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READ_ME DOC `UDOWNFALLPRG F`'$ D~O~W~N F~A~L~L () HOW TO PLAY (The quick guide) ----------- The idea of the game is to make the snow pile up to the top of the other players side of the screen. Player one uses joystick one to control their cursor. They are allocated the left hand side of the screen. Player two uses the other joystick and the other side of the screen. To select an icon, just move the cursor underneath it and press FIRE. The bar shows the currently selected mode. Only highlighted icons can be selected. When snow falls into the hole at the bottom of your side of the screen, the bottom of the other players side moves up by a small amount. This obviously helps you to win the game... When snow fills up either of the two chutes at the side of your playing area, two more icons will become available. These create extra effects (explained later). Selecting an icon will decrease the number of highlighted icons by the power of that effect. The two icons that are permanently highlighted are build and remove barriers. When these are selected, pressing FIRE with the cursor in either of the playing areas causes barriers to be placed or destroyed. This uses up energy (which is displayed as a bar in the middle of the screen). Building/Creating on your opponents side takes more energy. Energy is slowly replaced for both players all of the time. Now the special effects icons (From least to most powerful) => 1) Control Reversal - Reverses the other players controls for a length of time 2) Snow Fall - Makes all of the snow fall on the other players side 3) Extra Energy - Makes your energy bar replace faster. Has a cumulative effect. 4) Black Holes - Transports snow to an identical position on the other players side 5) Snow Melt - Makes all falling snow melt blocked snow that is around it 6) Stop Bar - Stops the bar at the bottom of your side from moving up when the other player fills his bottom chute. You can now play the game if you want to get into it quickly. If you want some more explanation, there now follows a set of more detailed instructions. How To Play (Mk II) ----------- What about the snow? OK, this falls at equal rates on either side of the screen. Each players cursor can be moved anywhere on the screen, but only icons from your own side can be used. The cursors cannot be moved beneath the lower line on either side. Right, I had better explain the icons in depth now => Each player has an identical set above his side. They go from the outside of the screen inwards. NB at the beginning of the game, all but 2 of the icons are shaded. This means that you CANNOT select them (hang on, I'll get to that in a minute) For now, the first two icons.... The one on the extreme outer edge of the screen is the one that is selected at the start. This icon depicts a pixel with four arrows pointing away from it. You use this icon to erase barriers from your side of the screen and your opponents side. Just move the cursor over the barrier to be erased and press fire. You will notice that as you do this, a bar in the middle of the screen goes down momentarily. These are the energy bars of you and your opponent and fill up slowly over time. When you erase or place barriers, your bar diminishes. You obviously cannot erase or create when the bar is empty. To place barriers, you must select the next icon in the row. This depicts a pixel with four arrows pointing inwards. Again, move to the place you want to put down the barrier and press fire. To create a line you can hold down fire and move at the same time. The maximum height for both of these operations is about 15 pixels below the top of either of the playing areas. Both of these icons can be selected at any time. You should also notice a gap at the bottom of your screen. When snow falls in this gap, two bars underneath your playing area move towards each other. When these meet in the centre, the bottom of the other players side moves up one pixel. Therefore, it is advantageous to funnel snow into this gap as it increases your chances of winning (you do want to win don't you?) On either side of each playing area there are also two bars that start empty. You must funnel snow into these bars (by building barriers at a roughly 45 degree angle) so that they fill up with snow. When the snow reaches the top, you will see that two of the icons at the top of the screen change to being unshaded. This means that you can select them to create special effects on your opponents side. Now to explain the other icons. These all increase in power as they go towards the centre of the screen, so you must save up to get the higher effects. If we take the left hand player as an example, taking the effects from left to right (IE from least to most powerful), the various options are: 1) Shows four arrows pointing inwards. This icon reverses the other players controls for a period of time. Can be very annoying but does no lasting damage. 2) Shows a snow storm. This makes all of the snow fall on the other players side for a length of time. Therefore, your side does not fill up and your opponent gets blocked up more quickly. NB This icon must be used with care (see later tactical suggestions section) 3) Shows an energy bar with an upward pointing arrow. This icon has a permanent effect for the rest of the game. It makes the rate at which your energy is replaced increase. Therefore it will gain you an advantage over your opponent because you will be able to build and destroy more barriers. The effect of this icon is cumulative, so if you select it again, your energy will go up even faster. 