#<ө\P  `` / - x   LL L LLLLLLLLL LLLLLLLLLLLLLLL4L+LLLLLLL7L.L:L1LLLL"LCLFL=L@LIL%L(LLOLRLULXL[L^L` zL+ L LVL+ | V   E Z   Z  - ; I [  o0 &/   ` u08 hh  LV h  e` h 0 Y` ` h0 e` h   h  Hh0 e0` h  e`0`L 0 00` 0  ` h00`0000`L h    0 0H0hȱH0h0` h  0 00` h80000` 0 ` 0  ` h0` h0H00h0` h0`  s000 e` I'M DEAD! h   h H0 eh0 e` ^  3/YL} e` This ADVENTURE is over. Hit Y to try this ADVENTURE again I'm carrying yoo much. try: "TAKE INVENTORY" Ho0  &/   (/   * ~0    { H      d    y0 q  hy0h`  LE I stored treasures. on a scale of 0-100 thats: áէŠŠԡ _`L L {01|01 &/0 e` h   h  0 eH0h00 e`  00000.0&.0.0 80000800 й0000  `L L.00000 0 `    m0#0  >0  ~0 `   / 0 / 000ӭ000O0п0000 0.,L 0;0}0      000 /ȱ         q        ]ȱHȱh  PȱQ &/  H 0 -00h  0L L }0      g0h0 /  ȱ    e040f0*82 $/  Hȱh  L"84 {Hȱh   ȱ! [  L0L 0L I must be stupid, but I just don't understand what you mean I can't do that... YET! DID: PSBL: 0 `00 $ L0 H u0=  L I'm carrying too much! try: "TAKE INVENTORY" 1  (/Hh  0L/  L  0 i00/и   &/     0  L80L0ߩ +  e0`  /  H  ` ϭ0 u L HUH? OK I'M NOT CARRYING IT! I DON'T SEE IT HERE! I ALREADY HAVE IT ITS BEYOND MY POWER TO DO THAT. m ԅd8di` 0 &/0 u 08  LO    / ȱ 0 0)  LO P 0s00 eLO0 +  e` I FELL & BROKE MY NECK! I'M DEAD! ITS DANGEROUS TO MOVE IN THE DARK! I also need a direction. I can't go in that direction. on. LeLLLLL LLDLyLLLLLLLLL9L(LMLtL_L#LL3L+L;i  zȥ `ȱii`hhhHHH(lhhhhhH(lЯПлЏЫe(`ahbhchdbHa(      cdlchahb      abla(`LL8hh(`HHHHHH֥hh(`HHHH 8  h8(`h  zL  zȱLHeeh(`  zȱ `  zLpLfLL2LLL*LL.*AUp%1FZw` &/o0`  I````` 0 0` 0 0``   */  Ф``   */  `0`0I` 0 Ж`    o0ȩ30 &/  (/30 b    30      ` I'M CARRYING THE FOLLOWING: Not a thing!  Hȱh / .    ` Y0R Y0R0! &/0  L /0m0ȱ *      30o0 &/  (/030      b30     30   / ȱ0m030  30       з30  S8Rʩ  Y0R `ӠϠˠϠš I'm in a North South East West Up Down . Visible items: Some exits are:     /g0mg0g0ȱ       ȱ  qй   `   Z kW03/X04/<05/ V &/3/o0 V R V ` Saving Game C: D:SAVE. Disk or Tape? Ready tape then hit: RETURN RUT[    V/U3T` RYX V`L LpLiLLLOLOLL.!L$L}$L\!L!L  :  ! % :  eL/ " S Q"0 SL%  ^  S0     `* ADAMS ADVENTURE * (VERSION 3.9/) (C)'81 A.I. BX 3435 LONGWOOD FL 32750 This program will allow you to have an ADVENTURE without ever leaving your armchair! You'll find yourself in a strange new world. You'll be able to examine, get and otherwise manipulate the objects you find there. You'll also be able to travel from location to location! I'll be your puppet in this ADVENTURE. You command me with 2 word English sentences. I do have over 120 word vocabulary, so if a word doesn't work try another! Some words I usually know are: HELP, QUIT, SCORE, INVENTORY, SAVE GAME. The Author has worked over a year on this program so Now hit return  L(   8H    hL(  `    LZ    `   RLw  i@`8 ɀɠ _bY0 (('RLw XY (   `e`Rˤɀ y y Xɀ yL S`R`RS` X yɀH  y yLR hLw  @ 2/ 3/  y0 V~ 3/  ɛ    `   A/Ш Rrb V0 V Vrb/eu3dtkhi{xyS3/:4/ 5/ j VK3/z0 VrR'S   ! Rᩞ S᩟  3/S X`LRXRаSL X,L,R move margins and S to stop Y0 '( R `hhhHHHHH(lhhhhh(l o0    &/  */   w00x00{01|01}0 0`k00 0 0 i0"*i0 Ν0i0`i0 0Ξ0` &/& 1  11100 " ` "  1  " ` ԠӠԠ LIGHT HAS RUN OUT! #   3/  G$0j0X}0`A ੒`BXPTIN0V0E0NSEWUD ;# 00` 0/ ! $  0  $ L"00 G$00+ ./ ! *$  0  ?$ L"00` # L" Use 1 or 2 words only! ɠ I don't know how to "" something. I don't know what "" is.  0   `  ⎝0     &/  0` 00 00-080000 0  0   q 00 0  ` %  3/YN`Z k % W0 3/ ~%  s%L%<5/0 % s% &/3/o0` R V` ĠŠŠġ Want to restore previously saved game? RYX V` \L,||;8x|~ ~~Ƃ88~~<8|}  8`||<ppp```pppؘ88fWZfb 8TT|Ff px>88oGW{<6gO{77pp\~WG?