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AM%@[%@:G@,}@!6-+ A9%AG%A:9A`Aa'AV9AY@4:!Ad-}AU!6-::" Ap*F:Ad,"AU06-%@: BP@:AdAU+@1AY.}K0@@ e0@@ -@&B:,'@@(@:Y0@ @/}/AY@4ABB@dMAYA:9-B2HB2Q#' 9A#: 0} A:%D:MENU}TUTUAUPTTUAUPTTUAU?}PTTUAUPTTUAUPTU@TTUETUPTPT@}UUTUPUTUETUPTUPUUUUPUTUUETUETUTUUPU@UUUPUTUUETUETUTUUPU@A}UUUPUTUUETTETUUUUPUU@UUUPUTUETTETUUUUPUU@UUUPUTTEUTUPUUUUPUU@B}UUUPUTTEUTUPUUUUPUU@UUUPATPEUTUPUAUUPT@UUUPATPEUTUPUAUU@T@UUC}@TPUPUPUAUUP@UU@TPUPUPUAUTP@UU@UTTUPU@UPP@UU@UTD}TUPU@TPPU@UU@UUTUUPU@UUTPUU@UU@UUTU@UPU@UUTPUU@TUUUPUPU@E}U@UUTPUUTUUUPUTU@U@UUPPUUTUUUPUTU@UUUPPUUTUUUPUU@UUUF}PPUUTUUUU@UUPPPTUTUU@UUPP@TUTQUUUUTPPG}AUTUTQUUUUTPPAUPTTQUUUTT@PAUPTTUQUUUTT@U@EUH}PTUUQUUUUTUU@U@UUPTUUQUUTUTUU@U@UUPTUUQUUPTTUU@U@UUI}PTUU@UUTTUUU@UTJ}K}UUUUU@L}*UUUUU@*UUUUU@*UUUUU@*M}UUUUU@*UUUUU@*UUUUUN}UUUUUUUUUUUUUUUO}UUUUUUUUUUUUUUTP}UUUUTUUUUTUUUUTQ}UUUUTUUUUTUUUUT ?R}UUUUP ?UUUUP ?UUUUP ?UUUUS}P ?UUUUP ?T}U}V}W}X}Y}@ABCDEFGHIJKLMklmnompqrNOPQRSTUVWZ}XYZ56789:;<=5>? `abcdefgh`ijktuuvwxynoxtwz ![}"#$%&'()*+,-.kt{rlx|[o\]^_/01234\}8]}????ppx888<8888;888oo`??߿8<^}8????<888xppx??|p_}>x<>χ@|<??`}?s3c00000000  p0000000?a}?<>@|<xxp|??b}߿><``|fff8~ 8f>~>ff>d}``|ff|fff> x|ffff8<<```<>`<||ff|``>ff>|w34^^GKPK75KKKK2KKK25ZENK1KZCLEAREOTEHKXABYZNUMMNGSLNGKTEATBUFFHARRAYSARRAYOFFTf}EMK2KNUMMNLEFUPPERIGHLOWEKSTARPSBNMOIPLSCNFGWRCSBLFWCGGUBLFLASTLLILFIRSTFFFIg}ZCLCOULZK1844TOHCLEAREOINLRETURYESNCIZSTARPEEPFLAh} i}@ !"#$%j}&'()*+,-./012345k}6789:;<=>?@ABCDl}EFGHIJKLMNOPQRSTm}UVWXYZ[\]^_`abcdn}efgh@ijkHHMISSING LINKS BY CAROL CHOMSKY AND JUDAH L. SCHWARTZ:FRIDAYo} 6/9/83--SUNBURST COMMUNICATIONS :FRIDAY 7/19/83;A,ss6.ihhhhhYX mYp}XY8H QXX QXX8H uAA`++AR@.(CF:@,!A'q}`@F:@,&A(uB7tF:@, 70@@@70@@@qq67A,.^ r}QXXQXXXYQXXh QXXQXXh QXX XY` #B'-@s}"#Av%' (oAhA$'Ai@9Ap@KAq@g]Ar@oAst}@i2 B': &-%2 Press RETURN to continue.:%'%F:%,"Ap'!%&% 'F:%u},%B$' %&-$t'A(~'ss6-?:C:chˍ̍TUY̥X mˬv}ȑS0 ]˭`Rˢн,,'$'A( %: 3:XX;,;,;,;,w};@P,;@8,;,;,;,9@,;,;,;,:(;@Q,;A,(;A,:(67,. 67Ax},. (67,.:*-@@&68,-* :(67,. 67A,. (67,.:"Af"(>:y}A%,:.F:BG(,Ab$6-BC$. BPp:6-BRx:@e:4@D:T.TXT)@z}4@: #B:'-@5"#A6%' ;-A@F:@,-AAF:@,;1 #BP{}-@1"-Ar%1  ;'Av@2'AwA4 ;@@; B; BS|}.;-@ 8;D*("Do you want to see the directions?6-@"D( (Y OR N):=;C B`6.>:,&4>:,)4>:,3(>:}}A%,9-C BrP?;4BB;4Y)4y BT0L;0N*0n BQeN; 6. O; 6.Q;/7~}<,4S)7<,4s% BU&/ BQS;6-A:7<,,V;/7<,4S)7<,4s% BU`/ BQX;6.7<,[; B}u];D7<,0S*7<,0s/-@@6: D BR`;/7<,4S)7<,4s% BW@/ BRb;}6-A:7<,,e; BWj;/7<,4S)7<,4s% BY@/ BRl;6.7<,o; B`pt;/7<,4S)7<,4}s% B`/ BR%w;6-A:7<,,y;/7<,4S)7<,4s% Ba3/ BR({;6-@:7<,,|;AY~;A}`Aa; B@; Bap; B ;$ "-@$( PLAYER ONE; Bg;9AY}!-@3( M-SS-NG L-NKS9-;,&(A GAME OF LETTERS AND LANGUAGE,-;&(COPYRIGHT (C) 1983&-@;)})(!CAROL CHOMSKY & JUDAH L. SCHWARTZ;1-@1(PROGRAMMING BY HARRY CHOMSKY,;4-@4( JUDAH L. SCHWARTZ A}ND JON KAPLAN;U 6-6-6-@'6-@89A@C BvUAY@4;-AP ;"}AY"(>:A%,:@,*0>:@,#(- BTPn<4>:@, BUx< } B`6.>:,z<@4>:,)4>:,*Af0(}6-@ BrP|<@:,AUBT<*Af} (}* BQ<0-@"0(More instructions? (Y OR N)::,&4>:,)4>:,+=Af}C(}I-S BrP<4Y)4y BT@<0N*0n BU< BT<''INPUTS NUMBER OF PLAYE}RS---------< (}-<,,($How many players are there?(1 or 2)::,}&4>:,)4>:,3(>:A%,9-<'F B <))+@:,"@I)@:,"@P,BU5<%%++4,*+4S)4s,,BUF}< BU0< 6-A:,<$< (}<& -&(Which topic do you want?< -( A. The Sea< -(B. Unrea}l Worlds< -(C. Humor= -(D. Food= -( E. Sounds=,-@,(F. Memories of Childhood"= -}@ ( G. Limericks,= -@ ( H. Mysteries6=*-@*(I. The Human Condition@=-@((A-I):}E=! 46-@!! BJ=F B`6.>:,&4>:,)4>:,3(>:A%,9-<'F B T=I?++@:,!@d*@}:, @t,)+@:,!@*@:, A,,I BWV=%%++4,*+4S)4s,,BWY= BV^=$|=& (}}-(&6-@~=D-@@ ,6-%@2-@(. D =5-@5(!Which passage do }you want? (1-9):=! 46-@"! B=D B`6.>:,&4>:,)4>:,,(}2-5':D B=+!+@}:,!@H*@:, @X,+ BWp=%%++4,*+4S)4s,,BWu= BWU= 6-A:,=$= (}= " }BXP= -= =(+4>:@,,BX = = 6-6-= 6-%=4>:@},$>67%,.!>68,-B:,#>6-8,%&>6-8,% BX`D>' -'(Which format do you want?N>'('}(A. Wh-ch f-rm-t d- y-- w-nt?X>$$(B. W-i-h -o-m-t -o -o- w-n-?b>$$(C. W---- f----- d- y-- w---?l>$$(D. Which -----}- do --- want?v>$$(E. --i-- -o--a- -o -ou -a--?>$$(F. ----h -----t -o --u ---t?>$$(G. Which ------ -- --- ----?>}$$(H. ----- ------ -- --- ----?>(I. - (No Clues)>-@((A-I):>! 46-@!! B>? B}`6.>:,&4>:,)4>:,,(}2-5'? B >I?++@:,!@d*@:, @t,)+@:,!@*@:, A,,I B`}e>%%++4,*+4S)4s,,B`e> B`P>$>' 6-@:,'6-&P:'@2,$@2> 6-&>$> (}}>")4- Ba>9)+"*0,*+7<,0S*7<,0s,/-9 Ba> ->Y+(#How many guesses do y}ou want before.(Y(%the program fills in a letter? (1-5):>! 46-@! B>? B`6.>:,&4>:,)}4>:,,(}2-5'? B >)@:,!@H*@:, @T) Ba0>%%++4,*+4S)4s,,Ba1> Ba?} 6-A:,?$?"*0BaE? -?])(!How many guesses do you want each5-@](#player to receive pe}r turn? (3-15): ?! 46-@! B ?? BD6.>:,&4>:,)4>:,,(}2-5'? B  ?6-&@H} ?##+!