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ƦŸѐ4OB>956HA<843(*82B=.1#4ȴү ?3,HIDJ8:6Z\PUXXVRRQNN<>#ȩʉ’ם̷ ;4" @)-OGSU:'   *8 # ػ޷Ɣƒ̨ڞGX^bSa``XX?T I G96F  ܸͅտȯ GF[8`Z`U\JCS8P4* / 7 G&定ƽ(GG?VSPGUUXRW7G Gռ׫ ##!3@6*B2  #F.G?#LC2;JDS1#56/( ҤįջѾݳ MC=>\AUZGV$FS:FK*֤ߎ֠'#>9@;8>M%-,*HC0=I% ɽά¶ս)!32W97A!') +/  $&##)% 6 +) " * "    ! ,!"/ !$ 9& #! *   $  %5(*,7.!   *.  !      %##   5-!#"2! 3 )          *   $    & 5     &         THIS IS AN EXAMPLE PIECE OF TEXT BY ROBIN BALL FOR USE WITH MY INTRO MAKER PROGRAM@ WHAT THE PROGRAM DOES IS ENABLE ANYONE TO MAKE NICE INTROS FOR THEIR GAMES AND PROGRAMS USING SCROLLING TEXT AND SOUND TRACKER MUSIC AND A STILL PICTURE@ THIS IS DESIGNED TO GO FIRST IN THE AUTO FOLDER SO THE PROGRAM STARTS ON BOOT UP@ WHEN QUIT BY PRESSING SPACE THE NEXT PROGRAM IN THE AUTO FOLDER WILL LOAD OR THE COMPUTER WILL TAKE YOU TO THE DESKTOP@ THIS MEANS THAT GFA BASIC USERS CAN HAVE AN AUTO LOADING INTRO THEN LOAD THE ACTUAL PROGRAM FROM THE DESKTOP@ THE PROGRAM WOULD ALSO BE USEFUL TO THREE DEE CONSTRUCTION KIT USERS OR ANYONE REALLY WHO ISNT ABLE TO PROGRAM SUCH THINGS AS SOUND TRACKER PLAYERS INTO THEIR OWN PROGRAMS EASILY@ I HAVE TRIED TO MAKE IT ALL EASY TO DO@ ALL YOU NEED IS A TEXT EDITOR A PAINTING PACKAGE AND POSSIBLY A SOUND TRACKER EDITOR LIKE AUDIO SCULPTURE OR NOISETRACKER@ THE PROGRAM NEEDS TO FIND THE FOLLOWING FILES IN THE ROOT DIRECTORY OR THE CURRENT FOLDER DEPENDING ON WHERE IT WAS STARTED FROM@ INTRO@PIONE@ INTRO@DOC@ AND INTRO@ABK@ ANY OF THESE CAN BE EDITED AND THE PROGRAM SHOULD STILL LOAD THEM@ IT IS EASIEST TO CHANGE THE PICTURE FILE AND THE TEXT@ FOR THE TEXT YOU HAVE TO BEAR THE FOLLOWING IN MIND@ ONLY USE CAPITALS AND USE THE @ CHARACTER FOR FULL STOPS@ SORRY THAT IT DOESNT SUPPORT ANY MORE PUNCTUATION THAN THAT OR NUMBERS@ FUTURE VERSIONS MIGHT DO IF I GET ENOUGH OF A RESPONSE@ SAVE YOUR TEXT AS PLAIN ASCII WITHOUT ANY FORMATTING EXCEPT FOR SPACES AFTER ALL WORDS AND AT THE BEGINNING OF EVERY LINE UNDER THE NAME INTRO@DOC@ FOR THE PICTURE DRAW ANYTHING YOU LIKE SO LONG AS YOU KEEP COLOUR FIFTEEN DIFFERENT FROM COLOUR ZERO@ SAVE THE PICTURE IN DEGAS UNCOMPACTED FORMAT UNDER THE FILENAME INTRO@PIONE@ FOR THE MUSIC USE ANY ABK TRACKER MUSIC YOU CAN FIND OR CONVERT YOUR OWN MOD FILES USING THE CONVERTOR PROGRAM@ NOT ALL FILES WILL CONVERT I AM AFRAID@ IF YOU WANT THE TUNE TO LOOP AT THE END THEN YOU WILL NEED TO USE A TRACKER EDITOR SUCH AS AUDIO SCULPTURE TO PUT A GOTO PATTERN COMMAND INTO THE LAST LINE OF THE LAST PATTERN PLAYED@ THAT COMMAND IS B IN AUDIO SCULPTURE AND MIGHT BE THE SAME IN OTHER TRACKERS @ USE ZERO ZERO AS THE COMMAND PARAMETERS IF YOU WANT IT TO LOOP TO THE BEGINNING@ SAVE THE TRACKER TUNE AS A STANDARD UNCOMPACTED MOD FILE FROM YOUR TRACKER PROGRAM THEN LOAD THE CONVERTOR PROGRAM AND LOAD IN YOUR FILE@ SAVE THE CONVERTED FILE AS INTRO@ABK@ THAT SHOULD BE ALL YOU NEED TO KNOW@ IF IT DOESNT WORK FIRST TIME THEN TRY AGAIN@ YOU ARE FREE TO USE THE INTROS YOU MAKE IN YOUR OWN GAMES OR PROGRAMS BUT A MENTION WOULD BE APPRECIATED AND I WOULD PREFER IT IF YOU WOULD REGISTER IF YOU ARE GOING TO BE USING IT FOR MORE THAN YOUR PERSONAL USE@ REGISTERING COSTS FIVE POUNDS STERLING AND FOR THAT YOU GET THE FULL STOS SOURCE CODE SO YOU CAN DO MORE COMPLEX THINGS IN YOUR INTROS SUCH AS HAVING SEVERAL PICTURES@ YOU ALSO GET A VERSION WITHOUT THE TEXT FLASHING UP SAYING INTRO MAKER CODED BY ROBIN BALL@ YOU ALSO GET ANY HELP YOU NEED AND POSSIBLY OTHER FREE THINGS IF YOU WRITE NICE LETTERS OR SEND ME DISKS OF STUFF@ IF YOU CANT AFFORD A FIVER THEN YOU CAN ALWAYS SEND ME SOME OF YOUR OWN THINGS THAT YOUVE PROGRAMMED OR EVEN A FEW BLANK DISKS OR ANYTHING THAT YOU FEEL IS WORTH FIVE POUNDS@ I KNOW LOTS OF PEOPLE SAY THAT THEY WOULD REGISTER FOR SHAREWARE PROGRAMS IF THEY COULD AFFORD IT WELL THERE IS NO EXCUSE FOR NOT REGISTERING THIS@ I WOULD LOVE TO SEE ANY PROGRAMS THAT YOU HAVE WRITTEN THAT USE THIS AS AN INTRO@ EVEN IF YOU DONT PROGRAM OR ANYTHING BUT STILL WANT A CHAT THEN PLEASE GET IN TOUCH I AM ALWAYS PLEASED TO GET LETTERS@ THE ADDRESS IS IN THE SEPERATE README FILE BECAUSE YOU WONT BE ABLE TO READ IT IN THIS SCROLLER@ I HOPE YOU FIND THIS PROG USEFUL@ ENJOY@ ROBIN BALL THIRTY THREE AND THIRTY FIVE WHISTLEY ROAD POTTERNE DEVIZES WILTSHIRE SN TEN FIVE QY SORRY AGAIN FOR THE LACK OF NUMBERS@ READ THE README FILE NOW@ BYE@ ke a nice picture. You then copy the three datafiles onto a blank disk and put a copy of the program on there with them. You then have to rename the text to INTRO.DOC, the picture (Degas un-compressed format) to INTRO.PI1 and the tune (ABK rather than plain MOD I'm afraid) to INTRO.ABK. If you want to run the intro program from an AUTO folder (that's really what it's for), then you should put the datafiles into the root directory. If however you want to load it from a folder, then si !   %         !      %                                                                                             + 9(+ 3/)0%?+K)7;A&%ø $2BpIS=M1;\!9 ( N"* ,7S,%: 0 e?M% !'" ſ,%& -.6  ' " ';8 * = : $ " (!    0-$ "*&%. &#$ %  *'   6     *'    $%       ,!                                                                     