4) Shows snow falling into a 'Black Hole' This icon can be very useful if used with care (again see tactics section) It allows you to create 10 pixels of special blocks on any side of the display. To place the blocks, simply select the icon and it will become highlighted. Then move the cursor to where you want the blocks to be placed and press fire. They do not all need to be placed together. When all have been placed, the icon will become de-selected and you will revert to your last mode of action. You can also select another icon when you have not placed all of the blocks, but you will LOSE all of the remaining blocks to be placed. When any snow hits one of these blocks, it gets transported to the corresponding place on the other side of the screen. Note that there are certain restrictions on where you can place the black holes. They must be below the level of the lowest side chutes on either side. They can also not be placed if they are lower than the bottom of the other players side. Also, if any of the sides moves above the level of the black holes, they will automatically disappear. If it would be impossible to place any black holes for any reason (IE either side has moved up too far) then you will not be able to select the icon. 5) Shows large red droplets falling instead of snow. This useful effect makes all the snow falling on your side become 'hot' and melt any snow that it touches. Thus, large blockages of snow can be quickly cleared. After a certain amount of snow has been melted, the icon will become de-selected and the snow will revert to normal. While this effect is taking place, it is also possible to carry on with other functions as normal. 6) Shows one players side with an arrow pointing downwards. This icon stops the bottom of your bin moving upwards when the other player fills his bottom chute with snow. For eight consecutive fill ups, nothing will happen and the other players snow will be wasted. After this time the icon will automatically revert to normal. Again, you can continue building etc. while this icon is selected. When an icon is selected, you will lose as many available icons as the relevant number in the above list. For instance if 4 icons are highlighted and a control reversal is selected, only the highest icon will become unavailable. Note that the control reversal will also become shaded to remind you that it cannot be selected until that effect runs out. Notes On Tactics (To be read by BOTH players!) ---------------- When selecting special icon 2 (all snow falls on opponents side), make sure that you are ready to erase, not build. This is because this effect can benefit the other player by making more snow fall in his side chutes. If you dig away any funnels that he has built, this will not happen. (obviously they will be trying to build platforms here at the same time to gain the advantage) You must also note that any snow that falls off the bottom of that players side will not count towards his total. (the bars under their side will not move up) Therefore, it would be advantageous for them to build a bridge stopping the snow from falling through, and then releasing it after the effect has finished. Again, you must be ready to dig any barriers away so they benefit the least from the extra snow. When selecting special icon 4 (black holes) think where you are going to put the pixels down. It is usually best to put them on your opponents side in the middle of their playing area, so any snow falling into the black hole actually benefits you. But, they can also be placed on your side if the snow is building up too fast. Also, think how long they will last in the position that you place them. Do not put them directly above the other players bottom line as they will be destroyed when the line moves up. It is best to put them a short distance above so that they will last for longer, but also catch more of the snow. To deal with black holes on your side, it is possible to place barriers above them to stop the snow falling into them. Remember that the other player will try to move across and erase the barriers. The best thing to do is try to direct the snow around the black holes. (of course if you place the black holes, you will try to direct the other players snow INTO them, to stop it from moving your bottom line up) WINNING ------- When one players side is filled right to the top, you will be informed of who has won (player one is using joystick one etc.) You have to win enough consecutive sets to gain a two game lead over your opponent. When this happens, the scores are reset and play can be restarted. If you do not want to play again, press SPACE when the scores are being displayed. DON'T PANIC !! The game is actually far easier than you might think when you get playing. Just remember, direct the snow into your two side chutes, direct it into the hole at the bottom of your bin and also stop the other player doing exactly this!  ************ ************ ************ * * * * * * * SHAREWARE! * * SHAREWARE! * * SHAREWARE! * * * * * * * ************ ************ ************  Oh no! Not another shareware game ! WAIT !!! If you decide that you like playing this game please support this concept and send a small donation (anything from 2.00 upwards would be very appreciated) to the address below. If you would like a copy of the source code for GENST II, please send 5.00 and your address and I will post you a disk containing it. Andrew Sage, Triplands, Luppitt, Honiton, Devon. 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Melody >P8>PGP8GPEP8EPCP8CP>P8>P>Px>P>P8>P>P8>PGP8GPEP8EPCP8CP@Px@P@P8@PHP8HPGP8GPEP8EPJPxJPLP8LPJP8JPHP8HPEP8EPGPxGP>P8>PGP8GPEP8EPCP8CP>Px>P>P8>PGP8GPEP8EPCP8CP@P8@P@P8@P@P8@PHP8HPGP8GPEP8EPJP8JPJP8JPJP8JPJP8JPLP8LPJP8JPHP8HPEP8EPCP8CPHGP8GPGP8GPGPxGPGP8GPGP8GPGPxGPGP8GPJP8JPCPxCPEPxEPGPHP8GP@HPHHPxHPHHP8HPHP8HPHP8HPGP8GPGP4GP GPxGPGP8GPGP8GPEP8EPEP8EPGP8GPEPxEPGP8GPGP8GPGPxGPGP8GPGP8GPGPxGPGP8GPJP8JPCP8CPEP8EPGPxGPHP8HPHP8HPHP8HPHP8HPHP8HPGP8GPGP8GPGPxGPGP8GPJP8JPJP8JPHP8HPEP8EPCP8CPH>P8>PGP8GPEP8EPCP8CP>P8>P>Px>P>P8>P>P8>PGP8GPEP8EPCP8CP@Px@P@P8@PHP8HPGP8GPEP8EPJPxJPLP8LPJP8JPHP8HPEP8EPGPxGP>P8>PGP8GPEP8EPCP8CP>Px>P>P8>PGP8GPEP8EPCP8CP@P8@P@P8@P@P8@PHP8HPGP8GPEP8EPJP8JPJP8JPJP8JPJP8JPLP8LPJP8JPHP8HPEP8EPCP8CPHGP8GPGP8GPGPxGPGP8GPGP8GPGPxGPGP8GPJP8JPCPxCPEPxEPGPHP8GP@HPHHPxHPHHP8HPHP8HPHP8HPGP8GPGP4GP GPxGPGP8GPGP8GPEP8EPEP8EPGP8GPEPxEPGP8GPGP8GPGPxGPGP8GPGP8GPGPxGPGP8GPJP8JPCP8CPEP8EPGPxGPHP8HPHP8HPHP8HPHP8HPHP8HPGP8GPGP8GPGPxGPGP8GPJP8JPJP8JPHP8HPEP8EPCP8CPHGP8GPGP8GPGPxGPGP8GPGP8GPGPxGPGP8GPJP8JPCP8CPEP8EPGPHP8GP@HPHHPxHPHHP8HPHP8HPHP8HPGP8GPGP4GP GPxGPGP8GPGP8GPEP8EPEP8EPGP8GPEPxEPGP8GPGP8GPGPxGPGP8GPGP8GPGPxGPGP8GPJP8JPCP8CPEP8EPGPxGPHP8HPHP8HPHP8HPHP8HPHP8HPGP8GPGP8GPGPxGPGP8GPJPxJPJPxJPLPxLPNPxNPOPxOP/ IMPROVISER v1.4 DEMO -------------------- (c) CREATIVE SOUNDS 1991-2 PO BOX 877, BRISTOL BS99 5LA, ENGLAND ------------------------------------- INTRODUCTION ------------ IMPROVISER is an educational music program designed to help you learn more about the way improvisation and composition work. If you want to learn French the best way is to listen to French people speaking. This, however, is initially