>3;=ws46:::|>>?7 ``<,l\\\}==[>||4,n~~vR~~ff瀸|nF~z>>~~>vb~^`|x|~~wg` BۙB~M~<$MFMFMFMFMF|||| <|fUU~<$' /݅, 屩9 屠9JH*h挥<ԩЍҩҢ w [թ ʴ ʴ *ޭ [ե))=t񅕩4 ( >H> > >>> )%H)hJJJJHH 掩YHHH001 >> H >>>蹞>膎hhh  0hh 0L,  ƕm   iؠ J&ܥL JJJf* Ɨ0i0>ԭr>ܥ܅ԍq>r>>s>© ΅˩f©w> ٳ *M֥ )8>> * +)! 8˩lॄH)iH(6hJJJJiH'6 =6𠀥,) @888:JJJ  7$00%j:#  & Ş">J~> 0LGPރ汋*>*>JJY*&抱)JJJJ扵Q)Qf!*0 > |U剕f *0 >ݵΰef >劕f ɜeְ ݳ0Lu&) &*jj&j&ۥѢ¨)8)<5JJJ ) @. $P! +JJJJJ) < 0Lک Hj #>.*0+>ŧ >)ݺ>>٨>>)q>q>01) ʴ *٢ 4I 444I44٥82ٍ * i w +xׅ 촨$$0s ʴ)   H$p f6$p ڴ+ 0$j** I륰0 ٳL"f*$p ڴ0  )Θ*мCDEFGHIL#NCPcRTTUUUUU'VmV!BB C B812N"GET" "" "" "" "" "" "" "" "" "" 123 0 723 @v~(3# ͲBDMS7!76~867 0 ~O(~\6NO SYSTEM DISK ERROR ^j: k(>(0Ij}j͚B/j N(Y͚B!]@~ ͚BjS/S1 {5W =T:c"9Ű QSsӭ?123** E+ ANYNORTSOUTEASTWESTUPDOWNSANDBOTTRUMSALTSHIPPIRASTOR*HURRARGHTREE*PALMLOGHEADWIREWATCCLIF*EDGEBATOCEAJUNGVINEINVEHANDFEETBREABASIOUTLEDGBONERAFTHOLECREVCAVEASHKNIFSTALNEANMETATUNNPIRAANIM.LAKEVOLCFREETIDE.BUTTWATEHOLGAMEBEARSWEAATOLBEACDRAWAROUSHARPLAINOTEBANDCOCOCASE*DISPBLOCOPENGUANCONSFORC*FIELROOFHELLDIALLEVEMACHGROUROCKPUDDAUTOGO*WALK*RUN*CLIM*ENTE*CRAWGET*TAKE*GRAB*PICK*HOLD*CATC..DROP*LEAV*PUT*RELE*GIVEMOVE*PRES*PUSH*TURN*PULLLOOK*EXAM*DESC*READ*SEEEMPT..CUTSCORSAVEQUITHELPINVEFILLSWIMSPILYESBUIL*MAKEWITH*USESWIMPET*TOUC*FEELWAITDIGKILL*DESTJUMP.SLEEBREA*SMASYELL*SCREDRIN*EAT*TASTTREAASK*SAY*TELL*YELLFIX*REPAYOHOPADD*SAILOPENBeach by ocean,Beach by ocean, a cliff towers over west end9*I'm on the edge of a hot rocky cliff outside the VolcanoBeach by oceanshallow tidepool%*I'm on the rim of an extinct volcano large plainvolcanometal lined tunnel0*I'm on top of the head, offshore I see an atoll deep cave*lake. There's shore to North, South & East*I'm above the lake bottom*I'm on a raft*I'm on a small atollbeach by ocean ancient cave=*I'm west of lake on a small secluded ledge on volcano's walltop of a palm tree metal room metal roommetal lined tunneldimly lit rock room rock room maze of caves maze of caves maze of caves maze of caves metal roomsmall metal roomsmall metal room5*I'm on the edge of a sandy cliff outside the volcano maze of caveslot of troubleOKSoaks into ground.Empty? Get liquid Getting darkSunsetI hear cannon offshore My bones acheHurricane Alexis hits island Storm passedstorm lifts me out to seaI've been here moves&Bear smells something on me, licks me,I'm attacked by wild animal bear eatssaltmeSorryNot tillI cango thereI seea bearash is loose, I slide down#I shawda picked another proffesion!Try Far belowa cave at sea levelnothingspecialZWelcome to Adventure 10: "SAVAGE ISLAND, Part I" by Scott Adams, dedicated: Dennis Brent. sharkstrees, wild animals,How? doesn't workI drown somethingtoo heavy or awkward I breathed!vinesCRASH!I feelArgh!They're attached to hard workmakes me nervous resemblesWierd!Hard to steer this thing!Its coming apart? ledge in the wall of the volcano look sicklyNot safe I'm too bigMorning! Congrats!bear paws ground & whines,UFO landing among dinosaurs & picture of me!bas pirate takes it his bandanna falls off I see he has antennas He drops a note, leaving chortlingONote says: "What was, must be, so send this note we to tell you a word's free!"saltyI'm a bottle babyto move in hurricaneI'm treading water caveman saysI hit stone withit won't budgecavemanits hinged at top! TYranosaurus,replica full sized! There's button at bottomglowsbutton, dials, leversbeach 3 meters below#Don't be "YES" man. Do it yourself!a holeYUCK!