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OCLBLURBDOC 5 d ORGANISED CHAOS LICENCEWARE -= The Fairest Face of Licenceware =- THE PROPAGANDA Courtesy of OCL's top man, Kev Davis Last updated 5/11/93 [Note - I've tended to use the word "game" here rather a lot; we do, of course, release serious utilities, disk mags and the like, but you eventually run out of synonyms for "release" and "game" is as good as any of them.] Organised Chaos Licenceware is very, very probably the finest and fairest licenceware house in the world. Ah yes. If washing powders and toothpastes can get away with almost- definitive claims like that, then so can we. With OCL, we put the programmers first. Royalties are paid on a strictly sales-related basis - none of this "a tenner no matter how well your game did" foolishness we see inherent in Budgie UK. If your game is good enough to shift a few hundred copies, you'll see a lot of cash being thrown at you. It also gives an incentive to produce top-notch games - the better you make your game, the better the reviews, the larger the sales, and you end up getting more money. Lovely. This also works out rather well for the punters, who end up buying better quality titles. OCL titles are distributed through PD libraries, for the most part. This is a nicely symbiotic arrangement, beneficial to both parties - here at OCL we don't have to fret about advertising and selling the stuff purely from OCL HQ, and the PD libraries enjoy a nice cut of the profits for their troubles. From each OCL game sold, the PD library takes two pounds, to cover the effort they put it on advertising, distribution and everything. Titles released on two disks see the PD libraries taking a bit more, but it's usually just two squid. All of the rest goes to the programmer. If your title sells for a fiver, and shifts a hundred copies in its first quarter, you'll get three hundred pounds. As well as this, you're perfectly entitled to sell your game from home - selling it for a fiver will get you four-fifty or something per sale, depending on how cheaply you can get disks and whether you bought lots of stamps before the last postage-price increase. Funding for OCL (it does cost us a fair bit to release games; we have to send copies to all our distributors) should hopefully be covered from the money we get through direct OCL orders (when folk buy games straight from OCL HQ, we get about one-fifty left over once we subtract stamp and disk costs, and royalties). Order from Chaos, as they say. OCL is probably (probably, Mr Lawyer, not definitely) the most helpful licenceware group around. If you're struggling with a project of yours - you can't work out how to code part of it, you're stuck for ideas, you could do with a loading screen or some title music - we can help. In fact, we get hideously involved in your work. I've even had programmers offering me a share of their game's royalties, with the amount of work I've put in. I've refused, of course (I may be rather short of cash, but I can appreciate that nobody deserves royalties more than the programmer). Taking an example - and I'm sure Harvey Reall won't mind - Antroids is one of the games that's seen a lot of involvement from myself. Way back in the mists of time, shortly after Genocide's release and my consequent casting out from Budgie (a long story, explained in another document somewhere), Caroline Price from New Age PDL contacted me regarding "Mega Ants", a life simulation from Harvey Reall. Harvey had sent it to Caroline for possible inclusion in her Creative Influence range, and - for some reason - she turned it down, passing Harvey's address and a copy of his game on to me. At that time, "Mega Ants" wasn't much to behold. Some little dots wandering around biting bits out of green circles. The user interface was a mite hostile (Harvey has since admitted this, by the way - this isn't getting at him at all), and Harvey planned to release it as Shareware. Until I contacted him. I saw that the program had potential. It didn't look much, but I could see that - with a bit of work - it could develop into something muchly better. DNA programming things (the software lets you write "programs" for the ants to follow, telling them how to move, when to mate, and so on) were rare on the ST licenceware scene, and if the program were developed further it could do well. "Sprites instead of circles," I suggested, "Sound effects if you've got the memory." Harvey took heed. Nice graphics were added, foolish spot effects, and the lad spent a year and a bit refining the program to make it a great deal better. It was speeded up a lot. Extra DNA commands were added. Pre-drawn maps could be used, and an "art package" map designer was added. Population graphs could be produced. I started work on a loading screen, and (via the OCL network of contacts), we found someone to write a MOD for the intro screen. "Antroids", as the game is now called, is a hundred times better than the version Harvey planned to release as Shareware all those months ago - he'll be getting a lot more money from it, and the customers will be getting a great deal more enjoyment from it. I'm rambling, here. Best wrap up, I think. In conclusion, OCL is dedicated to the programmers' needs; it's the epitome of truthness when we say that programs turn out best if they're something of a team effort. If you're writing a platform game and you're struggling over some aspect of the coding, we'll put you in touch with an OCL member who can help you out. Even if you