very difficult because the ear cannot pick out individual words and make meaning of the phrases. Therefore the second best thing to do is buy a course of tapes in French and begin slowly! The IMPROVISER program applies the same logic to improvising music. Many people think that improvised music can only be played by born naturals who have some special gift. What they don't realise is that these 'special' people have spent hours and hours and hours copying riffs from records, listening to improvised music and understanding the structure of the music. That is very time consuming and is like learning French by listening to French radio. The power of MIDI is the ability to change tempo without changing pitch! This means you can slow a sequence down and give yourself time to hear what's going on. There is a structure and logic to most music and professional improvising musicians can be recognised by the way they construct phrases. This program allows you to construct simple melodic and rhythmic phrases and shows you a way into your own improvisation. You are not supposed to like all the music the program creates because not all melodic/random patterns work with all rhythmic/ random patterns. The idea is to use it to see what you do like and then work out why! The full version allows you to save the 'improvised line' as a midi file. The program can also be used very effectively as an ear training system. IMPROVISER then, is a tool to help you understand the structure of music. The program is NOT improvising in the human sense but shows you the building blocks of the process. HOW DOES IMPROVISER WORK? ------------------------- IMPROVISER sequences out a four track midi file of Bass, Drums, Harmony and Melody. As it plays out the four tracks it looks ahead into the Harmony track, works out what the next chord is (it recognises seventh chords to three inversions; IMPROVISER PRO recognizes upto thirteenth chords) and constructs a scale or mode that corresponds to that chord. Having constructed the scale it then plays a series of notes from that scale according to the melodic pattern you are using, or probabilities if you are not using melodic patterns, and then superimposes a rhythm on this. All this is done for every chord, in REAL-TIME, that is as the sequence is playing! You can then interact with the program and change the way it is playing to hear what different patterns sound like. HOW DO I USE IMPROVISER? ------------------------ The demo program has a lot of the functions disabled and is very easy to use. IMPROVISER will ONLY run on a high resolution monochrome monitor. If you have a colour monitor you will have to use a mono emulator program such as SEBRA. You will also need a MULTI TIMBRAL MODULE or SYNTHESIZER connected to an amplifier and speakers. To run the demo click on the file IMPRODEM.PRG. PULL DOWN MENUS --------------- FILE disabled TRACKS Turn on and off the five different tracks. MIDI This allows you to change the midi channels(1-16) for the five different tracks. It also allows you to make patch changes. MAKE SURE that you set up a multi-patch on your synthesizer that has a Bass, Drums, Harmony (Piano, Guitar etc) and Melody sound. You can set the improvised channel to the same as the melody channel or choose another sound altogether. Most multi-timbral synthesizers have a minimum of eight voices. The easiest configuration is to set up a patch with Bass on 1, Drums on 10, Harmony on 3, Melody on 4 and Improvised on 5,6,7 or 8. The tracks can of course be assigned to any of the sixteen channels. DRUMS This lets you set up different default drum settings or define your own. EXTRAS CHORD SYMBOLS saves chord symbols as a seperate track in the midi file. RECTANGLES ---------- TOP RIGHT - PATTERN BOXES ------------------------- MEL_PAT Click here to turn Melodic patterns on or off. RANDOM PAT This creates a new pattern from existing patterns and stores it in MELODIC PATTERN 17. MELODIC PATTERN This is a database of sixteen melodic patterns that are in the program but can also be redefined. RHY_PAT Click here to turn Rhythmic patterns on or off. RANDOM PAT This creates a new one bar rhythmic pattern from existing patterns and stores it in RHYTHMIC PATTERN 17. RHYTHMIC PATTERN This is a database of sixteen rhythmic patterns that are in the program but can also be redefined. BOTTOM LEFT - SLIDERS --------------------- IMPRO VOL This changes the volume of the improvised track ONLY. TOTAL TEMPO This changes the tempo of the whole piece. IMPRO FEEL This pushes the improvised track in front of the beat or pulls it behind. CHROM CONT This stands for chromatic content. If you click MEL_PAT off notes will be chosen from scales at random. If you increase the CHROM CONT slider you increase the probability of a chromatic run between melody notes. MEL CONT This stands for melody content. If you click MEL_PAT off notes will be chosen from scales at random. If you increase the MEL CONT slider you increase the probability that a melody note will be chosen. TOP LEFT - MELODY ----------------- If you click the MELODY button ON the improvised line will go back to playing the melody. When improvising it is crucial to know where the melody is at all times. BOTTOM RIGHT - TEMPO BOXES -------------------------- If you don't use rhythm patterns you can use these as your basic rhythmic unit. If your tune is in 4/4 you will get 8 eighth notes to 1 bar. If it is in 3/4 you will get 6 eighth notes to one bar. Clicking on the box in the middle will record silence into the improvised track. TOP MIDDLE - OTHER BOXES ------------------------ SEED If you don't use patterns notes are selected at random. To do this on a computer you use a random number generator to generate random numbers. If you click on SEED you will get a new stream of random numbers. CHROM This stands for chromatic and has the same effect as putting the CHROM CONT slider to 100. SAME CHORD This stops the program from reading new chords so if you want to work with one scale click on SAME CHORD, and turn all tracks except IMPROVISED off. SAME NOTE This does what it says! TRANSPOSE IMPRO This lets you transpose the improvised line up or down 12 semitones. We trust you will enjoy using IMPROVISER and hope it will show you a way in to doing your own improvisation on your instrument. REMEMBER, improvisation is NOT about playing any notes, but about hearing a phrase in your head and then playing it. This program is about helping you build a dynamic library of phrases in your head! Have Fun! 