@* @,BaC ?2++4,*+4S)4s,,(6-@:s,2 BaE? Ba8? 6-?$*?L(>:}A%,"AY@4(6-.6-46-:6-@6-L6-4? " Bf@>? - (-(-C? 6-}H?-B:,p?6.7<,z?=+@:,!@d*@:, @,)+@:,!@*@:, A#,Bc0BcpBdBd@}BdpBeBe Be@?4>:@,6. ?4 )4,)4.6-?4?)4! 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A 6--A-B:,:@,dA 6-%6-%nAZ=+@:,!@d*@:, @,)+@:,!@*@:,} A#,H67,.-P6-%Z BgpxA67,.aA A$ (}-(-($(A Bc A# 6-&6-}6-6-#6-A' 6-6-6-6-!6-'6-A- 6-6-6-!6--6-AAdAU}A% Br6-6-6-%6-A 6-6-6-6-A% Bs@6-6-6-%6-A 6-A6.7<,A} -(AkF:Ad,AU*B2y<B2yF BXAdAUa6.>:,k BhA6}-F:B2y,AK " Bw%AY@4/ BpAAdAUK BhpA " BhpA"B}A"BA BhpA " B@AW4>:,)4>:,(}+A`@2=AaAVC-M B}W BrPAAA4>:@E,)4>:@a,)4>:@C,)4>:@B,BtAHH(++@:,!@d*@:, @,)+@:,!@*@}:, A#,,BhpB BB4Bp`B B!B 6-%"B-@('B6-,B%  6-%} Bu% Bh`6B B1@B;2A!- )2;AdAUJB BA^B - (hB6}7<,.amB BurB %" Bq|B " Bh B"Bh B5 " Br6-6-%6-+6-5} Bh0B Bs@ Bh0B ")" BQB BipB " By B #B@B -"B -}2 B 2- B B#"-@02# B 2B B B1@-}@!% 1@B4-@4( Press RETURN to see how you did.B B`6.>:,B=4>:,)4>:,}(}-) Br3 B= BrPC@:,+AU,Bq0C Bw C-@" ]C-@"bC}++(#Do you want to play again?(Y or N):gCAY@4lC B`6.>:,|C=4Y)4y Br!(}3AY}@4= Br~C(+4N)4n, Br`C/ Br(}%AY@4/ BCWAY!A`@2}3AaAVE@@dW@AVC$CZ (}-6("Do you want to see the directions?B-@}P( (Y OR N):Z BQeC FINDS LAST HYPHEN---------C 6-&6-&C   Bs BrC7<,4-}$C BrC FINDS FIRST HYPHEN--------C 6-%6-%C07<,4*6-%6-&6-%0 Bs@C7<},4-$CBsC- -7<,4>:@,#( - BsC (7<,C Bs@CCHECKS FOR FIRST }LINEC$ !6-&6-&$6-8,%C$C"BhpD -(- D4>:@E,Bt`D4>:@a,B}tp D4>:@C,Bt*D4>:@B,Bt4D "-( Bhp6D B8D+ 6-6-6}-!6-+ Bh0:D Bt>D "-( Bhp@D B@BD+ 6-6-6-!6-+ Bh0DD }BtHD "-( BhpJD BtMD "-( BhpOD BtRD Br Bh0UD }Bs@ Bh0\D-4A)4a$D:A.TXT*6--$fD34B)4b$D:B.TXT06-@3$pD-4C)}4c$D:C.TXT*6--$zD34D)4d$D:D.TXT06-@3$D-4E)4e$D:E.TXT*6-}-$D-4F)4f$D:F.TXT*6--$D34G)4g$D:G.TXT06-@3$D-4H)4h$}D:H.TXT*6--$D-4I)4i$D:I.TXT*6--$D##ML ROUTINE TO DRAW BOX-------D 6-%$6-%$D}KA@'AA39A@KA@$D6-?:C:,<<,D$$EAY'E B}*EEA`@6!Aa3@@2E@A4-E B.E"BxdBE 6- -(}GE 6- -(QE 6- -(VE% !6-+',%>% Bw`[E 6-`EC6-?$P:A$,& }B`2-@C( (%) eE 6- -(oE 6- -@(qE% !6-+',%>% Bw}sE 6-vEC6-?$P:A$,& B`2-@C( (%) xED !:6-P:++&+%,'+%%+$,,,%>,$A},'D BwzE 6-{E  6-|E 6- -&@E(  E$E1 6- -(6-' }B--1(E1 6- -(6-' B--1(E1 6- -(6-' B--1(E% !}6-+',%>% BxtE 6-E=6-?$P:A$,& B`,-=( (%) E% !6-+',%>%} BxE 6-ER-@0( 56-?$P:A$,? B E-R((%)E= 6- -@}(#6-- B9-@=(E= 6- -@(#6-- B9-@=(E% !6-+',%>%} BxE 6-EC6-?$P:A$,& B`2-@C( (%) E% !6-+',%>% BxE } 6-E^-@0@"( ;6-?$P:A$,E B Q-@^((%)ED !:6-P:++&+%,'}+%%+$,,,%>,$A,'D BxE 6-E  6-E 6- -&@E(  ED !:6-P}:++&+%,'+%%+$,,,%>,$A,'D ByE 6-E  6-E! 6- B!-&@E( } E$F9 6-%6-% 7<,0*&-/(7<,9 By  F$[F "6-% B\F 6-%]F$eF "}6-% B#fF 6-%gF$oF "6-% B3pF 6-%qF$yF "6-% BCzF 6-%{F$F} "6-% BSF 6-%F$F"BF4 "6-(+,6-@*6-4 BF 6-%F}$F3 "-@ ) B#3 BFO@-@'@-1 C@@9O@}F2-@ B#(( PLAYER TWO2 BF(-@( PLAYER ONE( BF/-@ !2@G}% /2F-@0 FAdAUF$FC-%@@&%) ;@@9}C6-&F$G " BhpG " B@G3 -(-6-6-!6-)6-&3 Bh0G$"G " B}hp,G " B@1G3 -(-6-6-!6-)6-&3 Bh06G$G 00G$G 00}0G$G8-@"8($Press RETURN to go back to the game.G'@@d'@AVG B`6}.>:,Gb4>:,)4>:@',(}+AY=A`@2OAaAVU-X'b BrPG@:,AUB}wGCAYA`'Aa1 B@CAY@4G$GI6-@6-@)6-@&76-$}+%,&IA@G ")"6-%6-%G 6-6-6-&G BvH$H 6.=:,H B:,"6-}@%HB:,")B:,"6-@$!H/ B:,"7<,4.%6-@%/ B&H B:,"6-@#0H$DH 6.=:},NH B:,"6-@3XH%B:,")B:,"@%6-@2]H/ B:,"7<,4.%6-@3/ B@bH B:,"6}-@1lH$H 6.=:,H B:,"6-@"HB:,")B:,"6-@!H/ B:,"7<,4.%6-@"/ B}H B:,"6-@ H$H 6.=:,H B:,"6-@2HB:,")B:,"6-@1H/ B:,"7<,4}.%6-@2/ B`H B:,"6-@0H$H 6-&6-&I28,"*!6-& 6-&(6-&2 B I},"+8,,6-&+&,"6-%, B I%  8,6-&++8,,&,%6-%I# !8,6-+&,%#6-8,% I$4I 6}-6-%6-%>I28,"* 6-% 6-%(6-%2 BPHI% 8,6-%++8,,&,%6-&RI/ !8,$6-%}++8,&,%8,&,/6-8,&WI !6-%\I$fI 6-kI7 -@ +@1-7( pI "} Be B zI' 6-6-6-@'6-@6IA@ BvIA-@(0-@}@57(; A(I -I0(Number of blanks:0(Number of guesses:I0((Number of correct0( first} guesses:I( (% of total):I(((Number of wrong(( guesses:I7( (Number of letters the7( program supplied:}I( (% of total):I((OVERALL SCORE:I$I1-@%(PLAYER&-@%1(I-@#( ONE } TWOI36-6-'6-@ 36-@8IA@ BvIA-@(0-@}@77(; A(I -I$I6.Student choiceI!AY(}!-I##(Options currentl}y selected:I<(( Players: .7<,4S)7<,4s2(< B I (7<,I:(( Topic: ,7<,4S)7<,4}s0(: B0I B(IA(( Passage: .7<,4S)7<,4s2(7A B@I--@A:7<,, }$ ((-I;(( Format: -7<,4S)7<,4s1(; BPJ B(JT(( Maximum number.(} of guesses: F7<,4S)7<,4sJ(T B` J (7<,JU(( Number of guesses/( per turn: G7<,4S})7<,4sK(U BpJ(@:7<,,JZ-@@ :( Do you want to make any changes?L-@@"Z( (Y o}r N):JU 6-6-6-@'6-@99A@C BvUAY@4$J. 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Unreal WorldsF$@L>7<,4C)7<,4c/D:P3.TXT;6.Humor>$JL=7<,4D)7<,4d/D }:P4.TXT:6.Food=$TL?7<,4E)7<,4e/D:P5.TXT<6.Sounds?