just fancy writing a text adventure or something, where you've got the ideas but could do with a few pointers on what to write it in and how to do it - we'd contact one of our numbers to give you a hand. We've got a network of peripheral entities also - folk who haven't actually written anything, but are always happy to contribute music and graphics to OCL titles. If you fancy joining this group, feel free - the cash you get is negotiable with the programmer you're "working for", really; you could argue for a royalty cut, settle for a one-off payment, or ask the programmer to put your address in the game and ask folk to send you money. I've recently thrown a tenner at Chris Pritchett for writing a couple of MOD tunes for my forthcoming releases - a good thing for both of us, as the inclusion of a musical intro to a game is likely to boost sales. And I've also put an advert in both games for some more of Chris's music, which he's selling himself for a few quid - so he'll see some interest there. Even if you're terrible at computer graphics, can't code and are as musically inclined as The Wurzels, you could join our ranks as a playtester (all our releases are playtested to death before release, and all testers get a credit in the finished game) (as well as the dubious honour of being able to play a game months before its release), contribute to ST Beermat - our erratically-released disk magazine, or team up with a programmer with you providing ideas. To contact OCL, send your missives to:- Kev Davis Organised Chaos Licenceware Chasewater House Kings Green Berrow Malvern Worcestershire WR13 6AQ In the unlikely event of you sending me money (you can buy all OCL titles direct from me for their usual price), make cheques payable to merely "Kev Davis". Sending cash through the post is unwise, as I can pocket it and claim that it was lost in transit, and you've got no way of finding out where it went. Oh, what a giveaway. RELEASES TO DATE (13th March 1993) All titles will require a colour system to run, unless otherwise stated. We can't vouch for Falcon compatibility at this point in time, but we'll keep you posted. GAMES ----- OCL001 DEAD OR ALIVE...? Written by: Kev Davis Released: 13/5/1992 Category: Text adventure Drive requirements: D/S Memory requirements: 1/2 Meg Version number: 2.0 Price - 3.00 Just when you thought your life as a private detective couldn't get any worse... it ended. Rather messily. Being rudely awoken from the dead the next morning is only the first of your many problems as you trek around the town of Malton and venture beyond to kill your assassin in Kev Davis's highly acclaimed and bloody difficult comedy adventure. Recommended for both beginners and hardened adventuring veterans alike. This is the concentrated, fat-digesting, cool-tasting, non- bleaching, thirst-quenching, low-alcohol, seventy-two calorie, best-ever chocolate, tartare-scraping, eco-bagged, realistically- MIG-sound-effected, interactive fiction version of the game, the few bugs lurking in the old version have been killed - dead. Dead will run on single-sided drives, but you'll need to find a double-sided drive in order to transfer the relevant files onto two disks (instructions on disk). (Note: Dead was sold by Budgie UK from September 91 until April 92. If you've got that version (with the lovely "packing crate falling out of a rockfall and nailing itself to the floor" bug intact), you're perfectly entitled to send the disk to OCL HQ and claim an update.) "Very tongue in cheek. I ended up revelling in its sheer silliness. If you enjoy a good laugh then look no further than Dead or Alive...?" - Neil Shipman, Syntax Magazine (preview). "An excellent example of what a good adventure should be. Loads of puzzles, great responses, good parsing, many jokes and a very polished front end. It plays almost like an Infocom game. If you are an adventure player then get this game!" - Colin Campbell, Syntax Magazine (88%) "Weird! Have a look if you fancy a little bit more of a challenge." - Chicken (apparently), ST Action (who don't give percentages, for reasons known only to themselves) "An atmospheric text adventure... The author's surreal sense of humour pervades every aspect of the game from the sarcastic comments you get from the parser to some dowright silly situations. If you thought text adventures were dull, get Dead or Alive and you may be forced to change your mind... Take a walk on the wild side and pop down to the local graveyard." - Somone, STF (83%) "As text adventures go, Dead or Alive is a good one... The difficulty is quite high, but things get far easier once you begin to appreciate the author's twisted sense of humour! Numerous nice touches." - Nial Grimes, ST Review (four stars) "A decent adventure. Cute footnotes." - Matthew Robinson, Shareware and PD Shopper (five stars - maximum) (Cute???!) OCL002 MURDER ON THE ORION EXPRESS Written by: Kev Davis Released: 13/4/1993 ======== SORRY, THIS SECTOR CANNOT BE READ FROM FLOPPY DISK BY ST RECOVER. ======== ======== SORRY, THIS SECTOR CANNOT BE READ FROM FLOPPY DISK BY ST RECOVER. ======== ======== SORRY, THIS SECTOR CANNOT BE READ FROM FLOPPY DISK BY ST RECOVER. ======== ======== SORRY, THIS SECTOR CANNOT BE READ FROM FLOPPY DISK BY ST RECOVER. ======== ======== SORRY, THIS SECTOR CANNOT BE READ FROM FLOPPY DISK BY ST