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It should work on any ST, although it has only been tested on two TOS 1.62 STe's. It works fine on a Hard Disk, as it was developed on one. Needs a COLOUR screen and two joysticks. It will run from Medium res okay, and restores res/palette on exit. A Roboshift, MoJo or other Mouse/Joystick switchbox is also very handy! The on-line hacker Jargon File, version 2.9.9, 01 APR 1992 has this to say about Spacewar: ":SPACEWAR: n. A space-combat simulation game, inspired by E. E. "Doc" Smith's "Lensman" books, in which two spaceships duel around a central sun, shooting torpedoes at each other and jumping through hyperspace. This game was first implemented on the PDP-1 at MIT in 1960--61. SPACEWAR aficionados formed the core of the early hacker culture at MIT. Nine years later, a descendant of the game motivated Ken Thompson to build, in his spare time on a scavenged PDP-7, the operating system that became {{UNIX}}. Less than nine years after that, SPACEWAR was commercialized as one of the first video games; descendants are still {feep}ing in video arcades everywhere. " From this it is obvious that this game is an integral part of computing history. It is also a fun two-player game. This version features a range of gadgets for the ships, not just hyperspace, variable gravity, lightsource shaded ships, a gravitating particle system, real inverse-square gravity (rather than some lesser non-newtonian gravity),sampled sound and a Duel mode. How To Play: As it says above, Spacewar involves two spaceships orbitting a lonely star. They each have a supply of torpedoes (photon ones, if you're a trekkie), and basic rotate/thrust controls la Asteroids. The ships are controlled by joysticks in ports 0 and 1 (under the keyboard on STFM/E's). The 'stick in the mouse port is for the red player, t'other is for blue. At the main menu it is the blue player that can move the cursor to select game options, or the cursor keys and space-bar can be used. See later for a full discussion of the options here. Selecting 'Normal' on the right of the menu starts a standard no-tricks game. The game consists of 15 rounds (shown in the bottom centre of the screen), each lasting until a ship dies. The score works as follows: if a ship is shot, the opponent scores a point; if a ship hits the sun, they lose a point and the opponent gains one; if the ships collide, no-one scores. After one of the ships dies, the game runs on for a while. This is to make sure that the killer didn't just get lucky, and really *is* in control of their craft. If not, then any damage (hitting shots/sun) counts as usual. At the end of 15 rounds, if the game is a draw then 3 more rounds are played. This goes on until a winner is found. There is no draw in SpaceWar. When the game is running, the space-bar will pause it. Also, when the game is running (not paused), Undo will get you back to the menu, ending your game. The ship controls (nearly forgot!) are left/right to rotate the ship, and forward to thrust. Fire fires. This used to be called an 'action' or 'red' button on some computers/software. I guess this reflects the war-like nature of computer games. Pulling back on the stick triggers a Mystic Special Feature - see below for more info. The Menu Options: The Menu lets you setup the way the SpaceWar universe works. Firstly, in the middle column, you can set how strong the gravity is. None is rather boring. Strong is very hard to manuevre in. Recoil, in the top-right, sets whether the ships recoil on firing a shot. Off for SpaceWar Classic, on for a bit of a twist. The Features column (left) sets what happens when the Joystick is pulled back. For SpaceWar Classic, this should be Hyper (as in Hyperspace). From the top these are: None: Does Nothing (what did you expect?) Flip: Turns the ship through 180 degrees instantly. This is a handy for some nifty swerves, and for firing on a pursuer. Hyper(space):Drops the ship into another dimension briefly. It reappears somewhere else, a split-second later. This may dump you in the sun, or the other ship or a torpedo. It is also worth knowing that your original speed and direction are retained. If you are moving fast, Hyperspace can be *very* dangerous!. Use with caution. Shield: Casts a glassy shield around the ship. This repels torpedoes. If you hit the other ship with it's shields down, then you kill it! If you both have shields on, then you emerge unharmed. The shields offer NO protection against the sun. You also lose control of the craft while the shield is on. Obviously, thrusters and guns can't operate from inside an impermeable shell. The shield has a limited lifetime. Use with caution. Retro: Gives an instant backwards blast of thrust. Handy for fast escapes and avoiding the sun. Could also blast you into the other ship/sun/torpedoes etc. Not altogether a safe option. As you can see, all the gadgets have a plus *and* a minus side. The more powerful the gadget, the easier it is to be burned by it. In 'Normal play', both ships have the same feature, decided by the menu selection. In 'Duel play', a special screen appears before the game itself begins, allowing each player to choose a feature, *without the other player knowing what it is*. The tactical non-use of your 'secret weapon' until strictly necessary is an interesting addition to the game. Also, pressing Undo on the Menu screen will quit back to the GEM desktop - or whoever's desktop you use (Neo,Kaos,GEMINI(yay!) or whatever). Special Thanks and Without Whom: Bob Mellish for Playtesting, Stars, and a friendly HD! HiSoft (Devpac ST - The Best - Looking forward to v3.0) JayBee and Roy (CrackArt - Nice one - No Brushes/Brush Size ?!?) Dave Staugas and The Delta Force (NeoChrome/NeoMaster)-why didn't Atari take the Master on board? GFA Data-Media (GFA-BASIC - ta ST Format !) Tangerine Dream and The Orb for calming sounds. The Prodigy, Skinny Puppy, Slayer and Motown for exhilarating sounds. Warren Long, for using up so much of my valuable programming time with *his* Spacewar last year. The PDP-1 Hackers for a Classic Game Idea. Axe of Superior for Pack-Ice. It has saved me at least 100k of graphic and table space in this game. Don't know what to do next, possibly a multi-player Elite-clone, or