L}HDhC' l01DeCHC)HCChL!hh`BD 8`  WR1  @!R  Yަ.`CIC0D`H `b  C D E H6-No DOS.SYSELVS S(0ȭ) ȘECD JJC ( h  0 J CD" إCD=! D`Dԝ` J> >L T L(( LL()% } l ABHI @LL( L] 0q R  . FC } U @ x DE 3 D,Lu L @BHI =` )?FGL >ABA  }8 0G`A! ȹ߰">)&BA  BG@@@LLL >)/>}@2  HyIyB U t>L>@ L =JJ  LR=*` @ b  L}L@0AMELD@ @MGLF  NALBLLBNDLEMLHGF! zL }GL}LE EdE E7EȩE t U L8`") 00} Ap, 0^iH R0)բ2? 08 }.`DE1)H]D EjjjJi h8j.EEEiEȱEiE`FGT eNEH8EEȱEEȩEh J}LGȘBA FGLLLG@4B0`Gɛ BL LG@  ( L lE}HEh  GLLSROTCES EERF  GG) *GȽG GȌd  G`}#L BI 3@)0@9, $  H H`6 r 3 0 E @@L  x  W xHh 3  U} A L  x  U  tL    Y E`  )  U L) ` } CG$ȘA$GAB $}A%$(8A() 0$`(0)8`DCEDC0T:Ȣ }1 ȱC* ? 0(. ,0n?[ A0:.`L , 2`2? .` `L }E8  . FG`LEL   8 rI0 `дCD}CGB CmCD D ` 1م`DOS SYS=Gȩ LY@0  @ L G=GȽFGȽB}G HI FGBA`FDGE`@LFG8`  G)=%G)GȱGFȱG?I}AB`B}ȘCG"H`LCCJJ`}IIIIIIIIIIIIIIҨ0,.C`0ۦ. }bҩ0Ω,0`} BBBBBBB////////BB00001XXXXXXFMDOS SYS }p  Y0~~LG7H0 YG3QGM@GMGG~QGG`LY1R(}0h)` L!E` F}H``l  ɛ I`l}Insert BASICRUN"D:LOGO.LHm!L8`8.8E`E8FEiȨi( 0`L lLt8EDGHލ  ,( }%ҩ(Lr(`I..!E FKzC0LJ}}}CDOS SYS} G5*A/4 ) `lDE BHI VLH}1" 0 KKKTEXTZNDZIOCKCIK2ZLZHZADZLEZCMZZERK25RAMTOFONDLISINTEINISCRASCRAMHSCRAMLKKDLISTH!}DLISTLINTERHINTERLKK1RETURCLEAREOCLEAREOSCORESHEEYESNZSTARKKKK75"} #} !"#$$}%&'()*+,- LOGO&&(C) 1983 Sunburst Communications%} +AY1@@dCB7t@d]0@@@w0@@@AR&}@( B -%% 6-%$2/ 6-$$ %!A6%/A7%29 6- %A@'}%+AA%9A4%2M6-?:C:hhhLV,<,*6-F:A5%,J6-F:A@%,%F:AA%,$M$26-P:',(}6-P:&$,$:`6-F:A,$AV(6-&A666-&@1D6-&@HR6-&@`6-&A`:: 6- %)}6-6-'@3@:(}:@ D:LOGO.BIN6-+6-A)16-76-; @: 6- %6*}-6-: 6- %6-6-:EA`Aa)%@7%@E%@):]%@0+}A)A5@A@]AV'AV%@:9BBv@'A69A7@,} :;A8@ 'A9A;A@'AV:9AA@ 'ABA9ACA$:;-}AD@ 'AEA;AF'AV:f6-!6. + A>6.  H A.}\6.   f A;e6. !# $%' A<6.& '()*+,-./0 1F A[6.23456789:;<=>?e/} A ;+!6.YP!,+ A;`6.@ABCDEFGHIJKLM" A76.N OPQRSTUVWX YA AV6.Z[0} \]^_`abc de` A;[6. fgh ijkl mno! A46. pq rs tu> AQ6. vwxyz{|}[ A8;0 -%1}0( ABCDEFGHIAJK LMNOPQRSTLUVB;E -%3(#COMMUNICATIONS #$%&'()*+1983EAY@4V; 6-?:,`;! -2}%00! j;* -# -%6&0* >>BB@d-! 3-@>%D:3}MENU 80 0 ~~`0 0`?s38}c00000000  p0000000??s333š s3;0000089} `00 p000p00000000cckwcff<}?>|~~|><?} 08<>????? <|p8<xp??????????ϟ?@}??<???><80 ϟ??|< <8pA}|>~~>|?B}~~>|?)*r\\GKPK75KKKK2KKK25ZENK1KZCLEAREOTEHKXABYZNUMMNGSLNGKTEATBUFFHARRAYSARRAYOFFT D}EMK2KNUMMNLEFUPPERIGHLOWEKSTARPSBNMOIPLSCNFGWRCSBLFWCGGUBLFLASTLLILFIRSTFFFI E}ZCLCOULZK1844TOHCLEAREOINLRETURYESNCIZSTAR@2@@@@ F}@ @ @ AV B @@B@2 G}&)*+A/ wx~% rr!rr"AQ#BRx$@%&@' H}'@()*+,@-@.@/@801@ 23456 I}789:;<=>?@ABCDEF J}GHIJKLMNOPQRSTU K}VWXYAZ[A\A8x]BR^_B@`abBPcdeB L}fBgB0hBPHHMISSING LINKS BY CAROL CHOMSKY AND JUDAH L. SCHWARTZ:FRIDAY 6/9/83--SUNBURST COMMUNICATIO M}NS :FRIDAY 7/19/83;A,ss6.ihhhhhYX mYXY8H QXX  N}QXX8H uAA`++AR@.(CF:@,!A'`@F:@,&A(uB O}7tF:@, 70@@@70@@@qq67A,.^ QXXQXXXYQX P}Xh QXXQXXh QXX XY` #B'-@"#Av%' (oAh Q}A$'Ai@9Ap@KAq@g]Ar@oAs@i2 B': &- R}%2 Press RETURN to continue.:%'%F:%,"Ap'!%&% 'F:%,%B$' %& S}-$t'A(~'ss6-?:C:chˍ̍TUY̥X mˬȑS0 ]˭` T}Rˢн,,'$'A( %: 3:XX;,;,;,;,;@P,;@8,;,;,; U},9@,;,;,;,:(;@7,;Ap,(;Ap,:(67,. 67Ap,. (67,.:*-@ V}@&68,-* :(67,. 67Ap,. (67,.:"Af"(>:A%,:.F:BG(,Ab$ W}6-BC$. BPp:6-BRx:@e:4@D:T.TXT)@4@: #B:' X}-@5"#A6%' ;-A@F:@,-AAF:@,;1 #BP-@1"-Ar% Y}1  ;'Av@2'AwA4 ;@@; B; BS.;-@ 8;D*("Do you want Z}to see the directions?6-@"D( (Y OR N):=;C B`6.>:,&4>:,)4>:,3(>:A%,9-C BrP?;4 [}BB;4Y)4y BT0L;0N*0n BQeN; 6. O; 6.Q;/7<,4S)7<,4s% BU&/ B \}QS;6-A:7<,,V;/7<,4S)7<,4s% BU`/ BQX;6.7<,[; Bu`;/7<,4S)7<,4s% ]} BW@/ BRb;6-A:7<,,e; BWj;/7<,4S)7<,4s% BY@/ BRl;6.7<,o; B`pt; ^}/7<,4S)7<,4s% B`/ BR%w;6-A:7<,,y;/7<,4S)7<,4s% Ba3/ BR({;6-@:7<,, _}|;AY~;A`Aa; B@; Bap; B ;$ "-@$( PLAYER ONE; B `}g;9AY!-@3( M-SS-NG L-NKS9-;,&(A GAME OF LETTERS AND LANGUAGE,-;&(COPYRIGHT ( a}C) 1983&-@;))(!CAROL CHOMSKY & JUDAH L. SCHWARTZ;1-@1(PROGRAMMING BY HARRY CHOMSKY,;4-@ b}4( JUDAH L. SCHWARTZ AND JON KAPLAN;U 6-6-6-@'6-@89A@C BvUAY@4; c}-AP ;"AY"(>:A%,:@,*0>:@,#(- BTPn<4>:@ h}, BUx< B`6.>:,z<@4>:,)4>:,*Af0(}6-@ BrP|<@:,AUBT i}<*Af (}* BQ<0-@"0(More instructions? (Y OR N)::,&4>:,) j}4>:,+=AfC(}I-S BrP<4Y)4y BT@<0N*0n BU< BT<''I k}NPUTS NUMBER OF PLAYERS---------< (}-<,,($How many players are there?(1 or 2)::,&4>:,)4>:,3(>:A%,9-<'F B <))+@:,"@I)@:,"@P,BU5<%%++4,* m}+4S)4s,,BUF< BU0< 6-A:,<$< (}<% -%(Which book do you want?<( -((A. THE WIND n}IN THE WILLOWS<, -,(B. THE CRICKET IN TIMES SQUARE<5 -5('C. THE LION, THE WITCH AND THE WARDROBE=" -"( o}D. THE SECRET GARDEN=+ -+(E. FROM THE MIXEDUP FILES...='-@'(F. SHADOW OF A BULL"=.-@.