RECOVER. ======== ======== SORRY, THIS SECTOR CANNOT BE READ FROM FLOPPY DISK BY ST RECOVER. ======== == an electronic notebook, you must trudge around the ship, interrogate the people on board and use your skill and judgement to work out "whodunnit" (and other tired clichs) in this bizarrely humorous "Cluedo-meets-2001-meets-Red Dwarf-meets-Hitch Hiker's-meets-Monty Python" as I used to say before I found out about copyright laws. Orion has a free five-thousand-odd word comedy-sci-fi novella thrown in just for the hell of it, centring around a series of unwieldy events aboard the Express. The game -will- run from S/S drives - you've just got to delete everything except the PRG file and the game data files, and copy it over to a S/S disk. Easy as three point one four one five nine two seven something. [The words "interactive fiction" haven't been applied to this blurb, since the phrase applies to every computer game ever written.] "If you're a Cluedo fan, be sure to get hold of Murder on the Orion Express - it's better acted than the TV programme and a lot more challenging than the board game! There's a strong thread of humour running through the game and it's very much a parody of more serious commercial software. If you enjoy a good laugh, Orion comes recommended." - Nial Grimes, ST Review (four stars) "It's basically one big logic puzzle... It's well screwed together and there are plenty of humorous touches to lighten things up." - Someone, STF (75%) We've had some interest regarding the Orion T-shirts - if anyone else wants to put their name down for one of these exclusive garments (featuring the Orion logo on a black background), contact OCL HQ and we'll get back to you. Send no money now. These articles are not available in the shops. And so on. " S E R I O U S " S T U F F ------------------------------ OCL003 SPRITE WORKS Written by: Terry King Released: 7/10/1993 Category: GFA Extension / Art Package Drive requirements: D/S Memory requirements: 1/2 Meg Current version: 1.22 Price - 7.00 Sprite Works is a powerful new set of commands available for GFA Basic - Versions 3 and above. Essentially for games writers, the kit also provides a professional edge to any program. It turns GFA into a games language that can produce results that can equal and possibly better those managed through STOS. 38 new commands are provided, as well as a superb art package that allows easy sprite design, and two map designers. Extra GFA commands include:- * Fast sprites - 16x and 32x widths with a variable height up to 48 pixels, sprite handler and variable clipping * Low processor time sample player - 2.5-15 KHz * Multi-directional and vertical scrolling maps * Non-scrolling, multi-screen maps * New fonts - 20, 40 and 64-column widths * Program speed regulator * Depacker for ICE and AUTOMATION packers * Mirror copy * Fast screen clear and copy * Fast screen line copy * New mouse controller * Palette switching (32 colours on-screen) * Banner scrolling (with an option for running them on interrupt whilst disk accessing or something) * Degas Elite compressor and decompressor * Spectrum 512 displayer Also a must for any budding assembly programmers, as full 68000 assembly source for all the commands is included. The art package includes six fast zooms, full-screen real- time zoom, animation preview, an option to save sprites in ready- to-use format, controllable splines and polygons, loading and saving in numerous formats, and has fast resizing, recolouring and block rotation. Half meg and full meg versions are included. Two map designers come with the package, one for flip-screen maps and one for non-scrolling maps. Each are fully featured and allow the easy use of "flags" for each screen block to aid collision detection. Sprite Works comes on two disks, with full documentation and annotated GFA examples of the commands, as well as GFA source for the three games and the two demo programs given away on the Freebie disk. "You will not believe the quality of the games that can be produced with Sprite Works - the platform game demo runs every bit as smoothly as Magic Pockets! It's probably a bit advanced for the casual programmer, but is ideal for the seasoned GFA fan in seach of a bit more power. One of the best things that's happened to GFA Basic in a long time" - ST Review (five stars) FREEBIES -------- Before spending your hard-earned/stolen wealth on one of the OCL titles, you might like to get hold of a nearly-free demonstration disk, to give you some idea what you'll be buying. Freebie bundles are only available from OCL Headquarters itself, or from the software's programmer - all addresses are in the OCLADDRS.DOC somewhere. Please enclose a blank disk when writing for a Freebie - if we gave out disks to anyone who wanted them, we'd soon run out of money. And whilst an SAE isn't entirely essential, you'll get a far swifter reply than you would get without one. It's possible to get more than one Freebie bundle on a disk, so if one of our authors is offering two Freebies that'll fit on the same disk, you can request both. And, of course, OCL Headquarters can offer you a blend of any Freebies you like. Oh - mention if you want a double or single-sided disk, by the way. Just to be sure. FREEBIE001 - Sprite Works (331k) This bundle contains two rather swish demos (both coded in