Multi-paradroid (One of the best games ever, Paradroid 85/90). I am very much in favour of two/multi player games, with MIDI links etc. I think the best opponent in a game is usually another person. This gives a lot of games a real competitive/malicious edge, and improves them no end. Expect more DDS multi-player games. If you haven't yet, try and find at least 4 of your closest friends, and play MidiMazeII. This really shows the potential of such things. It was 16-player MidiMaze on the Atari stand of the '87 PCW show that turned me onto multi-player stuff.Brill. Any suggestions for either welcome. Howdy to Penguin and his mate Guy (who may well read this). And to Xyvark, Knightman, AH, D_Gently, Hackbear, Spoil, Haq, Goemon, Donald_d and all on #atari. This game is not shareware. It is *free*. No charge should be made for it other than for the copying and media it is stored on. I have heard bad things about German PD libraries but leave this game to travel the four winds and the great tendrils of the Internet unchallenged. Would some net.friend please upload this to atari.archive (terminator) for me? I have trouble with FTP to them. Ta. Although this isn't shareware, if it gives you some enjoyment, I'd be interested to hear from you anyway. Send me some interesting software and I'll return your disk with something else on it. Probably half-done bits, other PD/Shareware stuff or... MolSys !!! Bob Mellish and Howard Jones (mostly Bob) are also the developers of MolSys ST. Probably the best Molecular Modelling system for the ST. At the moment it is shareware with a 10 registation fee to get you full source (for personal use only) and the printed manual (when I've finished it). The program is highly intuitive, interactive and nice-looking. It will allow very fast building and manipulation/measurement on a large variety of organic molecules. This has been sent to various PD libraries in the past. SouthWest did always have a current version, but they've been badgered into packing up now by a rather strange and localized copyright raid. Write to us (with a disk) for a copy. Mono Only (for now). Not nearly so good with an emulator. I (HJ) am currently porting it to the PC where I have half of both a DOS/VGA and MS Windows 3 version. I'm looking at doing an OSF/Motif one too. Write now for more info! Howard Jones, 1/11/92 12 Fountains Garth, Bracknell, Berkshire RG12 7RH, United Kingdom [this is my home address, during college time, replies may take longer] Email: c/o rm03@cc.ic.ac.uk (mark 'for howie', not my acct.) 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Section 2: Reference Manual 2.1 - Fractal types. 2.2 - Drawing Julia sets and Mandelbrot sets. 2.3 - Palettes. 2.4 - Loading and Saving. 2.5 - Entering Co-ordinates and Animation Sequences. Section 3: Extra Information. 3.1 - Notes on fractal parameters. 3.2 - Bibliography. 3.3 - Disclaimer, copyright 3.4 - Other programs to follow ------------------------------------------------------------------------------ Section 1: Introduction Welcome to the Fractal Engine version 1.0 for the Atari ST. This document is broken in to two main parts. This part explains what's going on in the world of fractals and about the Fractal Engine. The Second section is a kind of reference manual and tells you all about how to use the program. 1.1 - What is a Fractal ? A Fractal is the graphical representation of the behaviour of a non-linear dynamical system. A fractal has a property known as self-similarity, roughly this means that a single part of it looks like the whole. Theoretically one can 'zoom in for ever' on a fractal and never run out of detail. Practically, however, you are restricted by the accuracy of the computer's real arithmetic and the time taken by the computer to perform an increasing number of calculations the futher you 'zoom in'. 1.2 - About the Fractal Engine. The Fractal Engine can be used to draw Mandelbrot and Julia sets (abr. Mset and Jset) for eight different families of complex functions. What then are Msets and Jsets ? The former represents the behaviour of a whole family of functions and the latter represents the behaviour of an explicit function of some family. The Mset of a family of functions can be thought of as a 'single image dictionary' of all the Jsets of that family. All the families of functions used in Fractal engine are complex functions of Z parameterised by a complex variable C. Msets are graphs of C (initial Z fixed) and Jsets are graphs of Z (C fixed). For the purposes of using this program the main thing to remember is that each point on a Mset image corresponds to a Jset image. The program allows you to zoom in and out on both Mset and Jset images, giving you the opportunity to explore the wealth of geometric structures found within them. You can also create animation sequences to make you fractal images move. Degas and Neochrome format files are also supported to allow you to use the images in an art package. The program uses the novel method called divide-and-conquer for calculating the image. Also a technique which we call 'the level estimator' is used to highlight the boundary (often the most interesting part of a fractal image). This solves the problem (usually ignored by the authors of other fractal programs) caused by rapidly changing colours which can degrade the image. You do not need a deep understanding of fractals to use this program. In fact a general knowledge of the ST is more useful. However we have included mathematical details and references herein for fractal enthusiasts. FRAC_ENG.PRG can be in run in or out of the FRAC_ENG folder with the DEFAULTS folder there too. The PICTURES and COORDNTS folders must also be there if you wish to load/save pictures or co-ordinate files (see 2.4) from/to the same disk. To set up a data disk (eg containing just picture or co-ordinate data) you must create the folders PICTURES, COORDNTS and ANIMATE in the root directory. You will encounter problems if these folders are in the FRAC_ENG folder unless it contains a file (eg DISPANIM.PRG) and not just folders. Be careful when swapping disks, especially if you have an old ST. The best thing is to have the opposite write protect on newly inserted disks. The Fractal Engine is written entirely in GFA BASIC v3.0 and compiled using the v3.6 compiler. ------------------------------------------------------------------------------ Section 2: Reference Manual The reference manual lists all the available functions of the Fractal Engine. They are grouped in topics. The Main menu is the main display which is first shown after loading the program. The title screen will remain displayed after loading until a mouse button is clicked (It is a 3D rendering of the Z^2+C Julia set for C=i). 