#Metallic voice whispers in my mind:"VOCALIZE PASSWORD PLEASE""READY" pushes button'There's blinding flash from Force Field*Smiles & points at me then the force fieldcase opens. Its alive!I'm dinosaur snack!nothing happensits an alien script!Piece wire missing from it!tripped & fell!2If you like to kill monsters play "MACES & MAGIC"!I dropped somethingCaveSweatOceanBeachTidepoolAtoll Cave in cliffPrimitve cave drawings Note/NOTE/(Bandanna/BAND/)Coconuts/COCO/*Stalactite in roof NeanderthalCrevice in rockSealed display caseSealed display case Dark openingOpeningPile bat guano Force fieldControl consoleNarrow creviceDark opening in roof&2 centimeter piece of shiny wire/WIRE/7Open display caseAlien machineryCoconut meat/COCO/:     >>>>>>>>>?2?F?M?_?d?}????????? @@.@I@Y@h@}@@@@@@@@@@@@@AA&A6AJA^AkAsAAAAAAAA B     &, .. 66 .3...Q.1H*93 OO3??=-3=DDDDN)..G.H 3333Q;63:+D@HB=0 D/#(L&&#### .& -)d dddddddd(( (#dddddd(ddddddddddd(ddddddddddddddddddd$"::!)D2$3&'$=<4' % >B 7;79:7*D&E*E,J%D$DHH&=I666666P2K%OQQ6D177& 7792R;>I5:OO6Q ;z5>5>Q-::OOQf+Q<<<<>H;jI':;899<<<5z5:<>>>;QHQ>>X//<:>&5; *BBOgH$/5>QU?QQS3;Q$;n$$ I<IQMPMQQ::t:M)(+zzNNM"05555+I;t(uLLL<>LL"#LLLQBL''L";QQQR:LLL#I;Q555LhOX=L=mLorrL&Lvx'Lz{|5 : %y8LL::<:555IOILL565LH I QQLL==I??=p=L(LIILLL?II=554=;:IQ<:2;LLL IX2=-I5:}}'; Yhr^^^^F1&~bb|@{ \pFDK}{{VX|q<(1(<d(^m[P% d0Rd6 yThTur ~z000XFh!Pmlx3(<d@,dT(((| m~vxvvlX0|.xBj1<]p]1,YPPnPrYX0PmP nlhhp~|x>lp!h6P$0d<hhDDDZ6ITIO6``xh@q<q] |C,d}}>x610_p088qH (H LxL`` qxlRR4sPP@x444455!5G5S5[5n5555556#606n66666666667 77-7c7q7   !77777777777 8&868<8c88888888888888 999%9-9999999999999::":3:=:D:^:o:q::::::::;q;;;;;<<<"<.<6<>P>Q>R>S>Ln آ" ةӥ! iٰ{٤پ)? ڨ_ژ )Sڥ) HJJ)H)ٵJ!J:%% J0Jfffffff>`<|fl0fF68of;p88pf< 80 0 ~~`0 0`7ggo;3s~s3``p?cccccs6<gn||lopp``cccwkc|vvvvw6cc633>006cco><66>333`>?ll 3333c>ccc6<cckwccf<6ccc6 ?f 3~@`0 xx6c6>8pp8?** TTwwT*TUU]x`x`~<~~<0~0 ~ <~~<6vv``|ffff6680>{2rއ<```|f~6<3|fffff~`~ff3c ? s333c66cck3~n۱6f[ۃ><~~<8x8 sequence DELETE....SHIFT+DELETE CLEAR.....SHIFT+CLEAR RECOVER...SHIFT+INSERT INSERT.}...CTRL+INSERT REMOVE....CTRL+DELETEDESIGN....D to enter SOUNDESIGNER ESC to exit SOUNDESIGNER } CHOOSE....A-E GET.......G KEEP......K CATALOG...* HEAR......H NEW.......N}, then ..A-E each ..O Omni (all) ..N None (oops)DOS.......SHIFT}+CONTROL+D to go to DOS -- GETTING STARTED --Loading Instructions:Remove any cartridges from the cartridge slot}s. Turn on your disk drive and wait for the busy light to go out. Insert the program disk into the disk drive with the labe}l side up and the open section towards the rear of the disk drive. Close the disk drive door and turn on the power switch of} -- FUNCTIONS/COMMANDS/MENUS --SECTION 1: EDITING PATTERNS The patterns are the basis of your song. Different patter}ns can be used for introductions, instrumentals, fill-ins, or just minor variations to create the illusion of a live drummer.} Press the number of the pattern you want to edit (1-0); the computer will display that pattern and you will be ready to ed}it it. Use the joystick or the four arrow keys (you do not have to press CTRL) to move the cursor around inside the pattern }window. When it is at the point that you want a sound to be played, press RETURN or the joystick fire button and a point wil}l be plotted. You have six sounds to choose from. Five sounds are loaded automatically upon start-up. These include the f}ollowing: Bass drum, snare drum, closed high hat cymbal, opened high hat cymbal, and hand claps. The sixth line contains a }null sound, or a "rest." The program is monophonic, meaning that one sound is played at a time, so there can only be one poi}nt per column. Pressing SHIFT and CLEAR together