Until a year ago, that is, when I spotted a loose Turbo-Express in a retro computer shop in London, for fifty quid. I picked it up, but without an adapter it wouldn't run my Engine games, and I had no US games, and the shops don't carry them anymore, so it languished for a while... well, on my trip back over Xmas I went to see my old mate Tony Tak (and we had a mega gaming session in his home theater room, including way too long playing double games of Super Wonder Boy 3 on his Engine/CDROM setup (must resurrect my own when I get back to the UK!)) and as it turns out he had a spare Kisado Adapter, which allows me to use all my Engine games on the TX. Lovely! The flight back was a lot less painful as I could while away the hours, and a few Duracells, playing Devil Crash and Twin Cobra and Fantasy Zone :-)
The Turbo Express is definitely one of the best handhelds, and the only one with an active-matrix display; and it's particularly cool for me because I have an absolute shitload of PC-Engine games that I can now play again :-)
Anyway, I got back here and didn't use it for a few days, basically coz I was far too busy playing Super Mario 64 on the new Nintendo to care about things like music, food and bowel movements. Eventually I emerged from that trance, muttering "mama mia!" to myself and hallucinating spinning stars with eyes rotating on top of my fridge and wondering whether I should grow a moustache and wear a red cap with 'M' on it that would enable me to fly (hey, who needs acid when you've got Mario)... After a few days I stopped being unkind to turtles, and set about playing with the new gizmo.
Now I like to make compilation tapes. Have done for years, sometimes just for my own use, with my fave choons off my current most popular crop of CDs, and sometimes for my mates, as in "You haven't heard any NIN? Well shit, lemme do you a tape of some really good stuff you'll really like". Kinda thing. You know how it is. Of course, you do it on the tape deck, and you can never quite get the transitions between tracks perfect, there's always a click or a blip or a bit where the tape tension changes and it sounds funny. And you finish the tape and then decide that you thought of a much better track 7 and that tracks 2 and 9 would be better juxtaposed, but you can't go back and do it without re-taping half the bloody tape, so you don't bother.
That is the *main* thing that makes the MD so cool. It's like being able to cut your own CDs - transitions between tracks are silent, and once you have recorded a disk you can delete tracks, change the order and generally fart around with them in a most extensive way that you just can't do on the old sequential media. If you do any taping at all, you'll love it, it's like the difference between tape and hard disk - random access makes all the difference. Me, I'll never go back to using tapes again, and I bloody wish I had an MD deck in my car.
Of course the MD is not perfect - it uses a lossy compression technique that serious audiophiles might quibble about (but hey, it sounds fine to me and a hell of a lot better than bloody tapes, that's for sure)... and of course CD-R is finally gonna take off (but for a Walkman-type device the form factor of the MD is a lot nicer, you get to carry around something that is actually Walkman-shaped and not at all like carrying a saucer around in your pocket, which is what it's like with a portable CD).
*And* it's anti-shocked, so I should be able to take it skiing. Plus it's the quintessential cool Sony device, small but serious tech, and on the plane back to England one can seriously out-cool one's fellow passengers with a neat pile of shiny MO disks stacked on your tray table. If you're really sad you can pretend you're the cool guy out of Johnny Mnemonic or Strange Days jacking in a few "gig" of "black ware" into your "trodes" (i.e. your headphones).
heh heh heh....
Whatever - it's cool, it'll do until gig flash gets really cheap :-)
Believe me, once you have tried this thing, you will never use a mouse to draw anything, ever again, as llong as you live. The digitiser is very high resolution, and on my P-166, there is almost zero perceptible lag between your motions of the pen and the output onscreen. And it's just hellacious fun, and at that price, you can justify the cost as a tech toy, even if you're not a serious artist. Version 2.0 of the Dabbler software comes with extra goodies on CD-ROM, including extra textures, some photos for you to manipulate, and a library of stencils (that includes *two* camels, a cow, and several goats).
The stylus can also be used as a mouse for Windows in general, which feels kinda weird at first. Maybe I'll get used to it. Anyway, you're supposed to be able to have the mouse and stylus on concurrently, but on my PC there is some kinda an IRQ conflict so it's one or the other. You may be more fortunate. (Isn't it amazing that PCs only have two serial ports? I could do with at least half a dozen on my machine...)
There's even a little eraser on the other end of the stylus, which rubs out your drawing in a most realistic way (apart from the aforementioned holes in the paper). The pad is thin, small enough that it doesn't eat up a lot of desk real estate, but large enough and hi-rez enough that you can draw with great precision and accuracy. A very cool toy indeed, all told.
Of course, now is not a brilliant time to buy a digital camera, as this tech is moving very fast indeed, and unless you're Geek of the Week and absolutely gotta have it, you might be better off waiting a couple of years, when I firmly expect to see DC's that are hi-rez, compact and cheap. But Yak's just an unreconstructed chiphead, and he loves his tech toys...
More cool toys as and when I get them :-)