$^LN7<,4F)7<,4f/D: }P6.TXTK6.Memories of ChildhoodN$hLB7<,4G)7<,4g/D:P7.TXT?6. LimericksB$rLB7<,4H)7< },4h/D:P8.TXT?6. MysteriesB$|LL7<,4I)7<,4i/D:P9.TXTI6.The Human ConditionL$L4 }7<,4A)7<,4a16.Consonants only4$L77<,4B)7<,4b46.Every other letter7$L>7<,4C)7<, }4c;6.First letter of each word>$L57<,4D)7<,4d26.Every other word5$L07<,4E)7<,4e-6. } Vowels only0$L=7<,4F)7<,4f:6.Last letter of each word=$LA7<,4G)7<,4g>6.First word of e }very sentenceA$L07<,4H)7<,4h-6. Blanks only0$L-7<,4I)7<,4i*6.No clues-$LG 6-&6- }@6-%+6-@1=A@G BvL.-@.(Enter S for student choiceL$M 467< },.SM4BM BrPXM@6-@$]M/ 7%@<%@,4*,6-@/$bM*'7% }@<%@,4>:@,*$lM6'7%@<%@,0>:@4,36-@6$vM/ 7%@<%@,4*,6-@ }/$M3'7%@<%@,0>:@,36-@M$M@6-@$M/ 7%@<%@,4 }*,6-@/$M((7%@<%@,4.BM3'7%@<%@,0>:@,36-@M$M, 7% }@<%@,4.,6-@M$ N0(>:A%,-0(Would you like to use*N) -)(another diskette? (Y OR }N):4N. B`6.>:,$4Y)4y. B >N(+4N)4n,B HN4(>:A%,-4(To turn the computer }off:RN2 -2($1) Remove the diskette from the disk\N/ -/(!drive and put it in a safe place.fN) -)(2) Turn th }e disk drive off.pN8-@8($3) Turn the computer off. The switchzNK-@1(is located on the side of the=- }@K( computer.N/-@/(4) Turn the television off.N BN3(>:A%,-3(Insert the new }diskette.N, -,(Then press RETURN to continue.N! B`!AUB@N'@$6-?:B,' }N9AdAU'A9AgN<F:Ad,AU'6-F:Ad,26-F:%,< BGN B }EN@I6-$N9AdAU'A9AgN<F:Ad,AU'6-F:Ad, }26-F:%,< BRN BPN/")"@'(}-"'%'/ B N"A&BDN8!@G* @T }+6-%+&@H,.'8 Ba@N BINAdAUNAAgN<F:Ad,AU'6- }F:Ad,26-F:%,< BN BuN$N'A'AgN6-F:Ad,6-F:%,N$ }N? (}-@@?(Please remove the write protectN:-@:(&sticker from the edge of the diskette.N- }-@ -(Press RETURN to continue.OG B`6.>:,24>:@',)4>:@,=@G B O0>:AU !},B0O@ B} DICTIONARY BY BEARD & MCKIEDINGHY: Small craft customarily towed*from the stern of boats, stowed on*deck on larger bo?}ats, or stolen from*moorings when boats are away. It*serves the purpose of lifeboat,*shore shuttle, and wastebasket, and*@}by filling up with water and*sinking, it provides a crude*measurement of recent rainfall.* THE OWL AND THE PUSSYA}-CAT BY EDWARD LEARThe Owl and the Pussycat went to sea* In a beautiful peagreen boat,*They took some honey,* B} and plenty of money,* Wrapped up in a fivepound note.* 20,000 LEAGUES UNDER THE SEA BY JULES VERNEWe had C}left the Nautilus about an*hour and a half ago. It was nearly*noon. The magical colours*disappeared by degrees: the shadD}es*of emerald and sapphire faded away.*The sound of our steps upon the*ocean floor was surprisingly loud;*here the slightE}est noise was*transmitted far more quickly than on*the earth.* THE DEVIL'S DICTIONARYBY AMBROSE BIERCEOcean,F} n.* A body of water occupying about*twothirds of a world made for man* who has no gills.* CAPTAINS COURAGEOUS BY G}R. KIPLINGMore schooners had crept up in the*night, and the long blue seas were*full of sails and dories. Far away*on thH}e horizon, the smoke of some*liner, her hull invisible, smudged*the blue, and to eastward a big*ship's topgallant sails, jI}ust*lifting, made a square nick in it.* MAN AND THE SEA HemingwayTHE GALE Joseph ConradSAILING ... AROUND THE WORLD Sl+Unreal WorldsLOST HORIZON James HiltonPARADISE LOST John MiltonGULLIVER'S TRAVELS Jonathan SwiftA CONNECTICUT YANKEE..K}. Mark TwainTHROUGH THE LOOKING-GLASS CarrollTHE HOBBIT J.R.R. TolkienBRAVE NEW WORLD Aldous HuxleySECOND FOUNDATION L} Isaac AsimovTHE TIME MACHINE H.G. Wells LOST HORIZON BY JAMES HILTON"All I'm certain of is that this*ShangriLa, if M}it's in that*direction, must be a few extra miles*from civilization. I should feel*happier if we were lessening the*distN}ance, not increasing it.*Damnation, man, aren't you going to*get us back?"* PARADISE LOST BY JOHN MILTONA dungeon horrO}ible, on all sides* round,*As one great furnace flamed; yet* from those flames*No light; but rather darkness* visibleP}*Served only to discover sights of* woe,*Regions of sorrow, doleful shades,* where peace*And rest can never dwell...*Q} GULLIVER'S TRAVELSBY JONATHAN SWIFTIn a little time I felt something*alive moving on my left leg, which*advancing gentlR}y forward over my*breast, came almost up to my chin.*Bending my eyes downward as much as*I could, I perceived it to be a*S}human creature not six inches high,*with a bow and arrow in his hands*and a quiver at his back.* A CONNECTICUT YT}ANKEE... BY MARK TWAINAt the end of an hour we saw a*faraway town sleeping in a valley by*a winding river; and beyond it U}on a*hill, a vast grey fortress, with*towers and turrets, the first I had*ever seen out of a picture.* "Bridgeport?" saiV}d I, pointing.* "Camelot," said he.* THROUGH THE LOOKING-GLASS BY LEWIS CARROLLIn another moment Alice was thW}rough*the glass, and had jumped lightly*down into the Lookingglass room.