2.1 - Fractal Types. The following types are available: 1. Quadratic - The equation Z->Z^2+C yields the 'classic' Msets and Jsets. The Mset of this equation was the first of its kind to be discovered (by Benoit Mandelbrot). Fondly known by Benoit himself as 'My baby', many people know it as the 'squashed beetle'. 2. Cubic - A home grown fractal! The equation Z->Z^3-Z+C yields this variation of the 'squashed beetle'. 3. Degree 4 - This fractal is drawn from equations for modeling magnetism and remarkably contains the 'squashed beetle'. The Jsets, called 'Yang-Lee Zeroes', are quite different from anything else and are definitely worth a look. The equation is: Z->((Z^2+C-1)/(2*Z+C-2))^2 . 4. Newton - This fractal is drawn by applying Newton's method for solving P(Z)=(Z-1)(Z+C)(Z-C)=0. This yields the dynamical system Z->Z-P(Z)/P'(Z) (' meaning the derivative of P(Z) w.r.t. Z). A point is coloured depending on which of the three roots Z has converged on (eg Z=1,-C or C). Try and spot the 'beetles' in this one! 5. Sine - The equation Z->C*SIN(Z) produces very different looking Mset and Jset images. 6. Cosine - As for sine but the equation is Z->C*COS(Z). 7. Jellyfish - The fractals yielded by Z'->Z, Z->Z^2+C, C->Z' contains absolutely no beetles at all, even though the equation is very close to the classic Z^2+C. 8. Barnsley - Based on the iterated function systems (IFS), as described by Michael Barnsley in his book 'Fractals Everywhere'. Zooms can produce cell like patterns similar to the cross-section of a plant. Two equations are used here : Z->(Z-1)/C If Re Z>=0, otherwise Z->(Z+1)/conjugate(C). The fractal type can be changed from the Types menu or by loading a picture or data file of a different type from that currently being used. The Types menu is selected by clicking on the 'TYPES' button from the main menu screen. When in the menu, clicking on 'TYPE +' or 'TYPE -' increments or decrements the current type respectively. Click on 'CHOOSE' to change to the new type selected or 'EXIT' to return to the main menu with no change. Upon start-up the initial type is 'QUADRATIC'. 2.2 - Drawing Jsets and Msets. There are an infinite number of possibilities for drawing different pictures and this is all, normally, done from the main menu. There are two options available: JULIA - Draws a Jset by selecting a C-value from the current Mset image. This is done by firstly clicking on the 'JULIA' button. You should then move the mouse pointer around in the top window. Clicking in this window updates the current C-value for drawing the Jset image. Clicking in the lower window selects the currently displayed C-value and prompts you to enter or change the other drawing parameters (see 3.1). ZOOM - Zoom in (or out) on the current Mset image or, if it exists, Jset image. This is done by firstly clicking on the 'ZOOM' button and then selecting whether you wish to zoom on the Mset or Jset. Depending on which was selected a square box with diagonals will appear in the relevant window. This is the 'zoom-box viewfinder' and can be moved around in it window with the mouse and made to grow or shrink by clicking the right and left mouse buttons respectively. When you are happy with the view, press the space bar and select whether you wish to zoom in or out. Then enter the parameters, as described in 3.1. Having entered all the parameters confirm whether or not you wish to draw the picture and then whether a small or full size screen is desired. Once the image has been calculated, a value for BOUND is requested, enter a value and the picture will be completed. You can either try another value or accept the current and return to the main menu. See 3.1 for more on the parameter BOUND. SHOW C - Performs the opposite of JULIA in that it takes the current Jset image and shows the corresponding point on the Mset image. Click the mouse again to continue. RESET - Takes images back to initial status as if you selected a new type. All pictures you have found (stored in memory) are lost, so you have to confirm this operation. 2.3 - Palettes. Selecting the 'PALETTES' button or the 'FULL' button from the main menu takes you to the palette menu. A box at the bottom right of the screen describes which image the current physical palette is for (eg. FULL, MSET, or JSET), its palette number and mode number. There are 31 palettes (0 to 30) each of which can be displayed in one of 12 modes (0 to 11). Palettes numbered 21 to 25 are intended to be used for the DEGREE 4 fractal type while 26 to 30 are for NEWTON. The remaining palettes are for the other types. The palette and mode numbers for the current physical palette can be changed by using the top four buttons of this menu. The other options on this menu are : (Click on the centre window(s)) - switches the current palette between the Mset and Jset or displays the entire FULL image. The former can also be done from the main menu. EDIT - This allows you to edit individual colours of the current palette via another menu. The top six buttons are used to change the red, green and blue values of the current colour, which can be selec- ted by clicking on 'COLOUR' and then any pixel. STE owners can use the right mouse button for fine editing of colours. The EXIT button takes you back to the Palettes menu. SAVE - Click on this to save the entire palette data onto disc. You only need to do this if you have edited a palette and want to use this palette at a later date. It is saved to the DEFAULTS folder. SWIRL - Rotates the colours in the current palette to produce a lovely psychedelic effect. Click the mouse again to continue. EXIT - Takes you back to the main menu. 2.4 - Loading and Saving. The two types of file that can be loaded and saved by the program are picture files and co-ordinate files. The picture files end in either '.SML', '.FUL', '.NEO', '.PI1' for small screen, full screen, neochrome or degas file formats respectively. The co-ordinate files end in '.CDF'. An explanation of each follows : 2.4.1 - Picture files The loading and saving of these