(G. p}MY SIDE OF THE MOUNTAIN,=8-@8($H. CHARLIE AND THE CHOCOLATE FACTORY6=4-@4( I. LITTLE HOUSE IN THE BIG q} WOODS@=-@((A-I):E=! 46-@!! BJ=F B`6.>:,&4>:,)4>:,3(>:A%,9-<' r}F B T=I?++@:,!@d*@:, @t,)+@:,!@*@:, A,,I BWV=%%++4,*+4S)4s,,BWY= s} BV^=$|=(>:A%,-=B)(!You have a choice of 9 selections/-B(from the book:= - (=1-@ t}1(Which one do you want? (1-9):=D B`6.>:,&4>:,)4>:,,(}2-5':D BrP=+!+@:,!@H u}*@:, @X,+ BWp=%%++4,*+4S)4s,,BWu= BWU= 6-A:,=$= (}= " BXP= v} -= =(+4>:@,,BX = = 6-6-= 6-%=4>:@, w}$>67%,.!>68,-B:,#>6-8,%&>6-8,% BX`D>' -'(Which format do you want?N>'('(A. Wh-c x}h f-rm-t d- y-- w-nt?X>$$(B. W-i-h -o-m-t -o -o- w-n-?b>$$(C. W---- f----- d- y-- w---?l>$$(D. Which ------ do --- w y}ant?v>$$(E. --i-- -o--a- -o -ou -a--?>$$(F. ----h -----t -o --u ---t?>$$(G. Which ------ -- --- ----?>$$(H. -- z}--- ------ -- --- ----?>(I. - (No Clues)>-@((A-I):>! 46-@!! B>? B`6. {}>:,&4>:,)4>:,,(}2-5'? B >I?++@:,!@d*@:, @t,)+@:,!@*@:, A,,I B`e>%%+ |}+4,*+4S)4s,,B`e> B`P>$>' 6-@:,'6-&P:'@2,$@2> 6-&>$> (}>") }}4- Ba>9)+"*0,*+7<,0S*7<,0s,/-9 Ba> ->Y+(#How many guesses do you want be ~}fore.(Y(%the program fills in a letter? (1-5):>! 46-@! B>? B`6.>:,&4>:,)4>:,,( }}2-5'? B >)@:,!@H*@:, @T) Ba0>%%++4,*+4S)4s,,Ba1> Ba? 6-A:, }?$?"*0BaE? -?])(!How many guesses do you want each5-@](#player to receive per turn? (3 }-15): ?! 46-@! B ?? BD6.>:,&4>:,)4>:,,(}2-5'? B  ?6-&@H ?##+ }!@* @,BaC ?2++4,*+4S)4s,,(6-@:s,2 BaE? Ba8? 6-?$*?@(>:A%," }AY@4(6-.6-46-:6-@6-4? " Bf@>? - (-(-C? 6-H?-B:,p?6. }7<,z?=+@:,!@d*@:, @,)+@:,!@*@:, A#,Bc0BcpBdBd@BdpBeBe }Be@?4 )4,6-?4.)4?)4!6-?7 4*6-(6-%"6--67,.*7 Bc?#( }6-%6-%#67,.a? ?$?,(>:@E,6-%!6-%,67,.-? 6-% Bc?"Bc0? } "6-6- Bb@ " Bb@ 6- Bc0@6.7%<%,$@QQ+@:,!@d*@:, @,)+@:,!@ }*@:, A#,)4)4'Bc0.@ Bb8@ Be6-B@ BbL@ Bc0V@6-(+,6-` }@ Bbj@ Bc0t@ " Bc0~@ 6- Bb@ 6-(+,Bb@ Bc0@ Be6-@ } Bc0@ Bb@' 6-@:,'6-&P:'@2,$@2@.%")")")"@)"@!+6-.$@"@% }*"6-$@ 6- $@TAKE CARE OF PR=K0A -(WAIT... A 6--A-B:,:@,dA 6-%6-%nAZ=+@:,!@d*@:, @,)+@:,!@*@: }, A#,H67,.-P6-%Z BgpxA67,.aA A$ (}-(-($(A Bc A# 6-&6 }-6-6-#6-A' 6-6-6-6-!6-'6-A- 6-6-6-!6--6-AAdAU }A% Br6-6-6-%6-A 6-6-6-6-A% Bs@6-6-6-%6-A 6-A6.7<, }A -(AkF:Ad,AU*B2y<B2yF BXAdAUa6.>:,k BhA }6-F:B2y,AK " Bw%AY@4/ BpAAdAUK BhpA " BhpA"B }A"BA BhpA " B@AW4>:,)4>:,(}+A`@2=AaAVC-M B }W BrPAAA4>:@E,)4>:@a,)4>:@C,)4>:@B,BtAHH(++@:,!@d*@:, @,)+@:,!@ }*@:, A#,,BhpB BB4Bp`B B!B 6-%"B-@('B6-,B%  6- }% Bu% Bh`6B B1@B;2A!- )2;AdAUJB BA^B - (hB }67<,.amB BurB %" Bq|B " Bh B"Bh B5 " Br6-6-%6-+6- }5 Bh0B Bs@ Bh0B ")" BQB BipB " By B #B@B -"B - }2 B 2- B B#"-@02# B 2B B B1@ }-@!% 1@B4-@4( Press RETURN to see how you did.B B`6.>:,B=4>:,)4>: },(}-) Br3 B= BrPC@:,+AU,Bq0C Bw C-@" ]C-@" }bC++(#Do you want to play again?(Y or N):gCAY@4lC B`6.>:,|C=4Y)4y Br!(}3AY }@4= Br~C(+4N)4n, Br`C/ Br(}%AY@4/ BCWAY!A` }@23AaAVE@@dW@AVC$CZ (}-6("Do you want to see the directions?B- }@P( (Y OR N):Z BQeC FINDS LAST HYPHEN---------C 6-&6-&C   Bs BrC7<,4 }-$C BrC FINDS FIRST HYPHEN--------C 6-%6-%C07<,4*6-%6-&6-%0 Bs@C7 }<,4-$C"-(7<,C Bs@CCHECKS FOR FIRST LINEC$ !6-&6-&$6-8,%C$ }C"BhpD -(- D4>:@E,Bt`D4>:@a,Btp D4>:@C,Bt*D4>:@B },Bt4D "-( Bhp6D B8D+ 6-6-6-!6-+ Bh0:D Bt>D "- }( Bhp@D B@BD+ 6-6-6-!6-+ Bh0DD BtHD "-( BhpJD Bt }MD "-( BhpOD BtRD Br Bh0UD Bs@ Bh0\DQ4A)4a$D:A }.TXT*6-N6. THE WIND IN THE WILLOWSQ$fDZ4B)4b$D:B.TXT06-@W6. THE CRICKET IN T }IMES SQUAREZ$pDY4C)4c$D:C.TXT*6-V6.% THE LION, THE WITCH AND THE WARDROBEY$zDS4D)4d$ }D:D.TXT06-@P6. THE SECRET GARDENS$DT4E)4e$D:E.TXT*6-Q6. FROM THE }MIXEDUP FILES...T$DN4F)4f$D:F.TXT*6-K6. SHADOW OF A BULLN$DY4G)4g$ }D:G.TXT06-@V6. MY SIDE OF THE MOUNTAINY$DV4H)4h$D:H.TXT*6-S6." CHARLIE AND T }HE CHOCOLATE FACTORYV$DT4I)4i$D:I.TXT*6-Q6. LITTLE HOUSE IN THE BIG WOODST$D##ML ROUTINE T }O DRAW BOX-------D 6-%$6-%$DKA@'AA39A@KA@$D6-?: }C:,<<,D$$EAY'E B*EEA`@6!Aa3@@2E@A4-E B }.E"BxdBE 6- -(GE 6- -(QE 6- -(VE% !6-+',%>% Bw` }[E 6-`EC6-?$P:A$,& B`2-@C( (%) eE 6- -(oE 6- -@ }(qE% !6-+',%>% BwsE 6-vEC6-?$P:A$,& B`2-@C( (%) xED  }!:6-P:++&+%,'+%%+$,,,%>,$A,'D BwzE 6-{E  6-|E 6- -&@E(  } E$E1 6- -(6-' B--1(E1 6- -(6-' B--1(E1 6- - }(6-' B--1(E% !6-+',%>% BxtE 6-E=6-?$P:A$,& B`,-=( } (%) E% !6-+',%>% BxE 6-ER-@0( 56-?$P:A$,? B E }-R((%)E= 6- -@(#6-- B9-@=(E= 6- -@(#6-- B9 }-@=(E% !6-+',%>% BxE 6-EC6-?$P:A$,& B`2-@C( (%) } E% !6-+',%>% BxE 6-E^-@0@"( ;6-?$P:A$,E B Q-@ }^((%)ED !:6-P:++&+%,'+%%+$,,,%>,$A,'D BxE 6-E  6-E 6- - }&@E(  ED !:6-P:++&+%,'+%%+$,,,%>,$A,'D ByE 6-E  6-E! }6- B!