GFA with bits from Sprite Works) and three demo games - an 8-way scrolling platform game, a flip-screen platform and an above-view driving game; all are coded in GFA with the aid of Sprite Works, and give an inspiring example of what you can achieve using the package. A cut-down version of the Sprite Works art package is also included. Blimey. UPDATES ------- If you own an earlier version of a game that's been mentioned above, you can claim a completely free update by sending your *original* game disk to the programmer, ensuring to enclose an SAE (or an SSAE, or whatever you call it - an envelope with your address and an adequate stamp on it, anyway). Oh, and the OCL programmers reserve the right to keep your disk and ignore you completely if you send them an old relabelled coverdisk that you swear blind is an original, or if you neglect to forward an SAE. The version numbers for some games are a trifle odd, and I think Colin Campbell was having a go at me for this a while back. Despite all this, the version numbers do go up in ascending order with their rerelease, so it's safe to assume that version 146657.372 is a later and consequently more wonderful one than version 19+(52cos20). But it shouldn't ever get that bad. COMING SOON ----------- Dead or Alive Too...? - Not Dead but Sleeping By Kev Davis Expected date of release: Mid-1994. Honest. Waking up on the back of a lorry on its way to an Icelandic burger factory is not the best way to start the day. Neither, for James Milton - proprietor of Milton's Chipporama, is being shot by an armed robber. And as for the Egyptian king, Ptedious, after three thousand years trapped in a freezing mountainside, virtually anything could be better. Dead Too takes place five years after the end of Dead or Alive, and includes the option to switch between the three undeads at will. Prepare to do battle with Weresheep, cereal killers, psychopath robots, vengeful octopi, possessed electrical goods, suicidal gargoyles, demons on the housing estate, cablecar-riding Nihilist monks, interplanetary buses, chickens and billions more things in this stunningly brilliant (Footnote 3) text adventure. Death has never been so much fun. Antroids By Harvey Reall Expected date of release: Somewhen in 1994 Hours of endless fascination as you tinker about with the DNA programs of insects, before letting them loose on the world to build their colony. Antroids is one of the most absorbing life simulations to date. There are limitless possibilities for the game set-up - two ant colonies battling against each other for survival, a team of cannibal ants descending on helpless workers, a two-player challenge to create the perfect ant, or even just initialising a colony and watching it grow. The game features a dazzling variety of features to make your enjoyment of the simulation even greater, as well as sampled sound and superb graphics. If you can bear the sleepless nights, then buy this game. ST Beermat Programmed and Edited by Kev Davis Expected date of release: Whenever we've got enough stuff for it We still need a goodly number of articles and things for this. If you fancy writing anything for this, send your stuff in ASCII format to me at the usual address. Any subject or style you want - quality is our only aim. None of that foolish "see how many swearwords, obscene references and exclamation marks we can get per sentence" attitude favoured by other disk mags, thanks all the same. Mission Implausible II - The Metal Lurgy By Kev Davis Expected date of release: Early 1994 Set in the latter half of the 24th century, Mish Two sees the crew of the Drunken Sailor caught up in the Metal Lurgy outbreak in the city of Malton. When the ship's android co-pilot takes another crewmember hostage, it's your job to beam down and sort things out. Mish Two uses the rather swish Perpetual Reality Engine - a graphic-adventure system requiring the minimum of keyboard input. Presented with a graphic screen, you click on an object to bring up a list of relevant verbs, from which you choose one that takes your fancy. Couldn't be simpler. Note that "Mission Implausible - Involuntary Suicide" - a rather nice adventure using a Kev-written version of Simes Brown's "Stone Cold Sober" system, will probably never be released because I got completely carried away with it all and ran out of memory. Such is life. Escape from the Dungeons of Trax By Robin Ball Expected release date: Early 1994? An extremely impressive game, utilising the Perpetual Reality Engine. Stunning visuals and a wicked sense of humour combine to form a superb graphic adventure. The plot for this is all a bit up in the air at the moment, but it's fairly safe to assume that Escaping from the Dungeons of Trax comes into it somewhere. Also from Robin, some time this side of never- Alien Thing, a fast and frantic eight-way scrolling shoot 'em up, and Secret Weapon, a 3D adventure of epic proportions. Strana Mechty By Kev Davis and Simon Brown Expected release date: 1994? This game's been undergoing severe rethinking, and we're on the fourth version at the moment. We're trying to make a comedy- RPG sort of thing, but it could end up as dayglo underwater space-invaders at the rate we're scrapping ideas. We had a Dungeon Master layout a while back, but we've ditched that in favour of an above-view approach. For