will clear the entire pattern. Be careful! This procedure is irreversabl}e! Pressing SHIFT and the INVERSE VIDEO key together will cause all of the data that appears to the left of the cursor to re}peat over and over again until the end of the pattern. For example, let's say you want to create the following pattern: }1...2...3...4...5...6...7...8...1. O-------O-------O-------O-------2. ----O-------O-------O-------O---3. -OOO-OOO-OOO-OOO}-OOO-OOO-OOO-OOO4. --------------------------------5. --------------------------------6. --------------------------------} <--------- 32 pulses ----------> You can see that the pattern repeats itself after the eigth pulse. To write this pat}tern, you would only have to plot pulses one through eight, place the cursor on the ninth pulse and press SHIFT and INVERSE. } The computer does the rest. Pressing the TAB key selects the length of the pattern that you are editing. The lengths rang}e from "FULL" to "SHUF" to "HALF." A FULL pattern contains 32 pulses. This is the mode used for most music and is the defau}lt value for all the patterns when the program begins. The SHUFfle mode is used for waltz patterns where there are three, in}stead of four, beats per measure. This mode sets the length to 24 pulses. The HALF mode retains the same timing scheme as t}he FULL mode, but is only 16 pulses long. This allows a finer degree of song control by offsetting the rhythms one measure, }making room for intros, fill-ins, etc. The length of the pattern can be defined as the timing "signature." A signature of }3/4 used for waltzes and shuffles would be the same as a length of 24 pulses (the "SHUF" mode), while a typical rock 4/4 sign}ature would be 32 pulses long (the "FULL" mode). Each pattern has its own individual tempo and signature. This allows you }to put a waltz interlude in the middle of a swinging jazz sequence, or to speed up a rock song during a hysterical instrument}al. The tempo for each FULL or HALF mode pattern ranges from about 37 Beats Per Minute (BPM) to about 300 BPM and can be inc}reased or decreased by pressing SELECT or SHIFT-SELECT respectively. The tempo reading for the SHUF mode is greater because }there are only 3 pulses per beat instead of 4. You may notice that the tempo changes in greater increments as the value incr}eases. This is because THE RHYTHM COMPOSER uses the Atari's built-in clock to keep track of time. This clock only changes e}very 60th of a second, so - at 4 pulses per beat - the finest control over beats per minute is 4/60 of a second long. When p}laying rapid music, this can be quite a long period of time. The only way to overcome this obstacle would be to use delay lo}ops in the program. This, however, could cause unpredictable results so I opted for the internal clocks to keep the beat ste}ady and reliable. Pressing T will call up the pattern data transfer window. (Whenever you select one of these windows, the} pattern drawing area will dim, indicating that you are no longer editing the pattern.) This function will transfer the data} of the pattern you are editing into the memory of any other pattern. The computer will check to make sure you want to do th}is before proceeding because it will write over anything that is already there. If you want to listen to hear the pattern y}ou are editing, simply press OPTION.SECTION 2: EDITING THE SONG Press ESCape to enter the song editing mode. The patter}n area will dim and the bottom window will display four lines of song data space. The song data