-&@E(  E$F9 6-%6-% 7<,0*&-/(7<,9 By  F$[F " }6-% B\F 6-%]F$eF "6-% B#fF 6-%gF$oF "6-% B3pF 6-%qF$yF } "6-% BCzF 6-%{F$F "6-% BSF 6-%F$F"BF4 "6-(+,6- }@*6-4 BF 6-%F$F3 "-@ ) B#3 BFO@-@' }@-1 C@@9O@F2-@ B#(( PLAYER TWO2 BF(-@( PLAYE }R ONE( BF/-@ !2@G% /2F-@0 FAdAUF$FC-%@ }@&%) ;@@9C6-&F$G " BhpG " B@G3 -(-6-6-! }6-)6-&3 Bh0G$"G " Bhp,G " B@1G3 -(-6-6-!6-)6-&3 Bh06G$ }G 00G$G 000G$G8-@"8($Press RETURN to go back to the game.G'@ }@d'@AVG B`6.>:,Gb4>:,)4>:@',(}+AY=A`@2OAaAV }U-X'b BrPG@:,AUBwGCAYA`'Aa1 B@CAY@4G$GI }6-@6-@)6-@&76-$+%,&IA@G ")"6-%6-%G 6-6-6-&G } BvH$H 6.=:,H B:,"6-@%HB:,")B:,"6-@$!H/ B:,"7<,4.%6-@%/ B }&H B:,"6-@#0H$DH 6.=:,NH B:,"6-@3XH%B:,")B:,"@%6-@2]H/ B:,"7< },4.%6-@3/ B@bH B:,"6-@1lH$H 6.=:,H B:,"6-@"HB:,")B:,"6-@! }H/ B:,"7<,4.%6-@"/ BH B:,"6-@ H$H 6.=:,H B:,"6-@2HB:," })B:,"6-@1H/ B:,"7<,4.%6-@2/ B`H B:,"6-@0H$H 6-&6-&I28, }"*!6-& 6-&(6-&2 B I,"+8,,6-&+&,"6-%, B I%  8,6-&++8,,&,%6-%I# } !8,6-+&,%#6-8,% I$4I 6-6-%6-%>I28,"* 6-% 6-%(6-%2 BPHI% 8, }6-%++8,,&,%6-&RI/ !8,$6-%++8,&,%8,&,/6-8,&WI !6-%\I$fI 6-kI7 -@ } +@1-7( pI " Be B zI' 6-6-6-@'6-@6IA@ }BvIA-@(0-@@57(; A(I -I0(Number of blanks:0(Number of gues }ses:I0((Number of correct0( first guesses:I( (% of total):I(((Number of wrong(( guesses:I7( (N }umber of letters the7( program supplied:I( (% of total):I((OVERALL SCORE:I$I1-@%(PLAYER&- }@%1(I-@#( ONE TWOI36-6-'6-@ 36-@8IA@ }BvIA-@(0-@@77(; A(I -I$I6.Student choiceI!AY }(}!-I##(Options currently selected:I<(( Players: .7<,4S)7<,4s2(< B I (7< },I9(( Book: +7<,4S)7<,4s/(9 B0I B(I<(( Passage: .7<,4S)7<,4s2( }< B@I (7<,I;(( Format: -7<,4S)7<,4s1(; BPJ B(JT(( Maximum number }.( of guesses: F7<,4S)7<,4sJ(T B` J (7<,JU(( Number of guesses/( per turn: G7<, }4S)7<,4sK(U BpJ(@:7<,,JZ-@@ :( Do you want to make any changes?L-@@"Z( }(Y or N):JU 6-6-6-@'6-@99A@C BvUAY@4$J. B`6.>:,.4>:, })4>:,B)J4Y)4yB@.J0N*0nB3J B8J@(@@D:T.TXT5 @ }@@=J BBJZ (}-6("Do you want to see the directions?B-@P( (Y OR N):Z BQe`J! }AY(}!-jJ.+(#Which option do you want to change?.(tJ!!(1. The number of players.~J%%(2. The boo }k that is selected.J((( 3. The passage that is selected.J?"(4. The format in which the?( passage is presented.J }f(( 5. The maximum number of guessesJ( allowed before the programf( fills in the letter.Jd,($6. The number of g }uesses each playerL( receives per turn in thed( two-player game.J#( (#(7. Changes completed.J-@! }((1-7):JU 6-6-6-@'6-@99A@C BvUAY@4J. B`6.>:,.4>: },)4>:,BJ**(+@:,!@H*@:, @V,B@J 6-A:,J"BJ77BBB B0 }B@BPK" BU&67<,." B@ K" BU`67<,." B@K" B67<,." B@K( ( }} BY@67<,.( B@(K" B`67<,." B@2K+ (} Ba3!67<,.>:,+ B@dKY (}- }4( You have a choice of 9 passages.7(Y(Which one do you want? (1-9):iK6-@ BnK. B`6.>:,. }4>:,)4>:,BxK))+@:,!@H*@:, @X,B0zK4S)4sB0}K BK$,L<7<,4A)7 }<,4a96.THE WIND IN THE WILLOWS<$6L@7<,4B)7<,4b=6.THE CRICKET IN TIMES SQUARE@$@LW7<,4C)7 }<,4cT6.2THE LION, THE WITCH AND THE WARDROBEW$JL67<,4D)7<,4d36.THE SECRET GARDEN6$TL? }7<,4E)7<,4e<6.FROM THE MIXEDUP FILES...?$^L57<,4F)7<,4f26.SHADOW OF A BULL5$hL<7<,4 }G)7<,4g96.MY SIDE OF THE MOUNTAIN<$rLR7<,4H)7<,4hO6.-CHARLIE AND THE CHOCOLATE FACTOR }YR$|LP7<,4I)7<,4iM6.+LITTLE HOUSE IN THE BIG WOODSP$L47<,4A)7<,4a16.Consona }nts only4$L77<,4B)7<,4b46.Every other letter7$L>7<,4C)7<,4c;6.First letter of each word }>$L57<,4D)7<,4d26.Every other word5$L07<,4E)7<,4e-6. Vowels only0$L=7<,4F)7< },4f:6.Last letter of each word=$LA7<,4G)7<,4g>6.First word of every sentenceA$L07<,4H)7 }<,4h-6. Blanks only0$L-7<,4I)7<,4i*6.No clues-$LG 6-&6-@6-%+6-@1=A }@G BvL.-@.(Enter S for student choiceL$M4BM BrP N0(>:A%,- }0(Would you like to use*N) -)(another diskette? (Y OR N):4N. B`6.>:,$4Y)4y. B >N(+4 }N)4n,B HN4(>:A%,-4(To turn the computer off:RN2 -2($1) Remove the diskette from the disk\N/ - }/(!drive and put it in a safe place.fN) -)(2) Turn the disk drive off.pN8-@8($3) Turn the computer off }. The switchzNK-@1(is located on the side of the=-@K( computer.N/-@/(4) Turn the televi }sion off.N BN3(>:A%,-3(Insert the new diskette.N, -,(Then press RETURN to continue.N! B }`!AUB@NN9AdAU'A9AgN<F:Ad,AU'6-F:Ad },26-F:%,< BGN BEN@I6-$N9AdAU'A9AgN<F: }Ad,AU'6-F:Ad,26-F:%,< BRN BPN,")"@'(}-"', B N"A& }BDN8!@G* @T+6-%+&@H,.'8 Ba@N BINAdAUNAAg }N<F:Ad,AU'6-F:Ad,26-F:%,< BN BuN$N'A'AgN6- }F:Ad,6-F:%,N$N? (}-@@?(Please remove the write protectN:-@:(&sticker from th }e edge of the diskette.N--@ -(Press RETURN to continue.OG B`6.