the moment. LIES, DAMN LIES AND RELEASE DATES Although the release dates stated above are vaguely accurate, we can't promise anything. We live in an uncertain world, where nothing is for definite, and it's quite likely that some games will take a while to appear. There's not a lot I can do about this, as I don't like to pressurise people into a quick release (anyone who bought Genocide on its day of release will have seen what this can lead to). However, if you desperately want to see Antroids out by the end of the year, or if Trax sounds like something you'd really like to see - contact the programmer (via myself, probably) saying how much you'd like to see their product completed. This sort of ego-boosting does wonders for bringing forward actual release dates. Kev Davis Thought for the day:- Leave trail of money to alleyway n detection. Sprite Works comes on two disks, with full documentation and annotated GFA examples of the commands, as well as GFA source for the three games and the two demo programs given away on the Freebie disk. 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"                 $      $                 "+&                                                                                                                     *8FLUKESNG2.MOD *<B48JPB4FL> @ R T F?0 1@1?00000000000000000000000000000000000000000000000000000 NOSFERATU PRODUCTIONS PRESENT ----------------------------- INTRO MAKER (v1.5) ------------------ SHAREWARE --------- A PROGRAM BY ROBIN BALL FOR THE ATARI ST ---------------------------------------- PROGRAMMED IN STOS USING THE FOLLOWING EXTENSIONS- -------------------------------------------------- MISSING LINK ------------ TRACKER ------- ADDITIONAL POINT- None of the ABK format tunes are by me. I don't know who created them, but I think that they're all public domain. If you know of any that aren't, then please let me know and I'll remove them at once. The only tune I know the origin of is the actual INTRO.ABK. This was written by my mate Luke Bevan for use in my forthcoming game- Alien Thing. The convert program was written by the same guy who wrote the STOS tracker extension I believe and was on the same disk. That was PD, so I think this is too. I've compiled it so you don't need STOS to convert your MOD files. Here are a list of the other people who's work has been used in minor ways to produce this utility.- Andrew Oakley- Converted the convertor REMs into english. Colin A. Watt- Wrote the original fast scroller that I based this one on, and is also one half of Top Notch software who wrote the Missing Link extension. Auld Bastid- I used the information in an article he wrote for Stosser to help with the text file loading routine (very feeble though this first attempt of mine is). Whoever wrote all these tracker tunes. Here's a list of the various programs used if you're interested- Deluxe Paint ST for all graphics Audio Sculpture for writing INTRO.ABK (well the original Mod version anyway). Ice Packer version 2.4. Errm... I think that's all this time, apart from STOS and the Compiler. ANOTHER POINT ------------- This program isn't really Falcon compatible. If you use the Best Compatability settings from Backwards 2, then it'll run, but the sound will be horribly hissy. Also, since STOS isn't very TOS friendly, it won't read the joystick ports properly. Whilst I haven't used the mouse or joystick in this program, when it exits, STOS doesn't return control of the ports to TOS, so the mouse and joystick still won't work (sigh). To conclude, don't bother trying to use this on a Falcon, it's not worth the hassle. Anyway, the Falcon has hardware scrolling and sample playing hardware as standard, so should be able to do this sort of thing without batting an eyelid (or something). ABOUT THE PROGRAM ----------------- This program originated as an intro screen to my (as of yet unfinished) game Alien Thing. The program loaded a series of static pictures then displayed them in sequence each with an approprite bit of scrolling text whilst a sound tracker tune played along in the background. I've seen several STOS games with tracker music in the intros but it's usually accompanied by a still screen. I wanted to do some scrolling text as well. I found an example program on one of the STOSSER disks that showed how to create fast and smoothly scrolling text without using very much processor time at all. This was just what I wanted, because I think the tracker routine takes about 150 scan lines to work, so it doesn't leave much. I sped up the scrolltext even more by using a couple of BLITs from the Missing Link extension to replace a few of the screencopies, and made sure the picture didn't have to be drawn whilst the music was playing, and finally got it working (but only just) in one VBL. The scrolling was terribly juddery and uneven in Interpretor mode but when compiled, it sped up just enough to fit into one VBL. I was pleased with the intro I'd created, and began to wonder if it was possible to make the program more versatile. In fact it was simpler than I'd imagined. All I had to do was change the number of screens used (cutting down from four to one) and add a routine to load ascii text and put it into the string to scroll. I did most of the additional programming in one or two evenings, and spent a further one adding