files is done from the main menu by clicking on the 'LOAD PIC' and 'SAVE PIC' buttons respectively. Loading Having selected to load a picture file, an alert box asks you whether you wish to load a small or full screen picture. A fileselect box then appears for you to select the file you wish to load, clicking the 'CANCEL' button will return you to the main menu. Having selected the file, it now loads. If you have selected a full size screen, you have the option of having a small copy made so that you can perform further investigations on the picture. Note : That an existing image can be lost from memory when loading a picture , and always if the loaded picture is of a different fractal type from that currently in use. So save anything you wish to keep before loading. Saving Having selected to save a picture file, an alert box asks you which out of the Mset, Jset or Full screen images to save. If only the Mset image exists then this is chosen by default. If you choose to save the Mset or Jset images, a prompt will appear suggesting the next file number available and giving you the opportunity to edit it. It is a good idea to accept the current number and make a note of which picture it was. Editing the file number can be useful for overwriting old files with new ones. You are then asked to confirm the save operation. If you choose to save a full size screen, you will be first asked whether you whish to save the picture in Fractal Engine, Degas, or Neochrome format. Only the Fractal Engine format has the co-ordinates and parameters saved with the picture so remember that Degas and Neochrome pictures cannot be loaded back in. A prompt then appears for file number followed by a confirmation request, as above. If Degas or Neochrome was selected, you then have the option to reduce the number of colours used in the picture in order that extra colours may be used for other things, such as text, in an art package. The default is sixteen, but nine or four colours can be also selected. Having chosen this, the picture is promptly re-coloured, if necessary, and saved. To obtain a print-out of a full sized picture you will have to use some package supporting Neo or Degas and with a suitable printer driver. Before saving files ensure the PICTURES folder are on disk otherwise the program will crash. 2.4.2 - Co-ordinate Files The co-ordinate files occupy fifty bytes of storage and contain only the co-ordinates of a fractal image and not the picture itself. They are loaded and saved by clicking on the 'LOAD CDF' and 'SAVE CDF' buttons, respectively, from the Co-ordinates menu. The loading and saving operations act the same as those for a small screen picture files (2.4.2, above) except the COORDNTS folder is used instead of PICTURES. Co-ordinates files are useful as they do not take up much storage space and are handy for saving the start and end frames for an animation sequence, see 2.5.2, but remember that the pictures have to be re-draw if you wish to view them. 2.5 - Entering Co-ordinates and Animation Sequences. As well as drawing Jsets and producing Zooms from the main menu, you are also able to draw images from parameters entered from the keyboard. This is useful for slight adjustments to the number of iterations or the area in view. Another function is to produce an animation sequence of a zoom or changing julia set image. This is great for impressing people as they can actually see something moving on the screen. Both these functions are used by first entering the Co-ordinates menu, click on the 'CO-ORDS' button from the main menu, and are described below: 2.5.1 - Entering and Drawing Co-ordinates. Upon entering the co-ordinates menu the current Mset image is displayed the top window with its parameters below. Clicking on 'MANDEL' or 'JULIA' swaps between displaying the Mset and Jset images, respectively. If there is no Jset image then the top window is left blank. The parameters displayed can be edited by clicking on the 'EDIT' button, see 3.1 for details on these parameters. Clicking on the 'DRAW' button will draw the selected image with the parameters shown. Note that unless an image is draw with modified parameters any editing done will be lost when exiting back to the main menu. Drawing will mean you'll loose the current small picture or the full (which ever is selected). So take care. 2.5.2 - Creating Animation sequences. There are two kinds of animation sequences possible, a Zoom animation of a Jset or Mset, and a Jset animation of changing C-values for a given fractal type at a fixed magnification. These different methods are selected by clicking on the 'ZOOM ANIM' and 'JUL ANIM' buttons respectively. Both operations have the same methods as described below : 1. First select Mset or Jset and then the co-ordinates for the start frame. 2. Click on 'ZOOM ANIM' or 'JUL ANIM'. ('JUL ANIM' needs 'JULIA' to be selected first.) 3. Confirm whether the parameters are correct for start frame. 4. Select end frame. (Do not change fractal type or RESET) 5. Enter the number of frames you wish to have (max 255). Co-ordinate files will then be written to the disk for each frame required. They are saved in the ANIMATE folder, so this directory must be on disk. To draw the images click on the 'CONVERT' button which will read in each co-ordinate file in turn and draw an image from it. These images are also stored along with a data file (default ANIMATE_.ADF) in the ANIMATE directory. It may take some time for all the frames to be draw, heavy mathematics are involved so this may be an overnight job. The number of frames contained in an animation sequence varies depending on the type of sequence, how much change is involved, the amount of free disk space and the amount of memory the computer has. Too many frames may make the sequence unnecessarily slow but too few may make it very jumpy. As a rough guide a magnification sequence of about a thousand times needs about forty frames to appear smooth. That's approximately thirteen frames for every magnification of ten. So for a magnification of one million you would need around eighty frames! Note : it is best to have the final frame of a zoom animation roughly central in the start frame. Disk wise: each small size frame takes up 8050 bytes of disk space and each full size frame 32050 bytes. Single sided drive owners, beware! Obviously you wont be able to a 50 full size animation ,for example, without a hard disc. Memory wise: a 520 STFM/E can have in memory at most 40 small size or 10 full size frames. For larger memories, each half meg can store around 64 small size or 16 full size frames. So a 2 meg ST could have an animation sequence of 236 small or 58 large size frames. There are three example co-ordinates file pairs suitable for start and end frames (numbered A0 and A1 respectively) for 40 frame animations you may wish to try. Below is listed the files for the start frames and comments on animation type and approximate time taken to compute the 40 frames : QUAD_JA0.CDF Yields a changing Jset animation (about an hour). CUBE_JA0.CDF Zoom animation of 'necklace shaped' Jset (overnight job). QUAD_MA0.CDF Zoom to a 'satelite beetle' (overnight job). 