>:,24>:@',)4>:@,=@ }G B O0>:AU,B0O@ B}*further in and pushing the soft*folds of the coats aside to make*room for her. Then she noticed that*there was somethin!?}g crunching under*her feet. "I wonder is that more*mothballs?" she thought, stooping*down to feel it with her hands.* !@}THE LION, THE WITCH AND THE WARDROBE BY C.S. LEWIS(2)Lucy felt a little frightened, but*she felt very inquisitive and*ex!A}cited as well. She looked back*over her shoulder and there, between*the dark treetrunks, she could*still see the open do!B}orway of the*wardrobe and even catch a glimpse of*the empty room from which she had*set out.* THE LION, THE WITCH AND T!C}HE WARDROBE BY C.S. LEWIS(3)Susan was "It" and as soon as the*others scattered to hide, Lucy went*to the room where the w!D}ardrobe was.*She did not mean to hide in the*wardrobe, because she knew that*would only set the others talking*again abou!E}t the whole wretched*business. But she did want to have*one more look inside it.* THE LION, THE WITCH AND THE WARDROBE!F} BY C.S. LEWIS(4)"It is a lovely place, my house,"*said the Queen. "I am sure you*would like it. There are whole*rooms !G}full of Turkish Delight, and*what's more, I have no children of*my own. I want a nice boy whom I*could bring up as a Prin!H}ce and who*would be King of Narnia when I am*gone."* THE LION, THE WITCH AND THE WARDROBE BY C.S. LEWIS(5)They were al!I}l still, wondering what*to do next, when Lucy said, "Look!*There's a robin, with such a red*breast. It's the first bird I!J}'ve*seen here. I say!  I wonder can*birds talk in Narnia? It almost*looks as if it wanted to say*something to us."* !K}THE LION, THE WITCH AND THE WARDROBE BY C.S. LEWIS(6)The Robin appeared to understand the*matter thoroughly. It kept go!L}ing*from tree to tree, always a few*yards ahead of them but always so*near that they could easily follow*it. In this way!M} it led them on,*slightly down hill. Wherever the*Robin alighted a little shower of*snow would fall off the branch.* TH!N}E LION, THE WITCH AND THE WARDROBE BY C.S. LEWIS(7)They all saw it this time, a*whiskered furry face which had*looked ou!O}t at them from behind a*tree. But this time it didn't*immediately draw back. Instead, the*animal put its paw against its!P} mouth*just as humans put their finger on*their lips when they are signalling*to you to be quiet. Then it*disappeared ag!Q}ain.* THE LION, THE WITCH AND THE WARDROBE BY C.S. LEWIS(8)A moment later the stranger came out*from behind the tree, g!R}lanced all*round as if it were afraid someone*was watching, said "Hush," made*signs to them to join it in the*thicker bit!S} of wood where it was*standing, and then once more*disappeared.* THE LION, THE WITCH AND THE WARDROBE BY C.S. LEWIS(9)!T}"Who is Aslan?" asked Susan.*"Aslan?" said Mr Beaver, "Why don't*you know? He's the King. He's the*Lord of the whole wo!U}od, but not*often here, you understand. Never*in my time or my father's time. But*the word has reached us that he has*c!V}ome back. He is in Narnia at this*moment. He'll settle the White*Queen all right."* word has reached us that he has*c ZTHE SECRET GARDENBY F.H. BURNETT(1)When she awakened she lay and stared*at the wall. The house was*perfectly still. She%X} had never*known it to be so silent before.*She heard neither voices nor*footsteps, and wondered if*everybody had got wel%Y}l of the*cholera and all the trouble was*over.* THE SECRET GARDENBY F.H. BURNETT(2)They thought Mary was not listening*%Z}because she was standing a little*apart from them at the window of the*private hotel they had gone to. She*was watching %[}the passing buses and*cabs and people, but she heard quite*well and was made very curious about*her uncle and the place he%\} lived in.* THE SECRET GARDENBY F.H. BURNETT(3)And she turned her face toward the*streaming panes of the window of the*%]}railway carriage and gazed out at*the gray rainstorm which looked as*if it would go on forever and ever.*She watched it so%^} long and steadily*that the grayness grew heavier and*heavier before her eyes and she fell*asleep.* THE SECRET GARDENBY%_} F.H. BURNETT(4)The dressing process was one which*taught them both something. Martha*had "buttoned up" her little sister%`}s*and brothers but she had never seen*a child who stood still and waited*for another person to do things for*her as if sh%a}e had neither hands nor*feet of her own.