ABK format tunes and the convertor program to the disk and it's now ready. The program is intended to enable anyone to create great (albeit simple) intros for their games and programs. It's a similar idea to the Intro Concept program, but for two things. One- It uses sound tracker music rather than a small collection of ripped sound chip tunes. And two- It doesn't have to be compiled or built or fiddled with to any extent, it's easy to use. Using The Program ----------------- Using The program is simplicity itself. You don't have to change the actual program at all to use it for your own disks. All you have to do is write a bit of text, create (or find) a tune and make a nice picture. You then copy the three datafiles onto a blank disk and put a copy of the program on there with them. You then have to rename the text to INTRO.DOC, the picture (Degas un-compressed format) to INTRO.PI1 and the tune (ABK rather than plain MOD I'm afraid) to INTRO.ABK. If you want to run the intro program from an AUTO folder (that's really what it's for), then you should put the datafiles into the root directory. If however you want to load it from a folder, then simply keep the datafiles in the same directory as the program. It's not fussy where it runs from and should be able to cope so long as all the files are together. It should run from a hard disk although I can't test that, and it works fine from a ramdisk. In fact, if you want to test the various tunes, then I suggest copying all the INTRO files except for INTRO.ABK to a ramdisk and copy a few of the music files there too. Rename one to INTRO.ABK and run the program. Try out the tunes in turn, renaming them only in the ramdisk. It's quicker and it doesn't matter if you forget the tune's original name when it comes time to rename them back again. If you have a hard disk, then you can decompress the PRG files with Mega Depack or something similar, and they'll load quicker. THE DATAFILES ------------- The format of the datafiles is pretty simple, and you shouldn't find it hard to work out how to edit them if you have a couple of goes. Use a backup disk for your editing in case it all goes horribly wrong. The text is simple to do in any old text editor or word processor. All you have to bear in mind is that the program only accepts capitals and the @ character for full stops. If you're in any doubt, then load in the example DOC and have a look. The lines should all end with a carriage return and should all begin with a space. There are no numbers in the font (sorry, lack of enthusiasm prevented it) so write any out in full. If you use a character the program doesn't know, then it will simply print a space instead, so there's no need to worry about horrible crashes. Save the text as plain ascii. Some programs automatically save ascii with carriage returns at the end of each line, but some only put a carriage return at the end of paragraphs. Either way, it's better to end each line with a press of the return key. It doesn't matter how long the lines are (so long as they're less than 500 characters), so editing your text shouldn't be a problem. The picture is simply an un-compressed Degas PI1 file. I prefer to use packed pictures myself, but I thought it would be easier for the user if they didn't have to worry about packing it or finding a paint package that'll save in PC1 format or something. All you have to bear in mind is that the top 16 pixels should be left blank as that's where the scroller goes. You should also make sure that the last colour (15) is different to the first (0) otherwise the scroller won't show up. It doesn't matter what these colours are, the palette is taken from the picture so it's up to you. The music is a little less friendly. This isn't my fault, I would have prefered to use a standard MOD file, but the bloke who wrote the extension thought it would be a good idea to use non- standard ABK format files. Still, he wrote a program to convert MOD tunes to the ABK format, and it's on this disk. I've also filled up the disk with all the ABK format tracker tunes I could find, so if you can't be bothered to convert any of your own tracker tunes, then you could simply use a supplied one. There is one point that's very important when converting MODs. You have to remember that the STOS tracker won't automatically loop the tune when it gets to the end. You have to include a GOTO pattern command within the last played line of the last played pattern of the tune. This command is 'B' (in Audio Sculpture at least) and the two parameters are 00 to go to the beginning. There doesn't have to be a played note so it shouldn't affect the tune in the slightest to add this little addition. It causes problems if the last pattern played is also played before this in the tune. If this is the case then obviously the command will restart the tune the first time that pattern is played. If you find that to be the case, then you'll have to add an extra pattern exactly the same, but make sure it's played last only and the previous copy is used the rest of the time. It's a bit confusing but if you know how to work a sound tracker, then you should know what I'm talking about. The last command should look like this- ---00B00 I've discovered a slight problem. If the tune doesn't have this looping command and it plays to the end, then