2.5.3 - Displaying Animation Sequences. The program 'DISPANIM.PRG' can be used to display an animation sequence. It must be run from the same directory as the main program as it accesses PALETTES.DAT from the DEFAULTS folder. Next insert the disk containing the animation sequence and click on the relevant *.ADF file to load and display the sequence. Clicking the mouse buttons will allow you to load another sequence or exit the program, the 'R' key changes the palette and 'S' changes the speed(not very responsive - so hold it down for a few seconds). WARNING - The ANIMATE folder is intended as a working folder, meaning : if you wish to have another animation sequence of the same format* on the same disk you should copy the sequence to another folder with a different 7 character name (Sorry you'll have to use a ram disk), then trash the sequence and ANIMATE._ADF in the ANIMATE folder. Alternatively if you want another animation sequence of a different format* then simply change the name of ANIMATE_.ADF using SHOW INFO from the DESKTOP. Remember to keep the extention "ADF". *format : Meaning for example a cubic Jset 'ZOOM ANIM' will produce the same format of files as a cubic 'JULIA ANIM' sequence. ----------------------------------------------------------------------------- Section 3: Extra Information. 3.1 - Parameters The images drawn using this program depend sensitively on the type, the magnification viewed and the parameters listed below. X0, Y0 : Co-ordinates of the bottom left pixel. dX : Horizontal distance between pixels. The vertical distance is dX*(1+1/16+1/64) = dX*1.078125, eg. the images are vertically stretched by this constant. This may seem pedantic but this results in the correct yx ratio and explains why shapes appear a little squashed on the ST. If you want an image centered about the x-axis set Y0 = -50*dX*1.078125 = -53.90625*dX. (When using ZOOM the above three parameters are worked out for you) SPREAD : Setting this parameter to 1 produces many level sets ('Colour bands') in the image. Increasing to 2 or more causes the colours to be 'spread out', and means the drawing of the image will take slightly less time. ITERS : Is the maximum number of calculations to be used for any one point of the image. If the image lacks detail you will need to redraw the image with an increased value for ITERS. PERIOD : By checking for periodic orbits of Z it is possible to 'trap' points in the set without doing the full ITERS calculations. PERIOD determines the maximum period to check for. Eg : if you draw the quadratic jset of C=-1 then periods should be set to 2. If you are unsure about this parameter set it to 1. PERIOD should only effect the time taken to compute the image and is not used by all fractal types. BOUND : This determines the thickness of the boundary of the set being drawn. The larger BOUND the thinner the boundary : with BOUND set to 1 every colour in the image has a boundary, but with BOUND equal to ITERS or greater no boundary colour appears in the image. You will need to experiment with the 'FRACTAL ENGINE' to get used to using these parameters. 3.2 Bibliography Below are a list of the main sources of inspiration and reference for this program: 1. Peitgen/Saupe: The Science of Fractal Images. Springer-Verlag. 2. Peitgen/Richter: The Beauty of Fractals. Springer-Verlag. 3. Barnsley: Fractals Everywhere. Academic Press. 4. Mandelbrot: Fractal Geometry of Nature. W.H.Freeman and Co. 5. SIGGRAPH: IEEE Computer Graphics. (Journal : various papers 1980 ...) 6. Bostock/Chandler: Mathematics, A core course for A level. Publisher??? 7. Churchill/Brown: Complex variables and applications. Mc Graw Hill. 8. Mandelbrot sets and Julia sets (2hr VHS video with music). Send SAE for catalogue : Art Matrix, PO 880MJ Ithaca, NY 14851-0880, USA. 3.3 Disclaimer, copyright, etc. The authors wish to add that no guarantee is made for the correctness of the details in this document. Every effort has been made to ensure that the program operates as described herein. However, due to the need for updates to the program some functionality may change from that described. The compiled programs and this document may be used and copied freely by any person as long as the files remain together and intact. Also none of this document or programs may be reproduced in part, resold, or hired without the permission of the authors. 3.4 Other programs to follow We are currently working on a version 2.0 of this program which will incorpo- rate 68000 code for drawing routines thus speeding up the program vastly. There will be other fractal types available and the ability to produce 3D renderings resulting in images similar the title screen (with shadows). Plus more goodies as well as some general improvements on v1.0. We are also working on a program for drawing 3D pictures ('slices') of four dimensional fractals (existing in a quarternion space). This program will come with a tutorial/demo on complex and quarternion fractals. These packages will be available towards the end of January 93 priced ten pounds each. If anybody has any ideas or information to contribute concerning fractal programs please do let us know at the address below. Make cheques payable to Mr M.B.Harris and send to the following address : Mr. M. B. Harris, Garden Flat, 20 Bristol Road Lower, Weston-Super-Mare, Avon, BS23 2PW England. Please send an SAE, so that we can inform you of futher programs (Probably v3.0 for the FALCON). Also state which model ST you have. A well commented source code for v1.0 is available for forty pounds. 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