* THE SECRET GARDENBY F.H. BURNETT(5)After she was gone Mary turned down*the wa%b}lk which led to the door in*the shrubbery. She could not help*thinking about the garden which no*one had been into for te%c}n years.*She wondered what it would look like*and whether there were any flowers*still alive in it.* THE SECRET GARDENB%d}Y F.H. BURNETT(6) It was more than a ring, however;*it was an old key which looked as*if it had been buried a long time.*%e} Mistress Mary stood up and looked*at it with an almost frightened face*as it hung from her finger.* "Perhaps it has be%f}en buried for*ten years," she said in a whisper.*"Perhaps it is the key to the*garden!"* THE SECRET GARDENBY F.H. BURNE%g}TT(7) She held back the swinging curtain*of ivy and pushed back the door*which opened slowly  slowly.* Then she slipp%h}ed through it, and*shut it behind her, and stood with*her back against it, looking about*her and breathing quite fast with%i}*excitement, and wonder, and delight.* THE SECRET GARDENBY F.H. BURNETT(8)She stood in the corridor and could*hear the %j}crying quite plainly,*though it was not loud. It was on*the other side of the wall at her*left and a few yards farther on%k}*there was a door. She could see a*glimmer of light coming from*beneath it. The Someone was crying*in that room, and it%l} was quite a*young Someone.* THE SECRET GARDENBY F.H. BURNETT(9)They always called it Magic and*indeed it seemed like i%m}t in the*months that followed  the*wonderful months  the radiant*months  the amazing ones. Oh! the*things which ha%n}ppened in that*garden! If you have never had a*garden, you cannot understand.* e amazing ones. Oh! the*things which ha$TFROM THE MIXED-UP FILES...BY E. KONIGSBURG(1) "I've picked you to accompany me*on the greatest adventure of our*mu)p}tual lives," Claudia repeated.* "You said that." He clenched his*teeth. "Now tell me."* "I've decided to run away from)q}*home, and I've chosen you to*accompany me."* "Why pick on me?" he asked.* FROM THE MIXED-UP FILES...BY E. KONIG)r}SBURG(2) "We'll go on Wednesday because*Wednesday is music lesson day. I'm*taking my violin out of its case*and am pack)s}ing it full of clothes.*You do the same with your trumpet*case. Take as much clean underwear*as possible and socks and at)t} least*one other shirt with you."* "All in a trumpet case? I should*have taken up the bass fiddle."* FROM THE MIXED-UP )u} FILES...BY E. KONIGSBURG(3) "Claudia," Jamie said, "you are*quietly out of your mind. How can*you even think of a)v} taxi? We have*no more allowance. No more income.*You can't be extravagant any longer.*It's not my money we're spending.)w}*It's our money. We're in this*together, remember?"* FROM THE MIXED-UP FILES...BY E. KONIGSBURG(4)No wonder Jami)x}e had more than*twentyfour dollars; he was a*gambler and a cheapskate. If that's*the way he wants to be, she thought,*I)y}'ll never again ask him for bus*fare; I'll suffer and never, never*let him know about it. But he'll*regret it when I simp)z}ly collapse*from exhaustion. I'll collapse*quietly.* FROM THE MIXED-UP FILES...BY E. KONIGSBURG(5)Fivethirty in){} winter is dark, but*nowhere seems as dark as the*Metropolitan Museum of Art. The*ceilings are so high that they fill*up)|} with a lot of darkness. It*seemed to Jamie and Claudia that*they walked through miles of*corridors. Fortunately, the*c)}}orridors were wide, and they were*spared bumping into things.* FROM THE MIXED-UP FILES...BY E. KONIGSBURG(6)They a)~}greed to scatter their*belongings. Thus, if the museum*officials found one thing, they*wouldn't necessarily find all.*Wh)}ile still at home they had removed*all identification on their cases as*well as their clothing. Any child*who has watched)} only one month's*worth of television knows to do that*much.* FROM THE MIXED-UP FILES...BY E. KONIGSBURG(7)They w)}alked from the post office to*Grand Central Terminal and sat down*in the waiting room. They sat*perfectly quiet. Disappo)}inted*beyond words. Claudia would have*felt better if the letter had not*been so polite. A nasty letter or*a sarcastic )}one can make you*righteously angry, but what can you*do about a polite letter of*rejection?* FROM THE MIXED-UP FIL)}ES...BY E. KONIGSBURG(8) I don't like to waste time, so*when I at last turned around, I did*so abruptly and asked direct)}ly, "Are*you the children who have been*missing from Greenwich for a week?"