*The very first thing she did was to*look whetheX}r there was a fire in the*fireplace, and she was quite pleased*to find that there was a real one,*blazing away as brightlyY} as the one*she had left behind.* THE HOBBIT BY J.R.R. TOLKIENThere they lay for some time,*puffing and panting. BZ}ut very soon*they began to ask questions. They*had to have the whole vanishing*business carefully explained, and*the fin[}ding of the ring interested*them so much that for a while they*forgot their own troubles.* BRAVE NEW WORLD BY \}ALDOUS HUXLEY "Ninetysix identical twins working*ninetysix identical machines!" The*voice was almost tremulous ]}with*enthusiasm. "You really know where*you are. For the first time in*history." He quoted the planetary*motto. "Comm^}unity, Identity,*Stability." Grand words.* SECOND FOUNDATIONBY ISAAC ASIMOVThe huge, smooth door swung*massively open a_}t the general's*approach, and he entered. He*stepped on to the wide, sweeping*ramp that moved upward under him.*He rose `}swiftly in the noiseless*elevator. He stood before the small*plain door of the Mule's own room in*the highest glitter of a}the palace*spires. It opened * THE TIME MACHINE BY H.G. WELLS"Looking round me again, I saw that,*quite near, whab}t I had taken to be a*reddish mass of rock was moving*slowly towards me. Then I saw the*thing was really a monstrous*crac}blike creature. Can you imagine*a crab as large as yonder table...*its big claws swaying,...and its*stalked eyes gleamind}g at you on*either side of its metallic front?"* ST John MiltonGULLIVER'S TRAVELS Jonathan SwiftA CONNECTICUT YANKEE..4HumorTHE UNICORN IN THE GARDEN ThurberMY DISCOVERY OF ENGLAND S. LeacockTHE DEVIL'S DICTIONARY BierceARCHY AND MEHITABf}EL Don MarquisTHE NOTORIOUS JUMPING FROG... TwainWIT AND ... THE UNCONSCIOUS FreudGENTLEMEN PREFER BLONDES A. LoosA Sg}AILOR'S DICTIONARY Beard & McKieTHE RANSOM OF RED CHIEF O. HENRY THE UNICORN IN THE GARDEN BY JAMES THURBEROnceq} upon a sunny morning a man who*sat in a breakfast nook looked up*from his scrambled eggs to see a*white unicorn with a gor}lden horn*quietly cropping roses in the*garden. The man went up to the*bedroom where his wife was still*asleep and woke s}her. "There's a*unicorn in the garden," he said.*"Eating roses."* MY DISCOVERY OF ENGLAND BY S. LEACOCKThe not}tion that no sunlight ever*gets through and that in the London*winter people never see the sun*is...a ridiculous error, ciu}rculated*no doubt by the jealousy of foriegn*nations. I have myself seen the sun*plainly visible in London,...one*night v}about four o'clock in the*afternoon I saw the sun distinctly*appear through the clouds.* THE DEVIL'S DICTIONARw}YBY AMBROSE BIERCEMind, n.*A mysterious form of matter secreted*by the brain. Its chief activity*consists in the endeavx}or to*ascertain its own nature, the*futility of the attempt being due to*the fact that it has nothing but*itself to know y}itself with.* ARCHY AND MEHITABEL BY DON MARQUISexpression is the need of my soul*i was once a vers librez} bard*but i died and my soul went into the* body of a cockroach*it has given me a new outlook upon*life*i see things{} from the under side now*thank you for the apple peelings in* the wastepaper basket* THE NOTORIOUS JUMPING FRO|}G... BY MARK TWAIN...he never done nothing for three*months but set in his back yard and*learn that frog to jump. And y}}ou*bet you he did learn him, too. He'd*give him a little punch behind, and*the next minute you'd see that frog*whirling ~}in the air like a*doughnut....He said all a frog*wanted was education, and he could*do 'most anything  and I believe*hi}m.* WIT AND ... THE UNCONSCIOUS BY SIGMUND FREUDWe are now prepared for the role wit*plays in hostile aggression.} Wit*permits us to make our enemy*ridiculous through that which we*could not utter loudly or*consciously on account of e}xisting*hindrances; in other words, wit*affords us the means of surmounting*restrictions and of opening up*otherwise inac}cessible pleasure*sources.* GENTLEMEN PREFER BLONDES BY A. LOOSA gentleman friend and I were dining*at the Ri}tz last evening and he said*that if I took a pencil and a paper*and put down all of my thoughts it*would make a book. Thi}s almost made*me smile as what it would really*make would be a whole row of*encyclopediacs. I mean I seem to be*thinking} practically all of the*time.* A SAILOR'S DICTIONARY BY BEARD & MCKIESMALL CRAFT WARNINGS: There are a*gre}at many of these, and the wise*skipper pays close attention to*them. Typical are: "Is there*supposed to be water in those}*drawers under the bunks?";...*"That's funny, that shinylooking*stuff in the water is only right*here around the boat";.