indicates the order in which} the patterns that you have created will be played. Whenever you press START, the computer will start at the beginning of t}he song and play the patterns in the order you program until it either reaches a space, an "E", or the 128th block (a block i}s one pattern place). A space will tell the computer to go back to the beginning of the sequence. An "E" will cause the com}puter to stop playing and return to the pattern editing mode. If the computer reaches the end of the 128th block without a s}pace or an E, it will start over at the beginning. You may stop a song at any time by pressing any key. If you are just st}arting out, the song data should be set to play pattern number one over and over. You should see a "0" in the first place of} the song data, and nothing to the right of it. If there were an "E" immediately to the right of the "0" then the computer w}ould stop after playing that pattern. Use the arrows to move the cursor around the data windows, and press any number from }zero through nine to put that pattern in the song. Press the space bar or E to plot either of these. There are a number of}SECTION 3: DISK FUNCTIONS To find out what is on a data disk, just press C (for Catalog) when it is in the drive. The pa}ttern section will dim and the computer will request the type of directory you want. You may either choose a list of RHYTHM }COMPOSER files or a list of SOUNDESIGNER files. The screen will go blank for a second and then catalog of all the selected f}iles on the disk will be displayed. When the list is complete, you may press P to print it out or any other key to go back t}o the pattern editing mode. If there is a song on a disk that you would like to load, press L and you will be in the Load S}equences screen. The computer will ask you for the filename (which can be found using the Catalog function). The filename c}an be anywhere from one to eight characters long. Press RETURN after you have the filename typed. (If you press RETURN with}out typing anything, you will go back to the pattern editing mode.) The computer will then load the sequences into memory an}d return to the pattern editing mode. To save data, first press S to enter the Save Sequences Mode. You will then be asked} for a filename 1-8 characters long. If you enter a name that is already on the disk, the computer will ask you if it is oka}y to replace it. The screen will go blank for a moment, and then you will be back in the pattern editing mode. If you have }not received any error messages at this point, your data will have been saved correctly. To get sounds from the disk, first} find a filename you want from the catalog. Then press G to enter the Get Sound mode. Type the filename you have selected a}nd press RETURN. The computer will make sure it is there and then ask you where to put it (sound memory slots 1 to 6). Pres}s the corresponding number and the computer will load that sound into memory in that spot. Try substituting sounds for other}s and playing the same sequence. Pressing SHIFT-CTRL-D will load and run the DUP.SYS file in drive 1. This is for standard} DOS functions such as formatting blank disks for file storage, renaming files, etc. CAUTION: going to DOS erases the data i}n memory. Be sure to save before usng SHIFT-CTRL-D. Once you are done with DOS, you may directly return to either THE RHYTH}M COMPOSER or SOUNDESIGNER. First press L [RETURN]. Then type either "RHYTHM" or "SOUNDES" and press RETURN. After you hav}e gone to DOS