* They had become so used to not*being discov)}ered that they had*entirely forgotten that they were*runaways. Now their reaction was*one of amazement.* FROM THE MIXED)}-UP FILES...BY E. KONIGSBURG(9)"I'm not going to give you the*sketch outright. I'm going to leave*it to you in my )}will. You won't*tell my secret because if you do,*I'll write you out of my will. You*would lose all that money. You sai)}d*that the sketch was worth quite a*boodle. So you're going to be very*good about keeping this secret."* ney. You sai(p SHADOW OF A BULLBY WOJCIECHOWSKA(1) When he was almost nine, he grew*three full inches. All of a sudden,*as if overnig-}ht, he seemed to*change. He became very thin, his*nose lengthened, his limbs became*awkwardly long, like those of a boy*-}twice his age.* On the streets people began to*turn around and remark about his*resemblance to his father.* SHADOW OF -}A BULLBY WOJCIECHOWSKA(2)When Manolo had first heard them say*how very much he looked like his*father, he had gone home a-}nd stood*in front of the great oil painting.*He had taken a mirror from his*mother's dresser and had looked at*his father-} and then at himself. It*was true what they were saying.*Especially about his nose.* SHADOW OF A BULLBY WOJCIECHOWSKA(-}3)"Later we will tell you how bulls*differ. Each bull has his own*peculiar characteristics. One day,*seeing a bull ente-}r the arena, at a*glance you'll be able to tell, or*sometimes maybe only guess, how he*will conduct himself in the ring*t-}hroughout the fight."* "It will take time, but you'll*learn."* SHADOW OF A BULLBY WOJCIECHOWSKA(4)Six pairs of eyes l-}ooked at Manolo.*He felt that in each pair there was*the same hope: that he, Manolo*Olivar, would one day bring back to*b-}ullfighting the art of his father.*And he lowered his eyes, afraid and*ashamed, for he felt that their hope*would never be-} realized.* SHADOW OF A BULLBY WOJCIECHOWSKA(5)The bugle blew, and Manolo looked as*the gate slowly swung open. There*-}was nothing but a pitchblack hole.*Suddenly something moved and sprang*out into the arena; it was his very*first bull th-}at he saw! Black and*angry and running, moving swiftly*over the earth with his great body*and shining with silverblack*-}muscles.* SHADOW OF A BULLBY WOJCIECHOWSKA(6)He was learning; he was learning*because he knew that his very life*would-} depend one day on knowing. He*was memorizing passes and*remembering hundreds of facts and*dozens of rules. He was taugh-}t how*to distinquish stupidity from*courage and flashiness from art. He*was a good student.* SHADOW OF A BULLBY WOJCI-}ECHOWSKA(7)Time passed very fast. And he began*to gain confidence, began to believe*in himself. He even began to think*-}that the dream the men had of his*being as great a bullfighter as his*father was not so farfetched after*all. That's how-} he thought on days*when he was happy.* SHADOW OF A BULLBY WOJCIECHOWSKA(8)He dreamed almost every night and*was afrai-}d to fall asleep because*there were always bulls in his*dreams now. Gigantic black animals*with horns that never ended! -}They*were always waiting for him. Not*moving, just waiting. And there was*always more than one bull. But he,*Manolo, w-}as always alone.* SHADOW OF A BULLBY WOJCIECHOWSKA(9)Yet the thought persisted. His*father might also have been afraid-}.*If not as a man, perhaps as a boy.*He could not ask his mother, because*she had always thought her husband a*saint, and-} saints were not afraid.*But he could ask his grandmother.*She was the only one he would dare*ask.* usband a*saint, and,i MY SIDE OF THE MOUNTAIN BY J. GEORGE(1)"I am on my mountain in a tree*home that people have passed without*ever1} knowing that I am here. The*house is a hemlock tree six feet in*diameter, and must be as old as the*mountain itself. I 1}came upon it*last summer, and dug and burned it*out until I made a snug cave in the*tree that I now call home."* MY SI1}DE OF THE MOUNTAIN BY J. GEORGE(2)Above the darkness stood another*darkness  the clouds of winter,*black and fe1}arsome. They looked as*wild as the winds that were bringing*them. I grew sick with fright. I*knew I had enough food. I1} knew*everything was going to be perfectly*all right. But knowing that didn't*help. I was scared.* MY SIDE OF THE 1} MOUNTAIN BY J. GEORGE(3)I looked into the stream to see*what else I could eat, and as I did,*my hand knocked a rott1}en log apart.