}.."Weren't*we towing a little boat behind us*when we left?"* THE RANSOM OF RED CHIEF BY O. HENRYGentlemen: }I received your letter*today by post, in regard to the*ransom you ask for the return of my*son. I think you are a little} high*in your demands, and I hereby make*you a counterproposition, which I*am inclined to believe you will*accept. You b}ring Johnny home and*pay me two hundred and fifty dollars*in cash, and I agree to take him off*your hands.* AND MEHITABqFoodTHE BOOK OF GENESIS The BibleWINNIETHEPOOH A.A. MilneTAMING OF THE SHREW ShakespeareTHE RUBAIYAT Omar KhayyamOL!}IVER TWIST Charles DickensTHE MAGIC MOUNTAIN Thomas MannIVANHOE Sir W. ScottTHE DEVIL'S DICTIONARY BierceTHE OWL AND !}THE PUSSYCAT LearTHE BOOK OF GENESIS THE BIBLEAnd Esau said to Jacob, Feed me, I*pray thee, with that same red*pott!}age, for I am faint...I am at*the point to die: and what profit*shall this birthright do to me?*And Jacob said, Swear to m!}e this*day; and he sware unto him: and he*sold his birthright unto Jacob. Then*Jacob gave Esau bread and pottage of*lenti!}les; and he did eat and drink,*and rose up, and went his way....* WINNIE-THE-POOH BY A.A. MILNEPooh always liked a lit!}tle something*at eleven o'clock in the morning,*and he was very glad to see Rabbit*getting out the plates and mugs; and*w!}hen Rabbit said, "Honey or*condensed milk with your bread?" he*was so excited that he said,*"Both," and then, so as not to!} seem*greedy, he added, "But don't bother*about the bread, please."* THE TAMING OF THE SHREW BY SHAKESPEAREGrumi!}o: What say you to a piece* of beef and mustard?*Katherine: A dish that I do love....*G: Ay, but the mustard is too!} hot....*K: Why, then the beef, and let* the mustard rest.*G: Nay...you shall have mustard, or* else you get no beef!}....*K: Then both, or one, or anything....*G: ...then mustard without the beef.* THE RUBAIYAT BY OMAR KHAYYAMA Book o!}f Verses underneath the* Bough,*A Jug of Wine, a Loaf of Bread * and Thou* Beside me singing in the* Wilder!}ness *Oh, Wilderness were Paradise enow!* OLIVER TWISTBY CHARLES DICKENSThe gruel disappeared; the boys...*winked !}at Oliver, while his next*neighbours nudged him. Child as he*was, he was desperate with hunger,*and reckless with misery.!} He rose*from the table, and advancing to the*master, basin and spoon in hand,*said, somewhat alarmed at his own*temerit!}y: "Please, sir, I want some*more."* THE MAGIC MOUNTAIN BY THOMAS MANNYes, unquestionably the mealtimes*in the hall w!}ith the seven tables*had great charm for Hans Castorp.*He hated to have one come to an end,*and his consolation was that s!}oon,*in two or three hours, he would be*back again. While he was sitting*there, it was as though he had never*risen. An!}d for the time in between?*It was nothing.* IVANHOE BY SIR W. SCOTTThe feast...needed no apologies*from the lord !}of the mansion.*Swine's flesh, dressed in several*modes, appeared on the lower part of*the board, as also that of fowls,*!}deer, goats and hares, and various*kinds of fish, together with huge*loaves and cakes of bread, and*sundry confections....!}* THE DEVIL'S DICTIONARYBY AMBROSE BIERCENectar, n.*A drink served at banquets of the*Olympian deities. The!} secret of its*preparation is lost, but the modern*Kentuckians believe that they come*pretty near to a knowledge of its*c!}hief ingredient.* THE OWL AND THE PUSSY-CAT BY EDWARD LEARThey dined on mince, and slices of* !} quince,*Which they ate with a runcible spoon,*And hand in hand, on the edge of the* !} sand,*They danced by the light of the moon,* The moon,* The moon,*They danced by the light of the moon.* amOL xSoundsLOON LAKE E.L. DoctorowYEAR OF THE GORILLA SchallerTHE TIN DRUM Gunter GrassMACBETH ShakespeareRELIGIO MEDICI %} Sir T. BrowneTHE BOOK OF JOSHUA The BibleLAST TEMPTATION KazantzakisTHE BELLS Edgar Allan PoeJOYS AND SORROWS Pablo %}Casals LOON LAKEBY E.L. DOCTOROWI thought I could hear the*locomotive. I moved toward the*embankment and waited. I %}could hear*the engine clearly now and knew it*was moving at a slow speed. The*first I saw of it was a diffuse*paling of %}the darkness along the*curve of the embankment. Suddenly I*was blinded by a powerful light, as*if I had looked into the s%}un.* THE YEAR OF THE GORILLABY GEORGE SCHALLERNever, even when I fully expected*it, was I able to get used to t%}he*roar of a silverbacked male. The*suddenness of the sound, the*shattering volume, invariably made me*want to run. But%} I derived immense*satisfaction from noting that the*other gorillas in the group startled*to a roar just as visibly as I d%}id.