once, all you have to do is press SYSTEM RESET to return to it. Pressing SYSTEM RESET before doing this functi}on once will simply cause the computer to cold start and boot any disk which is in the drive at the time. Pressing SYSTEM RE}SET at any time will erase the contents of memory.Warning! You're getting into the technical stuff!!!SECTION 4: PRINTING}The RHYTHM COMPOSER will print data out to a printer that is hooked up to your computer and is capable of printing 40 or mo}re columns. First, the data that you wish to print must be saved on disk. There is a BASIC file on the disk entitled "PRINT}OUT.UTL" that loads and prints standard RHYTHM COMPOSER disk files. Simply go to DOS, by pressing SHIFT-CTRL-D, and use func}tion O to move this file to any of your own working disks with DOS on them. When you want to print data, boot the computer w}ith BASIC installed and type: RUN"D:PRINTOUT.UTL [RETURN]and then follow the prompts within the program. If you want} to stop the printing process, press the space bar and you will be returned to the data selection menu.SECTION 5: SOUNDESIG}NER While in THE RHYTHM COMPOSER, press D to enter the Design Sound Dynamics mode. Press D again to load the SOUNDESIGNER}, being aware of the fact that whatever you are working on with THE RHYTHM COMPOSER will be erased from memory. The message,} "Please Wait" will appear and the program will load and run automatically. Once the program has loaded and the title appea}rs at the top of the screen (in the Command Bar), press the space bar to enter the "active" mode. Now you are free to choose} from the options that have replaced the title in the command bar. To choose an option, just press the first letter of that }option. The first five are the sound parameters themselves. They are represented as follows: A, Coarse Pitch; B, Fine Pitc}h; C, Volume; D, Voice; and E, which controls Filter and Clock Speed. More on these later. The next option, "Get," simply} gets a file from disk, decodes it, and then draws it in the parameter windows. The "Keep" function stores a sound on disk f}or later use with THE RHYTHM COMPOSER. When Keeping a file, you will be asked for a "Tag." This is what shows up in the sou}nd key during use with THE RHYTHM COMPOSER. The "Catalog" function (called by pressing *) displays all of the SOUNDESIGNER f}iles that are on the disk in drive number one. Press any key to scroll through up to 64 files per disk. "Hear" is a pretty} obvious function. It allows you to listen to what you're working on. The "New" function is very dangerous. It zeroes out }whichever area you select. After pressing N, you are asked if you want to "new" each separate parameter A-E, Omni (everythin }g), or None - just in case you didn't mean it. "ESCape" is even more dangerous. This will reboot the system, erasing every }thing in memory upon verification. It's perfectly safe, however, if you have already saved your sound and wish to go back to } THE RHYTHM COMPOSER to try it out. The parameters are fairly self-explanatory. Coarse Pitch gives you a broad general con }trol over the pitch of your sound, while Fine Pitch allows you to fine-tailor your sound. Volume controls when your sound is } on and how loud it is at that time. The Voice parameter may take a slight familiarity on your part with Atari sound. The }levels on the graph pertain to the "distortion" value in a standard BASIC sound command ("SOUND n,n,distortion,n"). A voice } your computer (if you have an XL/XE series computer, you must hold