*I remembered about old logs and all*the sleeping stages of insects that*are in it. I chopped away until I*1}found a cold white grub.* MY SIDE OF THE MOUNTAIN BY J. GEORGE(4)This stream did not seem to have any*calm wat1}er, and I must have walked a*thousand miles before I found a pool*by a deep undercut bank in the shade*of overhanging bush1}es. Actually, it*wasn't that far; it just seemed that*way because as I went looking and*finding nothing, I was sure I was1}*going to starve to death.* MY SIDE OF THE MOUNTAIN BY J. GEORGE(5) Fortunately, the sun has a*wonderfully g1}lorious habit of rising*every morning. When the sky*lightened, when the birds awoke, I*knew I would never again see*anyt1}hing so splendid as the round*red sun coming up over the earth.* I was immediately cheered, and set*out directly for the 1}highway.* MY SIDE OF THE MOUNTAIN BY J. GEORGE(6)I must say this now about that first*fire. It was magic. Ou1}t of dead*tinder and grass and sticks came a*live, warm light. It cracked and*snapped and smoked and filled the*woods wi1}th brightness. It lighted*the trees and made them warm and*friendly. It stood tall and bright*and held back the night.*1} MY SIDE OF THE MOUNTAIN BY J. GEORGE(7) Never, never have I seen such*trees. They were giants  old, old*g1}iants. They must have begun when*the world began.* I started walking around them. I*couldn't hear myself step, so dense1}*and damp were the needles. Great*boulders covered with ferns and moss*stood among them.* MY SIDE OF THE MOUN1}TAIN BY J. GEORGE(8)Wonder filled me as I realized the*weasel was absolutely unafraid. No*other animal, and I knew quite1} a few*by now, had been so brave in my*presence. Screaming, he jumped on*me. This surprised and scared me.*He leapt fro1}m my lap to my head,*took a mouthful of hair and wrestled*it. My goose bumps rose.* MY SIDE OF THE MOUNTAIN B1}Y J. GEORGE(9)I chased the raccoons into the night*and stumbled over a third animal,*and was struck by a wet stinging*spr1}ay. It was skunk! I was*drenched. As I got used to the*indignity and the smell, I saw the*raccoons cavort around my fir1}eplace*and dodge past me. They were back*in my tree before I could stop them.* I saw the*raccoons cavort around my fir0T CHARLIE AND THE CHOCOLATE FACTORY BY R. DAHL(1)Walking to school in the mornings,*Charlie could see great slabs of*c5}hocolate piled up high in the shop*windows, and he would stop and*stare, his mouth watering like*mad. Many times a day, h5}e would*see other children taking creamy*candy bars out of their pockets*and munching them greedily, and*that, of course,5} was pure torture.* CHARLIE AND THE CHOCOLATE FACTORY BY R. DAHL(2)"And what a palace it was! It had*one hundred ro5}oms, and everything*was made of either dark or light*chocolate! The bricks were*chocolate, and the cement holding*them t5}ogether was chocolate, and the*windows were chocolate, and when*you turned on the taps in the*bathroom, hot chocolate came5} pouring*out.* CHARLIE AND THE CHOCOLATE FACTORY BY R. DAHL(3)I have decided to allow five*children to visit my fa5}ctory this*year. These lucky five will be*shown around personally by me, and*they will be allowed to see all the*secrets5} and the magic of my factory.*Then, at the end of the tour, as a*special present, all of them will be*given enough chocola5}tes and candies*to last them for the rest of their*lives!* CHARLIE AND THE CHOCOLATE FACTORY BY R. DAHL(4)And now 5}the whole country seemed*suddenly to be caught up in a mad*candybuying spree, everybody*searching frantically for those*5}precious remaining tickets. Fully*grown women were seen going into*sweetshops and buying ten Wonka*candy bars at a time, 5}then tearing*off the wrappers and peering*eagerly underneath for a glint of*golden paper.* CHARLIE AND THE CHOCOLATE5} FACTORY BY R. DAHL(5)The room became silent. Everybody*was waiting now for Charlie to start*opening his present. Char5}lie looked*down at the candy bar. He ran his*fingers slowly back and forth along*the length of it, stroking it*lovingly,5} and the shiny paper*wrapper made little sharp crackly*noises in the quiet room.* CHARLIE AND THE CHOCOLATE FACTORY 5} BY R. DAHL(6)After the snow, there came a*freezing gale that blew for days and*days without stopping. And oh, how*bitte5}r cold it was! Everything that*Charlie touched seemed to be made of*ice, and each time he stepped*outside the door, the w5}ind was like*a knife on his cheek.