the music will stop, but you won't be able to quit the program with the space bar. The reason for this seems to be that the TRACSCAN command used to test the keyboard for key presses doesn't work after the tune's finished. I might correct this before release, but it's still best to try to avoid letting the tune stop. (I have now fixed that bug, so there shouldn't be any problem.) That should be all you need to know to use this program. Try it out now. SHAREWARE --------- Yup that's right, I've attempted to make this program shareware. The deal goes like this- You are free to use intros made with this in your own programs. In fact I would love to see decent intros used in lots of pd, shareware and licenceware games. Since the program will happily exist anywhere, it can be used to make intros to accompany games (or other programs) written in practically any language. You could write an intro for your STOS or assembly games, and put it before them in the auto folder. It would load first, then when quit, your game would load straight away. Or if you write in GFA basic and need GEM initialised, then you can put an intro in the auto folder, then when it quits and doesn't find another program in the auto folder, then the desktop will appear and your program can be run from there. Similarly with STAC adventures. 3DCK games can run from the auto folder, so no problem there. Erm... I can't think of an instance where it can't be used (except on mono systems). If you do use this program, then I would greatly appreciate a mention. Perhaps you could also say where you got the disk from, so people reading your scroller can get hold of a copy of the full disk. If you're going to be using intros made with this program, then you should really register, but I can't police this, and there's nothing to stop you from using it without my permission. If you want to register then it costs 5, and for that you'll get the 'proper' version of the program, the one without the annoying 'Intro maker coded by Robin Ball' message before working. You'll also get the source code to this program, and also the source for the Alien Thing intro, which demonstrates how to modify the code to make the intro more complex (but specific to your own game). You might also get all sorts of other goodies, depending on what mood I'm in when I hear from you, and of course, you get to be an offical friend, and as such, stand a great chance of getting free copies of my licenceware games when they're finished. I know you're all groaning at the prospect of giving away five pounds, but wait, there's more. I'm not too fussy about how I receive my payment (Pounds Sterling only if you're sending money, it saves the hassle and expense of exchanging it). If you've written a shareware game or program, then I'd happily accept a registered copy in lieu of payment. Similarly with licenceware games or programs (only your own mind, I don't want to find you trying to give me dodgy looking copies of Dead Or Alive, claiming that you wrote it or something similar). If you haven't written any games, then find something else to send, any old present will do providing it's worth about a fiver. Some blank disks or a few disks of PD or something would be fine. If you've got any old games you no longer want, I wouldn't mind one of those (I'll be lucky), but no pirated stuff please, or I'll be very angry and I could well be reaching for the FAST phone number before your dodgy disk hits the doormat. Even if you don't actually send anything but a letter, I'm still likely to reply favourably, but don't expect the source code or actual program if you don't send a disk or something. And remember, the more mail I get, the more likely I am to upgrade the software, or write other nice things. Here's the address to get in touch with me, but if you're writing after September 1994, then I probably won't still be living here, so write first before sending money. Since I'm a fully paid up member of Organised Chaos Licenceware, you should always be able to find my address in the OCL propaganda file or failing that from OCL headquarters. Robin Ball, 33/35 Whistley Road, Potterne, Devizes, Wiltshire, SN10 5QY Or if you want to phone to for any reason (more info about my future products or something) then call (0380) 727143 after 6pm weekdays or any time at weekends. If I write an update after September, then I'll include my new address. I think that's all I need to say now. For more information about Organised Chaos Licenceware, read the propaganda file. - "ASPIAN2DOC  PDLETTERDOC QG CASPIAN2DOC  OZZY1 DOC 0FALCGAMEDOC |_/00000000000?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0@?0 1@1?0000000000000000000000000000000000000000000000000000000000000000?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0?0 1@1?0000000000000000000000000000000000000000000000000000000000000000?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0?0?000000000000000000֐000֐00001100?1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 1 ?0000000000000000000000000000000000000000000000000000000000000000?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0?0?000000000000000000֐000֐00001100?0 1@1?000000000000000000000000000000000000000000000000000000000000000?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0?11?00?1?00?1?0?0?000000000000000000֐000֐00001100