the OPTION button while turning on the power switch). Th}e program will load in a few seconds. Do not remove the Master Disk until the message, "LOAD COMPLETE" is displayed (the com}puter should also beep). You must reinsert the Master Disk when loading SOUNDESIGNER.THE FIRST DISPLAY SCREEN When the p}rogram finishes loading, the computer will beep. In a few seconds, the display screen will appear. There will be a graphic }of 10 is a pure musical tone, while a voice of 8 is what is called "white noise," a hissing sound which, at high pitches, may} sound like a steam leak and, at low pitches, may sound like an explosion. Generally, the usable voices are the even numbere}d ones. You can, however, make a speaker "pop" by using voice number 1. This is useful for producing a bass drum sound, whe}re the main element is a thrust of air. The last parameter, which controls the "AUDCTL" register, allows you to filter pure} tones. It will also change the speed of the clock which generates the pitch of the sound. Normally, the Atari sound clock <}representation of pattern number one in the center of the screen and a window at the bottom with the sound key, the pattern lC} special editing keys in this mode. Pressing SHIFT-DELETE will delete the data from the position of the cursor all the way t8} The disk contains 24 sample sounds that you may "Get" and examine. They are as follows, alphabetically:BASS Bass dr}umBASS2 Bass with a long decayBASSHAT Bass and high hat in one! BOOM A quick explosionCLAP Hand clapsCOWBELL} Is that Bessie comin' in?CRUNCH Watch your toes!DRIP Fix that faucet!HIHATC Closed high hat cymbalHIHATE Elec}tric high hat cymbalHIHATO Opened high hat cymbalHISS Useful for fade-insHITOM High pitched tom-tomLASER Duck}!LOTOM Low pitched tom-tomMDTOM Medium pitch tom-tomBHCONT BASSHAT continuedREST Take a breatherSNARE Sna}re drumSNARE2 Snare - school band typeSNARE3 Snare - high pitchSNARE4 Snare - low pitchSTATIC Juicy, staticy soun }dTAMB TambourineWOOD Wood block There are also sample sequences for you to load. They all have the same filenam!}e format, "DEMOx" where x is the demonstration number. The last sequence file, "CLEARALL," does just that! -- HELP"}FUL HINTS --If you happen to be writing a song that you have no beat for yet, you may want to follow these basic guidelines#}.First of all, write your general pattern, the pattern that is played throughout most of the song. Be conservative, if you$} write a real fancy basic pattern, there will be no impact when you want extra expression later.Next, transfer that pattern%} into another pattern memory. Now, in this new pattern, you can add fancy fringes to your pattern for fill-ins or "impovisat&}ionals." For intros or lead-outs, you may want to delete certain parts of your pattern.Before you write a beat, figure out'} the melody you will be playing along with it. This will make sure you create a beat with the right "attitude" for the song.(} You wouldn't want a break-dancing beat in a ballad, or would you? -- TROUBLESHOOTING -- If you are having probl)}ems with disk or printer functions, not to worry! Here is a list of all conceivable errors:130 - Nonexistent Device - Make*} sure your printer or disk drive is hooked up properly.136 - End of File - Somehow, what was supposed to be in the file is +}not. There is no recovery.138 - Device Timeout - Check the connectors to your printer or disk drive because it's not respo,}nding to the computer.139 - Device NAK - Some information was garbled along the way, try it again.140 - Serial Frame Erro-}r - This is a very rare error but is quite serious. It means that the communication from the device to the computer is garbl.