* THE TIN DRUM BY GUNTER GRASS...when the drum was taken away from*me, I screamed, and when I screamed,*valuable a%}rticles burst into bits: I*had the gift of shattering glass with*my singing: my screams demolished*vases, my singing made %}windowpanes*crumple and drafts prevail; like a*chaste and therefore merciless*diamond, my voice cut through the*doors of %}glass cabinets....* MACBETH BY SHAKESPEAREMacbeth: I have done the deed. * Didst thou not hear a* %} noise?*Lady M: I heard the owl scream and* the crickets cry. Did not* you speak?*Macbeth: When?*Lad%}y M: Now.*Macbeth: As I descended?*Lady M: Ay.* RELIGIO MEDICI BY SIR T. BROWNEFor even that vulgar and tavern*mus%}ic, which makes one man merry,*another mad, strikes in me a deep fit*of devotion, and a profound*contemplation of the firs%}t Composer.*There is something in it of divinity*more than the ear discovers.* THE BOOK OF JOSHUA THE BIBLE...And th%}e seventh day ye shall*compass the city seven times, and the*priests shall blow with the horns.*And it shall be, that when%} they make*a long blast with the ram's horn,*and when ye hear the sound of the*horn, all the people shall shout*with a gr%}eat shout; and the wall of*the city shall fall down flat, and*the people shall go up....* THE LAST TEMPTAT%}ION BY N. KAZANTZAKISThe village's respiration could be*heard now in the quiet of the*night: the breathing of many*breas%}ts, many souls. A dog barked*mournfully; from time to time a tree*rustled in the wind. A mother at*the edge of the villa%}ge lulled her*child to sleep, slowly, movingly....* THE BELLSBY EDGAR ALLAN POEHear the sledges with the bells * %} Silver bells!*What a world of merriment* their melody foretells!*How they tinkle, tinkle, tinkle,* In th%}e icy air of night!*While the stars that oversprinkle*All the heavens, seem to twinkle* With a crystalline delight* J%}OYS AND SORROWS BY PABLO CASALSFor the past eighty years I have*started each day in the same*manner....I go to the piano,%} and I*play two preludes and fugues of*Bach. I cannot think of doing*otherwise. It is a sort of*benediction on the hous%}e.* LOON LAKE E.L. DoctorowYEAR OF THE GORILLA SchallerTHE TIN DRUM Gunter GrassMACBETH ShakespeareRELIGIO MEDICI $Memories of ChildhoodTHE WORDS JeanPaul SartreGROWING UP Russell BakerLIFE WITH FATHER Clarence DaySTRAIT IS THE GATE)} Andre GideA SORT OF LIFE Graham Greene...MALCOLM X Haley & Malcolm XA SEPARATE PEACE John KnowlesA PORTRAIT OF THE A)}RTIST... J. JoyceBLACK BOY Richard Wright THE WORDSBY JEAN-PAUL SARTREAt times, my grandmother would take*me with he)}r to her circulating*library, and it would amuse me to*see tall, pensive, unsatisfied*ladies gliding from wall to wall in*)}search of the author who would*satisfy them: he was not to be*found, since he was I, that*youngster who was standing unde)}r*their very noses....* GROWING UP BY RUSSELL BAKERI began working in journalism when I*was eight years old. It wa)}s my*mother's idea. She wanted me to*"make something" of myself and,*after a levelheaded appraisal of my*strengths, deci)}ded I had better*start young if I was to have any*chance of keeping up with the*competition.* LIFE WITH FATHER BY CLAR)}ENCE DAYThe violin is intended for persons*with a passion for music. I wasn't*that kind of person. I liked to*hear a ba)}nd play a tune that we*could march up and down to, but try*as I would, I could seldom whistle*such a tune afterward. My t)}eacher*didn't know this. He greeted me as*a possible genius.* STRAIT IS THE GATE BY ANDRE GIDEMy whole life was decid)}ed by that*moment; even to this day I cannot*recall it without a pang of anguish.*Doubtless I understood very*imperfectly)} the cause of Alissa's*wretchedness, but I felt intensely*that it was far too strong for her*little quivering soul, for he)}r*fragile body, shaken with sobs.* A SORT OF LIFE BY GRAHAM GREENEI inherited from my mother a*blinding terror of bir)}ds and bats.*Even today I loathe the touch of*feathers, and I remember how one*night...a bat came into my bedroom*from on)}e of the great trees on the*lawn outside. I saw it poke its*furry nose first around the curtains*and wait to be observed.)} Next night*I was allowed to keep the window*shut....* ...MALCOLM XHALEY & MALCOLM XI remember being suddenly snatch)}ed*awake into a frightening confusion*of pistol shots and shouting and*smoke and flames. My father had*shouted and shot )}at the two white*men who had set the fire and were*running away. Our home was burning*down around us.