other File Type' in the Multimate File menu to save the text file in a format e.g. WordPerfect 5 then import the file in that format. Refer to the 'Conversions' section of the Multimate reference manual for further details. * |WordStar 2000...|021 You can import a text file from WordStar 2000 by converting it to another format using Star Exchange. Convert the file to a format which is listed on the Import Text form e.g. WordPerfect 5 then import the file in that same format. For more details refer to the section entitled 'Converting Files' in your WordStar 2000 reference manual. |WordWriter ST...|004 You can import a text file from WordWriter as a 1st Word Plus format file. Simply select 1st Word Plus format on the Text Import form and select the text file that you wish to import. * |Le Rdacteur...|024 You can import a text file from Le Rdacteur by saving the file as a 1st Word Plus file. You can then import the file as a 1st Word Plus file. Refer to your Le Rdacteur manual for details of how to save a text file in 1st Word Plus format/ * |ST Word...|025 You can import a text file from ST Word by saving it as a DIF file. DIF files can be imported as ASCII files. 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With a net gain of 32 members over 1992, I am pleased to report that the Marlin Sailing Club has never looked healthier. The results of our Questionnaire, which are expanded in full in Appendix IV, showed this was due to the following factorBs:B Y Increased leisure time, particularly as people are retiring earlier these days. Y Increased desire to become more active, healthy and out-of-doors people. Y An increase in interest in sailing following the excitment in the America's Cup. YWith only nine members leaving, the Club has retained its strengths in Fireball, Mirror and Sailboard members. New recruits showed an even spread of interests. YWith the annual subscription increase of 8% over last year the Club gained a total income of 23,735 from subscriptions alone. 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Jx'`!$'`*0-/25pFKEYPOFSEODFDTPI*.A4HEAD HEADnAnnual Report 1992 2.0 I<I>Page # of 20]%<]PAGE*">4c,McQPSTYBODY TEXTxd7dPSTYBULLETTdud @_PSTYCENTREDhqddPSTYFOOTNOTExddPSTYFRONTPAGE1 \ddPSTYFRONTPAGE2ddPSTYSUBHEAD@ddPSTYTABLE9d7d J|x'`!PSTYTABLEHEAD9d7d '`!PSTYTABLEHEAD1 9d7d . 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