}ed. If it happens more than once, have your equipment checked.143 - Checksum Error - More garbled info. Try it again.143}SILS BS`L,T"GL,T!GIL,T"G PS} BSIL,T BS`LIS BS`L?T EL]T0}ҠӠ TK B J`LsTk@kTj@jTEIk@DIj@ SI LlT LmT"G MoToT OnTnT#G BoTIPLU1}8!GPG G BLTP:T Ad GLU B }the Atari ("Pokey?" -that's the name of your Atari's custom sound chip). You can create some astounding effects by just fool?}ing around with all of the little idiosyncrasies found on the POKEY chip. If you feel the least bit frustrated while trying@} to design that awesome sound which you need, find one that sounds somewhat like it on the master disk. Use that as a startiA}ng point and simply alter it!which you need, find one that sounds somewhat like it on the master disk. Use that as a starti Full - You already have 64 files on that disk. No more room!170 - File Not Found - The file that you tried to load is notG}ength, and the pattern tempo. Your place in the pattern is denoted by brightly-colored braces and the pattern number is undeD}r the letters "PTN". The numbers that appear above the pattern are to help you keep your place while editing and have no musE}ical signifigance at all.numbers that appear above the pattern are to help you keep your place while editing and have no muse Rhythm Composer main screen.rsor and moving the data to the right one space to the left. Press RETURN to go back to th on that disk.eady have 64 files on that disk. No more room!170 - File Not Found - The file that you tried to load is not:F5 #: -C!C{:(#: :~:F5 :F5 -C!#W"$ VOLUME VI}ALUE: r:?u: *?'*+W!C{:(:F5 #: -C!C{:(#: J}::F5:F5-C!#W6"$ VOICE VALUE: r:R@u: *^K}@'*+W!C{:(:F5 #: -C!C{:(#: ::F5:F5-C!#W"L}$ AUDCTL PARAM: FILTER u:::O: ΐ ϧ:x::ЄM}nFE;$E;%sAW*+x:  x:PPP AW*u: A:A$A%:N}Au: BW*u:A$A%:Bu:B:T$B::F5:F5:F5O}:W!CO#!#WB:-CQB:-CQ:-C: ::F5:F5P}:F5@-CxBR"CFILTER 'C15KHz 1.79MHz: ΑQ} ϧ:OuC:iC$iC%+"$ GET: Filename> "p*R}:D=C+?:D:A::DB::D/.SDB:D7W!Dx: D$iC$D{:(#{:(S}>iC% D%DO#O>DU#U>D[#[>#WiC$:GAI:P:DBiC%:GAI4"# T} "TAG: :D"WORKINGOiC$::E5 o: : ~:-B:U}-B::E5o: : :-B:-B::E5:B@E:@ :B:BV}E: :B:BE:BiC%" WP D$!C{:(~:F5 #C{:W}(:F5 #C{:(:F5 #C{:(:F5 #:F5!CO#:F5!CU#:F5!C[# D%!#Wx:X}u:+WF!#W"#GET: Filename> ERROR- #""4b"$ KEEP: FilY}ename> "p*:D=^G+?:D:A::DB::D/.SDB:D74" REPLACE? _Z}l:6YGY?4:D7::DAiC$:F-=H:-CiC%"#KEEP: Tag> [}  "X*::DA: B: B::DB:D/H::D/:DBiC$::PEA:Di\}C%:D4+"#KEEP: Filename> ERROR- #""4/::D.J/.+"]}$ NEW: ABCDE Omni None l:6AE NOuIN}I+OIiC$*iC%+:@ ^}*+"WORKINGWKIKIKIKIKI..!#Wx:+!{:({:( D$D#> _}D%!D#>P D$: ::F5 -C D%~:A~:PB~:~:DB+!{:({:( D$D#> D%`}!D#>P D$: :~:F5 -C D%:A:PB::DB+!{:({:( D$D#> D%!a}D#>P D$: ::F5-C D%:A:PB::DB+!{:({:( D$D#> D%!D#b}>P D$: ::F5-C D%:A:PB::DB+DO#O>DU#U>D[#[>O D$:c}:C D%:A:PB::DB::DA::DA+"$ CATALOG... (Press any key) r:Ld}D:*.SD7iC$: A:P B::DBLl:L$L?:GAI:F = M: e} : FC-MP4+:   CL%"#L$%":F"L%f}M:M)iC%4++M: AL%r:$:A:UV:T:":Dg}_ l:6(N":D +~DN: :Bz@[/: yN yN:-B:z:q}B-AUTORUN SYSB -FONT SETB'6DOS SYSB*]DUP SYSB3DOC 000B4DOC 001B:DOC 002BDOC 003DOC 004'DOC 005BLOTOM SD BBASS2 SD BBASSHAT SD BBHCONT SD BSNARE2 SD BSNARE3 SD BSNARE4 SD BTAMB SD BCOWBELL SD BWOOD SD BHIHATE SD BHISS SD BLASER SD BBOOM SD BCRUNCH SD BDRIP SD BSTATIC SD BDEMO1 RC BDEMO2 RC BDEMO3 RC BCLEARALLRC b(PRINTOUTUTLCLAPSNARSD RHYTHM BAS!ܥ:L&@ǩąL?Ģ v`J vvJJJ2``YUjUj`VjVj`WjWj`Xj`@`hh eeŰLT:LG:` Ea? 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