* A SEPARATE PEAC)}E BY JOHN KNOWLESThis was the tree, and it seemed to*me to resemble those men, the giants*of your childhood, whom you*en)}counter years later and find that*they are not merely smaller in*relation to your growth, but that*they are absolutely sma)}ller,*shrunken by age. In this double*demotion the old giants have become*pygmies while you were looking the*other way.*)} A PORTRAIT OF THE ARTIST... BY JAMES JOYCEIt pained him that he did not know*well what politics meant and that )}he*did not know where the universe*ended. He felt small and weak.*When would he be like the fellows in*Poetry and Rhetor)}ic? They had big*voices and big boots and they*studied trigonometry. That was*very far away.* BLACK BOYBY RICHARD)} WRIGHTHunger stole upon me so slowly that*at first I was not aware of what*hunger really meant. Hunger had*always been )}more or less at my elbow*when I played, but now I began to*wake up at night to find hunger*standing at my bedside, staring)} at*me gauntly.* dTHE WORDS JeanPaul SartreGROWING UP Russell BakerLIFE WITH FATHER Clarence DaySTRAIT IS THE GATE(LimericksAnonymous (1)Anonymous (2)By Carolyn WellsBy Edward LearAnonymous (3)By Gelett BurgessAnonymous (4)Anonymous-} (5)Anonymous (6) LIMERICK ANONYMOUS(1)A bottle of perfume that Willie* sent*Was highly-} displeasing to Millicent.* Her thanks were so cold* That they quarreled, I'm told,*Through that silly scent Willie se-}nt* Millicent.* LIMERICK ANONYMOUS(2)She frowned and called him Mr. *Because in sport -}he kr. * And so in spite* That very nite*This Mr. kr. sr. * LIMERICK BY CAROLYN WELLSA tutor who tooted the f-}lute*Tried to tutor two tooters to toot.* Said the two to the tutor,* "Is it harder to toot, or*To tutor two tooters to-} toot?"* LIMERICK BY EDWARD LEARThere was an old man who supposed*That the street door was partially* -} closed;* But some very large rats* Ate his coats and his hats,*While that futile old gentleman* -} dozed.* LIMERICK ANONYMOUS(3)No matter how grouchy you're feeling,*You'll find the smile mo-}re or less*healing.* It grows in a wreath* All around the front teeth *Thus preserving the face from*congealin-}g.* LIMERICKBY GELETT BURGESSI'd rather have fingers than toes;*I'd rather have ears than a nose;* And as for my -}hair,* I'm glad it's still there.*I'll be awfully sad when it goes.* LIMERICK ANONYMOUS(4)There once was an old-} man of Lyme*Who married three wives at a time.* When asked, "Why a third?"* He replied, "One's absurd!"*And bigamy, si-}r, is a crime."* LIMERICK ANONYMOUS(5)A fly and a flea in a flue*Were imprisoned, so what could they* -} do?*Said the fly, "Let us flee!"*"Let us fly!" said the flea.*So they flew through a flaw in the* -} flue.* LIMERICK ANONYMOUS(6)There was a young lady of Bright*Whose speed was much faster t-}han*light.* She set out one day* In a relative way*And returned on the previous night.* rgessAnonymous (4)Anonymous,`MysteriesTHE MOVING FINGER Agatha ChristieA STUDY IN SCARLET A. Conan DoyleMAIGRET GOES HOME Georges SimenonMARKHEIM 1}R.L. StevensonA FAMILY AFFAIR Rex StoutTHE MURDERS IN THE RUE MORGUE PoeTHE SPY J.F. CooperCASINO ROYALE Ian Fleming1}A DETECTIVE STORY M. TwainTHE MOVING FINGERBY AGATHA CHRISTIE"One sees a good deal of human*nature living in a village a1}ll the*year around," said Miss Marple*placidly.* Then, seeming to feel it was*expected of her, she laid down her*croche1}t, and delivered a gentle*oldmaidish dissertation on murder.* A STUDY IN SCARLETBY A. CONAN DOYLEI left Holmes seated i1}n front of the*smoldering fire, and long into the*watches of the night I heard the*low, melancholy wailings of his*violin1}, and knew that he was still*pondering over the strange problem*which he had set himself to unravel.* MAIGRET GOES HOMEB1}Y GEORGES SIMENON 'The revolver is there, gentlemen,*at an equal distance from every*hand..It is ten to twelve...I*repea1}t that at midnight the murderer*will be dead...'* And this time he spoke so*emphatically that nobody said a*word. Every1}one held his breath.* MARKHEIM BY R.L. STEVENSON And still as he continued to fill*his pockets, his mind accused h1}im...*of the thousand faults of his design.*He should have chosen a more quiet*hour; he should have prepared an*alibi; he1} should not have used a*knife; he should have been more*cautious, and only bound and gagged*the dealer, and not killed him1}....* A FAMILY AFFAIR BY REX STOUTI looked at him. Should I frisk*him? Was there any chance that he*had it in for W1}olfe personally for*some reason unknown to me, or that*he had been hired by one of the*thousand or so people who thought i1}t*would be a better world with no Nero*Wolfe? Of course it was possible....