* CHARLIE AND THE CHOCOLATE FACTORY BY R. DAHL(7)I am preparing other surprises t5}hat*are even more marvelous and more*fantastic for you and for all my*beloved golden ticket holders *mystic and marvelo5}us surprises that*will entrance, delight, intrigue,*astonish, and perplex you beyond*measure. In your wildest dreams you*5}could not imagine that such things*could happen to you!* CHARLIE AND THE CHOCOLATE FACTORY BY R. DAHL(8) Very slo5}wly, with a loud creaking*of rusty hinges, the great iron*gates of the factory began to swing*open.* The crowd became su5}ddenly silent.*The children stopped jumping about.*All eyes were fixed upon the gates.* "There he is!" somebody shouted.*5}"That's him!"* And so it was!* CHARLIE AND THE CHOCOLATE FACTORY BY R. DAHL(9)"There!" cried Mr Wonka, dancing u5}p*and down and pointing his*goldtopped cane at the great brown*river. "It's all chocolate! Every*drop of that river is 5}hot melted*chocolate of the finest quality.*There's enough chocolate in there to*fill every bathtub in the entire*country5}! And all the swimming pools*as well!"* *There's enough chocolate in there to*fill every bathtub in the entire*country4,LITTLE HOUSE IN THE BIG WOODS(1) BY L.I. WILDERFor winter was coming. The days*were shorter, and frost crawled up*th9}e window panes at night. Soon*the snow would come. Then the log*house would be almost buried in*snowdrifts, and the lake9} and the*streams would freeze. In the bitter*cold weather Pa could not be sure of*finding any wild game to shoot for*mea9}t.* LITTLE HOUSE IN THE BIG WOODS(2) BY L.I. WILDERPa skinned the deer carefully and*salted and stretched the hides,9} for*he would make soft leather of them.*Then he cut up the meat, and*sprinkled salt over the pieces as he*laid them on a9} board.* LITTLE HOUSE IN THE BIG WOODS(3) BY L.I. WILDERThe attic was a lovely place to*play. The large, round, col9}ored*pumpkins made beautiful chairs and*tables. The red peppers and the*onions dangled overhead. The hams*and the venis9}on hung in their paper*wrappings, and all the bunches of*dried herbs gave the place a*dustyspicy smell.* LITTLE HOUSE I9}N THE BIG WOODS(4) BY L.I. WILDERThe snow kept coming till it was*drifted and banked against the*house. In the morni9}ngs the window*panes were covered with frost in*beautiful pictures of trees and*flowers and fairies.* Ma said that Jack 9}Frost came in*the night and made the pictures,*while everyone was asleep.* LITTLE HOUSE IN THE BIG WOODS(5) BY L.I. 9}WILDERWhen they put their mouths close to*the pane and blew their breath on*it, the white frost melted and ran*in drops d9}own the glass. Then they*could see the drifts of snow*outdoors and the great trees*standing bare and black, making thin*9}blue shadows on the white snow.* LITTLE HOUSE IN THE BIG WOODS(6) BY L.I. WILDER After this was done, Ma began the*9}work that belonged to that day.*Each day had its own proper work.*Ma used to say: "Wash on Monday,/*Iron on Tuesday,/Mend 9}on Wednesday,/*Churn on Thursday,/Clean on Friday,/*Bake on Saturday,/Rest on Sunday."* LITTLE HOUSE IN THE BIG WOODS(9}7) BY L.I. WILDERLaura was proud to be helping Ma*with the milking, and she carried*the lantern very carefully. Its*si9}des were of tin, with places cut*in them for the candlelight to*shine through. When Laura walked*behind Ma on the path t9}o the barn,*the little bits of candlelight*from the lantern leaped all around*her on the snow.* LITTLE HOUSE IN THE 9}BIG WOODS(8) BY L.I. WILDER"Then I came again into an open*place, and there, right in the*middle of my road, I saw a big9}*black bear. He was standing up on*his hind legs, looking at me. I*could see his eyes shine. I could*see his pigsnout.9} I could even*see one of his claws, in the*starlight. My scalp prickled, and*my hair stood straight up."* LITTLE HOUSE9} IN THE BIG WOODS(9) BY L.I. WILDERIt was a warm night. The fire had*gone to coals on the hearth, and Pa*did not bui9}ld it up. All around*the little house, in the Big Woods,*there were little sounds of falling*snow, and from the eaves the9}re was*the drip, drip of the melting*icicles.* Woods,*there were little sounds of falling*snow, and from the eaves the83BDOS SYSB LOGO B5LOGO BINBCMENU BINTRO TXTBT TXTBA TXTB"B TXTB=C TXTBWD TXTBoE TXTBF TXTBG TXTBH TXTBI TXT