* THE MURDERS IN THE RUE MORGUEBY EDGAR1} ALLAN POE"Keeping now steadily in mind the*points to which I have drawn your*attention  that peculiar voice,*that unus1}ual agility, and that*startling absence of motive in a*murder so singularly atrocious as*this  let us glance at the*but2}chery itself. Here is a woman*strangled to death by manual*strength..."* THE SPY BY J.F. COOPER "But, my son," cr2}ied his father,*in great alarm, "you are not a spy;*you are not within the rebel  that*is, the American lines  there i2}s*nothing here to spy."* "That might be disputed," rejoined*the young man, musing...."It is*true my purposes are innocen2}t; but*how is it to appear?"* CASINO ROYALE BY IAN FLEMINGBond knew exactly where the switch*was, and it was with on2}e flow of*motion that he stood on the*threshold with the door full open,*the light on and a gun in his hand.*The safe, em2}pty room sneered at him.* A DETECTIVE STORY BY MARK TWAIN "I hold in my fingers a burnt*Swedish match....I found it 2}in the*road....What does it say? This:*that the assassin was lefthanded.*How do I know this?...the signs*are here, and 2}they are reinforced*by a fact which you must have often*noticed in the great detective*narratives  that ALL assassins ar2}e*lefthanded."* FINGER Agatha ChristieA STUDY IN SCARLET A. Conan DoyleMAIGRET GOES HOME Georges SimenonMARKHEIM 0The Human ConditionMADAME BOVARY Gustave FlaubertTHE NECKLACE G. de MaupassantONE DAY IN THE LIFE... SolzhenitsynTO KIL6 }L A MOCKINGBIRD Harper LeeTHE WORLD IS... W. WordsworthJEANCHRISTOPHE Romain RollandFOR WHOM THE BELL TOLLS Hemingway6 }THE SUMMER BEFORE THE DARK LessingTHE RAINY DAY H.W. Longfellow MADAME BOVARYBY GUSTAVE FLAUBERTThe memory of this ba6 }ll, then, became*an occupation for Emma. Whenever*Wednesday came round she said to*herself as she awoke, "Ah! I was*ther6 }e a week  a fortnight  three*weeks ago." And little by little*the faces grew confused in her*remembrance.* THE N6}ECKLACEBY G. DE MAUPASSANTMme Loisel seemed old now. She had*become a strong, hard woman, the*crude woman of the poor*h6}ousehold....She spoke in a loud*tone and washed the floors in large*pails of water. But sometimes...she*would seat hersel6}f before the window*and think of that evening party of*former times, of that ball where she*was so beautiful and so flatte6}red.* ONE DAY IN THE LIFE... BY SOLZHENITSYNThere is nothing as bitter as this*moment when you go out to the*6}morning roll call  in the dark, in*the cold, with a hungry belly, to*face a whole day of work. You lose*your tongue. Y6}ou lose all desire to*speak to anyone.* TO KILL A MOCKINGBIRD BY HARPER LEEShe has committed no crime, she6} has*merely broken a rigid and*timehonored code of our society, a*code so severe that whoever breaks*it is hounded from 6}our midst as*unfit to live with. She is the*victim of cruel poverty and*ignorance, but I cannot pity her:*she is white.*6} THE WORLD IS... BY W. WORDSWORTHThe world is too much with us; late* and soon,*Getting and spending, we lay waste* 6} our powers:*Little we see in Nature that is ours;*We have given our hearts away, a* sordid boon!* JEAN-CHRISTOPHE B6}Y ROMAIN ROLLANDIt is true that I was vexed...a*young man whom I had carefully*brought up, a distinguished*musician, a re6}al artist  might*have looked higher than you, who had*nothing and were of a lower class,*and not even of the same trade.6}...*But, you know, I bear you no grudge,*and am fond of you....Besides,*there's no going back on a choice.* FOR WHOM 6}THE BELL TOLLS BY E. HEMINGWAYNo, he thought, I am lonely. But so*are all the soldiers and the wives*of all the 6}soldiers and all those*who have lost families or parents.*I have no wife, but I am glad that*she died before the movement.6} She*would not have understood it. I*have no children and I never will*have any children.* THE SUMMER BEFORE THE6} DARKBY DORIS LESSINGWith three small children, and then*four, she had to fight for qualities*that had not been even in h6}er*vocabulary. Patience.*Selfdiscipline. Selfabnegation.*Adaptability to others  this above*all. This always. The6 }se virtues,*necessary for bringing up a family*of four on a restricted income, she*did slowly acquire.* THE RAINY DAY6!}BY H.W. LONGFELLOWBe still, sad heart! and cease* repining;*Behind the clouds is the sun still* shining;*Thy fate is t6"}he common fate of all,*Into each life some rain must fall,* Some days must be dark and dreary.* E... SolzhenitsynTO KIL4eMOBY DICKTHE OLD MAN AND THE SEATHE GALESAILING ALONE... 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